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Goddess in the Stacks (553 KP) rated Clock Dance in Books
Aug 11, 2018
Clock Dance was the second pick for Barnes & Noble's nation-wide Book Club. (The first was Meg Wolitzer's The Female Persuasion, back in May.) Like the first one, it was contemporary fiction, which I'm pretty meh about. When I learned it was set mostly in Baltimore, and written by a local author, I became more interested. I'm originally from Oregon, but Baltimore has become my home, and I enjoy reading about it. We had a slightly larger group than last time, but I was the only returning attendee besides the store employee, Sam, who led the discussion.
Sam opened the discussion with the same question that she started the last one with - "Did you like the main character?" It's an interesting question because most people ask "Did you like the book?" which can have a different answer. I don't usually read books in which I don't like the main character, but that's usually because I choose my books. I'm not choosing my Book Club books, so it's a good question. Unlike last time, I did like Willa. I disagreed with her judgment when it came to husbands, but I still sympathized with her. I mentioned that I didn't like that she just floated through most of her life without any real ambition, but to be honest, I've done that too. I'm not a very ambitious person - or my ambitions are quite low. I think that, perhaps, is the difference. I find a lot of fulfillment in being, effectively, my husband's personal assistant. It's fun. Willa did not seem to find it fulfilling, she just - didn't want to rock the boat.
I like how we saw each of Willa's "defining moments" - the book opens on her as a child, her volatile mother having stormed out of the house during an argument. Her mother really does a number on her as a child. I think it's why she hates to rock the boat so much. From here, we fast forward to college, and Willa's boyfriend proposing to her after gaslighting her about an event that happened on the plane. Willa's mother disapproves. Vehemently. I think that's part of why Willa accepts. Our next view of Willa's life is the accident that takes her husband's life, and its aftermath.
Then we finally start into the real meat of the book, twenty years after the death of her first husband. Her sons have grown and moved away, she has remarried, and both of her parents have passed. Her husband is a little distant, and she seems rather untethered. Then she gets the strangest phone call. It turns out her eldest son lived with a woman (Denise) and her daughter for a little while in Baltimore; he has since moved on, but "Sean's mother" is still a phone number on Denise's emergency contact list. So when Denise is shot in the leg and put in the hospital, a neighbor lady sees it, assumes Willa is the grandmother of the child, and calls her to come take care of her. It's a little convoluted, and Willa can't even adequately explain to her husband why she's decided to fly to Baltimore to take care of a child she has no relation to, but she does so anyway.
This is where we get to Baltimore, and, in Anne Tyler's own words, "when her story changes to Technicolor."
I actually live just outside Baltimore myself, but one of my best friends lives in Charles Village, and I could SO EASILY envision Willa's neighborhood as a street of rowhomes. (Turns out it's probably based on a neighborhood in Hamilton, according to the Baltimore Sun.) I was even mapping locations in Willa's house to my friend's rowhome! Anne Tyler really captures the spirit of Baltimore, and now I want to read more of her books, even if they are contemporary fiction!
Overall I enjoyed Clock Dance; Anne Tyler is very good at subtle character growth, which is quite realistic. People don't often change all at once. Sometimes it takes a lifetime of being told what to do before finally waking up to what you WANT to do.
You can find all my reviews at http://goddessinthestacks.wordpress.com
Sam opened the discussion with the same question that she started the last one with - "Did you like the main character?" It's an interesting question because most people ask "Did you like the book?" which can have a different answer. I don't usually read books in which I don't like the main character, but that's usually because I choose my books. I'm not choosing my Book Club books, so it's a good question. Unlike last time, I did like Willa. I disagreed with her judgment when it came to husbands, but I still sympathized with her. I mentioned that I didn't like that she just floated through most of her life without any real ambition, but to be honest, I've done that too. I'm not a very ambitious person - or my ambitions are quite low. I think that, perhaps, is the difference. I find a lot of fulfillment in being, effectively, my husband's personal assistant. It's fun. Willa did not seem to find it fulfilling, she just - didn't want to rock the boat.
