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Gareth von Kallenbach (980 KP) rated Knack in Video Games
Jun 19, 2019
Launch titles are often subject to some very harsh scrutiny by gamers and the new Playstation 4 game Knack is just one such example. The game was created by Sony’s Japan Studio to be a launch title for the new system and in an ironic twist, is not schedule to release in Japan until late Feb 2014.
Players play as Knack, a shape changing creation that was created by a professor using powerful and ancient relics. The relics are used as power in the societies of the world and when the Goblin race breaks a longstanding truce with new and powerful weapons of war, humanity finds itself needed to answer the threat.
A wealthy industrialist named Victor wants to use his army of robots to answer the Goblin threat but the Doctor who created Knack convinces the leaders that his creation is a more capable solution to the problem and as such is assigned to investigate and resolve the Goblin threat.
The game is divided into chapters and sub chapters and playing as Knack players must travel through caves, temples, fortresses, and other locales in missions which combine platform jumping, fighting, and puzzle solving. Players can locate hidden objects that when combined offer power ups such a relic finder and many other options that will help with the completion of the game.
Knack grows and regains health when relics are found and in time will learn how to add rocks, ice, and other substances to his matrix which in turn will allow him to be gigantic in nature for some of the games bigger battles. I will admit to taking some fiendish delight in swatting aside smaller enemies like gnats when I was able to bulk Knack up to a massive size. The game limits when Knack can reach gargantuan size as it keeps his scale in check with what the level requirements are.
There are also sun crystals that Knack can obtain which will allow him to unleash some super moves. Players can store up to three such power ups and once used, several crystals are needed to replenish what was used.
While the gameplay is fairly basic in that jumping, fighting, climbing, and avoiding enemy attacks there is some frustration with the at times repetitive nature of the levels and in game combat. While fun, it at times became boring as the game went along and it was also hampered by some of the camera angles in games that often made me resort to trial and error. This is frustrating as the game uses a checkpoint save and respawn system as once I was able to get through a tricky part of the game, I went over a cliff and had to replay a large portion of the game. This was frustrating as the camera only gave me an over the shoulder view and I could not see how much space was ahead of me. Other chapters cut to a cut scene in a similar situation but this one required me to inch forwards carefully to trigger the cutscene.
While the game does allow you to continue if you quit, I find myself having to re-watch tons of animation and replay several early stages of a level to get back to where I left off.
While the voice acting and story are nothing special the game is fun to play for what it is and I did enjoy several parts of the game despite the frustrations I mentioned earlier. The graphics are solid and while not showcases for the power of the system provide an interesting and engaging setting for the game and the numerous enemies and traps players will face.
The game has received some negative press to date which I think is highly unfair. Many people in my opinion are judging the game for what it was not rather than what it was. While it could have been a better game, it is a fun and enjoyable game for those who have more moderate expectations and would be ideal for younger players who are looking for something to play on the Playstation 4 that is age appropriate.
http://sknr.net/2014/01/26/knack/
Players play as Knack, a shape changing creation that was created by a professor using powerful and ancient relics. The relics are used as power in the societies of the world and when the Goblin race breaks a longstanding truce with new and powerful weapons of war, humanity finds itself needed to answer the threat.
A wealthy industrialist named Victor wants to use his army of robots to answer the Goblin threat but the Doctor who created Knack convinces the leaders that his creation is a more capable solution to the problem and as such is assigned to investigate and resolve the Goblin threat.
The game is divided into chapters and sub chapters and playing as Knack players must travel through caves, temples, fortresses, and other locales in missions which combine platform jumping, fighting, and puzzle solving. Players can locate hidden objects that when combined offer power ups such a relic finder and many other options that will help with the completion of the game.
Knack grows and regains health when relics are found and in time will learn how to add rocks, ice, and other substances to his matrix which in turn will allow him to be gigantic in nature for some of the games bigger battles. I will admit to taking some fiendish delight in swatting aside smaller enemies like gnats when I was able to bulk Knack up to a massive size. The game limits when Knack can reach gargantuan size as it keeps his scale in check with what the level requirements are.
There are also sun crystals that Knack can obtain which will allow him to unleash some super moves. Players can store up to three such power ups and once used, several crystals are needed to replenish what was used.
While the gameplay is fairly basic in that jumping, fighting, climbing, and avoiding enemy attacks there is some frustration with the at times repetitive nature of the levels and in game combat. While fun, it at times became boring as the game went along and it was also hampered by some of the camera angles in games that often made me resort to trial and error. This is frustrating as the game uses a checkpoint save and respawn system as once I was able to get through a tricky part of the game, I went over a cliff and had to replay a large portion of the game. This was frustrating as the camera only gave me an over the shoulder view and I could not see how much space was ahead of me. Other chapters cut to a cut scene in a similar situation but this one required me to inch forwards carefully to trigger the cutscene.
