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Piper (13 KP) rated Halloween (2018) in Movies
Nov 27, 2019
Strong Characters (3 more)
Clever Camerawork
Myers is Finally Threatening Again
Callbacks and Subversions
"You're The New Doctor Loomis" (3 more)
Plot Holes
Predictable
Too Much Off-Screen Action
Halloween: Predictably Unpredictable
Contains spoilers, click to show
After the nightmare of a film that was Rob Zombie’s 2007 remake, I refused to bother seeing the new Halloween on its release, choosing instead to pick up a DVD when the price got knocked down significantly enough - after all, we’ve had sixty-three Halloween films now and only half of them were worth watching (really, Season of the Witch?) and this looked, in all honesty, like just another slasher-film-reboot that wasn’t worth the time. Now don’t get me wrong, it absolutely was just another slasher film, but I wish I’d seen it in the cinema. And a year earlier than I did, too, because I missed out big-time with this one.
The plot is predictable, because of course it is. It’s Michael Myers, what’s he going to do except escape from a mental institution and murder some people? But it’s beautifully subverted; some of the characters you might expect to last till the end die before the halfway mark, and while there are a fair amount who are clearly written in just to be killed minutes later, they contribute to some fine, gory moments, so it’s kind of okay. There’s no real heartbreaker here - everyone you really rooted for just about makes it, and everyone that was kind of a dick is killed. And that’s fine, because in a way this isn’t the kind of slasher where it matters who lives or dies. This is a film about preserving a legacy, or perhaps just making one, and it works. We’re told fairly early on that this is a direct sequel to the original Halloween (Myers’ death toll at the start of this version, apparently, is five, which matches the amount of kills he made in the first movie - as far as I’m aware, Myers has actually killed over 100 people in all the films combined, so this is a nice subtle way of telling us what to remember and what to ignore completely). Having said that, references are made throughout to previous films, the best of which is of course a callback to the infamous scene where Myers tumbles out of a window only for his body to completely disappear - this time it’s Laurie Strode who does the tumbling, and she very much intends to do a little vanishing act of her own, Michael, so keep an eye on - oh, no, you looked away, I wonder what’s happening down there!
Focusing on Laurie for a moment, Jamie Lee Curtis does an absolutely excellent job here. Age has given her character wisdom, paranoia, and a whole lot of guns, and the acting carries a huge amount of weight and strength with it. Having said that, there are a couple of moments where all of Laurie’s fear-induced calculations don’t seem to have quite worked out - why bother going to such extreme measures to protect your house, if the front door you’re standing behind is half glass? But that’s the thing about this movie - whatever you plan for, whatever you think Michael Myers is capable of, he’s stronger than you think, he’s far more terrifying than you remember, and right until the end, he’s here to remind you that nothing you can plan for will ever be enough. Of course, we never actually see him die (again) so here’s looking forward to the next sequel…
The cinematography is something to at least wonder over - settings and locations are used well and established with some wonderful wide shots, and some of the best scenes are those where the camera just stays in one place, at a very carefully-selected window for example, and watches. Two scenes are worth a particular mention; the first, in which we follow our two podcast-host characters to a gas station, seems fairly dull until Myers catches up to them, but if you watch the background carefully enough you’ll see he’s there all along, beating people up and murdering quite happily (swapping his prison jumpsuit for those traditional blues in the process). The second seems a little superficial, in the grand scheme of the movie, but it’s well-shot nonetheless - we watch, from that aforementioned window, as a woman hears about all the nasty things Michael might do, and of course we can see him through another window, heading for her front door, and when he finally appears inside the house he’s all the way across the room, somehow, and he calmly wanders on over and stabs the woman quite coolly through the throat, in a scene which I think is most reminiscent of the original films.