I like how we saw each of Willa's "defining moments" - the book opens on her as a child, her volatile mother having stormed out of the house during an argument. Her mother really does a number on her as a child. I think it's why she hates to rock the boat so much. From here, we fast forward to college, and Willa's boyfriend proposing to her after gaslighting her about an event that happened on the plane. Willa's mother disapproves. Vehemently. I think that's part of why Willa accepts. Our next view of Willa's life is the accident that takes her husband's life, and its aftermath.
Then we finally start into the real meat of the book, twenty years after the death of her first husband. Her sons have grown and moved away, she has remarried, and both of her parents have passed. Her husband is a little distant, and she seems rather untethered. Then she gets the strangest phone call. It turns out her eldest son lived with a woman (Denise) and her daughter for a little while in Baltimore; he has since moved on, but "Sean's mother" is still a phone number on Denise's emergency contact list. So when Denise is shot in the leg and put in the hospital, a neighbor lady sees it, assumes Willa is the grandmother of the child, and calls her to come take care of her. It's a little convoluted, and Willa can't even adequately explain to her husband why she's decided to fly to Baltimore to take care of a child she has no relation to, but she does so anyway.
This is where we get to Baltimore, and, in Anne Tyler's own words, "when her story changes to Technicolor."
I actually live just outside Baltimore myself, but one of my best friends lives in Charles Village, and I could SO EASILY envision Willa's neighborhood as a street of rowhomes. (Turns out it's probably based on a neighborhood in Hamilton, according to the Baltimore Sun.) I was even mapping locations in Willa's house to my friend's rowhome! Anne Tyler really captures the spirit of Baltimore, and now I want to read more of her books, even if they are contemporary fiction!
Overall I enjoyed Clock Dance; Anne Tyler is very good at subtle character growth, which is quite realistic. People don't often change all at once. Sometimes it takes a lifetime of being told what to do before finally waking up to what you WANT to do.
You can find all my reviews at http://goddessinthestacks.wordpress.com
Jamie (131 KP) rated An Eccentric Engagement in Books
May 24, 2017
Sweet romance (1 more)
Good commentary about social justice
Does more telling than showing (1 more)
Felt more like a lecture than a love story
A sweet regency romance
So this was a bit of a non-traditional romance as it takes place after the courtship. Sorrow and Bertram are engaged to be married and the two return to Sorrow’s country home for the wedding. The two are very clearly in the early stages of excitement over a new relationship, stealing kissing and admiring each other — the “puppy love” stage. Neither of the two truly love each other but are already prepared for marriage. The actual romance was more told than shown and it unfortunately just didn’t work for me. The romantic aspect seemed to take a back seat to the other two major plot lines: Sorrow’s altruistic family and Bert’s difficult relationship with his overbearing father.
Both of these plot lines are actually really good, but I felt that they both needed more time to be developed and would have been better in a full length novel. All of the conflict was resolved in a few pages with barely any resistance and the discussion felt more like a lecture that was repeated multiple times. Not that the message was bad, I appreciated the way they approach discussing the mentally ill and the elderly, and I actually liked the Marchand’s way of life, but I think it could have been delivered better.
It also didn’t help that Sorrow kind of annoyed me. When she talks to other people to try and explain her views it again turns into a mildly pretentious lecture. Her insistence on absolute harmony and willingness to throw everything out of the window if she didn’t get her way was also extremely grating. Creating needless drama for the sake of drama is not a good way of filling up pages.
Overall its not bad, it’s a cute and clean love story that will appeal to folks with a strong sense of social justice. It was a fluffy and pleasant way to pass the time, but I didn’t feel much of anything while reading it.
Both of these plot lines are actually really good, but I felt that they both needed more time to be developed and would have been better in a full length novel. All of the conflict was resolved in a few pages with barely any resistance and the discussion felt more like a lecture that was repeated multiple times. Not that the message was bad, I appreciated the way they approach discussing the mentally ill and the elderly, and I actually liked the Marchand’s way of life, but I think it could have been delivered better.
