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Box of Frogs: Memoirs of a Canoeing Cyclist
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In 2015, Iain Hollis embarked on a 4,000 mile solo cycling adventure around Europe. Medically...
Forest Dark
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"One of America’s most important novelists" (New York Times), the award-winning, New York Times...
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Heather Cranmer (2721 KP) created a post
Nov 2, 2021
The Reject and the Rebound (Leighton #3)
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Sometimes salvation comes from the person you’d least expect. Owen: The day I came home and...
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Shelter from Our Secrets, Silence, and Shame: How Our Stories Can Keep Us Stuck or Set Us Free
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As a mental health clinician, Rebecca Brown has been a safe place for many to seek shelter from...
Self Help Personal Growth Self Esteem
BankofMarquis (1832 KP) rated Marriage Story (2019) in Movies
Jan 19, 2020
Well Acted Scenes Do Not A Good Movie Make
Noah Baumbach is one of those filmmakers that is highly regarded in the "Art House" community for his semi-autobiographical humanistic films. These are domestic dramas heavy on dialogue - the type of film that "A-List" Actors swarm to perform in for the acting challenges it brings. His latest, MARRIAGE STORY, is no exception as it follows the dissolution of a marriage and the struggles of the 2 main players involved. The husband and wife are written realistically (according to Baumbach) with moments of pathos and moments of repulsion thrown in at equal measure.
So, naturally, Baumbach (THE SQUID AND THE WHALE) was able to draw 2 of the better performers working in film today to play the leads - Scarlett Johannson and Adam Driver - and they deliver the goods (along with Laura Dern) - all 3 were deserved Oscar nominees - and the performances of ALL of the actors on screen are worth watching.
But...that's about all this film has going for it. For I found the first hour and a half of this film tedious with (at times) preposterous dialogue that looked good on paper - and was enthusiastically performed - but wrang (at least to me) as unrealistic. Consequently, this film is filled with well acted scenes that I kept saying to myself - "that was a well acted scene and that was an interesting choice that that actor made in that scene", but I found that these disparate scenes in this part of the film did not hold together as a movie. It seemed to me a series of acting class scenes and not a film.
And, for that, I blame Writer/Director Baumbach. This film, purportedly, parallels his divorce from actress Jennifer Jason Leigh (HATEFUL 8) and it shows. It's a little too "on the nose" and "inside baseball" for my tastes. The dialogue, at times, was "too cute" and the pacing was deliberate - which is a nice way of saying "slow".
What saves this film is the performances. Johannson dominates the first part of this film and she brings her "A" game, bringing a strength and awakening purpose to her character that will have you rooting for her - at the beginning. The first half of the film (for the most part) is Johannson's film and is what gives her her Oscar nomination (she won't win), but she deserves the nomination.
Laura Dern is also Oscar nominated for her role as Johannson's Divorce Attorney. Bright, funny, articulate and a shark in the courtroom and boardroom, Dern's character was fascinating to watch onscreen. While I thought this performance was "fine" and I was "okay" with it getting an Oscar nomination, I kept waiting for the "Oscar scene" for this supporting character - and about 2/3 of the way into the film this character had that moment - and Dern killed it. I would now say Dern is the deserved frontrunner for Best Supporting Actress (ironically, over Johansson who is ALSO nominated for Supporting Actress for JoJo Rabbit).
This scene propels the last 1/3 of this film into interesting territory - a place that this film had not gone to thus far. I was sucked into this last part and I think it is in no small reason due to the fact that this part of the film is driven (no pun intended) by Adam Driver's character. I've always found Driver to be a fascinating actor and while his character was not front and center much in the first part of the film, he commands center stage in the last part and I could not take my eyes off of his powerful performance. In a strong year of Best Acting performances, he shines and I would be happily surprised and satisfied if he won the Best Actor Oscar.
Alan Alda, as usual, brings an interesting character to the screen as does Julie Hagerty (remember her from AIRPLANE?) as Scarlett's mother. The surprise to me was the strong play of Ray Liotta as one of Driver's lawyers - it is his best work in quite some time and shows he does have some acting chops. Finally, good ol' Wallace Shawn (the "inconceivable" Count Visini in PRINCESS BRIDE) was fun - and annoying - in his scenes.