However, there are moments when you don’t see Michael at all, just the aftermath, or where we watch him enter a room and are forced to linger in the corridor while he does the dirty work. A couple of times that’s just fine, but considering the nature of the film it would be nice to watch the magic happen a couple more times. And while we’re on the negatives, I might mention that the reveal that the Doctor Loomis-type character who looked, felt, and sounded like a rip-off of Doctor Loomis, and was even referred to as “The New Doctor Loomis” did EXACTLY the same thing that Doctor Loomis did, surprise, and we were somehow expected to not see that coming like it was all one big, obvious, heavy-handed bluff. A couple of the other characters, too, felt like they were purely rammed in there to be irritating - there were a couple of strong scenes with our podcast hosts, but ultimately they were rude, on-the-nose and annoyingly egotistical, and I was happy to see them go, just like Alison’s friend Foggy Nelson.
The score, incidentally, is worth mentioning, from a haunting retune of the original Myers theme to darker and more dramatic variations on it later on that really would have been quite something to hear in surround-sound. I’m never usually one to appreciate the music of a film quite fully enough, so it was nice to have this grab my attention in quite the way it did. Overall, it’s a genuinely good follow-on that takes the best of the films before and makes the best use of the worst of them. Some of the characters might be a little annoying, some of the action could have translated better on-screen than off, but it was an honest and straight-up slasher film and it just wasn’t that bad at all.
The plot is predictable, because of course it is. It’s Michael Myers, what’s he going to do except escape from a mental institution and murder some people? But it’s beautifully subverted; some of the characters you might expect to last till the end die before the halfway mark, and while there are a fair amount who are clearly written in just to be killed minutes later, they contribute to some fine, gory moments, so it’s kind of okay. There’s no real heartbreaker here - everyone you really rooted for just about makes it, and everyone that was kind of a dick is killed. And that’s fine, because in a way this isn’t the kind of slasher where it matters who lives or dies. This is a film about preserving a legacy, or perhaps just making one, and it works. We’re told fairly early on that this is a direct sequel to the original Halloween (Myers’ death toll at the start of this version, apparently, is five, which matches the amount of kills he made in the first movie - as far as I’m aware, Myers has actually killed over 100 people in all the films combined, so this is a nice subtle way of telling us what to remember and what to ignore completely). Having said that, references are made throughout to previous films, the best of which is of course a callback to the infamous scene where Myers tumbles out of a window only for his body to completely disappear - this time it’s Laurie Strode who does the tumbling, and she very much intends to do a little vanishing act of her own, Michael, so keep an eye on - oh, no, you looked away, I wonder what’s happening down there!
Focusing on Laurie for a moment, Jamie Lee Curtis does an absolutely excellent job here. Age has given her character wisdom, paranoia, and a whole lot of guns, and the acting carries a huge amount of weight and strength with it. Having said that, there are a couple of moments where all of Laurie’s fear-induced calculations don’t seem to have quite worked out - why bother going to such extreme measures to protect your house, if the front door you’re standing behind is half glass? But that’s the thing about this movie - whatever you plan for, whatever you think Michael Myers is capable of, he’s stronger than you think, he’s far more terrifying than you remember, and right until the end, he’s here to remind you that nothing you can plan for will ever be enough. Of course, we never actually see him die (again) so here’s looking forward to the next sequel…
The cinematography is something to at least wonder over - settings and locations are used well and established with some wonderful wide shots, and some of the best scenes are those where the camera just stays in one place, at a very carefully-selected window for example, and watches. Two scenes are worth a particular mention; the first, in which we follow our two podcast-host characters to a gas station, seems fairly dull until Myers catches up to them, but if you watch the background carefully enough you’ll see he’s there all along, beating people up and murdering quite happily (swapping his prison jumpsuit for those traditional blues in the process). The second seems a little superficial, in the grand scheme of the movie, but it’s well-shot nonetheless - we watch, from that aforementioned window, as a woman hears about all the nasty things Michael might do, and of course we can see him through another window, heading for her front door, and when he finally appears inside the house he’s all the way across the room, somehow, and he calmly wanders on over and stabs the woman quite coolly through the throat, in a scene which I think is most reminiscent of the original films.