While the game does allow you to continue if you quit, I find myself having to re-watch tons of animation and replay several early stages of a level to get back to where I left off.
While the voice acting and story are nothing special the game is fun to play for what it is and I did enjoy several parts of the game despite the frustrations I mentioned earlier. The graphics are solid and while not showcases for the power of the system provide an interesting and engaging setting for the game and the numerous enemies and traps players will face.
The game has received some negative press to date which I think is highly unfair. Many people in my opinion are judging the game for what it was not rather than what it was. While it could have been a better game, it is a fun and enjoyable game for those who have more moderate expectations and would be ideal for younger players who are looking for something to play on the Playstation 4 that is age appropriate.
http://sknr.net/2014/01/26/knack/
Gareth von Kallenbach (980 KP) rated Sky Captain and the World of Tomorrow (2004) in Movies
Aug 14, 2019
Harkening back to the days of episodic serials, “Sky Captain and the World of Tomorrow” attempts to blend the thrills of the old adventure films and serials with the high tech computer effects of the modern age.
The film stars Gwyneth Paltrow and Jude Law as reporter Polly Prince and Aviator Sky Captain, who are reunited during a surprise attack on New York by an army of robot . Polly has been investigating a recent wake of scientists who have vanished under mysterious circumstances, and when the robots attack, Polly sees a connection and gets in contact with her old flame the Sky Captain.
Sky Captain is not thrilled to see Polly as he does not trust her, especially when they last parted under a difficult situation where the Sky Captain was left in a dangerous situation as a result of Polly’s ambition. Nevertheless, the duo team up and investigate the cause of the attacks. No sooner does the duo start the investigation, then Sky Captain’s base is attacked and his friend and gadget creator Dex (Giovanni Ribisi), has been kidnapped.
In a race against time to save Dex and stop the evil Dr. Totenkoph from destroying the world, Sky Captain and Polly must travel the globe meeting all manner of deadly and bizarre resistance in some of the most remote locations on the planet. Eventually the team meets up with Captain Franky Cook, (Angelina Jolie), who also has a past with Sky Captain, and her legion of flying forces help stage an attack on the good doctors compound in a lavish display of FX and action as they attempt to gain entry to a hidden fortress.
With the clock ticking, and the situation growing tense, Sky Captain and his crew must traverse the exotic and deadly location of the hidden location before it is to late if they are to stop the doctor and his henchmen (Bai Ling), and save Dex, the missing scientists, and the world.
While ambitious “Sky Captain” suffers from a lack of focus as the film tries to do too much. Writer/Director Kerry Conran does a good job in his first feature, as he is able to blend lavish visuals in a unique and creative way to create and populate the world of the film. Sadly though, the performances of Paltrow and Law are remarkably understated and the talented cast often comes across as bland. This causes the audience to have little connection with the characters and any real tension or chemistry is sadly lacking. We know there was some history between the two lead characters but it is mostly glossed over in favor of the action that after a while comes across as more of the same and becomes bland. Only the Franky character stands out as Jollie plays her with a sultry charm and flair that hides her devilish streak, yet emphasizes the strength of her character and her loyalty to the captain.
I had really wanted to like this film, as I found the premise to be interesting, however the action sequences were rather under whelming and to me it was very obvious that the film was filmed entirely against screens and used CGI for everything from buildings to sets. While ambitious, it became overwhelming after a while and in more than one instance the backgrounds were obviously false and did not match up well with the actors.
While this can be excused, what cant be a pedestrian plot that borrows heavily from other works, and while they like this film were inspired by the serials of old, and pulp comics, I could not help but see the “Indiana Jones”, “Star Wars”, and “Jurassic Park”, over and over in the film. Law, Jolie and Paltrow are talented actors but they are given little to do aside from run around and spout stale dialogue from a story that is already muddled down by a lackluster plot, lack of tension, pacing, and average special effects.
Conran is a director with promise and it should be noted that despite the film’s faults, the film was a daunting task as it was shot in just 29 days, which would strain even the most seasoned of directors. As it stands “Sky Captain” is an average film that could have been much better with just a little more time in the hangar.
The film stars Gwyneth Paltrow and Jude Law as reporter Polly Prince and Aviator Sky Captain, who are reunited during a surprise attack on New York by an army of robot . Polly has been investigating a recent wake of scientists who have vanished under mysterious circumstances, and when the robots attack, Polly sees a connection and gets in contact with her old flame the Sky Captain.
