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"Whatever you've heard about Caraval, it doesn't compare to the reality. It's more than just a game or a performance. It's the closest you'll ever find to magic in this world . . ." Caraval is this indescribable world that you just need to fall into whole-heartedly.
The setting is so vividly described from the colours, to the buildings, and the people populating the game that you are instantly transported into the game yourself. Legend's Island comes alive in your mind from the moment Scarlett passes through its gates until the final words of the epilogue. Caraval draws you in and doesn't let go.
We are introduced to two sisters, Scarlett and Donatella who have always dreamt of seeing Caraval but they never thought it would truly happen. Stuck on their island with an overbearing father and no desire to cross him, they could only wish. Imagine their surprise when, finally, they receive a response and are invited to partake in the greatest game of mystery, illusions and intrigue - Caraval.
We are faced with the same questions that Scarlett is, who is Legend, where is Tella and will she be able to complete the game? The stakes of this year's game are greater than the past, this year players must find Tella. As many race to discover the clues and don't always behave in the most respectable manner - Scarlett must win without succumbing to the debauchery of the game or else she may never see her sister again.
The author keeps you guessing about each character's motivation and desires, as Caraval sweeps you away. This book has frequently been compared to the Night Circus and while it has similarities, they are very different stories. Caraval is its own unique take on a story that's magical, mysterious and expansive. It is also more fast-paced than the Night Circus. While I believe that readers who enjoy the Night Circus will also enjoy this novel, don't expect it to be the same.
My favourite aspect of this book was the world building, as I mentioned previously. I am so impressed by the detail and love poured into this story, which is made even more impressive because this is a debut novel. The author's writing sounds more like a seasoned writer than a debut novel and it's fantastic.
The characters were well developed and diverse, adding to the atmosphere of the story. Scarlett is determined and likable, even if she occasionally makes poor decisions. You feel for her character and root for her success. Julian is enticing, but you never really know where he stands and what his motivations are so it makes it difficult to trust him. Even so, I still loved his character. Tella is less likable, in my opinion than Scarlett so I had trouble connecting to her throughout the story.
Make sure you give yourself time to read because once you pick it up, you're not going to put it down. Highly recommended to young adult/teen readers who enjoy magic, fantasy, mysteries, and truly well written and expansive world building.
The setting is so vividly described from the colours, to the buildings, and the people populating the game that you are instantly transported into the game yourself. Legend's Island comes alive in your mind from the moment Scarlett passes through its gates until the final words of the epilogue. Caraval draws you in and doesn't let go.
We are introduced to two sisters, Scarlett and Donatella who have always dreamt of seeing Caraval but they never thought it would truly happen. Stuck on their island with an overbearing father and no desire to cross him, they could only wish. Imagine their surprise when, finally, they receive a response and are invited to partake in the greatest game of mystery, illusions and intrigue - Caraval.
We are faced with the same questions that Scarlett is, who is Legend, where is Tella and will she be able to complete the game? The stakes of this year's game are greater than the past, this year players must find Tella. As many race to discover the clues and don't always behave in the most respectable manner - Scarlett must win without succumbing to the debauchery of the game or else she may never see her sister again.
The author keeps you guessing about each character's motivation and desires, as Caraval sweeps you away. This book has frequently been compared to the Night Circus and while it has similarities, they are very different stories. Caraval is its own unique take on a story that's magical, mysterious and expansive. It is also more fast-paced than the Night Circus. While I believe that readers who enjoy the Night Circus will also enjoy this novel, don't expect it to be the same.
My favourite aspect of this book was the world building, as I mentioned previously. I am so impressed by the detail and love poured into this story, which is made even more impressive because this is a debut novel. The author's writing sounds more like a seasoned writer than a debut novel and it's fantastic.
The characters were well developed and diverse, adding to the atmosphere of the story. Scarlett is determined and likable, even if she occasionally makes poor decisions. You feel for her character and root for her success. Julian is enticing, but you never really know where he stands and what his motivations are so it makes it difficult to trust him. Even so, I still loved his character. Tella is less likable, in my opinion than Scarlett so I had trouble connecting to her throughout the story.