It also didn’t help that Sorrow kind of annoyed me. When she talks to other people to try and explain her views it again turns into a mildly pretentious lecture. Her insistence on absolute harmony and willingness to throw everything out of the window if she didn’t get her way was also extremely grating. Creating needless drama for the sake of drama is not a good way of filling up pages.
Overall its not bad, it’s a cute and clean love story that will appeal to folks with a strong sense of social justice. It was a fluffy and pleasant way to pass the time, but I didn’t feel much of anything while reading it.
Uptown Oracle (24 KP) rated The House of Mountfathom in Books
Jun 30, 2017
Family, Adventure and Magic
Family, adventure and magic. A perfect combination for this middle grade book. The House of Mountfathom is set in Ireland during times of unrest. The Driochta, always peacekeepers, must choose a side to survive.
My favourite aspect was how alive the house felt as it was so full of magic. The House of Mountfathom seemed like another member of the family almost like it had a mind of it's own. There was so much time given to explaining the house, magic and family though, that it reduced the actual plot to the second half of the book.
The House of Mountfathom has a strong focus on family. The Mountfathom family are the protagonists of the book. The Order of Driochta are another kind of family. There's no romance subplot which was a big plus point for me.
Another thing was that the house was in Ireland. I cant think off the top of my head another book I've read based in Ireland. The introduction of both historical aspects and folklore was great. There's also a distinct discussion about class systems. The 'big houses' aka the upper class in Ireland are in trouble, including the Mountfathom house, even though they're trying to keep the peace.
A problem I had was the format seemed odd, I assume it would be best in a printed book. My kindle seemed to push everything together and it was difficult to discern between chapters. The illustrations would have also worked much better within a book. Since this was an e-ARC though, I wouldn't take that into account.
Another problem is the book doesn't seem quite finished. Understandable as Nigel McDowell passed away in February. Although the ambiguous ending does give something towards the mysterious aspect of the book as a whole.
I really enjoyed how McDowell described the hows of magic. The first part of the book follows Luke as he grows up and learns magic. The five principles are distinct in how Luke learns them. I would compare The House of Mountfathom to Lemony Snicket and Neil Gaiman's Coraline. It was a bit dark and creepy in places. Full of intrigue and magic.
My favourite aspect was how alive the house felt as it was so full of magic. The House of Mountfathom seemed like another member of the family almost like it had a mind of it's own. There was so much time given to explaining the house, magic and family though, that it reduced the actual plot to the second half of the book.
The House of Mountfathom has a strong focus on family. The Mountfathom family are the protagonists of the book. The Order of Driochta are another kind of family. There's no romance subplot which was a big plus point for me.
Another thing was that the house was in Ireland. I cant think off the top of my head another book I've read based in Ireland. The introduction of both historical aspects and folklore was great. There's also a distinct discussion about class systems. The 'big houses' aka the upper class in Ireland are in trouble, including the Mountfathom house, even though they're trying to keep the peace.
A problem I had was the format seemed odd, I assume it would be best in a printed book. My kindle seemed to push everything together and it was difficult to discern between chapters. The illustrations would have also worked much better within a book. Since this was an e-ARC though, I wouldn't take that into account.
Another problem is the book doesn't seem quite finished. Understandable as Nigel McDowell passed away in February. Although the ambiguous ending does give something towards the mysterious aspect of the book as a whole.
I really enjoyed how McDowell described the hows of magic. The first part of the book follows Luke as he grows up and learns magic. The five principles are distinct in how Luke learns them. I would compare The House of Mountfathom to Lemony Snicket and Neil Gaiman's Coraline. It was a bit dark and creepy in places. Full of intrigue and magic.
Ross (3284 KP) rated The Witchwood Crown in Books
May 1, 2019
700 pages that feel like so much more
I haven't read the preceding series but had researched and general consensus was that it was not mandatory. This was my first experience of Tad Williams. And indeed, I did not feel I was missing out on any information - there is enough discussion of past events to make me want to read that series, but it is done in such a way as to give the new reader enough insight.