Sky Captain is not thrilled to see Polly as he does not trust her, especially when they last parted under a difficult situation where the Sky Captain was left in a dangerous situation as a result of Polly’s ambition. Nevertheless, the duo team up and investigate the cause of the attacks. No sooner does the duo start the investigation, then Sky Captain’s base is attacked and his friend and gadget creator Dex (Giovanni Ribisi), has been kidnapped.
In a race against time to save Dex and stop the evil Dr. Totenkoph from destroying the world, Sky Captain and Polly must travel the globe meeting all manner of deadly and bizarre resistance in some of the most remote locations on the planet. Eventually the team meets up with Captain Franky Cook, (Angelina Jolie), who also has a past with Sky Captain, and her legion of flying forces help stage an attack on the good doctors compound in a lavish display of FX and action as they attempt to gain entry to a hidden fortress.
With the clock ticking, and the situation growing tense, Sky Captain and his crew must traverse the exotic and deadly location of the hidden location before it is to late if they are to stop the doctor and his henchmen (Bai Ling), and save Dex, the missing scientists, and the world.
While ambitious “Sky Captain” suffers from a lack of focus as the film tries to do too much. Writer/Director Kerry Conran does a good job in his first feature, as he is able to blend lavish visuals in a unique and creative way to create and populate the world of the film. Sadly though, the performances of Paltrow and Law are remarkably understated and the talented cast often comes across as bland. This causes the audience to have little connection with the characters and any real tension or chemistry is sadly lacking. We know there was some history between the two lead characters but it is mostly glossed over in favor of the action that after a while comes across as more of the same and becomes bland. Only the Franky character stands out as Jollie plays her with a sultry charm and flair that hides her devilish streak, yet emphasizes the strength of her character and her loyalty to the captain.
I had really wanted to like this film, as I found the premise to be interesting, however the action sequences were rather under whelming and to me it was very obvious that the film was filmed entirely against screens and used CGI for everything from buildings to sets. While ambitious, it became overwhelming after a while and in more than one instance the backgrounds were obviously false and did not match up well with the actors.
While this can be excused, what cant be a pedestrian plot that borrows heavily from other works, and while they like this film were inspired by the serials of old, and pulp comics, I could not help but see the “Indiana Jones”, “Star Wars”, and “Jurassic Park”, over and over in the film. Law, Jolie and Paltrow are talented actors but they are given little to do aside from run around and spout stale dialogue from a story that is already muddled down by a lackluster plot, lack of tension, pacing, and average special effects.
Conran is a director with promise and it should be noted that despite the film’s faults, the film was a daunting task as it was shot in just 29 days, which would strain even the most seasoned of directors. As it stands “Sky Captain” is an average film that could have been much better with just a little more time in the hangar.
The Secret Diary of Hendrik Groen, 83 Years Old
Hendrik Groen and Hester Velmans
8.7
Rate It
Book
** THE INTERNATIONAL PHENOMENON ** 'There are many laughs in this book but it's so much more than...
BankofMarquis (1832 KP) rated The Tragedy of Macbeth (2021) in Movies
Jan 25, 2022
Good...not Great...kind of like Macbeth
The history of cinema is littered with adaptations of William Shakespeare plays. Some are very successful - Olivier’s HAMLET (1948), Zeffirelli’s ROMEO & JULIET (1968) and, especially, Kenneth Branagh’s HENRY V (1989), my favorite film Shakespeare adaptation. And, of course, some are less than successful, like HAMLET starring Mel Gibson (1990).
Joel Cohen’s adaptation of MACBETH falls somewhere in between, more for the former but veering towards the latter.
Based on my favorite Shakespeare play, THE TRAGEDY OF MACBETH follows the rise and fall of a Scottish Thane who becomes King thanks to the help (and backstage machinations) of his wife…and a murderous deed. This adaptation should really be called “THE BEST OF MACBETH” as it takes a fairly lengthy stage play and compresses it into 1 hour and 47 minutes of Cinema time.
There is plenty here that works, starting with the sense of unreality that Cohen sets this version of this story in. He filmed the entire movie on a soundstage that has a constant haziness to the background, making one think that everything going on is a dream…or maybe a memory…or maybe taking place on some parallel ethereal plane and the black and white cinematography emphasizes this point to a perfect degree.
