Search
Search results
Night Reader Reviews (683 KP) rated The Adventures of Pugalugs: The Beginning in Books
Jan 9, 2020
The Adventures of Pugalugs: The Beginning by Jessica Parish and with artwork by Helen Poole was amazing. This is the first in what the author hopes to be a set of over thirty books about a little pug puppy. These books are even based on a pugs real adventures. There are some Coming Soon titles on the inside of the book that I look forward to seeing because I have a lot of hope for this series.
Pugalugs is a pug puppy born in early November along with his brother and sister. Like many puppies he was so small he could fit in his owners hand when he was born. Most of the time Pugalugs spent his time cuddled up in a little bed with his siblings, all nice and warm, even if they did occasionally kick each other in the head. Then one day Pugalugs opens his eyes for the first time and the fun really begins.
He tries so many new things while exploring the seemingly huge house he lives in. While little puppies do sleep a lot he also tires puppy food for the first time and attempts to eat a slipper. He also slides across the kitchen floor and attempts to climb the staircase with his brothers help while his sister watches them. Then like all puppies (and children) do he imagines all the fun things he will be able to do outside when it is warm out and he is a little older and bigger.
What I like best is that the entire design is great for children. It contains a medium about of text on each page, but it is broken up into smaller sections. The bright, bold colors mixed with the simple artwork shows children exactly what the story is trying to tell them about without unnecessary details. The only thing I can think of to complain about regarding this book was the fact that two of the three puppies are the same color. Since one of these is the main character it may have been a good idea to give him a distinguishing characteristic besides saying that he is bigger than the other.
Toddlers who love animals, especially dogs will enjoy having this book read to them over and over again. It may also quickly become a favorite of the beginning reader. Adults will enjoy seeing their childrens reactions to the silly adventures of Pugalugs. With all that being said I rate this book a perfect 4 out of 4. Animals hold the attention of most children very well and this book takes full advantage of that. The story is so sweet while teaching children fun facts about puppies (such as being born with their eyes closed). It also may be interesting to note that both of my daughters, who I normally cant get to sit through the shortest book, sat with me until I finished reading the entire thing and then my oldest asked me to read it again. That alone is the best review I can give any book. Altogether this book is wonderful.
https://www.austinmacauley.com/book/adventures-pugalugs-beginning
https://nightreaderreviews.blogspot.com/2019/07/review-adventures-of-pugalugs-beginning.html
Pugalugs is a pug puppy born in early November along with his brother and sister. Like many puppies he was so small he could fit in his owners hand when he was born. Most of the time Pugalugs spent his time cuddled up in a little bed with his siblings, all nice and warm, even if they did occasionally kick each other in the head. Then one day Pugalugs opens his eyes for the first time and the fun really begins.
He tries so many new things while exploring the seemingly huge house he lives in. While little puppies do sleep a lot he also tires puppy food for the first time and attempts to eat a slipper. He also slides across the kitchen floor and attempts to climb the staircase with his brothers help while his sister watches them. Then like all puppies (and children) do he imagines all the fun things he will be able to do outside when it is warm out and he is a little older and bigger.
What I like best is that the entire design is great for children. It contains a medium about of text on each page, but it is broken up into smaller sections. The bright, bold colors mixed with the simple artwork shows children exactly what the story is trying to tell them about without unnecessary details. The only thing I can think of to complain about regarding this book was the fact that two of the three puppies are the same color. Since one of these is the main character it may have been a good idea to give him a distinguishing characteristic besides saying that he is bigger than the other.
