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Gareth von Kallenbach (980 KP) rated Jungle Cruise (2021) in Movies
Jul 28, 2021
Ask anyone who has ever spent time at a Disney park what attractions they enjoy riding and chances are good that the Jungle Cruise will be amongst them. The project was a labor of love for Walt Disney and has thrilled millions of guests with the scenic cruise, animated animals, and the cringe-worthy puns and jokes from the captains who have made it an enduring legend.
Since attractions ranging from “Pirates of the Caribbean”, “The Haunted Mansion” and “The Tower of Terror” have made their way to screens along with others over the years; it was not much of a shock to hear that The Jungle Cruise was next in line to make the leap to the big screen. Despite several release date changes and then a lengthy delay due to Covid; the film has finally arrived backed by a star-studded premiere at Disneyland.
When Doctor Lilly Houghton (Emily Blunt) with the help of her high-maintenance brother MacGregor (Jack Whitehall) desire to find a mythical item and gain entry into a prestigious organization; they are hampered by the sexist views of early 1900 England and forced to steal an artifact and race to the Amazon.
With a dangerous foreigner; Prince Joachim Jesse Plemons and his goons in hot pursuit, Lilly and her brother find themselves in the company of a boat captain named Frank (Dwayne Johnson); who in dire need of money uses all sorts of methods to gain a charter and take Lilly and her brother into a dangerous area.
Along the way, all manner of humor, action, and dangers arise as everything from hostile natives, animals, rapids, and of course, The Prince stands in their way. If this was not bad enough; there is also a matter of a curse that must be factored in which presents an even bigger danger than before.
In a race against time, Frank and Lilly must learn to trust and work with one another and decipher the clues to save the day and keep the forces of evil from winning.
The film takes a bit of time to get going as while there is some action and great scenery and sets; early on it does seem to be unsure of what type of film it wants to be and what type of story it wants to tell.
Is it a madcap adventure with a dash of romance? Is it an FX-laden action spoof? Perhaps it is an over-the-top action film that recalls the fabled cinematic adventures of old?
In reality, the film is a combination of all of the above. I had flashes of “The African Queen”, “Romancing the Stone”, “Raiders of the Lost Ark”, “Pirates of The Caribbean”, and “The Mummy” during the film.
While the MacGuffin element of the film may be a bit confusing for some with more questions than answers; Blunt and Johnson work very well with one another and Whitehall provides a wider element to his character making him more than the comic relief in the film.
The FX are very enjoyable and the film mixes the humor with the action well including some of the best jokes from the attraction.
While it may at first glance be considered just a routine adventure film; the movie blends a strong and enjoyable cast with a fun adventure that recalls the thrilling cinematic tales of old but does so with a fresh and modern twist.
4 stars out of 5
Since attractions ranging from “Pirates of the Caribbean”, “The Haunted Mansion” and “The Tower of Terror” have made their way to screens along with others over the years; it was not much of a shock to hear that The Jungle Cruise was next in line to make the leap to the big screen. Despite several release date changes and then a lengthy delay due to Covid; the film has finally arrived backed by a star-studded premiere at Disneyland.
When Doctor Lilly Houghton (Emily Blunt) with the help of her high-maintenance brother MacGregor (Jack Whitehall) desire to find a mythical item and gain entry into a prestigious organization; they are hampered by the sexist views of early 1900 England and forced to steal an artifact and race to the Amazon.
With a dangerous foreigner; Prince Joachim Jesse Plemons and his goons in hot pursuit, Lilly and her brother find themselves in the company of a boat captain named Frank (Dwayne Johnson); who in dire need of money uses all sorts of methods to gain a charter and take Lilly and her brother into a dangerous area.
Along the way, all manner of humor, action, and dangers arise as everything from hostile natives, animals, rapids, and of course, The Prince stands in their way. If this was not bad enough; there is also a matter of a curse that must be factored in which presents an even bigger danger than before.
In a race against time, Frank and Lilly must learn to trust and work with one another and decipher the clues to save the day and keep the forces of evil from winning.
The film takes a bit of time to get going as while there is some action and great scenery and sets; early on it does seem to be unsure of what type of film it wants to be and what type of story it wants to tell.
Is it a madcap adventure with a dash of romance? Is it an FX-laden action spoof? Perhaps it is an over-the-top action film that recalls the fabled cinematic adventures of old?
