Search
Search results
Mark @ Carstairs Considers (2389 KP) rated A Scape Goat for Murder in Books
Sep 7, 2024
Frankie Butts Heads with a Four-Legged Witness
Frankie Chandler’s wedding to Detective Martin Bowers is just weeks again when he is involved in an accident. His colleagues won’t tell Frankie anything about what happened, and the doctor is being vague about his condition. So, Frankie sets out to figure things out on her own. When she finds the accident site, she determines that there was a witness – a goat. Can she make sense of the visions she is getting from the goat to solve the case?
Quite obviously, there is a lot of fun to be had here, and I laughed many times as I was reading. Some of that came from Martin’s two sisters who show up in Frankie’s life. However, I found that this subplot didn’t quite develop in a satisfactory way. The mystery started out strongly and kept me engaged, but the ending was so rushed that some whys for a major part of the plot got overlooked. I did enjoy spending time with Frankie again and watching her growth. Fans of the series will enjoy this one, but it is a weaker entry in the series.
Quite obviously, there is a lot of fun to be had here, and I laughed many times as I was reading. Some of that came from Martin’s two sisters who show up in Frankie’s life. However, I found that this subplot didn’t quite develop in a satisfactory way. The mystery started out strongly and kept me engaged, but the ending was so rushed that some whys for a major part of the plot got overlooked. I did enjoy spending time with Frankie again and watching her growth. Fans of the series will enjoy this one, but it is a weaker entry in the series.
ClareR (5938 KP) rated The Beasts of Paris in Books
Oct 1, 2024
What I love most about historical fiction, is that I get to learn something new about the history of a place or a time I didn’t know about. I mean, I’d never heard of the Siege of Paris in 1870, and yet I now know a lot more about it through the characters in The Beasts of Paris.
There’s Victor, the assistant vet at the Menagerie; Anne has been an inmate at the women’s Salpetriere asylum for many years, provided entertainment for paying Parisians thanks to the immoral Dr. Jospin, and now comes to work as the Chief Vet’s maid at the Menagerie; Ellis is hiding his trauma from the American Civil War where he was a doctor, and is attempting to become a poet; and Lawrence is a Canadian Photographer.
We learn of the horrors of the siege and the further horrors of its aftermath. The descriptions of these events and how the Parisians both live through and cope with deprivation and fear, are emotional and engaging.
I was left wondering who exactly the Parisian beasts were; those inside or outside the menagerie?
Just an excellent story.
There’s Victor, the assistant vet at the Menagerie; Anne has been an inmate at the women’s Salpetriere asylum for many years, provided entertainment for paying Parisians thanks to the immoral Dr. Jospin, and now comes to work as the Chief Vet’s maid at the Menagerie; Ellis is hiding his trauma from the American Civil War where he was a doctor, and is attempting to become a poet; and Lawrence is a Canadian Photographer.
We learn of the horrors of the siege and the further horrors of its aftermath. The descriptions of these events and how the Parisians both live through and cope with deprivation and fear, are emotional and engaging.
I was left wondering who exactly the Parisian beasts were; those inside or outside the menagerie?
Just an excellent story.
Sarah (7800 KP) rated Airplane! (1980) in Movies
Dec 8, 2020
Surely you can't be serious?
Film #6 on the 100 Movies Bucket List: Airplane!
Airplane! is a well known comedy classic, but for me I’m ashamed to admit that aside from the infamous “Don’t call me Shirley” line, I could barely remember a thing about this film. Airplane! is undoubtedly the mother, and master, of all comedy spoof films. Written and directed by Jim Abrahams and David and Jerry Zucker, this focuses Ted Striker (Robert Hays) who despite his fear of flying boards a plane to win back his girlfriend Elaine (Julie Hagerty), only to wind up having to ensure the plane lands safely when the pilots get sick.