Toddlers who love animals, especially dogs will enjoy having this book read to them over and over again. It may also quickly become a favorite of the beginning reader. Adults will enjoy seeing their childrens reactions to the silly adventures of Pugalugs. With all that being said I rate this book a perfect 4 out of 4. Animals hold the attention of most children very well and this book takes full advantage of that. The story is so sweet while teaching children fun facts about puppies (such as being born with their eyes closed). It also may be interesting to note that both of my daughters, who I normally cant get to sit through the shortest book, sat with me until I finished reading the entire thing and then my oldest asked me to read it again. That alone is the best review I can give any book. Altogether this book is wonderful.
https://www.austinmacauley.com/book/adventures-pugalugs-beginning
https://nightreaderreviews.blogspot.com/2019/07/review-adventures-of-pugalugs-beginning.html
Emma @ The Movies (1786 KP) rated The Call Of The Wild (2020) in Movies
Mar 1, 2020
When they announced Call of the Wild with Harrison Ford I was onboard, then they said they were CGIing the dog and I became expressionless. I understood how some bits would need to be CGId... but the whole dog? I WANT FLOOFS!
An excitable family pet gets taken to the wilds of the Yukon and sold as a sled dog. Along the way he makes new friends and learns about the call of the wild... I know, you'd never have guessed from the title of the film!
Let's deal with the giant dog in the room first. It's difficult to express my exact feelings about the CGI in the film, yes it isn't great, but by the end of the film [well, quite early on] I didn't care. Buck has so many personality traits and goofball moments that you know he must be CGI but it really doesn't matter. A lot of the things on screen I'm sure you would see in a real dog, but you can't put them through the same actions as their computer-generated counterparts. The opening sequence with Buck running through the house was cartoonish and daft, and while I rolled my eyes it was one of the many funny moments that happened throughout the film. You just acclimatise to the whole thing and forget that Buck isn't real.
While the humans take a back seat to Buck's adventures most of the time they're still great on screen. Omar Sy and Cara Gee as Perrault and Françoise make a great duo, and Sy with Buck has some very fun pieces. His reaction to the dogs feels very natural and the ice scene you briefly see in the trailer was a strong moment for everyone involved.
Dan Stevens playing Hal is the villain of the piece and his whole performance reminds me of a classic animated Disney villain, a cross between things from Lady and the Tramp, Beauty and the Beast and 101 Dalmations. There's a very specific maniacal villain in my head but I can't remember who or what film and it's driving me nuts! [Do let me know if you know!] By the end of the film though I was bothered more by his cartoonish acting than I was by the CG.
Our main pull was, of course, Harrison Ford. I don't know how John Thornton is portrayed in the book but the one in this film is a very relaxed character that only occasionally has to step it up. It isn't much of a stretched for Ford, I wouldn't be at all surprised if someone told me he wasn't even acting.
This is peak adventure, with excitement, peril and humour. The whole audience was reacting, and it was wonderful. Having gone in prepared to be annoyed the whole way through I was amazed at just how much I laughed and cried, and how exhilarating they managed to make things. Call of the Wild was a delightful watch, dubious CGI and all.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/03/the-call-of-wild-movie-review.html
An excitable family pet gets taken to the wilds of the Yukon and sold as a sled dog. Along the way he makes new friends and learns about the call of the wild... I know, you'd never have guessed from the title of the film!
Let's deal with the giant dog in the room first. It's difficult to express my exact feelings about the CGI in the film, yes it isn't great, but by the end of the film [well, quite early on] I didn't care. Buck has so many personality traits and goofball moments that you know he must be CGI but it really doesn't matter. A lot of the things on screen I'm sure you would see in a real dog, but you can't put them through the same actions as their computer-generated counterparts. The opening sequence with Buck running through the house was cartoonish and daft, and while I rolled my eyes it was one of the many funny moments that happened throughout the film. You just acclimatise to the whole thing and forget that Buck isn't real.
While the humans take a back seat to Buck's adventures most of the time they're still great on screen. Omar Sy and Cara Gee as Perrault and Françoise make a great duo, and Sy with Buck has some very fun pieces. His reaction to the dogs feels very natural and the ice scene you briefly see in the trailer was a strong moment for everyone involved.