In reality, the film is a combination of all of the above. I had flashes of “The African Queen”, “Romancing the Stone”, “Raiders of the Lost Ark”, “Pirates of The Caribbean”, and “The Mummy” during the film.
While the MacGuffin element of the film may be a bit confusing for some with more questions than answers; Blunt and Johnson work very well with one another and Whitehall provides a wider element to his character making him more than the comic relief in the film.
The FX are very enjoyable and the film mixes the humor with the action well including some of the best jokes from the attraction.
While it may at first glance be considered just a routine adventure film; the movie blends a strong and enjoyable cast with a fun adventure that recalls the thrilling cinematic tales of old but does so with a fresh and modern twist.
4 stars out of 5
Kristy H (1252 KP) rated An Anonymous Girl in Books
Mar 20, 2019
Fun, twisty thriller
Jessica Farris, age twenty-eight, is a makeup artist for Beauty Buzz. She lugs her giant makeup kit all around New York City doing makeup for other people who are living their dreams. As for Jess, she's heavily focused on money, as her parents are stressed trying to provide all the medical support they can for her disabled sister, Becky. Even worse, her Dad is about to lose his job. So when she sees one of her clients get a text where she could enroll in a psychology study, answer a few questions, and make some quick bucks, it sounds ideal. But the questions rapidly grow more intense and soon Jess is asked back for further questions and extra sessions. She then meets the doctor behind the study, Dr. Shields, and becomes caught her manipulative web of experimentation--and obsession.
So I liked THE WIFE BETWEEN US but didn't *love* it like so many people did, and hence I wasn't entirely sure about reading this one. I definitely enjoyed AN ANONYMOUS GIRL more. This author duo is certainly adept at writing very readable, very wild books that are hard to put down. I found myself stealing away during the chaos of Christmas Eve to finish this book.
The chapters alternate between Jess and Dr. Shields. Overall, Jess is just your average likeable gal who gets in over her head. I didn't adore her or anything; sometimes she irritated me a bit, but she was fine. My biggest pet peeve with this entire book was the fact that Dr. Shields chapters were written almost entirely in passive voice. This was obviously done as a literary device and part of her character, but ugh! After a while, I could barely take it. I felt like I was at work, reading all of my colleague's proposal sections, and I felt as if I was mentally correcting each sentence as I read it. Not fun.
But, I digress. It quickly becomes apparent that we cannot really trust anything that's happening in this one, which is fun. You know there has to be more to everyone's stories, and the book constantly had me guessing. There are a lot of nice twists thrown in, and unlike the authors' previous book, I didn't guess the main one right away, so I really enjoyed reading the story. It did stress me out a bit, though - sheesh! It's very crazy, very unbelievable (but in a good way), often quite creepy, but an enjoyable ride.
Overall, this is a fun, twisty thriller that lets you just suspend disbelief and enjoy the ride. It's different, a bit spooky, and interesting.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!).
So I liked THE WIFE BETWEEN US but didn't *love* it like so many people did, and hence I wasn't entirely sure about reading this one. I definitely enjoyed AN ANONYMOUS GIRL more. This author duo is certainly adept at writing very readable, very wild books that are hard to put down. I found myself stealing away during the chaos of Christmas Eve to finish this book.
The chapters alternate between Jess and Dr. Shields. Overall, Jess is just your average likeable gal who gets in over her head. I didn't adore her or anything; sometimes she irritated me a bit, but she was fine. My biggest pet peeve with this entire book was the fact that Dr. Shields chapters were written almost entirely in passive voice. This was obviously done as a literary device and part of her character, but ugh! After a while, I could barely take it. I felt like I was at work, reading all of my colleague's proposal sections, and I felt as if I was mentally correcting each sentence as I read it. Not fun.
But, I digress. It quickly becomes apparent that we cannot really trust anything that's happening in this one, which is fun. You know there has to be more to everyone's stories, and the book constantly had me guessing. There are a lot of nice twists thrown in, and unlike the authors' previous book, I didn't guess the main one right away, so I really enjoyed reading the story. It did stress me out a bit, though - sheesh! It's very crazy, very unbelievable (but in a good way), often quite creepy, but an enjoyable ride.
Overall, this is a fun, twisty thriller that lets you just suspend disbelief and enjoy the ride. It's different, a bit spooky, and interesting.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!).
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The Patient Centered Value System: Transforming Healthcare Through Co-Design
Anthony M. DiGioia and Eve Shapiro
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Imagine: You are a hospital Chief Executive Officer, Chief Financial Officer, medical or nursing...