Make sure you give yourself time to read because once you pick it up, you're not going to put it down. Highly recommended to young adult/teen readers who enjoy magic, fantasy, mysteries, and truly well written and expansive world building.
Hazel (1853 KP) rated The Upside of Unrequited in Books
Dec 7, 2018
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review </i>
Becky Albertalli, a clinical psychologist turned author, is mostly known for her debut novel <i>Simon vs. the Homo Sapiens Agenda</i> (2015). Sticking with the theme of homosexuality, Albertalli has launched her second novel with the hope that it will be as popular amongst the LGBT community. <i>The Upside of Unrequited</i> is written from a female heterosexual point of view, however includes a wide range of characters with other sexual preferences.
The narrator, Molly, is only seventeen, but desperately wishes she could have a boyfriend. Endlessly teased for the number of crushes she has had – currently standing at 26 – Molly has never experienced a boy liking her back. Her twin sister, Cassie, on the other hand, has no problem attracting a girlfriend, and quickly hooks up with the beautiful Mina. Cassie and Mina are determined to set Molly up with a friend named Will, however Molly has her eye on someone else.
Molly and Cassie have always been close, but Cassie’s surreptitious behaviour involving anything to do with Mina, starts to put a strain on their relationship. As Molly gets torn between two boys, she begins to realise that having crushes on other people is far easier than getting someone to like her back.
Whilst Molly and Cassie focus on their relationships, their Mums (the twins were born via IVF) are celebrating the passing of the law that states gay people can marry their partners. Despite having been together for 20 years or so, they are planning on a big wedding, adding more stress to Molly’s life.
Albertalli uses her background in psychology to reflect the emotions, thoughts and feelings of her characters with great efficacy. She writes in a way that normalises homosexuality, although one does begin to question the authenticity in the gay to straight ratio. It is refreshing to read a Young Adult novel where homophobia is less of an issue.
As with most Young Adult romance novels, <i>The Upside of Unrequited</i> includes the dreaded love triangle – that tedious, unnecessary element. Teenage romance is always farcical and unrealistic, with more eye rolling on the reader’s part, than swooning and such forth. This book was no different, and it was difficult to remain engaged with or even care about the storyline.
Personally I think I may be going off Young Adult literature, and therefore am not the best person to judge the narrative. As a piece of writing however, I was not as impressed as I have been by other authors’ talents. Occasionally, sentences felt stilted, often broken down into several where only one would suffice.
If you are looking for a romantic novel with a happy ending and a diverse character selection, then you will probably not be disappointed with this book – if you are a teenager that is. Beware of occasional use of strong language and sexual references, which are inappropriate for younger readers. Despite the attraction to the LGBT community, <i>The Upside of Unrequited</i> will only be successful amongst a small amount of readers.
Becky Albertalli, a clinical psychologist turned author, is mostly known for her debut novel <i>Simon vs. the Homo Sapiens Agenda</i> (2015). Sticking with the theme of homosexuality, Albertalli has launched her second novel with the hope that it will be as popular amongst the LGBT community. <i>The Upside of Unrequited</i> is written from a female heterosexual point of view, however includes a wide range of characters with other sexual preferences.
The narrator, Molly, is only seventeen, but desperately wishes she could have a boyfriend. Endlessly teased for the number of crushes she has had – currently standing at 26 – Molly has never experienced a boy liking her back. Her twin sister, Cassie, on the other hand, has no problem attracting a girlfriend, and quickly hooks up with the beautiful Mina. Cassie and Mina are determined to set Molly up with a friend named Will, however Molly has her eye on someone else.
Molly and Cassie have always been close, but Cassie’s surreptitious behaviour involving anything to do with Mina, starts to put a strain on their relationship. As Molly gets torn between two boys, she begins to realise that having crushes on other people is far easier than getting someone to like her back.