As with so much epic fantasy, this book covers a large world, with numerous PoV characters, different cultures, creatures and races. In this regard, Williams has shown himself to be a true master - he really has built a new world that feels so well embedded and thought-through.
The plot, however, was quite well hidden in the book. The High King and Queen seem to uncover possible rumours of evil sorcery within the kingdom and there is a hint of the evil Norn rising up again. But that is such a small part of the book, so much of it is simply chatting, moaning about things, going ice skating and hill-climbing and healing people from injury/poison. With such a time commitment from readers there is a need to make every chapter count, and I felt at times the reader was being somewhat let down with needless scenes and interactions.
The battle scenes were rare exceptions, being exciting and well narrated.
I felt one major part of the book was going to be the coming-of-age and maturity of Prince Morgan, the heir to the high throne. However at the end of the book he is still an obnoxious, alcoholic arse.
This book had to be either a bridge between the old and the new series, or the start of the new one, and somehow it manages to be neither. I don't feel enough of what is surely to follow has been set up, but likewise I don't feel I know enough of what happened before and how it will influence what comes later.
A large commitment that has yet to pay off.
As with so much epic fantasy, this book covers a large world, with numerous PoV characters, different cultures, creatures and races. In this regard, Williams has shown himself to be a true master - he really has built a new world that feels so well embedded and thought-through.
The plot, however, was quite well hidden in the book. The High King and Queen seem to uncover possible rumours of evil sorcery within the kingdom and there is a hint of the evil Norn rising up again. But that is such a small part of the book, so much of it is simply chatting, moaning about things, going ice skating and hill-climbing and healing people from injury/poison. With such a time commitment from readers there is a need to make every chapter count, and I felt at times the reader was being somewhat let down with needless scenes and interactions.
The battle scenes were rare exceptions, being exciting and well narrated.
I felt one major part of the book was going to be the coming-of-age and maturity of Prince Morgan, the heir to the high throne. However at the end of the book he is still an obnoxious, alcoholic arse.
This book had to be either a bridge between the old and the new series, or the start of the new one, and somehow it manages to be neither. I don't feel enough of what is surely to follow has been set up, but likewise I don't feel I know enough of what happened before and how it will influence what comes later.
A large commitment that has yet to pay off.
BankofMarquis (1832 KP) rated Night School (2018) in Movies
Oct 15, 2018
Funny...enough - especially the classmates
Both Kevin Hart and Tiffany Hadish are comedic performers that can wear their welcome out if they are not reigned in properly. They both serve best as the comic "2nd banana" of a film, rather than the lead, so it was with some trepidation that I checked out the Hart/Haddish starring comedy NIGHT SCHOOL and when the first meeting of the two was the both of them running their very fast mouths at each other, I thought - for sure - that they would wear their welcome out with me.
But a funny thing happened on the way to Night School - the focus of this film veered away from these two bantering with each other and settled into a fairly funny, fairly innocuous comedy that I walked away liking.
Directed by Malcolm D. Lee (GIRLS TRIP), Night School stars Hart as a High School drop-out who is now a motor-mouthed salesman who loses his job and just might lose his girl if he doesn't go back and get his GED so he can land a new job. Haddish stars as the teacher of the Night School. Both the leads are used sparingly enough that they were enjoyable participants in this film.
But for me, the strength of this film comes in the rogues gallery of comedians that were brought in to play the other students in the Night School. Rob Riggle, Mary-Lynn Rajskub, Romany Malco, Fat Joe and Al Madrigal are all winning and comforting strengths of this film as the adult "Breakfast Club" that fall under the spell - and direction - of Hart's character. It is a group that I loved spending time with and wouldn't mind spending more time with.
And I'm glad they are there for the Direction, plot twists and other characters are all pretty predictable, but they made it an enjoyable enough romp that I fall on the side of recommending it - especially if you are looking for a mindless comedy that will NOT require you to break into a discussion group afterward. A good "Netflix", rental or rainy afternoon on TBS comedy.