Kara Skinner (332 KP) rated Note to Self in Books
Sep 10, 2019
Genre: Contemporary, LGBTQ
Goodreads rating: 3.73 out of 5 stars
My rating: 3.5 out of 5 stars
Anna never considered herself bisexual or a lesbian. She’s totally in love with her husband and happy with her life as a wife, mother, and cop. But that all changes when she meets Susan, a pretty, feminine doctor, who turns Anna’s world upside down. Confused and full of guilt from thinking erotic thoughts about Susan while married to Nick, Anna turns to her journal to sort it all out.
Okay, once this story gets going, it’s great. But in the beginning it is so damn boring. Journal or not, Anna does not get to the frigging point for like four or five pages! I was tempted to go wash the dishes at least twice in the beginning of the book. When the dishes are pulling me away from a book, and not the other way around, something is very wrong.
However, it does read like a real diary, so kudos on that.
Once Anna gets her shit together and actually starts telling what happened, the story gets a lot better. Her inner turmoil is relatable and realistic and makes me like her alot. Susan’s character is also great. Being very girly, Susan has a nice contrast with Anna, and that makes their time together that much sweeter. I always love it when characters are developed, even for short erotica pieces like this one.
I do have a problem with Anna being married, though. Her husband is a great guy who is very supportive of her and their son. He showed up to their son’s kindergarten barbecue, doesn’t mind his wife being “one of the guys”, and doesn’t even get jealous from other men’s stares at her.
It’s really clear that they are still very much in love and unless it becomes clear in the sequel that he’s a serial cheater or hiding huge secrets, (like, “I killed my boss and embezzled five million dollars” type of secret. Not “that purple dress really did make you look like Barney and I didn’t tell you even though I knew pictures were going on Facebook” type of secret) then I’m never going to like Anna’s and Susan’s relationship as much as I could.
Lesbian relationship? No problem. More power to ya. Cheating on a very sweet person? Huge problem. Shouldn’t happen. Burn in hell.
You can read Note to Self on Smashwords for free. I recommend you check it out if it sounds like your cup of tea. Speaking of tea, take some time to read with a cup of it. The holidays are coming up, and you need some relaxation before your life dissolves into chaos. Take care!
Goodreads rating: 3.73 out of 5 stars
My rating: 3.5 out of 5 stars
Anna never considered herself bisexual or a lesbian. She’s totally in love with her husband and happy with her life as a wife, mother, and cop. But that all changes when she meets Susan, a pretty, feminine doctor, who turns Anna’s world upside down. Confused and full of guilt from thinking erotic thoughts about Susan while married to Nick, Anna turns to her journal to sort it all out.
Okay, once this story gets going, it’s great. But in the beginning it is so damn boring. Journal or not, Anna does not get to the frigging point for like four or five pages! I was tempted to go wash the dishes at least twice in the beginning of the book. When the dishes are pulling me away from a book, and not the other way around, something is very wrong.
However, it does read like a real diary, so kudos on that.
Once Anna gets her shit together and actually starts telling what happened, the story gets a lot better. Her inner turmoil is relatable and realistic and makes me like her alot. Susan’s character is also great. Being very girly, Susan has a nice contrast with Anna, and that makes their time together that much sweeter. I always love it when characters are developed, even for short erotica pieces like this one.
I do have a problem with Anna being married, though. Her husband is a great guy who is very supportive of her and their son. He showed up to their son’s kindergarten barbecue, doesn’t mind his wife being “one of the guys”, and doesn’t even get jealous from other men’s stares at her.
It’s really clear that they are still very much in love and unless it becomes clear in the sequel that he’s a serial cheater or hiding huge secrets, (like, “I killed my boss and embezzled five million dollars” type of secret. Not “that purple dress really did make you look like Barney and I didn’t tell you even though I knew pictures were going on Facebook” type of secret) then I’m never going to like Anna’s and Susan’s relationship as much as I could.
Lesbian relationship? No problem. More power to ya. Cheating on a very sweet person? Huge problem. Shouldn’t happen. Burn in hell.
You can read Note to Self on Smashwords for free. I recommend you check it out if it sounds like your cup of tea. Speaking of tea, take some time to read with a cup of it. The holidays are coming up, and you need some relaxation before your life dissolves into chaos. Take care!
Virtual Families Free for iPad
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Virtual Families is a casual family sim that runs in true real time, and now this acclaimed...
