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Cobalt Squadron: Journey to Star Wars: The Last Jedi
4.5
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Rose and Paige Tico are sisters, refugees from a planet devastated by the fearsome First Order....
Let It Go: A Frozen Twisted Tale
8.5
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Book
Book published in the USA as Conceal, Don't Feel by Disney-Hyperion. What if Anna and Elsa...
LoganCrews (2861 KP) rated Weathering with You (2019) in Movies
Sep 22, 2021
Well, it's official - Makoto Shinkai is now my comfort director. Only he could make something so conventional and arguably problematic so rich and compelling that those previous two things don't really even matter that much at the end of the day. Impossible (unfairly so, I realize) not to compare this to 𝘠𝘰𝘶𝘳 𝘕𝘢𝘮𝘦. as this never really reaches those same emotional peaks, story/character complexities, the music's cornier and it doesn't look *as* good imo. But it reminds me of something like Miike's 𝘍𝘪𝘳𝘴𝘵 𝘓𝘰𝘷𝘦 where even his lesser, more commercial works are still better than most other stuff available - I mean this is still one of the best looking and sounding movies on the planet which features a heap of continuous tear-draining emotional moments that are impossible to forget. Unlike many recent Disney outings - for example - which are guilty of comparable sins, this really, truly believes in itself and it's reverberated while viewing with a staggering force. Not ashamed to admit I loved nearly every second of it.
The Golem's Eye (Bartimaeus, #2)
6.0
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At only fourteen, Nathaniel is a rising star: a young magician who is quickly climbing the ranks of...
David McK (3801 KP) rated Captain America: Brave New World (2025) in Movies
Feb 22, 2025
Previously subtitled New World Order until it was renamed as Brave New World, this is - in many ways - more of a sequel to the oft-forgotten Edward Norton starring "The Incredible Hulk" than it is to any of the previous Captain America films.
It may help to have seen Disney Plus's "The Falcon and the Winter Soldier" beforehand, or even have a quick recap of the same - whilst I had watched that series when it was released, I had forgotten some (but not all) of what proved to be salient plot points for this.
Anyway, here Anthony Mackie is now the new Captain America whereas Harrison Ford is now-president Thaddeus Ross, consumed with guilt over his estrangement from his daughter Betty after the events of The Incredible Hulk, and still convinced he did the right thing in creating the Sokovia Accords that tore the Avengers apart (see: Captain America: Civil War).
This movie also - finally! - acknowledges the events of The Eternals, in particular with the body of a half-born Celestial in the ocean providing the impetus for the plot.
It may help to have seen Disney Plus's "The Falcon and the Winter Soldier" beforehand, or even have a quick recap of the same - whilst I had watched that series when it was released, I had forgotten some (but not all) of what proved to be salient plot points for this.
Anyway, here Anthony Mackie is now the new Captain America whereas Harrison Ford is now-president Thaddeus Ross, consumed with guilt over his estrangement from his daughter Betty after the events of The Incredible Hulk, and still convinced he did the right thing in creating the Sokovia Accords that tore the Avengers apart (see: Captain America: Civil War).
This movie also - finally! - acknowledges the events of The Eternals, in particular with the body of a half-born Celestial in the ocean providing the impetus for the plot.
David McK (3801 KP) rated Shadow of the Sith in Books
Apr 22, 2023
Disney-era Star Wars extended universe novel, set in the period between the end of 'Return of the Jedi' and the start of 'The Force Awakens'.
So same period as covered in TVs 'The Mandalorian', of which this makes no mention.
The novel also double-downs on the big (and not-at-all-well-received due to some extreme clunkiness) twist introduced in 'The Rise of Skywalker', with Luke Skywalker - here, before his hermit days - and Lando Calrissian both being drawn into the protection of a family (who they never meet in person) that is being hunted by the Sith: a family that includes a very young Rey.
I actually found this to be not that bad a read that at least attempted to fix some of the problems in The Rise of Skywalker, although I do have to say that it started from an almost impossible position and chose probably one of the least-liked aspects of that film (and character from the sequel trilogy) to concentrate on/be built around!
So same period as covered in TVs 'The Mandalorian', of which this makes no mention.
The novel also double-downs on the big (and not-at-all-well-received due to some extreme clunkiness) twist introduced in 'The Rise of Skywalker', with Luke Skywalker - here, before his hermit days - and Lando Calrissian both being drawn into the protection of a family (who they never meet in person) that is being hunted by the Sith: a family that includes a very young Rey.