The performances are stellar - starting with the choice to cast both Macbeth and Lady with older actors. Usually, these 2 are cast as “ambitious up and comers” in their late 20’s/early 30’s, but by using 60-something actors Denzel Washington and Frances McDormand, it makes these 2 characters more desperate for one last chance at the brass ring and makes the choices these 2 make more understandable. Of course, having Denzel and Frances play these 2 certainly helps, as both are superb thespians who are mesmerizing in their speeches (such as Macbeth’s “Is this a dagger I see before me” and Lady Macbeth’s “Out, out damn spot”).
Along for the ride - and performing strongly in this film - is Brendan Gleeson (King Duncan), Corey Hawkins (MacDuff), Bertie Carvel (Banquo) and Harry Melling (yes, Dudley Dursley of Harry Potter fame) as Malcolm. Also…it was fun to see Ralph Ineson (the Captain that pretty much starts the show), Stephen Root (the Porter) and Jefferson Mayes (the Doctor) showing up in brief, one scene cameos along the way.
But, special notice needs to be paid to Kathryn Hunter (the Witches) and Alex Hassell (Ross) who elevate both of these roles to something more than I’ve seen previously. Sure, the Witches…with such speeches as “Bubble, Bubble, Toil and Trouble”…are the “showey” roles in this script, but in the hands of veteran Stage Actor Hunter, it turns into something much, much more. Cohen does more with the Witches than I’ve seen previously done and it works well - quite possibly to the tune of an Academy Award Nomination as Best Supporting Actress for her. Also working well is the use of the character Ross as sort of an “agent” of the Witches. This role, as written by The Bard of Avon, is pretty much a throw away, but Cohen uses it as something more and Hassell delivers the goods in an interesting way.
So, if the acting is good, the setting appropriately mysterious and the Direction generally strong, why did I not connect more with this film? I think it falls to the adaptation of the play by Mr. Cohen. By necessity, he pares down the film and it feels like it just jumps from speech to speech. As I’ve said earlier, each speech is terrific and the performers present these words very, very well, but they didn’t coalesce into anything whole that I could get emotionally attached to. This film is an “abridged” version of the Scottish play and it shows, Cohen opts to keep in the speeches (as is necessary) but that comes at the cost of losing the scenes between characters that would more strongly tie this film apart.
It’s still a worthy entry in the “Shakespeare on Film” canon - and one that is “above average” but falls far short of greatness - kind of like Macbeth himself.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Joel Cohen’s adaptation of MACBETH falls somewhere in between, more for the former but veering towards the latter.
Based on my favorite Shakespeare play, THE TRAGEDY OF MACBETH follows the rise and fall of a Scottish Thane who becomes King thanks to the help (and backstage machinations) of his wife…and a murderous deed. This adaptation should really be called “THE BEST OF MACBETH” as it takes a fairly lengthy stage play and compresses it into 1 hour and 47 minutes of Cinema time.
There is plenty here that works, starting with the sense of unreality that Cohen sets this version of this story in. He filmed the entire movie on a soundstage that has a constant haziness to the background, making one think that everything going on is a dream…or maybe a memory…or maybe taking place on some parallel ethereal plane and the black and white cinematography emphasizes this point to a perfect degree.
The performances are stellar - starting with the choice to cast both Macbeth and Lady with older actors. Usually, these 2 are cast as “ambitious up and comers” in their late 20’s/early 30’s, but by using 60-something actors Denzel Washington and Frances McDormand, it makes these 2 characters more desperate for one last chance at the brass ring and makes the choices these 2 make more understandable. Of course, having Denzel and Frances play these 2 certainly helps, as both are superb thespians who are mesmerizing in their speeches (such as Macbeth’s “Is this a dagger I see before me” and Lady Macbeth’s “Out, out damn spot”).
Along for the ride - and performing strongly in this film - is Brendan Gleeson (King Duncan), Corey Hawkins (MacDuff), Bertie Carvel (Banquo) and Harry Melling (yes, Dudley Dursley of Harry Potter fame) as Malcolm. Also…it was fun to see Ralph Ineson (the Captain that pretty much starts the show), Stephen Root (the Porter) and Jefferson Mayes (the Doctor) showing up in brief, one scene cameos along the way.
But, special notice needs to be paid to Kathryn Hunter (the Witches) and Alex Hassell (Ross) who elevate both of these roles to something more than I’ve seen previously. Sure, the Witches…with such speeches as “Bubble, Bubble, Toil and Trouble”…are the “showey” roles in this script, but in the hands of veteran Stage Actor Hunter, it turns into something much, much more. Cohen does more with the Witches than I’ve seen previously done and it works well - quite possibly to the tune of an Academy Award Nomination as Best Supporting Actress for her. Also working well is the use of the character Ross as sort of an “agent” of the Witches. This role, as written by The Bard of Avon, is pretty much a throw away, but Cohen uses it as something more and Hassell delivers the goods in an interesting way.