Heather Cranmer (2721 KP) created a post
Oct 22, 2022
Movie Metropolis (309 KP) rated Alita: Battle Angel (2019) in Movies
Jun 10, 2019
A visual spectacle
It’s always a worry when a production company feels the need to force feed you the fact that a big-name is in a relatively minor role. In the case of Alita: Battle Angel, 20th Century Fox have been hammering home the fact that James Cameron is involved in a Producer capacity.
You have to feel a little sorry for director Robert Rodriguez as his name has been almost usurped by Cameron’s in the marketing push for this live-action adaptation of the classic manga. Of course, Cameron is too busy making the four Avatar sequels no-one actually cares about anymore and instead, entrusted his vision for Alita: Battle Angel to Rodriguez. He’s certainly an intriguing choice of director, but does the finished product work?
Set several centuries in the future, the abandoned Alita (Rosa Salazar) is found in the scrapyard of Iron City by Ido (Christoph Waltz), a compassionate cyber-doctor who takes the unconscious cyborg Alita to his clinic. When Alita awakens, she has no memory of who she is, nor does she have any recognition of the world she finds herself in. As Alita learns to navigate her new life and the treacherous streets of Iron City, Ido tries to shield her from her mysterious past.
After spending nearly $200million on Alita, Fox clearly think they’ve got another massive hit on their hands and to an extent, they deserve one. Battle Angel is a majestic film, filled with visual presence not dissimilar to the spectacle of watching Avatar for the first time in 2009. The bustling world of Iron City feels as if it’s living and breathing right before our eyes and that’s a testament to both Cameron and Rodriguez as well as the visual effects people down at Weta Digital.
This thriving metropolis is populated by practical and CGI effects of varying qualities, but as a movie world, it works much better than Wakanda did in Black Panther and is leagues ahead of the empty, soulless Asgard from Thor.
It is reminiscent of Sakaar in Thor: Ragnarok however, with its narrow streets and market stalls. The difference here is that Iron City is a much darker, eerier place than Sakarr ever was, save for Jeff Goldblum’s Grandmaster towering above everything.
The casting is also very good and features some household names that were clearly intrigued by the project. Waltz is excellent as the compassionate Ido and Jennifer Connelly works well as his ex-wife, though she is underused throughout.
Alita: Battle Angel is a pleasant surprise from a director who has needed a hit for quite some time.
Ed Skrein turns up every now and then as Zapan, a cyborg bounty hunter and provides some light comic relief in a film that has more than its fair share of darker moments. TV actor Keann Johnson makes his big-budget film debut here and he is excellent as Hugo, Alita’s love interest.
Unfortunately, the initial optimism fades somewhat when you realise that Alita: Battle Angel struggles under the weight of its own script. Plot points in the first 45 minutes feel ridiculously rushed and then the film hurtles towards its climax without stopping for breath.
You get the feeling there was much more that had to be cut to trim the runtime down to a more family friendly 2 hours. The dialogue too isn’t a strong point. Overly expositional and riddled in cliché, Alita is not a film you watch because of its sparkling and witty one-liners.
Niggles aside though and Alita: Battle Angel is much better than I thought it was going to be. The plot, while unoriginal, is sweet and easy enough to swallow, making it a great family film. True, it has its darker moments, but the strong visuals and vibrant environment will make it enjoyable for older children and adults alike.
Overall, Alita: Battle Angel is a pleasant surprise from a director who has needed a hit for quite some time. It’s a flawed film that struggles to cope with its many ideas that continuously pull it in hundreds of different directions, but it’s worth a watch just for the visual spectacle and emotionally arresting story. Whether or not it recoups that colossal $200million budget remains to be seen.
https://moviemetropolis.net/2019/02/09/alita-battle-angel-review-a-visual-spectacle/
You have to feel a little sorry for director Robert Rodriguez as his name has been almost usurped by Cameron’s in the marketing push for this live-action adaptation of the classic manga. Of course, Cameron is too busy making the four Avatar sequels no-one actually cares about anymore and instead, entrusted his vision for Alita: Battle Angel to Rodriguez. He’s certainly an intriguing choice of director, but does the finished product work?
Set several centuries in the future, the abandoned Alita (Rosa Salazar) is found in the scrapyard of Iron City by Ido (Christoph Waltz), a compassionate cyber-doctor who takes the unconscious cyborg Alita to his clinic. When Alita awakens, she has no memory of who she is, nor does she have any recognition of the world she finds herself in. As Alita learns to navigate her new life and the treacherous streets of Iron City, Ido tries to shield her from her mysterious past.