I actually found this to be not that bad a read that at least attempted to fix some of the problems in The Rise of Skywalker, although I do have to say that it started from an almost impossible position and chose probably one of the least-liked aspects of that film (and character from the sequel trilogy) to concentrate on/be built around!
David McK (3801 KP) rated Murder on the Orient Express (2017) in Movies
Apr 21, 2022
Adaptation of perhaps Agatha Christie's most famous murder mystery, which I had previously read even if I had not seen any of the previous TV or movie adaptations.
I also watched this after recently watching the semi-sequel 'Death in the Nile' on Disney+, thinking then that - as that was a sequel of sorts - I might as well go back and watch the original.
The problem, of course, as with all murder mysteries is that once they are solved (in either print or on screen), then they lose nearly all sense of drama or suspense. That, I think, is a fault of the genre as a whole and is perhaps the reason why it is generally not my favourite type of story: I prefer works that you can rewatch or re-read and discover something new each time through.
Anyway, the fact that I already knew the ending might have spoiled my enjoyment of this movie, even if I'm aware it takes liberties with the source material. Not obvious liberties, though! (Or, at least I didn't think they were).
I also watched this after recently watching the semi-sequel 'Death in the Nile' on Disney+, thinking then that - as that was a sequel of sorts - I might as well go back and watch the original.
The problem, of course, as with all murder mysteries is that once they are solved (in either print or on screen), then they lose nearly all sense of drama or suspense. That, I think, is a fault of the genre as a whole and is perhaps the reason why it is generally not my favourite type of story: I prefer works that you can rewatch or re-read and discover something new each time through.
Anyway, the fact that I already knew the ending might have spoiled my enjoyment of this movie, even if I'm aware it takes liberties with the source material. Not obvious liberties, though! (Or, at least I didn't think they were).
LeftSideCut (3776 KP) rated Moon Knight in TV
May 5, 2022
It's bloody wonderful that we're at a point where more obscure Marvel characters such as Moon Knight are getting their own projects.
This latest limited series does a fantastic job of introducing him, and his multiple personalities, in a unique and interesting way. It's definitely something different for the MCU and it's good that Disney+ is providing a platform to explore these quirkier and darker avenues.
Oscar Isaac deserves a whole bunch of credit for his portrayal of essentially two different characters. Both Stephen Grant and Mark Spector are characters that I cared about by the time the finale rolled around.
The overall pacing is the main detriment to Moon Knight. After an intriguing start, it does hit a major lull around the midway point that flirts with boredom on occasion, but a sharp left turn plotwise and a thoroughly entertaining finale save proceedings and then some.
Another enjoyable, if not perfect, series from Marvel Studios then, and a promising set up for Moon Knight to enter the movies as they start to explore some of the darker corners of their properties.
This latest limited series does a fantastic job of introducing him, and his multiple personalities, in a unique and interesting way. It's definitely something different for the MCU and it's good that Disney+ is providing a platform to explore these quirkier and darker avenues.
Oscar Isaac deserves a whole bunch of credit for his portrayal of essentially two different characters. Both Stephen Grant and Mark Spector are characters that I cared about by the time the finale rolled around.
The overall pacing is the main detriment to Moon Knight. After an intriguing start, it does hit a major lull around the midway point that flirts with boredom on occasion, but a sharp left turn plotwise and a thoroughly entertaining finale save proceedings and then some.
Another enjoyable, if not perfect, series from Marvel Studios then, and a promising set up for Moon Knight to enter the movies as they start to explore some of the darker corners of their properties.
BankofMarquis (1832 KP) rated Dumbo (2019) in Movies
Apr 5, 2019
In a word...bland
There are many words that you can use to describe films by Tim Burton: Gothic, Bizarre, Dark, Interesting, SteamPunk, Unique, Visual.
With the live action DUMBO, you can add another word to describe a Tim Burton film: Bland.
Based on the 1941 animated classic character of Walt Disney, DUMBO tells the tale of an animal, shamed for having a deformity...over-large ears...but when the young elephant discovers that these ears can save the circus he is in - and will help reunite him with his mother - a journey to redemption begins.
Sounds like a pretty good premise for a film, right? Unfortunately, this isn't really the theme of this film. Unlike other Disney "live action" versions of classic animated films (BEAUTY AND THE BEAST, the upcoming ALADDIN and THE LION KING), DUMBO is a live action remake only in the fact that Director Burton uses the baby elephant, separated from his mother, with over large ears who can fly. This film shows no signs of the earlier, beloved, children's film. It eliminates the songs (except as background music) and it tacks on a family drama of a returning army veteran (who's wife died while he was away) and his 2 children and a rival circus trying to steal the famed flying elephant.