So...if you want to see some good acting in scenes that I am sure will end up as good scenes in an acting class performed very strongly, then check out MARRIAGE STORY. Just make sure you are well rested. A fast-paced romp it is not.
Letter Grade: B (for the strong performances)
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
So, naturally, Baumbach (THE SQUID AND THE WHALE) was able to draw 2 of the better performers working in film today to play the leads - Scarlett Johannson and Adam Driver - and they deliver the goods (along with Laura Dern) - all 3 were deserved Oscar nominees - and the performances of ALL of the actors on screen are worth watching.
But...that's about all this film has going for it. For I found the first hour and a half of this film tedious with (at times) preposterous dialogue that looked good on paper - and was enthusiastically performed - but wrang (at least to me) as unrealistic. Consequently, this film is filled with well acted scenes that I kept saying to myself - "that was a well acted scene and that was an interesting choice that that actor made in that scene", but I found that these disparate scenes in this part of the film did not hold together as a movie. It seemed to me a series of acting class scenes and not a film.
And, for that, I blame Writer/Director Baumbach. This film, purportedly, parallels his divorce from actress Jennifer Jason Leigh (HATEFUL 8) and it shows. It's a little too "on the nose" and "inside baseball" for my tastes. The dialogue, at times, was "too cute" and the pacing was deliberate - which is a nice way of saying "slow".
What saves this film is the performances. Johannson dominates the first part of this film and she brings her "A" game, bringing a strength and awakening purpose to her character that will have you rooting for her - at the beginning. The first half of the film (for the most part) is Johannson's film and is what gives her her Oscar nomination (she won't win), but she deserves the nomination.
Laura Dern is also Oscar nominated for her role as Johannson's Divorce Attorney. Bright, funny, articulate and a shark in the courtroom and boardroom, Dern's character was fascinating to watch onscreen. While I thought this performance was "fine" and I was "okay" with it getting an Oscar nomination, I kept waiting for the "Oscar scene" for this supporting character - and about 2/3 of the way into the film this character had that moment - and Dern killed it. I would now say Dern is the deserved frontrunner for Best Supporting Actress (ironically, over Johansson who is ALSO nominated for Supporting Actress for JoJo Rabbit).
This scene propels the last 1/3 of this film into interesting territory - a place that this film had not gone to thus far. I was sucked into this last part and I think it is in no small reason due to the fact that this part of the film is driven (no pun intended) by Adam Driver's character. I've always found Driver to be a fascinating actor and while his character was not front and center much in the first part of the film, he commands center stage in the last part and I could not take my eyes off of his powerful performance. In a strong year of Best Acting performances, he shines and I would be happily surprised and satisfied if he won the Best Actor Oscar.
Alan Alda, as usual, brings an interesting character to the screen as does Julie Hagerty (remember her from AIRPLANE?) as Scarlett's mother. The surprise to me was the strong play of Ray Liotta as one of Driver's lawyers - it is his best work in quite some time and shows he does have some acting chops. Finally, good ol' Wallace Shawn (the "inconceivable" Count Visini in PRINCESS BRIDE) was fun - and annoying - in his scenes.
So...if you want to see some good acting in scenes that I am sure will end up as good scenes in an acting class performed very strongly, then check out MARRIAGE STORY. Just make sure you are well rested. A fast-paced romp it is not.
Letter Grade: B (for the strong performances)
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
Rich, detailed, but strange narrative style at times!
I was sooo keen to read this - especially after watching the TV series, which I completely loved. For the most part, I wasn't disappointed. It's such a novel way of exploring Henry VIII's relationship with Anne Boleyn, not to mention the complex divorce proceedings that preceded it - through the eyes of Thomas Cromwell, the man partially responsible for orchestrating the whole thing.