Letter Grade: B-
6 (out of 10) stars and you can take that to the BankofMarquis
But a funny thing happened on the way to Night School - the focus of this film veered away from these two bantering with each other and settled into a fairly funny, fairly innocuous comedy that I walked away liking.
Directed by Malcolm D. Lee (GIRLS TRIP), Night School stars Hart as a High School drop-out who is now a motor-mouthed salesman who loses his job and just might lose his girl if he doesn't go back and get his GED so he can land a new job. Haddish stars as the teacher of the Night School. Both the leads are used sparingly enough that they were enjoyable participants in this film.
But for me, the strength of this film comes in the rogues gallery of comedians that were brought in to play the other students in the Night School. Rob Riggle, Mary-Lynn Rajskub, Romany Malco, Fat Joe and Al Madrigal are all winning and comforting strengths of this film as the adult "Breakfast Club" that fall under the spell - and direction - of Hart's character. It is a group that I loved spending time with and wouldn't mind spending more time with.
And I'm glad they are there for the Direction, plot twists and other characters are all pretty predictable, but they made it an enjoyable enough romp that I fall on the side of recommending it - especially if you are looking for a mindless comedy that will NOT require you to break into a discussion group afterward. A good "Netflix", rental or rainy afternoon on TBS comedy.
Letter Grade: B-
6 (out of 10) stars and you can take that to the BankofMarquis
Darren (1599 KP) rated Unnatural (2015) in Movies
Oct 24, 2019
Characters – Martin is the expert in the area where the photoshoot takes place, he knows the wildlife and how to deal with any threats that come his way and must protect the people who are not used to the threat. Dr Lindval was part of the research team that created the polar bear, she is desperate to survive once it is free but does know more than she is letting on. Brooking in the photographer on the shoot, he does lack the guts to defend himself from the threat. We also have the models but they are here to look pretty through the terror.
Performance – James Remar is clearly the biggest draw in this film and he is good without being his best, when you look into the other performance we get the mystery from Fenn and the annoying wimpy guy from Carlson hitting the marks we are expecting to see in the film like this.
Story – Group of people in Alaska with no escape must rely on one expert to keep them safe against an unknown creature for a set amount of days, well this is easy enough to go with and stops a lot of pointless discussion about trying to get help when there isn’t any, we also have the characters getting picked off in the random order like you would expect which is fine too.
Action/Horror – The action is mostly running from the attacks from the creature which isn’t the most impressive either.
Settings – The setting is the highlight as we have the group trapped with nowhere to run for the 3 days before the next plan arrives.
Special Effects – The effects look mostly practical as we barely get to see the monster apart from in the shadows.
Scene of the Movie – The first attack is a fun moment.
That Moment That Annoyed Me – We don’t see enough of the creature.
Final Thoughts – This is a forgettable creature feature that tries to ask bigger questions but doesn’t seem to want to try and answer them.
Overall: Not one of the best.
Performance – James Remar is clearly the biggest draw in this film and he is good without being his best, when you look into the other performance we get the mystery from Fenn and the annoying wimpy guy from Carlson hitting the marks we are expecting to see in the film like this.
Story – Group of people in Alaska with no escape must rely on one expert to keep them safe against an unknown creature for a set amount of days, well this is easy enough to go with and stops a lot of pointless discussion about trying to get help when there isn’t any, we also have the characters getting picked off in the random order like you would expect which is fine too.
Action/Horror – The action is mostly running from the attacks from the creature which isn’t the most impressive either.
Settings – The setting is the highlight as we have the group trapped with nowhere to run for the 3 days before the next plan arrives.
Special Effects – The effects look mostly practical as we barely get to see the monster apart from in the shadows.
Scene of the Movie – The first attack is a fun moment.
That Moment That Annoyed Me – We don’t see enough of the creature.
Final Thoughts – This is a forgettable creature feature that tries to ask bigger questions but doesn’t seem to want to try and answer them.
Overall: Not one of the best.
Simple Machines by Tinybop
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Explore the playful side of physics! Experiment with levers, pulleys, inclined planes, wedges,...