So, if the acting is good, the setting appropriately mysterious and the Direction generally strong, why did I not connect more with this film? I think it falls to the adaptation of the play by Mr. Cohen. By necessity, he pares down the film and it feels like it just jumps from speech to speech. As I’ve said earlier, each speech is terrific and the performers present these words very, very well, but they didn’t coalesce into anything whole that I could get emotionally attached to. This film is an “abridged” version of the Scottish play and it shows, Cohen opts to keep in the speeches (as is necessary) but that comes at the cost of losing the scenes between characters that would more strongly tie this film apart.
It’s still a worthy entry in the “Shakespeare on Film” canon - and one that is “above average” but falls far short of greatness - kind of like Macbeth himself.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Gareth von Kallenbach (980 KP) rated Django Unchained (2012) in Movies
Aug 7, 2019
Writer-director Quentin Tarantino has returned in a big way with “Django Unchained” his homage to spaghetti Westerns. The film stars Jamie Foxx as a slave named Django who is part of a convoy of slaves being transported through Texas two years before the start of the Civil War. Django is unaware that his life is about to take a monumental turn when his caravan encounters Dr. King Schultz (Christoph Waltz) one dark evening. Schultz wishes to purchase Django, and when his current owners make the mistake of threatening the good doctor, he quickly turns the table on them and sets Django and his fellow slaves free. Schultz reveals to Django that he is in fact a bounty hunter and needs him to help identify three potential targets. Since Django last lived at the plantation where the three targets worked as overseers, he is essential to Schultz’s hunt. Schultz offers to free Django and pay him $75.00 for his assistance and the duo set off on their mission.
Some truly action-packed and hysterical scenes later, Schultz realizes that Django is an absolute natural for the business and decides to take him on for the winter as an assistant, even going so far as to offer to share one third of his bounties with them. In return, Schultz also offers to help Django reclaim his wife who was sold to a plantation somewhere in Tennessee. Schultz rationalizes that to show up now would be extremely dangerous, therefore the duo must wait out the winter earning money before embarking on their rescue mission.
The hard work of the team pays off and they learn that Django’s wife has been sold to one of the largest plantations under the ownership of Calvin Candie (Leonardo di Caprio), a despotic plantation owner who is as greedy as he is cruel. Despite having more money than he could ever use, Calvin likes to force certain members of his slaves to fight to the death. Schultz and Django decide to use this angle as their chance to get close to Calvin so they can verify that Django’s wife is indeed at the plantation and determine what it will take to buy or obtain her freedom. This proves to be no easy task as not only is Calvin surrounded by an army hired guns, but he also has a very surly and suspicious head of a household named Stephen (Samuel L. Jackson), eyeing every move that the strangers make and questioning their actions.
What follows is a hyperkinetic storm of violence, fury, music, and color in the true Tarantino style. The director is never one to shy away from blood and violence and there are tons of it in the film. The amazing thing about it is despite being graphic and, in some cases, borderline gratuitous, it does not distract from the enjoyment of the film and its characters. The performances were absolutely amazing, especially the work of Waltz, Foxx, and diCaprio. Jackson also does very solid supporting work as does Don Johnson in his appearance as an uber-racist plantation owner. Waltz worked previously with Tarantino on “Inglorious Bastards”, and this is where the Austrian actor really gained notice by Hollywood. This time out he gives a captivating performance as the complex killer with a heart of gold.
While I understand Tarantino’s style is not for everybody, it’s hard not to be impressed with the way he is able to paint a picture, fill it with interesting and quirky characters, and quickly tear it all apart as things descend into utter chaos and destruction. You alternate between laughing, cheering, and being shocked all the way through the film’s nearly three-hour runtime. Yet rarely did the film ever seem to drag on unnecessarily. There was some loss of pacing as the characters converged on Calvin’s plantation, and some may question some of the character changes or gaps in logic in the film’s finale.
I believe this film is one of the best films of the year. It captured so much of what an action film and drama should have: interesting, complex and well-acted characters, a good story, and plenty of action. Those who are easily offended will want to take note that the language in the film is extremely rough and there is frequent uses of racials lurs, as well is derogatory comments made about the black characters in the film. While this is intended to show the mindset and lifestyle of the 1860s in which the film is set, some may find it unsettling if they go in unprepared.
That being said I can honestly say that this was the most enjoyable Tarantino film I have ever seen and could be his best work to date.