However, there are moments when you don’t see Michael at all, just the aftermath, or where we watch him enter a room and are forced to linger in the corridor while he does the dirty work. A couple of times that’s just fine, but considering the nature of the film it would be nice to watch the magic happen a couple more times. And while we’re on the negatives, I might mention that the reveal that the Doctor Loomis-type character who looked, felt, and sounded like a rip-off of Doctor Loomis, and was even referred to as “The New Doctor Loomis” did EXACTLY the same thing that Doctor Loomis did, surprise, and we were somehow expected to not see that coming like it was all one big, obvious, heavy-handed bluff. A couple of the other characters, too, felt like they were purely rammed in there to be irritating - there were a couple of strong scenes with our podcast hosts, but ultimately they were rude, on-the-nose and annoyingly egotistical, and I was happy to see them go, just like Alison’s friend Foggy Nelson.
The score, incidentally, is worth mentioning, from a haunting retune of the original Myers theme to darker and more dramatic variations on it later on that really would have been quite something to hear in surround-sound. I’m never usually one to appreciate the music of a film quite fully enough, so it was nice to have this grab my attention in quite the way it did. Overall, it’s a genuinely good follow-on that takes the best of the films before and makes the best use of the worst of them. Some of the characters might be a little annoying, some of the action could have translated better on-screen than off, but it was an honest and straight-up slasher film and it just wasn’t that bad at all.
Debbie (52 KP) rated Born Scared in Books
Sep 12, 2018
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#BornScared#NetGalley
Candlewick Press Published Date September 11, 2018 Pages 256
Teens and YA
I had the privilege of being able to read this book before it was published. I did finish this book yesterday which is when it was released. This is the old cover but the new cover is a lot prettier.
This was a different book and I am still trying to process what I read. As of right now I am giving it 3.5 stars.
There were a lot of characters in this book and the transition between each one was a little rough.
This book is about a teenage boy who is afraid of everything. He is so afraid he doesn't go outside and is on medication which only slightly helps.
The story starts with him being born early at 26 weeks. He is part of twins. His sister doesn't live after an hour. He has named her Ellamay. Mom never named her. His fear starts from day one. Part of Ellamay lives within him. There are only three people that he isn't afraid of and they are mom, the doctor and his Aunt Shirley. When he was four he was caught talking with Ellamay and scared his mom and the doctor. His mom's name is Grace and the Doctor's name is Owen Gibson. Everyone else he calls Monkems.
Enter new characters the two Santas who are Leodnar Dacre (Dake) and Carl Jenner. Dake is the follower and Carl is the leader. They are bad men. They are planning on robbing the bank vault, by using yet another person named Gordon. They will make Gordon rob the bank for them by using his mom as leverage. How do they know about Gordon well yet another character is used and that is Kaylee who is dating Carl. Kaylee likes Carl because he is different and fun. Kaylee gives him all the information about Gordon. She assures Carl that Gordon is so predictable that you can set a clock by him.
The story goes on and Elliot is given the wrong medicine so mom needs to go and the correct pills but her car dies and so she ask Shirley to go get them. Shirley is dealing with traffic because it is Christmas Eve. Before she drops of the pills she goes home to pick up the gifts to deliver them along with the pills. Shirley never makes it to their home so Mom goes to her house and she never returns either.
Elliot decides he needs to go and find his mom. This is were his adventure starts. He has a great adventure and was great to read. What happen to him? You will have to read the book. What happen to Shirley and Mom? Again you have to read the book. What does Gordon have to do with this story? I am being very careful trying not to reveal too much. It does get good but I didn't like the ending at all. You are left wondering on what happened to a few of the characters.
If you don't mind being left hanging at the end I would recommend this story. It made me a little upset because I wanted to know. I don't care if it is a good end or a sad end, I just want to know what happen. The jumping around was a little hard and I had to figure out who I was reading about. This is a story I have never read about and it was interesting. Would I read something else by this author, yes I would give him another chance.
#BornScared#NetGalley
Candlewick Press Published Date September 11, 2018 Pages 256
Teens and YA
I had the privilege of being able to read this book before it was published. I did finish this book yesterday which is when it was released. This is the old cover but the new cover is a lot prettier.
This was a different book and I am still trying to process what I read. As of right now I am giving it 3.5 stars.
There were a lot of characters in this book and the transition between each one was a little rough.