Immediately, I was struck by Hilary Mantel's remarkable ability to capture life of that time - making it seem strangely familiar, despite the fact it was hundreds of years ago. She made it all seem so real, largely due to her richness of detail, not to mention expert knowledge of the era. The little notes of humour throughout are what really bring it to life - so often, history is treated with utmost seriousness, yet Mantel is absolutely correct - I'm sure people were cracking jokes and saying silly things in the Tudor era too!
The relationships were likewise beautifully illustrated, and the death of Cromwell's wife, genuinely moving. For me, this was one of the most impressive moments of the book, as Mantel captures grief so powerfully and yet so simply.
One thing I did find strange though - the way Mantel uses pronouns throughout the book. I pondered for ages about why it jarred on me every so often, and I think it's because the 3rd person narrative is so intimate, it almost feels like a 1st person in places. Then, when she uses 'he' again, rather than 'I', it is momentarily confusing. I found myself wondering what the book would have been like had she just told it in first person through Cromwell's eyes - my personal belief is that it might have worked better.
Also, although the richness of the detail was spectacular, there were times when I felt that it held up the narrative slightly. I appreciate her desire to capture every moment of these tumultuous historic events, but at times, I did find them a wee bit boring.
However, for the most part, I was really into this book, and loved the character of Cromwell to bits. A man from a humble background, unfailingly pragmatic and clever - fabulous stuff!
Immediately, I was struck by Hilary Mantel's remarkable ability to capture life of that time - making it seem strangely familiar, despite the fact it was hundreds of years ago. She made it all seem so real, largely due to her richness of detail, not to mention expert knowledge of the era. The little notes of humour throughout are what really bring it to life - so often, history is treated with utmost seriousness, yet Mantel is absolutely correct - I'm sure people were cracking jokes and saying silly things in the Tudor era too!
The relationships were likewise beautifully illustrated, and the death of Cromwell's wife, genuinely moving. For me, this was one of the most impressive moments of the book, as Mantel captures grief so powerfully and yet so simply.
One thing I did find strange though - the way Mantel uses pronouns throughout the book. I pondered for ages about why it jarred on me every so often, and I think it's because the 3rd person narrative is so intimate, it almost feels like a 1st person in places. Then, when she uses 'he' again, rather than 'I', it is momentarily confusing. I found myself wondering what the book would have been like had she just told it in first person through Cromwell's eyes - my personal belief is that it might have worked better.
Also, although the richness of the detail was spectacular, there were times when I felt that it held up the narrative slightly. I appreciate her desire to capture every moment of these tumultuous historic events, but at times, I did find them a wee bit boring.
However, for the most part, I was really into this book, and loved the character of Cromwell to bits. A man from a humble background, unfailingly pragmatic and clever - fabulous stuff!
Rachel King (13 KP) rated Wedlocked in Books
Feb 11, 2019
While the cover of the book gives the impression that the story is exclusively about the main character Rebecca's bad marriage. The book actually encompasses her life leading up to the bad marriage and what happens as a result of the rocky nuptials. The actual ceremony is understood to have happened sort of "between the lines," so to speak. The book is a before and after image in prose.
The prologue to the book is the immediate aftermath of the ceremony when Rebecca is undergoing the realization of her mistake. I was a bit confused at this point since I could not figure out if the ceremony took place or not. The next chapter starts in Rebecca's childhood, growing up with two sisters and a very marriage-minded mother in a strict Jewish household. To her mother's dismay, Rebecca is quickly influenced by her grandma Emma into a love for acting, movies, and theater. From there, the book walks us through Rebecca's pursuit of an acting career and near-absence of dating material.
Though Rebecca is likable enough, I had a difficult time relating to her career struggles, since I have little interest in that side of the business. I also did wonder if she was really as talented as she claimed to be, since her struggles were so great.
When a man, Evan, finally lays claim to Rebecca's heart, both Rebecca and Evan handle the relationship poorly and Rebecca abandons her suffering career with a broken heart. The man she eventually becomes "wedlocked" to, Craig, then shows up in her life, and a rebound relationship becomes a permanent one before Rebecca thinks to learn a bit more about her new husband. A honeymoon from hell makes the reality of her situation quite clear as Craig's bad behavior and numerous secrets get him in trouble with the Italian government, until a new friend, Michael, flies in to save the day.