Whilst Molly and Cassie focus on their relationships, their Mums (the twins were born via IVF) are celebrating the passing of the law that states gay people can marry their partners. Despite having been together for 20 years or so, they are planning on a big wedding, adding more stress to Molly’s life.
Albertalli uses her background in psychology to reflect the emotions, thoughts and feelings of her characters with great efficacy. She writes in a way that normalises homosexuality, although one does begin to question the authenticity in the gay to straight ratio. It is refreshing to read a Young Adult novel where homophobia is less of an issue.
As with most Young Adult romance novels, <i>The Upside of Unrequited</i> includes the dreaded love triangle – that tedious, unnecessary element. Teenage romance is always farcical and unrealistic, with more eye rolling on the reader’s part, than swooning and such forth. This book was no different, and it was difficult to remain engaged with or even care about the storyline.
Personally I think I may be going off Young Adult literature, and therefore am not the best person to judge the narrative. As a piece of writing however, I was not as impressed as I have been by other authors’ talents. Occasionally, sentences felt stilted, often broken down into several where only one would suffice.
If you are looking for a romantic novel with a happy ending and a diverse character selection, then you will probably not be disappointed with this book – if you are a teenager that is. Beware of occasional use of strong language and sexual references, which are inappropriate for younger readers. Despite the attraction to the LGBT community, <i>The Upside of Unrequited</i> will only be successful amongst a small amount of readers.
BankofMarquis (1832 KP) rated Widows (2018) in Movies
Nov 17, 2018
Well crafted, well acted, well directed heist flick
If you are looking for a smart, intelligent, well-made, well-crafted, well-acted action-heist flick to see with the family over the Thanksgiving weekend, then look no further than WIDOWS.
Yes, it's that good.
Based on a 1983 British TV mini-series, Directed by Steve McQueen (12 YEARS A SLAVE) and with a Screenplay by McQueen and Gillian Flynn (GONE GIRL), WIDOWS tells the story of 4...yes...Widows who's husbands were mobsters that were killed while stealing money from other mobsters. When the rival mob comes to the Widows to get their money back, these women must band together to complete a job to get the money to save their lives.
Leading this disparate group of women is Oscar winner (for FENCES) Viola Davis. She brings a strength and vulnerability to her role and makes a surprisingly complex and charismatic center to this film. Joining her is the always tough and gritty Michelle Rodriguez and the eminently watchable Carrie Coon. The surprise performance of this group of widows is Elizabeth Debicki (the golden Ayesha in GUARDIANS OF THE GALAXY 2). Her widow, Alice, is more than just the "good-looking" trophy wife and has a depth and gravitas that upon first glance is not something that seems to be there. These 4 are joined by Cynthia Erivo and their group could probably kick the crap out of the Ocean's 8 crew.
McQueen has assembled a diverse and interesting cast to support these 5 - each "smaller" role filled with someone who brings something to the table that makes their character interesting. Liam Neeson, Robert Duvall, Collin Farrell, the always watchable Garrett Dillahunt and Jackie Weaver fill the film with "screen presence", power and strong characterizations that service the story. Special notice should be made for Daniel Kaluuya (Oscar nominated for GET OUT). His menacing "bad guy" ranks right up there on the list of "dudes you don't want to mess with". He was fascinating to watch - especially when he was doing "nothing" - you could see the animal swimming within him in the most still of moments.
All of these actors are directed with the Orchestral efficiency of McQueen - a director who knows what he's doing. He keeps the focus of his cameras where he needs to, sometimes eschewing the most obvious action to focus our attention elsewhere. The downside to McQueen is that he sometimes gets enamored with his beautiful pictures and atmosphere, so the film gets bogged down at times - especially in the first half - but all of this is in service to the larger story - a story that demands our attention.
The screenplay by McQueen and Flynn is full of plot twists and turns, of course, keeping you guessing throughout and concludes in a most satisfactory manner.