This book is about a teenage boy who is afraid of everything. He is so afraid he doesn't go outside and is on medication which only slightly helps.
The story starts with him being born early at 26 weeks. He is part of twins. His sister doesn't live after an hour. He has named her Ellamay. Mom never named her. His fear starts from day one. Part of Ellamay lives within him. There are only three people that he isn't afraid of and they are mom, the doctor and his Aunt Shirley. When he was four he was caught talking with Ellamay and scared his mom and the doctor. His mom's name is Grace and the Doctor's name is Owen Gibson. Everyone else he calls Monkems.
Enter new characters the two Santas who are Leodnar Dacre (Dake) and Carl Jenner. Dake is the follower and Carl is the leader. They are bad men. They are planning on robbing the bank vault, by using yet another person named Gordon. They will make Gordon rob the bank for them by using his mom as leverage. How do they know about Gordon well yet another character is used and that is Kaylee who is dating Carl. Kaylee likes Carl because he is different and fun. Kaylee gives him all the information about Gordon. She assures Carl that Gordon is so predictable that you can set a clock by him.
The story goes on and Elliot is given the wrong medicine so mom needs to go and the correct pills but her car dies and so she ask Shirley to go get them. Shirley is dealing with traffic because it is Christmas Eve. Before she drops of the pills she goes home to pick up the gifts to deliver them along with the pills. Shirley never makes it to their home so Mom goes to her house and she never returns either.
Elliot decides he needs to go and find his mom. This is were his adventure starts. He has a great adventure and was great to read. What happen to him? You will have to read the book. What happen to Shirley and Mom? Again you have to read the book. What does Gordon have to do with this story? I am being very careful trying not to reveal too much. It does get good but I didn't like the ending at all. You are left wondering on what happened to a few of the characters.
If you don't mind being left hanging at the end I would recommend this story. It made me a little upset because I wanted to know. I don't care if it is a good end or a sad end, I just want to know what happen. The jumping around was a little hard and I had to figure out who I was reading about. This is a story I have never read about and it was interesting. Would I read something else by this author, yes I would give him another chance.
Ivana A. | Diary of Difference (1171 KP) rated The Yellow Wallpaper and Selected Writings in Books
Dec 29, 2018
The Yellow Wallpaper - Charlotte Perkins Gilman [BOOK REVIEW]
Read this review and more on www.diaryofdifference.com
I haven’t read much classic reads this year, and a few days before the end of 2018, I decided to go for a classic short story, and I chose The Yellow Wallpaper by Charlotte Perkins Gilman.
This classic has been written by a woman in the 19th century. A time when women weren’t treated the same way as today. A difficult time, where women couldn’t express their opinion as they wished, but they were suppressed by the male authority in the family.
When The Yellow Wallpaper came out, it was considered a Gothic Horror Tale. It is hard to believe for me, knowing the world we live in today, and how we, as women can express our opinions openly. But back in the days, this is how it was. It wasn’t easy for the woman, and I am glad we have a lot of brave women from that time, that gathered the courage to tell stories for the next generations.
This is a story about a woman, who seems to suffer of post-partum depression (a type of mood disorder associated with childbirth). She has been forced by her husband and doctor to stay in her room until she is ”mentally capable” again to take care of her baby. I am not a mother, but I can imagine the pain and suffering of not being allowed to see and hold your unborn child. And people thought this was okay?
The woman is constantly staring at the yellow wallpaper and the window, constantly reassuring herself that this is all happening for her own good, and that the husband and doctor know best, until a point where we are not actually sure if she is in her right mind anymore.
She starts to see a woman inside the wallpaper, and believes the woman is struggling to break free. I loved the metaphor used, as her subconscious knows she is trapped, and the end is so painful to read, but oh, so powerful.
Even though such a short read, The Yellow Wallpaper is an impressive view on cultural traditions, and the position of women in the family. A classic and a must-have for every woman!
I haven’t read much classic reads this year, and a few days before the end of 2018, I decided to go for a classic short story, and I chose The Yellow Wallpaper by Charlotte Perkins Gilman.