Without spoiling the ending, I think Rebecca handled her problems remarkably well, with a little help, and ended the book with a humorous twist. If I suspend my opinions of the Hollywood-influenced methods of dating, marriage, and divorce that is so common in America today, the book was an entertaining read, and likely would make an even better movie.
The prologue to the book is the immediate aftermath of the ceremony when Rebecca is undergoing the realization of her mistake. I was a bit confused at this point since I could not figure out if the ceremony took place or not. The next chapter starts in Rebecca's childhood, growing up with two sisters and a very marriage-minded mother in a strict Jewish household. To her mother's dismay, Rebecca is quickly influenced by her grandma Emma into a love for acting, movies, and theater. From there, the book walks us through Rebecca's pursuit of an acting career and near-absence of dating material.
Though Rebecca is likable enough, I had a difficult time relating to her career struggles, since I have little interest in that side of the business. I also did wonder if she was really as talented as she claimed to be, since her struggles were so great.
When a man, Evan, finally lays claim to Rebecca's heart, both Rebecca and Evan handle the relationship poorly and Rebecca abandons her suffering career with a broken heart. The man she eventually becomes "wedlocked" to, Craig, then shows up in her life, and a rebound relationship becomes a permanent one before Rebecca thinks to learn a bit more about her new husband. A honeymoon from hell makes the reality of her situation quite clear as Craig's bad behavior and numerous secrets get him in trouble with the Italian government, until a new friend, Michael, flies in to save the day.
Without spoiling the ending, I think Rebecca handled her problems remarkably well, with a little help, and ended the book with a humorous twist. If I suspend my opinions of the Hollywood-influenced methods of dating, marriage, and divorce that is so common in America today, the book was an entertaining read, and likely would make an even better movie.
Kristy H (1252 KP) rated Yes Please in Books
Feb 1, 2018
I wasn't sure how to feel about this book. In some ways, I appreciated that it was more serious than some of the other "funny people" memoirs going around. I am not a huge fan of books written by silly people full of silly things that pretend to tell the story of their life. What's the point? At least Amy makes an attempt to write a memoir, chronicling bits and pieces of her life and actually detailing true thoughts and feelings about things, rather than just jokey things that have no meaning. I found myself sort of rushing through some of the silly lists and spending more time on the actual writing, though some of the funny bits were good - fake acceptance speeches and the like.
The problem is that the book jumps around a lot and never really delves too much into anything. Not wanting to cover her divorce - okay, I get that. There is a really sweet chapter on her sons, which was lovely. You get a rough chronicle of how she became a kid from New England who wound up in New York by way of Chicago. But there's not a lot of detail. I also, selfishly, wish there had been more Tina Fey.
I enjoy that you get the impression that Amy is a deep person with deep thoughts - and isn't even perhaps always nice. She's not afraid to tell stories that don't necessarily flatter her. You get an idea of her as multifaceted person - actress, writer, mom, etc., and not just someone who tells funny stories. There are also some good stories that feature celebrities, which you are always looking for in a celebrity memoir. Finally, there's a fun bit annotated with notes by Parcs & Rec creator Mike Schur. He and Amy talk about a holiday gift Mike gave all his family and friends containing every email, text, and phone message he received during the Red Sox's successful World Series run in 2004. I was left thinking I want to read *that* book.
Anyway, the book just felt a little flat to me, as if it was missing something. It was a little disjointed in its presentation and content. Because it jumps the line between serious and funny, you're left without a full idea of who Amy is, but yet it's not funny enough to just make you laugh and forget all the other flaws.
The problem is that the book jumps around a lot and never really delves too much into anything. Not wanting to cover her divorce - okay, I get that. There is a really sweet chapter on her sons, which was lovely. You get a rough chronicle of how she became a kid from New England who wound up in New York by way of Chicago. But there's not a lot of detail. I also, selfishly, wish there had been more Tina Fey.