The plot is definitely basic, but what it lacks in proper story it more than makes up for in laughs. I’ve never seen a film so chock full of jokes and gags, and in such a wide variety too. This features everything from subtle(ish) background jokes to witty and smart dialogue and obvious physical humour, and aside for a few misses, the majority of these jokes land perfectly. There’s the crude and hilarious auto pilot scene, to the incredibly funny and smart lines like when stewardess Elaine asks Doctor Rumack (Leslie Nielsen) about the onboard illness, “A hospital? What is it?”, to which he replies “It’s a big building with patients”. There’s something incredibly simple about the humour in this film that works so well, and yet aside from those few misses, it never resorts to crudeness that becomes disgusting and overbearing like most modern comedies do. These gags paired with the spoofing and sending up of disaster movies (plus many other genres) is a winning formula that has been emulated many times over by the likes of The Naked Gun and Hot Shots films since this was released in 1980. Admittedly there are some jokes that nowadays would be considered unacceptable and would never see the light of day, but fortunately these are a small minority and don’t spoil the overall enjoyment of the film, even now 40 years later.
The cast excel too in pulling off the over the top cheesiness you’d expect from a parody, and this is no mean feat. Whilst Julie Hagerty and Robert Hays do well as the main characters, it’s the smaller supporting roles that really stand out especially as they appear to have been given the best lines. You have Leslie Nielsen as the deadpan Doctor Rumack who delivers some hilarious dialogue with such a straight face, Lloyd Bridges as Steve McCroskey with his immortal lines beginning with “Looks like I picked the wrong week to stop…” and my absolute favourite background character Johnny (Stephen Stucker) who has some of the funniest moments you’ll ever see from such a minor character. And a notable mention has to go to Otto the automatic pilot, who even gets a feature in the credits.
Airplane! is a rightful comedy classic that could beat modern comedy films hands down, and it truly is a shame they don’t make spoofs like this anymore. It’s hilariously funny, right until the very end of the credits and an entirely unforgettable comedy experience.
Airplane! is a well known comedy classic, but for me I’m ashamed to admit that aside from the infamous “Don’t call me Shirley” line, I could barely remember a thing about this film. Airplane! is undoubtedly the mother, and master, of all comedy spoof films. Written and directed by Jim Abrahams and David and Jerry Zucker, this focuses Ted Striker (Robert Hays) who despite his fear of flying boards a plane to win back his girlfriend Elaine (Julie Hagerty), only to wind up having to ensure the plane lands safely when the pilots get sick.
The plot is definitely basic, but what it lacks in proper story it more than makes up for in laughs. I’ve never seen a film so chock full of jokes and gags, and in such a wide variety too. This features everything from subtle(ish) background jokes to witty and smart dialogue and obvious physical humour, and aside for a few misses, the majority of these jokes land perfectly. There’s the crude and hilarious auto pilot scene, to the incredibly funny and smart lines like when stewardess Elaine asks Doctor Rumack (Leslie Nielsen) about the onboard illness, “A hospital? What is it?”, to which he replies “It’s a big building with patients”. There’s something incredibly simple about the humour in this film that works so well, and yet aside from those few misses, it never resorts to crudeness that becomes disgusting and overbearing like most modern comedies do. These gags paired with the spoofing and sending up of disaster movies (plus many other genres) is a winning formula that has been emulated many times over by the likes of The Naked Gun and Hot Shots films since this was released in 1980. Admittedly there are some jokes that nowadays would be considered unacceptable and would never see the light of day, but fortunately these are a small minority and don’t spoil the overall enjoyment of the film, even now 40 years later.
The cast excel too in pulling off the over the top cheesiness you’d expect from a parody, and this is no mean feat. Whilst Julie Hagerty and Robert Hays do well as the main characters, it’s the smaller supporting roles that really stand out especially as they appear to have been given the best lines. You have Leslie Nielsen as the deadpan Doctor Rumack who delivers some hilarious dialogue with such a straight face, Lloyd Bridges as Steve McCroskey with his immortal lines beginning with “Looks like I picked the wrong week to stop…” and my absolute favourite background character Johnny (Stephen Stucker) who has some of the funniest moments you’ll ever see from such a minor character. And a notable mention has to go to Otto the automatic pilot, who even gets a feature in the credits.