This classic has been written by a woman in the 19th century. A time when women weren’t treated the same way as today. A difficult time, where women couldn’t express their opinion as they wished, but they were suppressed by the male authority in the family.
When The Yellow Wallpaper came out, it was considered a Gothic Horror Tale. It is hard to believe for me, knowing the world we live in today, and how we, as women can express our opinions openly. But back in the days, this is how it was. It wasn’t easy for the woman, and I am glad we have a lot of brave women from that time, that gathered the courage to tell stories for the next generations.
This is a story about a woman, who seems to suffer of post-partum depression (a type of mood disorder associated with childbirth). She has been forced by her husband and doctor to stay in her room until she is ”mentally capable” again to take care of her baby. I am not a mother, but I can imagine the pain and suffering of not being allowed to see and hold your unborn child. And people thought this was okay?
The woman is constantly staring at the yellow wallpaper and the window, constantly reassuring herself that this is all happening for her own good, and that the husband and doctor know best, until a point where we are not actually sure if she is in her right mind anymore.
She starts to see a woman inside the wallpaper, and believes the woman is struggling to break free. I loved the metaphor used, as her subconscious knows she is trapped, and the end is so painful to read, but oh, so powerful.
Even though such a short read, The Yellow Wallpaper is an impressive view on cultural traditions, and the position of women in the family. A classic and a must-have for every woman!
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Whatchareadin (174 KP) rated Leaving Time in Books
Apr 9, 2019
Jenna Metcalf is thirteen years old and more than anything, she wants to find her mother, Dr. Alice Metcalf. Alice is a doctor who studies the behavior of elephants, specifically, grief. She goes missing when Jenna is just three years old and there was a tragic accident at the Elephant Sanctuary where they lived and that her parents owned/worked. Jenna doesn't believe that her mother would have ever left her behind, so she enlists the help of Serenity Jones, a once famous psychic who helped to find missing people and Virgil Stanhope, a private detective, who was on the police force and was a part of the investigation of the accident at the Sanctuary. With their help, will Jenna be able to find her mother? And when she does, will she be disappointed by what she finds?
I have enjoyed reading Jodi Picoult novels for a long time. They always leave me with different kinds of emotions. Some happy, some sad, sometimes confused. Leaving Time was no exception. I felt a connection to each character. With Jenna, I felt sadness of the loss of her mother and her plight to find her. For Alice, a felt compassion for her work and the situation she was living in. For Serenity, I'm not quite sure my feelings about her, but she was a caring force in Jenna's life. For Virgil, it was pity, that he was unable to get his life together and accomplish his goals.
Listening to this book I was intrigued by the subject matter. Based on the idea that "an elephant never forgets" it was fascinating to learn about how elephants interact with humans and with each other, especially after they suffer a loss. A lot how we as humans grieve. This is another book that will make you think and keep you on your toes, covering subject matters of wildlife, mental illness and supernatural abilities. In the last 5% of the book there was a twist that I didn't see coming and it made me rethink everything I had just read/listened to. This is why Jodi Picoult is one of my favorites.
My favorite line from the book: "...there was a tear in the fabric I was made of and he was the only color thread that would match to stitch it back up."
I have enjoyed reading Jodi Picoult novels for a long time. They always leave me with different kinds of emotions. Some happy, some sad, sometimes confused. Leaving Time was no exception. I felt a connection to each character. With Jenna, I felt sadness of the loss of her mother and her plight to find her. For Alice, a felt compassion for her work and the situation she was living in. For Serenity, I'm not quite sure my feelings about her, but she was a caring force in Jenna's life. For Virgil, it was pity, that he was unable to get his life together and accomplish his goals.
Listening to this book I was intrigued by the subject matter. Based on the idea that "an elephant never forgets" it was fascinating to learn about how elephants interact with humans and with each other, especially after they suffer a loss. A lot how we as humans grieve. This is another book that will make you think and keep you on your toes, covering subject matters of wildlife, mental illness and supernatural abilities. In the last 5% of the book there was a twist that I didn't see coming and it made me rethink everything I had just read/listened to. This is why Jodi Picoult is one of my favorites.