Some truly action-packed and hysterical scenes later, Schultz realizes that Django is an absolute natural for the business and decides to take him on for the winter as an assistant, even going so far as to offer to share one third of his bounties with them. In return, Schultz also offers to help Django reclaim his wife who was sold to a plantation somewhere in Tennessee. Schultz rationalizes that to show up now would be extremely dangerous, therefore the duo must wait out the winter earning money before embarking on their rescue mission.
The hard work of the team pays off and they learn that Django’s wife has been sold to one of the largest plantations under the ownership of Calvin Candie (Leonardo di Caprio), a despotic plantation owner who is as greedy as he is cruel. Despite having more money than he could ever use, Calvin likes to force certain members of his slaves to fight to the death. Schultz and Django decide to use this angle as their chance to get close to Calvin so they can verify that Django’s wife is indeed at the plantation and determine what it will take to buy or obtain her freedom. This proves to be no easy task as not only is Calvin surrounded by an army hired guns, but he also has a very surly and suspicious head of a household named Stephen (Samuel L. Jackson), eyeing every move that the strangers make and questioning their actions.
What follows is a hyperkinetic storm of violence, fury, music, and color in the true Tarantino style. The director is never one to shy away from blood and violence and there are tons of it in the film. The amazing thing about it is despite being graphic and, in some cases, borderline gratuitous, it does not distract from the enjoyment of the film and its characters. The performances were absolutely amazing, especially the work of Waltz, Foxx, and diCaprio. Jackson also does very solid supporting work as does Don Johnson in his appearance as an uber-racist plantation owner. Waltz worked previously with Tarantino on “Inglorious Bastards”, and this is where the Austrian actor really gained notice by Hollywood. This time out he gives a captivating performance as the complex killer with a heart of gold.
While I understand Tarantino’s style is not for everybody, it’s hard not to be impressed with the way he is able to paint a picture, fill it with interesting and quirky characters, and quickly tear it all apart as things descend into utter chaos and destruction. You alternate between laughing, cheering, and being shocked all the way through the film’s nearly three-hour runtime. Yet rarely did the film ever seem to drag on unnecessarily. There was some loss of pacing as the characters converged on Calvin’s plantation, and some may question some of the character changes or gaps in logic in the film’s finale.
I believe this film is one of the best films of the year. It captured so much of what an action film and drama should have: interesting, complex and well-acted characters, a good story, and plenty of action. Those who are easily offended will want to take note that the language in the film is extremely rough and there is frequent uses of racials lurs, as well is derogatory comments made about the black characters in the film. While this is intended to show the mindset and lifestyle of the 1860s in which the film is set, some may find it unsettling if they go in unprepared.
That being said I can honestly say that this was the most enjoyable Tarantino film I have ever seen and could be his best work to date.
Nymphomaniac Volume I (2014)
6.7
Rate It
Movie Watch
1. "The Compleat Angler" Inspired by a fly fishing hook in the wall behind her and Seligman's love...
Scott Tostik (389 KP) rated The Burning (1981) in Movies
Jun 21, 2017
Amazing SFX by Tom Savini (2 more)
One of the best camp slashers
A great killer before the likes of Jason, Myers and Freddy
Welcome to Camp... Oh who gives a shit... Let's get on with the killing
This has got to be one of my favorite and top 5 first watch in a relationship films of all time.
Not for the squeamish at all. The Burning has some of the best post CGI kill effects... And personally I love practical effects, nothing destroys a good beheading like digitized blood flying around out of sync with the body dropping.
Effects Master Tom Savini was fresh off the original Friday the 13th when he landed this flick.
A few years into the past the kids of a summer camp decide to pull a prank on the asshole caretaker involving a skull all dolled up with maggots, worms and burning eyes for effect. They sneak it into his dilapidated cabin, where he is sleeping off a drunk, and proceed to bang on his windows shaking him awake and scaring the hell out of hum. In his flailing fear he knocks the skull onto a pile of blankets and his hanging curtains and the whole place goes up in flames... As does he... His name is Cropsey... And he is engulfed in fire. The kids run like hell to get away as Cropsey flies out the door, rolls down a hill and ends up in the lake. Now I'm no doctor, never claim to be and certainly have never played one on tv, but in my imagination dirty lake water and freshly burnt skin do not a good combination make.
We skip ahead a few years and Cropsey is released from the hospital and goes into the downtown core of wherever the hell he is, searching for something. Wearing a trenchcoat and an old fedora over his scars. He picks up a hooker and goes to her place. She gets him to take off his clothes and recoils in horror. He grabs a pair of scissors and exacts revenge.