All in all a very fine time at the Cineplex. In this week of a myriad of items competing for your movie-going dollars, I would strongly recommend that you pick WIDOWS out of the pile and settle in for a good time..
Letter Grade: A-
8 (out of 10) stars and you can take that to the Bank(ofMarquis)
Yes, it's that good.
Based on a 1983 British TV mini-series, Directed by Steve McQueen (12 YEARS A SLAVE) and with a Screenplay by McQueen and Gillian Flynn (GONE GIRL), WIDOWS tells the story of 4...yes...Widows who's husbands were mobsters that were killed while stealing money from other mobsters. When the rival mob comes to the Widows to get their money back, these women must band together to complete a job to get the money to save their lives.
Leading this disparate group of women is Oscar winner (for FENCES) Viola Davis. She brings a strength and vulnerability to her role and makes a surprisingly complex and charismatic center to this film. Joining her is the always tough and gritty Michelle Rodriguez and the eminently watchable Carrie Coon. The surprise performance of this group of widows is Elizabeth Debicki (the golden Ayesha in GUARDIANS OF THE GALAXY 2). Her widow, Alice, is more than just the "good-looking" trophy wife and has a depth and gravitas that upon first glance is not something that seems to be there. These 4 are joined by Cynthia Erivo and their group could probably kick the crap out of the Ocean's 8 crew.
McQueen has assembled a diverse and interesting cast to support these 5 - each "smaller" role filled with someone who brings something to the table that makes their character interesting. Liam Neeson, Robert Duvall, Collin Farrell, the always watchable Garrett Dillahunt and Jackie Weaver fill the film with "screen presence", power and strong characterizations that service the story. Special notice should be made for Daniel Kaluuya (Oscar nominated for GET OUT). His menacing "bad guy" ranks right up there on the list of "dudes you don't want to mess with". He was fascinating to watch - especially when he was doing "nothing" - you could see the animal swimming within him in the most still of moments.
All of these actors are directed with the Orchestral efficiency of McQueen - a director who knows what he's doing. He keeps the focus of his cameras where he needs to, sometimes eschewing the most obvious action to focus our attention elsewhere. The downside to McQueen is that he sometimes gets enamored with his beautiful pictures and atmosphere, so the film gets bogged down at times - especially in the first half - but all of this is in service to the larger story - a story that demands our attention.
The screenplay by McQueen and Flynn is full of plot twists and turns, of course, keeping you guessing throughout and concludes in a most satisfactory manner.
All in all a very fine time at the Cineplex. In this week of a myriad of items competing for your movie-going dollars, I would strongly recommend that you pick WIDOWS out of the pile and settle in for a good time..
Letter Grade: A-
8 (out of 10) stars and you can take that to the Bank(ofMarquis)
Gareth von Kallenbach (980 KP) rated Call of Duty: Advanced Warfare - Reckoning in Video Games
Jun 19, 2019
It is hard to believe that it is already time for the fourth and final DLC pack for Call of Duty: Advanced Warfare but the Reckoning DLC is here and completes Advanced Warfare in a big way.
The collection consists of four maps and the great finale of the Exo-Zombies series and is a very diverse and satisfying collection which can be purchased by itself or as part of a Season Pass.
The four maps are as follows…
Overwatch
Set in a luxury hotel, this map has plenty of courtyard battles and intense opulence to house your action. The highlight for me is seeing the Plasma Fountains ignite and using them to torch enemies that get in the kill zone.
The map has an emphasis on medium and long ranged combat so be prepared for plenty of sniping and camping when you enter the fray.
Quarantine
This was a really creative and fun map that was set in a Bio Lab where players have to battle amongst the labs and parking lots all the while avoiding an incinerator that comes on line during prolonged battles.
The close quarters really is great for Run and Gun players who want to reach the score streak and unleash and assault of ship-fired rounds on their enemies.
Fracture
Battling on an ice flow complete with drilling rigs and tubing Is a logistical challenge in and of itself. Now add in cracking ice, plenty of areas for enemies to hide and strike from and you will see why this is a real action-packed zone.