I enjoy that you get the impression that Amy is a deep person with deep thoughts - and isn't even perhaps always nice. She's not afraid to tell stories that don't necessarily flatter her. You get an idea of her as multifaceted person - actress, writer, mom, etc., and not just someone who tells funny stories. There are also some good stories that feature celebrities, which you are always looking for in a celebrity memoir. Finally, there's a fun bit annotated with notes by Parcs & Rec creator Mike Schur. He and Amy talk about a holiday gift Mike gave all his family and friends containing every email, text, and phone message he received during the Red Sox's successful World Series run in 2004. I was left thinking I want to read *that* book.
Anyway, the book just felt a little flat to me, as if it was missing something. It was a little disjointed in its presentation and content. Because it jumps the line between serious and funny, you're left without a full idea of who Amy is, but yet it's not funny enough to just make you laugh and forget all the other flaws.
Debbiereadsbook (1166 KP) rated Deadly Games (Dallas after Dark #2) in Books
Aug 3, 2018
kinda creeps up on ya!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is book two in the Dallas After Dark series, but I have not read book one, Dangerous Games. I would like to, though. You don't NEED it, I don't think, I didn't feel I was missing anything by not having read it, but I would like to read Reese's story, she's the owner of the strip club here.
FBI Agent Katherine is out on a girls night out after her divorce in the male strip club, Dallas Heat. Nash is their star performer. Nash pulls Katherine (loved that it was not shortened, not once!) onto the stage, something he has NEVER done before. A night of passion follows but Katherine runs, knowing that it can only be that: one night. But Nash turns up at her office with information that might help find a serial killer. Together, they must catch this killer before one of Katherine's friends turns up dead, all the while with Katherine fighting their attraction. Nash, however, is already all in!
I really really enjoyed this book! Don't you just love being surprised by a book, but you've no particular idea why?? I *think* that it was probably Nash himself.
I must admit, I had preconceptions about a male stripper, and what he got up to with his customers. But Nash blew them all out the water. As did the fact that I, very wrongly, pegged Nash as all body and no brains! I've no idea WHY I thought that, but I did. And for that I'm truly sorry!
I liked the pace the story moved at, not too fast, at a fair and even pace so you can keep up. I DID get who the killer was, just as soon as they popped up in the story, but I did NOT get what they had done before! Loved watching the main play out, so many wrong turns!
It's not over explicit, but it is still incredibly sexy. It does get a little gruesome in the beginning, when it is describing a victim's suffering at the hands of the killer.
I do like the way Rock tells her tales, one to watch, me finks!
4 solid stars
**same worded review will appear elsewhere**
This is book two in the Dallas After Dark series, but I have not read book one, Dangerous Games. I would like to, though. You don't NEED it, I don't think, I didn't feel I was missing anything by not having read it, but I would like to read Reese's story, she's the owner of the strip club here.
FBI Agent Katherine is out on a girls night out after her divorce in the male strip club, Dallas Heat. Nash is their star performer. Nash pulls Katherine (loved that it was not shortened, not once!) onto the stage, something he has NEVER done before. A night of passion follows but Katherine runs, knowing that it can only be that: one night. But Nash turns up at her office with information that might help find a serial killer. Together, they must catch this killer before one of Katherine's friends turns up dead, all the while with Katherine fighting their attraction. Nash, however, is already all in!
I really really enjoyed this book! Don't you just love being surprised by a book, but you've no particular idea why?? I *think* that it was probably Nash himself.
I must admit, I had preconceptions about a male stripper, and what he got up to with his customers. But Nash blew them all out the water. As did the fact that I, very wrongly, pegged Nash as all body and no brains! I've no idea WHY I thought that, but I did. And for that I'm truly sorry!
I liked the pace the story moved at, not too fast, at a fair and even pace so you can keep up. I DID get who the killer was, just as soon as they popped up in the story, but I did NOT get what they had done before! Loved watching the main play out, so many wrong turns!
It's not over explicit, but it is still incredibly sexy. It does get a little gruesome in the beginning, when it is describing a victim's suffering at the hands of the killer.
I do like the way Rock tells her tales, one to watch, me finks!
4 solid stars
**same worded review will appear elsewhere**