Without giving more away. You can see where this is going. A slash and gash festival unlike anything is about to follow. Starring a few familiar faces such as Seinfeld's Jason Alexander, Short Circut's Fisher Stevens and a young Holly Hunter in what I imagine was their first big breaks in film. This movie offers the viewer a glimpse of things to come in the slasher sub-genre of horror.
It's worth it alone of the scene in the canoe... What is that you may ask... Watch The damned movie and find out...lol
Not for the squeamish at all. The Burning has some of the best post CGI kill effects... And personally I love practical effects, nothing destroys a good beheading like digitized blood flying around out of sync with the body dropping.
Effects Master Tom Savini was fresh off the original Friday the 13th when he landed this flick.
A few years into the past the kids of a summer camp decide to pull a prank on the asshole caretaker involving a skull all dolled up with maggots, worms and burning eyes for effect. They sneak it into his dilapidated cabin, where he is sleeping off a drunk, and proceed to bang on his windows shaking him awake and scaring the hell out of hum. In his flailing fear he knocks the skull onto a pile of blankets and his hanging curtains and the whole place goes up in flames... As does he... His name is Cropsey... And he is engulfed in fire. The kids run like hell to get away as Cropsey flies out the door, rolls down a hill and ends up in the lake. Now I'm no doctor, never claim to be and certainly have never played one on tv, but in my imagination dirty lake water and freshly burnt skin do not a good combination make.
We skip ahead a few years and Cropsey is released from the hospital and goes into the downtown core of wherever the hell he is, searching for something. Wearing a trenchcoat and an old fedora over his scars. He picks up a hooker and goes to her place. She gets him to take off his clothes and recoils in horror. He grabs a pair of scissors and exacts revenge.
Without giving more away. You can see where this is going. A slash and gash festival unlike anything is about to follow. Starring a few familiar faces such as Seinfeld's Jason Alexander, Short Circut's Fisher Stevens and a young Holly Hunter in what I imagine was their first big breaks in film. This movie offers the viewer a glimpse of things to come in the slasher sub-genre of horror.
It's worth it alone of the scene in the canoe... What is that you may ask... Watch The damned movie and find out...lol
Whatchareadin (174 KP) rated Lock Every Door in Books
Aug 5, 2019
Jules has just lost her job, her boyfriend and her home all in the same day. She is currently living with her best friend, Chloe. When the opportunity presents itself for her to live in one of the most exclusive apartment buildings in New York City, The Bartholomew, she can't pass up on the chance. Not only does she get to live there, she's getting paid to do so as an apartment sitter. This is an opportunity Jules can not pass up despite the protestations of Chloe, she has to get back on her feet. So she takes the job even though the rules are a little strict. Shortly after moving in, Jules meets another apartment sitter, Ingrid, who is unsure about continuing to live at The Bartholomew. When Jules is ready to ask her about it, Ingrid disappears without a trace. What happened to Ingrid and other apartment sitters that have gone missing? What dark secrets lie within The Bartholomew?
Thank you to NetGalley & Dutton books for the opportunity to read and review this book.
I was so excited to get this book from NetGalley. Last year I read both of Riley Sager's books and I was looking forward to this one. It did not disappoint. I was on the edge of my seat the entire time and I definitely didn't see the ending coming.
If I was a single young woman and was given the opportunity to live in an exclusive apartment and get paid for it, I would jump on that in a heartbeat. I don't think I would care about rules or anything, just tell me where to sign and let me sit back and collect the cash.
Another reason Jules is so quick to accept this opportunity is because her favorite book is set in the building. I think many readers would love to live in the place where their favorite book is set if they don't already. And Jules needs a little fantasy in her life since she has lost both parents and her sister. At first The Bartholomew seems like a dream place to live. With a courteous doorman, friendly neighbors and a doctor as one of the residents, it's idyllic. But when Ingrid goes missing, Jules starts to question everything. The explanation she receives for the sudden departure doesn't sound right and the police aren't willing to help because she doesn't know enough about Ingrid to form a case.
What is she going to do? Will she discover the secrets of the building before it's too late?
Thank you to NetGalley & Dutton books for the opportunity to read and review this book.
I was so excited to get this book from NetGalley. Last year I read both of Riley Sager's books and I was looking forward to this one. It did not disappoint. I was on the edge of my seat the entire time and I definitely didn't see the ending coming.
If I was a single young woman and was given the opportunity to live in an exclusive apartment and get paid for it, I would jump on that in a heartbeat. I don't think I would care about rules or anything, just tell me where to sign and let me sit back and collect the cash.