After spending nearly $200million on Alita, Fox clearly think they’ve got another massive hit on their hands and to an extent, they deserve one. Battle Angel is a majestic film, filled with visual presence not dissimilar to the spectacle of watching Avatar for the first time in 2009. The bustling world of Iron City feels as if it’s living and breathing right before our eyes and that’s a testament to both Cameron and Rodriguez as well as the visual effects people down at Weta Digital.
This thriving metropolis is populated by practical and CGI effects of varying qualities, but as a movie world, it works much better than Wakanda did in Black Panther and is leagues ahead of the empty, soulless Asgard from Thor.
It is reminiscent of Sakaar in Thor: Ragnarok however, with its narrow streets and market stalls. The difference here is that Iron City is a much darker, eerier place than Sakarr ever was, save for Jeff Goldblum’s Grandmaster towering above everything.
The casting is also very good and features some household names that were clearly intrigued by the project. Waltz is excellent as the compassionate Ido and Jennifer Connelly works well as his ex-wife, though she is underused throughout.
Alita: Battle Angel is a pleasant surprise from a director who has needed a hit for quite some time.
Ed Skrein turns up every now and then as Zapan, a cyborg bounty hunter and provides some light comic relief in a film that has more than its fair share of darker moments. TV actor Keann Johnson makes his big-budget film debut here and he is excellent as Hugo, Alita’s love interest.
Unfortunately, the initial optimism fades somewhat when you realise that Alita: Battle Angel struggles under the weight of its own script. Plot points in the first 45 minutes feel ridiculously rushed and then the film hurtles towards its climax without stopping for breath.
You get the feeling there was much more that had to be cut to trim the runtime down to a more family friendly 2 hours. The dialogue too isn’t a strong point. Overly expositional and riddled in cliché, Alita is not a film you watch because of its sparkling and witty one-liners.
Niggles aside though and Alita: Battle Angel is much better than I thought it was going to be. The plot, while unoriginal, is sweet and easy enough to swallow, making it a great family film. True, it has its darker moments, but the strong visuals and vibrant environment will make it enjoyable for older children and adults alike.
Overall, Alita: Battle Angel is a pleasant surprise from a director who has needed a hit for quite some time. It’s a flawed film that struggles to cope with its many ideas that continuously pull it in hundreds of different directions, but it’s worth a watch just for the visual spectacle and emotionally arresting story. Whether or not it recoups that colossal $200million budget remains to be seen.
https://moviemetropolis.net/2019/02/09/alita-battle-angel-review-a-visual-spectacle/
Darren (1599 KP) rated A Tale of Two Sisters (2003) in Movies
Jun 20, 2019
Story: A Tale of Two Sisters starts with Soo-mi Bae in a hospital with a doctor trying to convince her to tell her story. We flashback to when sisters Soo-mi Bae (Lim) and Soo-yeon Bae (Moon) move to the country home owned by their father Moo-hyeon Bae (Kim) and their new stepmother Eun-joo Heo (Yum).
The two sisters don’t like their new stepmother and to make matters worse the two discover that they are being haunted by a spirit, but is the spirit guiding them to uncover a truth or does it have another motive?
A Tale of Two Sisters really makes you wonder what is going on because once the big reveal happens you are left wondering what just happened. Everything is very well created with the suspense building up through the early part of the film and returning to the high level by the end of the film. This story does need a re-watch because you will want to check out everything that is finally reveal.
Actor Review
Kap-su Kim: Moo-hyeon Bae is the father of the family who does seem to end up becoming pretty much a background character to the three female characters. I feel this character falls to the background too much to get a high enough rating.
Jung-ah Yum: Eun-joo Heo is the stepmother of the family who doesn’t seem to like the two girls, she has a past that is hidden but once it gets discovered we see hat she is capable off. I think she makes for a very good menacing performance throughout while looking very normal to her husband.
Su-Jeong Lim: Soo-mi Bae is the eldest of the sisters who always protects her younger sister from the new stepmother, she learns more about the stepmother’s past but has past that ends up helping with the final reveal. This is a good performance showing the fear and the caring side being used throughout.