This was the first map that I played in the collection and I can say it is always one of my favorites when its turn in the rotation arises.
Swarm
This map is a real challenge as it has very close-set buildings and areas for enemies to hide and strike from. The long streets and numerous windows and ledges make this a place where ranged shooters, snipers, campers, and more thrive. It can be frustrating but getting the drop on a row of shooters who are waiting for the next person on the street below to come into range is highly satisfying.
Of course the maps are not the only thing this collection offers as the star-studded Exo-Zombies campaign comes to a conclusion as you battle deep in the heart of an underwater city against an unending legion of Undead.
I got right up to the end my second time playing it before our team was taken out but it was a very enjoyable and intense experience.
The Reckoning does not try to reinvent the wheel but instead focuses on giving core fans of the series more of what they love, intense action and new and creative ways to take down other players in detailed maps with plenty of challenge.
While it will not convert you if you were not a fan of Advanced Warfare, it will be a satisfying chapter for those who are fans.
http://sknr.net/2015/09/18/call-of-duty-advanced-warfare-reckoning/
The collection consists of four maps and the great finale of the Exo-Zombies series and is a very diverse and satisfying collection which can be purchased by itself or as part of a Season Pass.
The four maps are as follows…
Overwatch
Set in a luxury hotel, this map has plenty of courtyard battles and intense opulence to house your action. The highlight for me is seeing the Plasma Fountains ignite and using them to torch enemies that get in the kill zone.
The map has an emphasis on medium and long ranged combat so be prepared for plenty of sniping and camping when you enter the fray.
Quarantine
This was a really creative and fun map that was set in a Bio Lab where players have to battle amongst the labs and parking lots all the while avoiding an incinerator that comes on line during prolonged battles.
The close quarters really is great for Run and Gun players who want to reach the score streak and unleash and assault of ship-fired rounds on their enemies.
Fracture
Battling on an ice flow complete with drilling rigs and tubing Is a logistical challenge in and of itself. Now add in cracking ice, plenty of areas for enemies to hide and strike from and you will see why this is a real action-packed zone.
This was the first map that I played in the collection and I can say it is always one of my favorites when its turn in the rotation arises.
Swarm
This map is a real challenge as it has very close-set buildings and areas for enemies to hide and strike from. The long streets and numerous windows and ledges make this a place where ranged shooters, snipers, campers, and more thrive. It can be frustrating but getting the drop on a row of shooters who are waiting for the next person on the street below to come into range is highly satisfying.
Of course the maps are not the only thing this collection offers as the star-studded Exo-Zombies campaign comes to a conclusion as you battle deep in the heart of an underwater city against an unending legion of Undead.
I got right up to the end my second time playing it before our team was taken out but it was a very enjoyable and intense experience.
The Reckoning does not try to reinvent the wheel but instead focuses on giving core fans of the series more of what they love, intense action and new and creative ways to take down other players in detailed maps with plenty of challenge.
While it will not convert you if you were not a fan of Advanced Warfare, it will be a satisfying chapter for those who are fans.
http://sknr.net/2015/09/18/call-of-duty-advanced-warfare-reckoning/
Gareth von Kallenbach (980 KP) rated The Expendables 3 (2014) in Movies
Jun 19, 2019
Many times when a film series reaches it”s third installment, it is out of ideas and running on fumes. The idea that if a film has spawned a successful sequel it must have a trilogy is nothing new in Hollywood, but far too many times the third films loses momentum and goes through the motions for one last payday for the cast and studio.
In “The Expendables 3” Sylvester Stallone, Arnold Schwarzenegger, and company lead the all star cast with a mix of old and new in order to provide a more diverse yet not entirely satisfying third act of the retro action series.
Barney (Sylvester Stallone), leads the remains of his crew on a daring raid as the film opens to free one of his former members played by Wesley Snipes. The action is as intense as ever, but thanks to a PG-13 rating, is much more subdued than we have come to expect from the series.