Dan Stevens playing Hal is the villain of the piece and his whole performance reminds me of a classic animated Disney villain, a cross between things from Lady and the Tramp, Beauty and the Beast and 101 Dalmations. There's a very specific maniacal villain in my head but I can't remember who or what film and it's driving me nuts! [Do let me know if you know!] By the end of the film though I was bothered more by his cartoonish acting than I was by the CG.
Our main pull was, of course, Harrison Ford. I don't know how John Thornton is portrayed in the book but the one in this film is a very relaxed character that only occasionally has to step it up. It isn't much of a stretched for Ford, I wouldn't be at all surprised if someone told me he wasn't even acting.
This is peak adventure, with excitement, peril and humour. The whole audience was reacting, and it was wonderful. Having gone in prepared to be annoyed the whole way through I was amazed at just how much I laughed and cried, and how exhilarating they managed to make things. Call of the Wild was a delightful watch, dubious CGI and all.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/03/the-call-of-wild-movie-review.html
BankofMarquis (1832 KP) rated A Fish Called Wanda (1988) in Movies
Jul 2, 2020
A Jolly Good Time
A member of my family mentioned when discussing the 1988 John Cleese comedy A FISH CALLED WANDA that you can tell much about a person over what part of this film that you like the most. Do you like:
a). The John Cleese/Jamie Lee Curtis love story
b). The "caper"
c). The beleaguered, unsuccessful hit-man Ken
d). The old lady and her 3 dogs
e). Kevin Kline as Otto
For me, that's easy - ALL OF IT! I find that A FISH CALLED WANDA is a very funny, richly acted comedy/caper that brings forth 4 characters that are easy to spend 2 hours with. Starting with John Cleese as Barrister Archie Leach. Cleese conceived, wrote, starred-in and (at times) directed this film and his "British humor" (honed from years as a member of the MONTY PYTHON comedy troupe) is in full force here. He has a reserved appearance about him that covers a wild man underneath yearning to break free.
Jamie Lee Curtis is quite good as the center of the film, Wanda Gershwitz, a cunning conman who will stop at nothing - and step over everyone - to get what she wants. I find that Curtis is under-rated as an actress and a comedienne and this picture shows that she can hold her own against 3 comedy greats at the top of their game.
The 2nd member of the Monty Python troupe to appear in this film is the remarkable Michael Palin as hapless hit-man, Ken. He becomes increasingly frustrated and frantic -and increasingly funny - as he attempts to complete his assignment throughout the course of this film.
But...the real star of this film...and the actor/character that steals the film away from everyone else...is Kevin Kline's Oscar winning performance as Otto, Wanda's erstwhile love who has a very high opinion of himself. It is rare that a comedic performance wins an Oscar - Kline's win is the the last one to do so - but it is easy to see why the Academy decided to reward Kline for it is a committed performance that is wild, wacky and over-the-top, but not overtly so. Kline has been very good in many other pictures/performances before and after this film, but he never reached the height that he reached in this film.
The film has veteran director Charles Crichton listed as Director with Cleese listed as co-Director (though Cleese insisted that Crichton did all the work and he only put his name on it to assuage the fears of studio executives over Crichton's advanced age). Well...Crichton does a wonderful job of letting the lunacy explode on the scene while keeping a lid on it and moving the action along at a brisk pace.
Wanda is one of those films that people remember fondly, but do not revisit. I would highly recommend you do, it's a jolly good time.
Letter Grade A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
a). The John Cleese/Jamie Lee Curtis love story
b). The "caper"
c). The beleaguered, unsuccessful hit-man Ken
d). The old lady and her 3 dogs
e). Kevin Kline as Otto
For me, that's easy - ALL OF IT! I find that A FISH CALLED WANDA is a very funny, richly acted comedy/caper that brings forth 4 characters that are easy to spend 2 hours with. Starting with John Cleese as Barrister Archie Leach. Cleese conceived, wrote, starred-in and (at times) directed this film and his "British humor" (honed from years as a member of the MONTY PYTHON comedy troupe) is in full force here. He has a reserved appearance about him that covers a wild man underneath yearning to break free.
