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Sarah (7800 KP) rated Louis Theroux: America’s Most Dangerous Pets in TV

May 9, 2020  
Louis Theroux: America’s Most Dangerous Pets
Louis Theroux: America’s Most Dangerous Pets
2011 | Documentary
8
8.5 (2 Ratings)
TV Show Rating
Interesting, if not a tad frustrating
I'll start off by saying I love Louis Theroux and his documentaries. I've yet to see a bad one and this is no exception, even if the subject matter is very frustrating.

I tried to watch the Tiger King series on Netflix and had to turn it off as the animal welfare side made me so angry! However I had to watch this to see how Louis tackled the issue. On the whole, as with all Louis docs, this is a rather stark and honest (yet brief) portrayal of these people with dangerous wild animals as pets. He does his usual mild mannered Englishman act to gain their trust and then throws out the pressing awkward questions we all want answers to. This in no way glamorise or play up these people like the Netflix doc seemed to do. I will admit that after having seen parts of the Netflix doc, I don't believe that Louis goes far enough. He could've pushed the questions and animal welfare issues a lot more and I think he really should've done.

Over here there are many people who criticise our zoos due to animal welfare, but i can really appreciate the conservation efforts of local zoos now especially when you compare them with the absolute craziness that goes on in the States. I mean no offence to any American friends, but only in the USA can people get away with owning wild animals like this as pets. It's disgraceful, and I wish this documentary had gone further to push these issues.
  
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    J.M. Tyree

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    Book

    Selected by the Library of Congress as one of the most significant American films ever made,...

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Michael Apted recommended This Is Spinal Tap (1984) in Movies (curated)

 
This Is Spinal Tap (1984)
This Is Spinal Tap (1984)
1984 | Comedy
8.4 (5 Ratings)
Movie Favorite Watch

"And then, my fourth one is a comedy, and I was torn between Some Like It Hot, which I love, but my vote went to Spinal Tap, which I thought was more contemporary. It made me feel such an old man, but… One of the things about Spinal Tap — I was doing a documentary [The Long Way Home] about Russian rock and roll in, I don’t know, the late ’80s or something like that, and it was about a Russian band coming — it was around Glasnost when they came across to America to make the record, and it was about Glasnost, and the co-production, as it were, saw the closing of the gap between East and West, as it were. That’s what it set out to be, but it turned out to be a disaster. Not the film, but the whole object of the enterprise, because it split the band up, and the Russian band never made another record. They were completely disoriented by being in the West and all that. So it was one of those documentaries where what you set out to do, you don’t do, and you do something else, which is usually better than what you were going to do. The point of the story is that I showed them Spinal Tap. They fell about, and they couldn’t speak a word of English, but they absolutely got it. It was just, again, the power of the humor and the power of the images, and all this kind of stuff. I mean, we were in common ground — they never understood a word of it, but they were just laughing as much I would laugh every time I saw it. That was a kind of interesting experience for me, to see how universal films can be."

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