Is it a children's movie? Is it a Tim Burton eerie, scary, visual delight? Well...yes...and no...on both parts and that's the problem of this film. Burton straddles a line between the two, never committing to a fun, stylistic children's film (like PADDINGTON 2) or an eerie, bizarre Tim Burton film (many, many to name but the closest I can come is BIG FISH). He restrains himself to the bland middle and it shows.
He has assembled a strong ensemble of actors to populate this world - Colin Farrell, Danny DeVito, Eva Green, Michael Keaton and Alan Arkin are all in this film - and are all bland. While, at times, this film felt every minute of it's 1 hour and 52 minute run time, I was longing for more from each of these characters, fleshing out what was the BEGINNING of interesting characters, but never getting past that. Each one of these characters are bland, bland, bland and you can see each actor trying harder and harder to push some sort of character to the screen, but never succeeding.
The only interesting characters, ironically enough, is that of Dumbo and his mother, Mrs. Jumbo. These are 2 CGI, non-speaking characters but they say more in facial expressions and movements than all of the human characters combined.
And that's the other problem with this film. Much like another Disney Live Action film, TOMORROWLAND, a large part of this film is given to showing the world that is lavishly made by the Director, Production Designer, Art Director and Cinematographer - and it is impressive indeed - but the action and characters inhabiting this world are...well...bland and that makes for a lackluster film.
One thing to note - this film is not scary, nor is it overly sad (things that I heard that this film was), so I'd be interested to hear if you have younger children (ages 7-10, say) and they saw the film - did they enjoy it? I think they just might.
I didn't, I thought this film was bland.
Letter Grade: B- (for the interesting visuals put up on the screen)
6 stars (out of 10) and you can take that to the Bank(ofMarquis)
With the live action DUMBO, you can add another word to describe a Tim Burton film: Bland.
Based on the 1941 animated classic character of Walt Disney, DUMBO tells the tale of an animal, shamed for having a deformity...over-large ears...but when the young elephant discovers that these ears can save the circus he is in - and will help reunite him with his mother - a journey to redemption begins.
Sounds like a pretty good premise for a film, right? Unfortunately, this isn't really the theme of this film. Unlike other Disney "live action" versions of classic animated films (BEAUTY AND THE BEAST, the upcoming ALADDIN and THE LION KING), DUMBO is a live action remake only in the fact that Director Burton uses the baby elephant, separated from his mother, with over large ears who can fly. This film shows no signs of the earlier, beloved, children's film. It eliminates the songs (except as background music) and it tacks on a family drama of a returning army veteran (who's wife died while he was away) and his 2 children and a rival circus trying to steal the famed flying elephant.
Is it a children's movie? Is it a Tim Burton eerie, scary, visual delight? Well...yes...and no...on both parts and that's the problem of this film. Burton straddles a line between the two, never committing to a fun, stylistic children's film (like PADDINGTON 2) or an eerie, bizarre Tim Burton film (many, many to name but the closest I can come is BIG FISH). He restrains himself to the bland middle and it shows.
He has assembled a strong ensemble of actors to populate this world - Colin Farrell, Danny DeVito, Eva Green, Michael Keaton and Alan Arkin are all in this film - and are all bland. While, at times, this film felt every minute of it's 1 hour and 52 minute run time, I was longing for more from each of these characters, fleshing out what was the BEGINNING of interesting characters, but never getting past that. Each one of these characters are bland, bland, bland and you can see each actor trying harder and harder to push some sort of character to the screen, but never succeeding.
The only interesting characters, ironically enough, is that of Dumbo and his mother, Mrs. Jumbo. These are 2 CGI, non-speaking characters but they say more in facial expressions and movements than all of the human characters combined.
And that's the other problem with this film. Much like another Disney Live Action film, TOMORROWLAND, a large part of this film is given to showing the world that is lavishly made by the Director, Production Designer, Art Director and Cinematographer - and it is impressive indeed - but the action and characters inhabiting this world are...well...bland and that makes for a lackluster film.
One thing to note - this film is not scary, nor is it overly sad (things that I heard that this film was), so I'd be interested to hear if you have younger children (ages 7-10, say) and they saw the film - did they enjoy it? I think they just might.
I didn't, I thought this film was bland.
Letter Grade: B- (for the interesting visuals put up on the screen)
6 stars (out of 10) and you can take that to the Bank(ofMarquis)