Jamie Lee Curtis is quite good as the center of the film, Wanda Gershwitz, a cunning conman who will stop at nothing - and step over everyone - to get what she wants. I find that Curtis is under-rated as an actress and a comedienne and this picture shows that she can hold her own against 3 comedy greats at the top of their game.
The 2nd member of the Monty Python troupe to appear in this film is the remarkable Michael Palin as hapless hit-man, Ken. He becomes increasingly frustrated and frantic -and increasingly funny - as he attempts to complete his assignment throughout the course of this film.
But...the real star of this film...and the actor/character that steals the film away from everyone else...is Kevin Kline's Oscar winning performance as Otto, Wanda's erstwhile love who has a very high opinion of himself. It is rare that a comedic performance wins an Oscar - Kline's win is the the last one to do so - but it is easy to see why the Academy decided to reward Kline for it is a committed performance that is wild, wacky and over-the-top, but not overtly so. Kline has been very good in many other pictures/performances before and after this film, but he never reached the height that he reached in this film.
The film has veteran director Charles Crichton listed as Director with Cleese listed as co-Director (though Cleese insisted that Crichton did all the work and he only put his name on it to assuage the fears of studio executives over Crichton's advanced age). Well...Crichton does a wonderful job of letting the lunacy explode on the scene while keeping a lid on it and moving the action along at a brisk pace.
Wanda is one of those films that people remember fondly, but do not revisit. I would highly recommend you do, it's a jolly good time.
Letter Grade A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Matthew Krueger (10051 KP) rated Clue (1985) in Movies
Nov 3, 2020
The Multiple Endings (2 more)
The Cast
The Humor
All Time Favorites
Ive seen Clue about nine times now and it has become a tradition to watch Clue every October. I remember watching clue the first time and i laughed my ass off and i still do that. The humor is excellent, the cast is excellent, the multiple endings are excellent. Everything about Clue is excellent.
The plot: Based on the popular board game, this comedy begins at a dinner party hosted by Mr. Boddy (Lee Ving), where he admits to blackmailing his visitors. These guests, who have been given aliases, are Mrs. Peacock (Eileen Brennan), Miss Scarlet (Lesley Ann Warren), Mr. Green (Michael McKean), professor Plum (Christopher Lloyd), Mrs. White (Madeline Kahn) and Col. Mustard (Martin Mull). When Boddy turns up murdered, all are suspects, and together they try to figure out who is the killer.
The film was produced by Debra Hill and the story was by John Landis.
In keeping with the nature of the board game, the theatrical release included three possible endings, with different theaters receiving one of the three endings. In the film's home video release, all three endings were included.
The multiple-ending concept was developed by John Landis, who claimed in an interview to have invited playwright Tom Stoppard, writer and composer Stephen Sondheim, and actor Anthony Perkins to write the screenplay. The script was ultimately finished by director Jonathan Lynn.
A fourth ending was filmed, but Lynn removed it because as he later stated, "It really wasn't very good. I looked at it, and I thought, 'No, no, no, we've got to get rid of that.'" In the unused fourth ending, Wadsworth committed all of the murders. He was motivated by his desire for perfection. Having failed to be either the perfect husband or the perfect butler, he decided to be the perfect murderer instead. Wadsworth reports that he poisoned the champagne the guests had drunk earlier so they would soon die, leaving no witnesses. The police and the FBI arrive and Wadsworth is arrested. He breaks free and steals a police car, but his escape is thwarted when three police dogs lunge from the back seat. This ending is documented in Clue: The Storybook, a tie-in book released in conjunction with the film.
Carrie Fisher was originally contracted to portray Miss Scarlet, but withdrew to enter treatment for drug and alcohol addiction. Jonathan Lynn's first choice for the role of Wadsworth was Leonard Rossiter, but he died before filming commenced. The second choice was Rowan Atkinson, but it was decided that he wasn't well known enough at the time, so Tim Curry was eventually cast.
Mrs. White's famous "Flames" speech was improvised by Madeline Kahn.