Geun-young Moon: Soo-Yeon Bae is the younger sister who always looks at her big sister for protection, constantly following her around the house, we learn about why she is being haunted and needing help as the film unfolds. This is good performance that ends up have a big secret.
Support Cast: A Tale of Two Sisters really doesn’t have much of a supporting cast but the very few we have all do what they need to do.
Director Review: Jee-woon Kim – Jee-woon gives us a very good horror that will keep you guessing until the very end where you will be left wonder what did happen.
Horror: A Tale of Two Sisters has real horror moments when they happen that will shock you.
Mystery: A Tale of Two Sisters creates a mystery about what is happening and what is the secret behind the stepmother.
Thriller: A Tale of Two Sisters keeps you guessing to what will happen by the end of the film.
Settings: A Tale of Two Sisters keeps all the action of the film in an isolated country house which adds to the horror because the girls have no where to go or no one to see.
Special Effects: A Tale of Two Sisters uses the effects for the haunting which are the only need for them.
Suggestion: A Tale of Two Sisters is one for the horror fans to try which is don’t go and watch remake first. (Horror Fans Try)
Best Part: Girl at the end of the bed nightmare.
Worst Part: You will need to double check the twist.
Scariest Scene: Girl at the end of the bed.
Believability: No
Chances of Tears: No
Chances of Sequel: No
Post Credits Scene: No
Oscar Chances: No
Runtime: 1 Hour 55 Minutes
Tagline: Every family has its dark secrets.
Overall: Horror film that is filled with suspense filled scares but a final twist that makes you wonder what really happened.
https://moviesreview101.com/2015/12/25/movie-reviews-101-midnight-horror-a-tale-of-two-sisters-2003/
The two sisters don’t like their new stepmother and to make matters worse the two discover that they are being haunted by a spirit, but is the spirit guiding them to uncover a truth or does it have another motive?
A Tale of Two Sisters really makes you wonder what is going on because once the big reveal happens you are left wondering what just happened. Everything is very well created with the suspense building up through the early part of the film and returning to the high level by the end of the film. This story does need a re-watch because you will want to check out everything that is finally reveal.
Actor Review
Kap-su Kim: Moo-hyeon Bae is the father of the family who does seem to end up becoming pretty much a background character to the three female characters. I feel this character falls to the background too much to get a high enough rating.
Jung-ah Yum: Eun-joo Heo is the stepmother of the family who doesn’t seem to like the two girls, she has a past that is hidden but once it gets discovered we see hat she is capable off. I think she makes for a very good menacing performance throughout while looking very normal to her husband.
Su-Jeong Lim: Soo-mi Bae is the eldest of the sisters who always protects her younger sister from the new stepmother, she learns more about the stepmother’s past but has past that ends up helping with the final reveal. This is a good performance showing the fear and the caring side being used throughout.
Geun-young Moon: Soo-Yeon Bae is the younger sister who always looks at her big sister for protection, constantly following her around the house, we learn about why she is being haunted and needing help as the film unfolds. This is good performance that ends up have a big secret.
Support Cast: A Tale of Two Sisters really doesn’t have much of a supporting cast but the very few we have all do what they need to do.
Director Review: Jee-woon Kim – Jee-woon gives us a very good horror that will keep you guessing until the very end where you will be left wonder what did happen.
Horror: A Tale of Two Sisters has real horror moments when they happen that will shock you.
Mystery: A Tale of Two Sisters creates a mystery about what is happening and what is the secret behind the stepmother.
Thriller: A Tale of Two Sisters keeps you guessing to what will happen by the end of the film.
Settings: A Tale of Two Sisters keeps all the action of the film in an isolated country house which adds to the horror because the girls have no where to go or no one to see.
Special Effects: A Tale of Two Sisters uses the effects for the haunting which are the only need for them.
Suggestion: A Tale of Two Sisters is one for the horror fans to try which is don’t go and watch remake first. (Horror Fans Try)
Best Part: Girl at the end of the bed nightmare.
Worst Part: You will need to double check the twist.
Scariest Scene: Girl at the end of the bed.
Believability: No
Chances of Tears: No
Chances of Sequel: No
Post Credits Scene: No
Oscar Chances: No
Runtime: 1 Hour 55 Minutes
Tagline: Every family has its dark secrets.
Overall: Horror film that is filled with suspense filled scares but a final twist that makes you wonder what really happened.
https://moviesreview101.com/2015/12/25/movie-reviews-101-midnight-horror-a-tale-of-two-sisters-2003/
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