As Barney and crew contend with age and injuries, it is leaned that a person long thought dead has become one of the biggest arms dealers in the world and has his own private army. What makes matters worse is that said dealer (Mel Gibson), has a very complicated history with Barney and The Expendables and as such this mission is very personal when he is hired to bring him to justice.
With a new crew in place, Barney sets out to settle the score, but soon finds out that complications arise, forcing the old and new crew to unite in a battle against overwhelming odds.
If this seems to be a fairly simplistic overview your right, as this is about as complex as this film gets. There is some effort to show chemistry between the players but backstories and character development are for the most part left out. Gibson on the other hand brings a great new dimension to the film as the backstory to his character as well as his motivations were very interesting and kept my attention in what otherwise could come off as a cartoony villain role.
Harrison Ford replaces Bruce Willis as their C.I.A. contact and brings gruff charm to the role of Drummer and seems to delight in being in on the action as do the new and returning cast.
The biggest issue was that it seemed more retrained than what we expect from the series. Part 2 had the epic airport battle and a great fistacuff finale. Part 3 lacks the intensity and urgency of previous films and the cast appears to be going through the motions, just happy for one more ride.
Stallone reportedly mentioned he had ideas for a 4th film which would be fine with me, but they need to get away from this PG 13 lite version and bring the swaggering, over the top action of the previous films back and fast as with an aging cast, this film seemed very out of date and lacking the retro nostalgia.
That being said, if you want some no-brainer fun, it is worthy of checking out.
http://sknr.net/2014/08/15/expendables-3/
In “The Expendables 3” Sylvester Stallone, Arnold Schwarzenegger, and company lead the all star cast with a mix of old and new in order to provide a more diverse yet not entirely satisfying third act of the retro action series.
Barney (Sylvester Stallone), leads the remains of his crew on a daring raid as the film opens to free one of his former members played by Wesley Snipes. The action is as intense as ever, but thanks to a PG-13 rating, is much more subdued than we have come to expect from the series.
As Barney and crew contend with age and injuries, it is leaned that a person long thought dead has become one of the biggest arms dealers in the world and has his own private army. What makes matters worse is that said dealer (Mel Gibson), has a very complicated history with Barney and The Expendables and as such this mission is very personal when he is hired to bring him to justice.
With a new crew in place, Barney sets out to settle the score, but soon finds out that complications arise, forcing the old and new crew to unite in a battle against overwhelming odds.
If this seems to be a fairly simplistic overview your right, as this is about as complex as this film gets. There is some effort to show chemistry between the players but backstories and character development are for the most part left out. Gibson on the other hand brings a great new dimension to the film as the backstory to his character as well as his motivations were very interesting and kept my attention in what otherwise could come off as a cartoony villain role.
Harrison Ford replaces Bruce Willis as their C.I.A. contact and brings gruff charm to the role of Drummer and seems to delight in being in on the action as do the new and returning cast.
The biggest issue was that it seemed more retrained than what we expect from the series. Part 2 had the epic airport battle and a great fistacuff finale. Part 3 lacks the intensity and urgency of previous films and the cast appears to be going through the motions, just happy for one more ride.
Stallone reportedly mentioned he had ideas for a 4th film which would be fine with me, but they need to get away from this PG 13 lite version and bring the swaggering, over the top action of the previous films back and fast as with an aging cast, this film seemed very out of date and lacking the retro nostalgia.
That being said, if you want some no-brainer fun, it is worthy of checking out.
http://sknr.net/2014/08/15/expendables-3/
Daniel Boyd (1066 KP) rated The Favourite (2018) in Movies
Jan 18, 2019 (Updated Jan 18, 2019)
Fantastic script (3 more)
Brilliant performances
Clever cinematography
Insanely detailed set design
Strange But Brilliant
To be honest, I am not a huge fan of Yorgos Lanthimos' other movies, I also have a hatred for most period pieces. I am however a huge fan of Olivia Colman and it was her that swayed me to go and see this movie and I am very glad that I did.