A documentary about the movie is being made, including interviews already filmed with the director, writer, and several cast members including Lesley Ann Warren, Michael McKean, Colleen Camp, and Lee Ving.
I love Clue, it is one of my all time favorite films. In my top ten best films of all time at number #3 and just excellent.
Happy Halloween everybody.
The plot: Based on the popular board game, this comedy begins at a dinner party hosted by Mr. Boddy (Lee Ving), where he admits to blackmailing his visitors. These guests, who have been given aliases, are Mrs. Peacock (Eileen Brennan), Miss Scarlet (Lesley Ann Warren), Mr. Green (Michael McKean), professor Plum (Christopher Lloyd), Mrs. White (Madeline Kahn) and Col. Mustard (Martin Mull). When Boddy turns up murdered, all are suspects, and together they try to figure out who is the killer.
The film was produced by Debra Hill and the story was by John Landis.
In keeping with the nature of the board game, the theatrical release included three possible endings, with different theaters receiving one of the three endings. In the film's home video release, all three endings were included.
The multiple-ending concept was developed by John Landis, who claimed in an interview to have invited playwright Tom Stoppard, writer and composer Stephen Sondheim, and actor Anthony Perkins to write the screenplay. The script was ultimately finished by director Jonathan Lynn.
A fourth ending was filmed, but Lynn removed it because as he later stated, "It really wasn't very good. I looked at it, and I thought, 'No, no, no, we've got to get rid of that.'" In the unused fourth ending, Wadsworth committed all of the murders. He was motivated by his desire for perfection. Having failed to be either the perfect husband or the perfect butler, he decided to be the perfect murderer instead. Wadsworth reports that he poisoned the champagne the guests had drunk earlier so they would soon die, leaving no witnesses. The police and the FBI arrive and Wadsworth is arrested. He breaks free and steals a police car, but his escape is thwarted when three police dogs lunge from the back seat. This ending is documented in Clue: The Storybook, a tie-in book released in conjunction with the film.
Carrie Fisher was originally contracted to portray Miss Scarlet, but withdrew to enter treatment for drug and alcohol addiction. Jonathan Lynn's first choice for the role of Wadsworth was Leonard Rossiter, but he died before filming commenced. The second choice was Rowan Atkinson, but it was decided that he wasn't well known enough at the time, so Tim Curry was eventually cast.
Mrs. White's famous "Flames" speech was improvised by Madeline Kahn.
A documentary about the movie is being made, including interviews already filmed with the director, writer, and several cast members including Lesley Ann Warren, Michael McKean, Colleen Camp, and Lee Ving.
I love Clue, it is one of my all time favorite films. In my top ten best films of all time at number #3 and just excellent.
Happy Halloween everybody.
Gareth von Kallenbach (974 KP) rated Ghost in the Shell (2017) in Movies
Jul 12, 2019
Ghost in the Shell is a film adaptation of a 1989 manga and subsequent 1995 anime. Set in the “not so distant future,” Scarlet Johansson plays as Major, the first functioning human brain/consciousness saved from an accident and placed into a full cybernetic body. Effectively, she is the perfect soldier and member of the Section 9 special task-force devoted to counter-terrorism operations.
As an adaptation, fans of the franchise will be pleased to know that Ghost in the shell nails the aesthetic and tone of the source material to provide a stunning, “lived in” future world. The special effects are excellent and really shine to bring this film to life and help us understand the world these characters inhabit.
The characters themselves, while “cool,” lack any real depth. It is not that Scarlet Johansson does an excellent job at being pensive and fits the role fine. It is just that there is no real human quality to her for us to attach to. Instead, everything she does feel “robotic.” Similar to her performance in Lucy with a little bit of Black Widow from the marvel universe crossed in.
