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Carpe Jugulum (Discworld #23; Witches #6)
Carpe Jugulum (Discworld #23; Witches #6)
Terry Pratchett | 1999 | Fiction & Poetry
8
8.8 (5 Ratings)
Book Rating
The 23rd Discworld book, this is really what I would term as one of the 'Witches' (Granny Weatherwax, Nanny Ogg, Magrat Garlik and - now - Agnes Nitt) novels, and is also the first to concentrate on 'proper' Vampires (or, as they prefer to be known, Vampyres (with a 'y'))

By 'proper' Vampires, I do mean vicious bloodsuckers, as opposed to the tamer variety sometimes mentioned as living in Ankh-Morpork. It also has a larger-than-usual role for a member of the clergy: this time, for a Reverend from Omniasm ("who knows he has a prayer but wishes he had an axe"), and is also - I believe - one of the first books to introduce the character(s) of Igor.

In this, the Vampires have been invited by King Verence of Lancre to the baptism of his and Magrat's baby daughter, and decide to take the country as well as the invitation. It is up to the Witches (primarily Granny Weatherwax) to stop them from doing so, raising more than a few laugh out loud moments from me along the way.
  
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David McK (3425 KP) rated Maskerade (Discworld, #18; Witches #5) in Books

Mar 28, 2021 (Updated Aug 19, 2023)  
Maskerade (Discworld, #18; Witches #5)
Maskerade (Discworld, #18; Witches #5)
Terry Pratchett | 1995 | Fiction & Poetry
9
7.8 (6 Ratings)
Book Rating
!!!!!
If I was forced to pick, I would have to say that - speaking personally - I think Terry Pratchett was at the height of his powers in the mid-to-late 90s, before the Discworld books started becoming overly serious.


So, around the time of the likes of 'Lords and Ladies, 'Small Gods', and this one, in other words.

(and I've just realised that 2/3rds of those books quoted concern The Witches Nanny Ogg and Granny Weatherwax)

In this one, and following Magrat marriage to King Verence, the Witches find themselves down to a duo instead of a trio, and - since you can't have a coven of two ("When shall we ... two ... meet again ....") - are in need of a replacement (well, so Nanny Ogg thinks).

Said replacement is the first appearance of Agnes Nitt who, unfortunately (from their perspective) has moved to the city of Ankh-Morpork and joined the Opera.

Cue Pratchett's take on 'The Phantom of the Opera' (which, when I first read this, I'd never actually seen) ...
  
Johnny and the Dead (Johnny Maxwell #2)
Johnny and the Dead (Johnny Maxwell #2)
Terry Pratchett | 1993 | Children, Fiction & Poetry
7
8.0 (2 Ratings)
Book Rating
The late, great, Sir Terry Pratchett is probably better known for his Discworld novels.

Which, primarily albeit not exclusively, are aimed towards a more adult audience.

However, during the 1990's, he also wrote a trilogy of novels that were aimed at the younger audience, starting with Only You Can Save Mankind and ending with Johnny and the Bomb, with this one tucked away nicely in the middle. These novels have become known as the Johnny Maxwell trilogy, following the same core characters as Johnny Maxwell (obviously) and his friends Yo-less, Wobbler and Big Mac.

In this one, Johnny learns that the local cemetery is about to be demolished, which comes as news to the residents of said cemetery (who only Johnny is able to see - I kept waiting for the 'I see dead people' gag, before realising this was released before the movie 'The Sixth Sense'), and leading to a local outcry over the same.

It hits different now, 30 years on from when I first read it (due to life events).
  
The Truth (Discworld, #25; Industrial Revolution, #2)
The Truth (Discworld, #25; Industrial Revolution, #2)
Terry Pratchett | 2002 | Fiction & Poetry
8
6.7 (3 Ratings)
Book Rating
The Truth shall set you Fret!
<2022 update>
Still as good as ever!

<original review below>

So, over the weekend I watched a BBC documentary about the late, great, Sir Terry Pratchett (Terry Pratchett: Back in Black) as part of which they brought up the fact that his earliest job had been as a reporter for his local paper (and saw his first corpse a few hours later, work experience meaning something in those days ...) .

Experience that shows in this novel.

The second of the so-called Industrial Revolutions (after Moving Pictures) sub-series of the Discworld novels, this is - IMO - the first to really get into the meat of said revolution, and concerns itself with Ankh-Morporks first newspaper, alongside a plot to depose the Patrician - a character, I feel, who (whilst mostly in the background in the earlier novels) comes more to the fore in this, as do the likes of Foul Ol' Ron, Coffin Henry, The Duck Man and Gaspode

Of course, it wouldn't be a Pratchett novel without a generous portion of puns running alongside the satire, parody and memorable characters (such as, say, Otto von Chriek: the vampire with a thing for flash photography ...)
  
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Ross (3284 KP) rated Ravencry in Books

May 14, 2018  
Ravencry
Ravencry
Ed McDonald | 2018 | Science Fiction/Fantasy
10
10.0 (1 Ratings)
Book Rating
Still gritty (1 more)
More involved plot and exploration of the Misery
Superb follow-up
* I received an advance copy of this from NetGalley in exchange for an honest review *


The sequel to the highly praised Blackwing sees Ryhalt Galharrow trying to move on from losing the love of his life and investigating the theft of a magical artefact from a heavily protected vault.


For the first few chapters this book felt like a Captain Vimes Discworld novel (in a good way) with the humour toned down a little. We were exploring the pre-industrial city and investigating a crime that could have dire consequences for the safety of the city.


The book spends significantly more time in the city than in the Misery (the strange, twisting wasteland) than was the case for the first book, which gives it a very different feel. Plotting and intrigue abound as an evil sorcerer's plot to achieve ultimate power starts to unfold.