Airplane! is a rightful comedy classic that could beat modern comedy films hands down, and it truly is a shame they don’t make spoofs like this anymore. It’s hilariously funny, right until the very end of the credits and an entirely unforgettable comedy experience.
Amazing Grace: The Man Who Was W.G.
Book
On a sunny afternoon in May 1868, nineteen-year-old Gilbert Grace stood in a Wiltshire field,...
Gareth von Kallenbach (980 KP) rated Split (2016) in Movies
Jul 12, 2019
M. Night Shyamalan once again has audiences very excited for absolutely no reason. The trailer portrays an interesting psychological thriller of a man (James McAvoy) subjected to many different forms of consciousness, as the plot tells he is one of the first to openly portray over twenty different personalities.
He even takes on different physical characteristics down to a metabolic level as he switches from persona to persona. This combined with the character of a doctor (Betty Buckley) who is thrilled to perhaps have discovered the missing link to understanding the unused portion of the human mind, sounds like it makes for a great sci-fi thriller.
Unfortunately rather quickly the plot devolves after the disturbed man’s abduction of three teenage girls turns over the top hokey and stereotypical. Nothing can be said that will make up for the impending disappointment of viewers as yet again Mr. Shyamalan has an idea that sounds quite intriguing, yet falls completely flat and leaves viewers feeling as if they are the brunt of the joke.
As the psychotic killer develops into a character audiences could really be scared of, a turn for the worst happens when he is transformed by his own mind into an animal. Reaching beyond anything physically possible in a much staged way, he becomes a superhuman creature who rampages until he is caught.
Even with skilled acting at his disposal Shyamalan has managed to make another very poor quality film. At each step of the way, the suspense almost grabs you but is completely predictable. It’s too bad but this one earns
He even takes on different physical characteristics down to a metabolic level as he switches from persona to persona. This combined with the character of a doctor (Betty Buckley) who is thrilled to perhaps have discovered the missing link to understanding the unused portion of the human mind, sounds like it makes for a great sci-fi thriller.
Unfortunately rather quickly the plot devolves after the disturbed man’s abduction of three teenage girls turns over the top hokey and stereotypical. Nothing can be said that will make up for the impending disappointment of viewers as yet again Mr. Shyamalan has an idea that sounds quite intriguing, yet falls completely flat and leaves viewers feeling as if they are the brunt of the joke.
As the psychotic killer develops into a character audiences could really be scared of, a turn for the worst happens when he is transformed by his own mind into an animal. Reaching beyond anything physically possible in a much staged way, he becomes a superhuman creature who rampages until he is caught.
Even with skilled acting at his disposal Shyamalan has managed to make another very poor quality film. At each step of the way, the suspense almost grabs you but is completely predictable. It’s too bad but this one earns
The Queue: A Novel
Basma Abdel Aziz and Elisabeth Jaquette
Book
In a surreal, but familiar, vision of modern day Egypt, a centralized authority known as ‘the...
Science fiction politics social issues
The Possible World
9.5
Rate It
Book
An astonishing, deeply moving novel about the converging lives of a young boy who witnesses a brutal...
Historical Fiction
Diabetes in Check: Blood Glucose & Carb Tracker
Medical and Health & Fitness
App
The most comprehensive type 2 diabetes app on the market, designed by a Certified Diabetes Educator....
iOvulation
Health & Fitness and Lifestyle
App
iOvulation is a companion for any woman who either desires a pregnancy or wishes to prevent one. ...
Evergreen Forevermore
10.0
Rate It
Book
Evergreen Forevermore takes place in a quaint little town of Whitecap, Vermont. It sits on the...
Family Christian Fiction Christian Romance Mystery