My favorite line from the book: "...there was a tear in the fabric I was made of and he was the only color thread that would match to stitch it back up."
Gold Medal Flapjack, Silver Medal Life: The Autobiography of an Unlikely Olympian
Book
"Being an Olympian was not my first choice of career, or even my second." Alison Mowbray wasn't a...
Billie Wichkan (118 KP) rated Not Quite Dead in Books
May 22, 2019
Doctor Autumn Johnson is convinced that someone wants the promising young researcher, Jay Abrams, dead.
And as a newly minted medical intern, Autumn tries to outsmart death on behalf of her patients every day. But she just cant seem to get it right. Not knowing the answers her residents expect her to, prescribing the wrong meds, and nearly passing out as a patient is wheeled into the ICUis not how she had pictured herself as a physician.
Determined to do better, Autumn decides to prove someone tried to kill Jay. When the trail leads her to Jays mysterious notes, Autumn has little time to discover who wants Jay, and now her, dead. With the help of the only other intern she can call a friend and a self-destructive perfectionist for a supervising resident, Autumn will have to solve a mystery that reaches deep inside the medical establishment, threatening us all.
This was a great medical thriller.
This story is told from two different points of views, the patient's, and the doctor's, which I really liked.
Very suspenseful and cleverly written. Had me gripped from start.
This one started off with a bang and never let off. So many twists and turns which kept me guessing to the end.
Really enjoyed reading.
Recommend reading.
My thanks to NetGalley and the publisher for the arc; this is my honest voluntary review.
And as a newly minted medical intern, Autumn tries to outsmart death on behalf of her patients every day. But she just cant seem to get it right. Not knowing the answers her residents expect her to, prescribing the wrong meds, and nearly passing out as a patient is wheeled into the ICUis not how she had pictured herself as a physician.
Determined to do better, Autumn decides to prove someone tried to kill Jay. When the trail leads her to Jays mysterious notes, Autumn has little time to discover who wants Jay, and now her, dead. With the help of the only other intern she can call a friend and a self-destructive perfectionist for a supervising resident, Autumn will have to solve a mystery that reaches deep inside the medical establishment, threatening us all.
This was a great medical thriller.
This story is told from two different points of views, the patient's, and the doctor's, which I really liked.
Very suspenseful and cleverly written. Had me gripped from start.
This one started off with a bang and never let off. So many twists and turns which kept me guessing to the end.
Really enjoyed reading.
Recommend reading.
My thanks to NetGalley and the publisher for the arc; this is my honest voluntary review.
Leigh J (71 KP) rated Pet Sematary (2019) in Movies
Nov 14, 2019
Dead on Arrival
Doctor and Family man Louis and his wife Rachel decide to move to Maine with their 2 kids Ellie and Gage, so that Louis can work at a University Hospital and Rachel can have more time with the kids. Whilst running around the large property, Ellie literally stumbles into a large wall of trees, which she unsuccessfully tries to climb and thus meets Judd, an elderly neighbour who tends to her injury and advises her not to play around the area. When Judd meets Louis, he advises that the Pet Sematary near their property where Ellie was playing is actually their land also. However when the family Cat, Church, is fatally injured; Judd shows Louis what is behind the wall of Trees, and advises him to bury Church there. The next morning, Church is miraculously back... and he's acting vicious and erratic. Is Church really the family cat? Or has something else altogether possessed Church? And when tragedy befalls this family yet again, what lengths will Louis go to to keep his family?
I've read the Pet Sematary Book (by Stephen King) and it's an absolute page turner so I was really excited to see this Remake. However, the whole thing fell flat for me. It wasn't remotely scary or interesting, even. It was just bland and made you feel a bit "meh" about the whole thing. Such a shame as the Book is excellent.
I've read the Pet Sematary Book (by Stephen King) and it's an absolute page turner so I was really excited to see this Remake. However, the whole thing fell flat for me. It wasn't remotely scary or interesting, even. It was just bland and made you feel a bit "meh" about the whole thing. Such a shame as the Book is excellent.