Colman absolutely nails her role as a grief stricken, overly dramatic, short tempered Queen Anne. Her acting ability is diverse enough that she can take you from a side splitting remark one moment to a genuinely saddening comment the next and do it flawlessly and convincingly. Rachel Weisz is also pretty good here as Queen Anne's original favourite lady, Anne may be the Queen, but it is Lady Marlborough who is really running the show.
The biggest surpise for me was Emma Stone's performance. I don't hate Emma Stone, but I do feel like she plays the same goofy studenty American girl in everything that she is in, but here she is actually acting and her English accent was brilliant throughout the whole movie. It proves how much a good director is able to get out of their actors performance-wise.
The other main star here is the script. It is jam packed with brilliantly crass lines that are fired out so quickly and with such venom from the respective characters that you really feel the words being said. It is one of the best written scripts I have seen in a film in a while.
I'm not normally one to gush about set design, but my God... This movie goes all out with it's backdrops. I know that for the exterior shots, they shot on location at real palaces and castles and used mostly natural lighting at least for the daytime scenes. While these scenes are impressive, it is the interior scenes that are really mesmerising. The level of detail on the background elements in this movie is insane and anywhere that you look onscreen, there is something new and interesting to catch your eye.
The other great thing about this movie, is that even if you don't care about the competition for favour that is at the centre of the movie's plot, there is enough going on with the filmmaking itself to keep your attention throughout. The odd looking fish eye lenses that Lanthimos uses and the bizarre shot compositions looking up from waist-height at the actors is as fascinating to look at as it is weird. It gives the movie a unique feel that sets it apart from any other period piece I have seen.
Overall, I got way more out of The Favourite than I expected to going in. The movie is funny, witty and pretty unique. The attention to detail is impressive and the performances are great, with Olivia Colman's alone making the film worth the price of admission. The script is great and the direction is oddly interesting. Do be warned though; this movie is very weird and definitely not your typical period piece movie.
Colman absolutely nails her role as a grief stricken, overly dramatic, short tempered Queen Anne. Her acting ability is diverse enough that she can take you from a side splitting remark one moment to a genuinely saddening comment the next and do it flawlessly and convincingly. Rachel Weisz is also pretty good here as Queen Anne's original favourite lady, Anne may be the Queen, but it is Lady Marlborough who is really running the show.
The biggest surpise for me was Emma Stone's performance. I don't hate Emma Stone, but I do feel like she plays the same goofy studenty American girl in everything that she is in, but here she is actually acting and her English accent was brilliant throughout the whole movie. It proves how much a good director is able to get out of their actors performance-wise.
The other main star here is the script. It is jam packed with brilliantly crass lines that are fired out so quickly and with such venom from the respective characters that you really feel the words being said. It is one of the best written scripts I have seen in a film in a while.
I'm not normally one to gush about set design, but my God... This movie goes all out with it's backdrops. I know that for the exterior shots, they shot on location at real palaces and castles and used mostly natural lighting at least for the daytime scenes. While these scenes are impressive, it is the interior scenes that are really mesmerising. The level of detail on the background elements in this movie is insane and anywhere that you look onscreen, there is something new and interesting to catch your eye.
The other great thing about this movie, is that even if you don't care about the competition for favour that is at the centre of the movie's plot, there is enough going on with the filmmaking itself to keep your attention throughout. The odd looking fish eye lenses that Lanthimos uses and the bizarre shot compositions looking up from waist-height at the actors is as fascinating to look at as it is weird. It gives the movie a unique feel that sets it apart from any other period piece I have seen.
Overall, I got way more out of The Favourite than I expected to going in. The movie is funny, witty and pretty unique. The attention to detail is impressive and the performances are great, with Olivia Colman's alone making the film worth the price of admission. The script is great and the direction is oddly interesting. Do be warned though; this movie is very weird and definitely not your typical period piece movie.
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