Another reason Jules is so quick to accept this opportunity is because her favorite book is set in the building. I think many readers would love to live in the place where their favorite book is set if they don't already. And Jules needs a little fantasy in her life since she has lost both parents and her sister. At first The Bartholomew seems like a dream place to live. With a courteous doorman, friendly neighbors and a doctor as one of the residents, it's idyllic. But when Ingrid goes missing, Jules starts to question everything. The explanation she receives for the sudden departure doesn't sound right and the police aren't willing to help because she doesn't know enough about Ingrid to form a case.
What is she going to do? Will she discover the secrets of the building before it's too late?
Gareth von Kallenbach (980 KP) rated Water for Elephants (2011) in Movies
Aug 7, 2019
The future is bright with promise for Jacob, a Cornell veterinary sciences student, ready to graduate and follow in his father’s footsteps. But after a series of unfortunate events, Jacob finds himself a college dropout, homeless and penniless. He sets out to find work and stows away on a passing train which turns out to be the Benzini Brothers Circus train.
Jacob appeals to the vanity of the heartless circus owner and ringmaster, August, convincing him to keep him on as the circus veterinary doctor. One of his first patients is the horse of the circus’ star attraction, Marlena, who also happens to be August’s wife. When Marlena’s horse is replaced by an elephant, Jacob is made responsible for the elephant’s care and training. This gives Marlena and Jacob a common ally in Rosie, the elephant, and a common enemy in an increasingly violent August. Cue the furtive glances, the stilted conversations and awkward moments that signal the start of the mutual attraction between Marlena and Jacob.
While Jacob, Marlena and August form the romantic triangle that drives the story, it’s Rosie and the circus backdrop that provide the more entertaining aspects of the movie. Director Francis Lawrence (Constantine and I Am Legend) pays decent attention to period detail, highlighting the desperation and brutality of The Great Depression while romanticizing the ephemeral circus life and the subversive lifestyles enjoyed in defiance of The Prohibition. Sadly they were just quick peeks into a curious world.
Based on a best-selling novel of the same name by Sara Gruen, Water for Elephants is a sweet tale told in retrospect by a 90-something-year old Jacob, played by a wistful Hal Holbrook. Robert Pattinson plays young Jacob capably, and I have no doubt his fans will swoon at the many close ups of his brooding stare, pained grimaces and the occasional delighted smile. While this character gives him a few more lines than his more well-known role as Edward, the tortured vampire of the Twilight saga, it was difficult to watch him and not see the similarities in how he portrays Jacob and Edward. Reese Witherspoon’s Marlena was in turns adequately fragile and sufficiently steely. With negligible chemistry, Pattinson and Witherspoon’s performances paled in comparison to that of Christoph Waltz whose sadistic August was played with cunning zeal.
A carefully told story, Water for Elephants is however too carefully told, in a predictable, pedantic pace. However, fans of Pattinson will not be disappointed.
Jacob appeals to the vanity of the heartless circus owner and ringmaster, August, convincing him to keep him on as the circus veterinary doctor. One of his first patients is the horse of the circus’ star attraction, Marlena, who also happens to be August’s wife. When Marlena’s horse is replaced by an elephant, Jacob is made responsible for the elephant’s care and training. This gives Marlena and Jacob a common ally in Rosie, the elephant, and a common enemy in an increasingly violent August. Cue the furtive glances, the stilted conversations and awkward moments that signal the start of the mutual attraction between Marlena and Jacob.
While Jacob, Marlena and August form the romantic triangle that drives the story, it’s Rosie and the circus backdrop that provide the more entertaining aspects of the movie. Director Francis Lawrence (Constantine and I Am Legend) pays decent attention to period detail, highlighting the desperation and brutality of The Great Depression while romanticizing the ephemeral circus life and the subversive lifestyles enjoyed in defiance of The Prohibition. Sadly they were just quick peeks into a curious world.
Based on a best-selling novel of the same name by Sara Gruen, Water for Elephants is a sweet tale told in retrospect by a 90-something-year old Jacob, played by a wistful Hal Holbrook. Robert Pattinson plays young Jacob capably, and I have no doubt his fans will swoon at the many close ups of his brooding stare, pained grimaces and the occasional delighted smile. While this character gives him a few more lines than his more well-known role as Edward, the tortured vampire of the Twilight saga, it was difficult to watch him and not see the similarities in how he portrays Jacob and Edward. Reese Witherspoon’s Marlena was in turns adequately fragile and sufficiently steely. With negligible chemistry, Pattinson and Witherspoon’s performances paled in comparison to that of Christoph Waltz whose sadistic August was played with cunning zeal.
A carefully told story, Water for Elephants is however too carefully told, in a predictable, pedantic pace. However, fans of Pattinson will not be disappointed.
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