The book felt slightly less dark than the first, and has quite a different feel to it than Blackwing, but is still absolutely superb. The flowing prose and cracking dialogue make this a true page-turner and one of the best fantasy books I have read in quite some time.
  
Lovely looking little book, smaller than I was expecting, but it is really nice. No dust jacket but a nice thick textured cover and inner pages that make you feel dizzy!

I read it this evening and I'll be completely honest - I was a bit disappointed, although it is a pretty book, it is also pretty thin - 128 pages.including a title page, printing information page, contents page, blank page, Overview, another blank page, 1 page mini bio, 105 quotes*, 4 pages of "By Terry Pratchett" lists.

I think that for £9.99 they could have found more than 105 "seriously funny" quotes from over 50 books and other sources - there isn't even one from each Discworld book. Even some illustrations would have been nice (9 repeats of the same hat picture is not very exciting).

Obviously as a collectore I had to buy it - as will most of us, does it does seem a bit of a "cash in" just to make money out of us, they are pretty much guaranteed to sell over a million copies so they could have made it more substantial for the money.

Still made me laugh out loud a couple of times though.

*One quote per page, separated by title pages
  
Snuff (Discworld, #39; City Watch #8)
Snuff (Discworld, #39; City Watch #8)
Terry Pratchett | 2011 | Fiction & Poetry
8
9.0 (2 Ratings)
Book Rating
OK, this is a Pratchett, so the fact that it is good is pretty much a given.

I have to say, however, that I've found his latest Discworld books to be 'less good' - perhaps a sympton of his sad mental decline? - than what I would term a late-middle period Pratchett (round about 'Lords and Ladies', 'Jingo' and so on). In this one, he returns to Commander Vimes of the Ankh-Morpork City Watch - last featured in 'Thud!', who is on holiday in the country-side. Of course, as the blurb makes clear, it is inevitable that this turns into a Busmans holiday ...

The novel did have a few laugh-out-loud moments, but not as many as from one of his best. I also found it to be rather verbose at times, with only really one extended action scene. While some characters - Willikens, in particular - are more fleshed out than before, I also got the distinct feeling that other members of the City Watch were only (temporarily) present as it wouldn't be a City Watch book without them; not to add anything to the story.

While that might make it sound like I didn't enjoy the book, that's simply not true - I did, but just felt that it could have been so much more ...
  
The Science of Discworld
The Science of Discworld
9
8.5 (2 Ratings)
Book Rating
If there was an award for most misleadingly titled book, this would on the shortlist. Not only is it most definitely not about the science of Discworld, it is also not some sort of shameless cash-in on a well-loved author.

What this book is, then, is a 'popular science' book, dressed up with some (typically amusing) interludes featuring the wizards of Unseen University as they try to understand how our world can work without magic and stories. Pratchett was always keen to educate, and here he tries to condense science into a single volume, using co-authors and science writers Ian Stewart and Jack Cohen to do the hard lifting of explaining the basics and discoveries of physics, chemistry and biology.

The authors try to explain how everything really works, although they do acknowledge there is bound to be simplification (or 'lies to children') as some of the concepts are hugely complex. But it never gets boring or too difficult to read.

A superb book for anyone who just wants to understand a little bit more about science. And I still use the space elevator analogy to this day. A gem of a book, shame about the title.
  
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Ross (3284 KP) rated Good Omens in Books

Jun 12, 2019  
Good Omens
Good Omens
Neil Gaiman, Terry Pratchett | 2015 | Fiction & Poetry
9
9.3 (42 Ratings)
Book Rating
Fun, charming romp towards the end of the world
Good Omens is a strange one. If you're a fan of Pratchett's Discworld, I can see you not being overly keen on this book (while his trademark humour is there and his funny Billy Connolly-esque tangents are in the footnotes, there is less of the fantastic about it). And likewise Gaiman fans might be missing his usual gothic flair and be somewhat alarmed at the amount of silliness in the book.
This is probably what put me off reading this until now. I seem to recall trying to read it about 20 years ago, but for some reason I gave up inside a couple of pages. That was 17 year old me as a Pratchett fan, and I must have opted for the 20+ Discworld books I still had yet to read instead, and had no idea who Neil Gaiman was.
Sadly, that makes me your common or garden bandwagon-jumper as I have only now read this for the first time with the TV series on my to-be-watched list.
I cannot say why I never returned to the book. I love Pratchett, had the honour of meeting him at signings a few times in the 90s, and he got me into Robert Rankin, Douglas Adams, Tom Holt and Tom Sharpe. This book is so in line with the flavour of the books I have enjoyed most in my life that it beggars belief I never gave it another thought.
I am so glad I eventually did, and did so before watching the TV series.
While there are epic expectations of the quality of the book, from the hype and cult status, I always read with an open mind.
The story underlying the book is a Fawlty Towers-esque attempt at the end of days, where one bumbling fool's error in the early stages completely changes the plans for the end of the human race.
I won't go into the plot in detail, and will only say that the read is a thoroughly enjoyable ride. It isn't laugh-out-loud funny, it is smirk-I-know-what-you-mean funny. This may not appeal to non-British readers as much as it is written with a very British sense of humour. It is very silly quite a lot of the time, but there is a good, deep story in there if you take a moment to think about it.
My only criticism would be that there was a little too much silliness and while enjoyable this may have distracted from the book at times. But you know you'll get that with Pratchett, he takes his little tangents and he adds in nonsense dialogues for sheer entertainment value - he very much sees that not every word has to be vital to the overall story, you can have a little fun along the way.
Now, to get into the TV series ....