Yes, I know she is supposed to be a cyborg. But the film wants us to believe she has actual interest in finding out who she was before the “accident,” but she shows very little human emotion to get us there. Furthermore, if she was the first human mind saved and put into a cyborg body, why doesn’t she show more human emotion when she starts to uncover her past. Meanwhile, her partner, Batou (Pilou Asbaek) showcases just slightly more emotion because he likes to feed stray dogs, however in his case, we at least understand that he is a loyal solder and friend to Major, and thus understand why he is along for the ride.
Additionally (or perhaps as a result) the story suffers from some pacing issues as the film doesn’t always provide clear or strong markers to help the viewer understand what exactly is motivating the characters throughout the film. Rather the film often holds a bit too long on sequences in an attempt to showcase the beautiful world and let the view ponder their own meaning of what they are watching.
This becomes problematic as the characters never really become likeable or establish any depth beyond the paint by numbers plot. Human becomes Cyborg, Cyborg works for a corporation/government, Cyborg figures out they have been lied to, revenge ensues.
In the end, I found myself checking my watch more than I had hoped as the film felt long and tired. If it wasn’t for the stunning world created on screen I would have been completely bored. It’s a shame because I really wanted to like this film. I cannot help but think that if this film had come out in 1999, it would have been amazing!
But in 2017 it feels average at best. Still, Ghost in the Shell is an adequate adaptation that fans of the franchise will enjoy. However I feel this adaptation does not help elevate the franchise beyond what the 1995 Anime has already accomplished.
As an adaptation, fans of the franchise will be pleased to know that Ghost in the shell nails the aesthetic and tone of the source material to provide a stunning, “lived in” future world. The special effects are excellent and really shine to bring this film to life and help us understand the world these characters inhabit.
The characters themselves, while “cool,” lack any real depth. It is not that Scarlet Johansson does an excellent job at being pensive and fits the role fine. It is just that there is no real human quality to her for us to attach to. Instead, everything she does feel “robotic.” Similar to her performance in Lucy with a little bit of Black Widow from the marvel universe crossed in.
Yes, I know she is supposed to be a cyborg. But the film wants us to believe she has actual interest in finding out who she was before the “accident,” but she shows very little human emotion to get us there. Furthermore, if she was the first human mind saved and put into a cyborg body, why doesn’t she show more human emotion when she starts to uncover her past. Meanwhile, her partner, Batou (Pilou Asbaek) showcases just slightly more emotion because he likes to feed stray dogs, however in his case, we at least understand that he is a loyal solder and friend to Major, and thus understand why he is along for the ride.
Additionally (or perhaps as a result) the story suffers from some pacing issues as the film doesn’t always provide clear or strong markers to help the viewer understand what exactly is motivating the characters throughout the film. Rather the film often holds a bit too long on sequences in an attempt to showcase the beautiful world and let the view ponder their own meaning of what they are watching.
This becomes problematic as the characters never really become likeable or establish any depth beyond the paint by numbers plot. Human becomes Cyborg, Cyborg works for a corporation/government, Cyborg figures out they have been lied to, revenge ensues.
In the end, I found myself checking my watch more than I had hoped as the film felt long and tired. If it wasn’t for the stunning world created on screen I would have been completely bored. It’s a shame because I really wanted to like this film. I cannot help but think that if this film had come out in 1999, it would have been amazing!
But in 2017 it feels average at best. Still, Ghost in the Shell is an adequate adaptation that fans of the franchise will enjoy. However I feel this adaptation does not help elevate the franchise beyond what the 1995 Anime has already accomplished.
Kristy H (1252 KP) rated The Greatest Love Story Ever Told in Books
Mar 12, 2019
Enjoyable book about two fun and interesting people.
In 2000, Megan Mullally and Nick Offerman meet on the set of a play. And the rest, as they say, is history. Their book is the story of their relationship--telling the story of how they met, from each's first impressions of one another and ranging across their courtship, wedding, work, and romance. The book covers such topics as family, past romances, religion, theater, and more.
I love both Megan and Nick immensely, so I was extremely excited when I saw they had a book coming out. My library copy arrived a day after publication, so I hadn't even had a chance to read many reviews. I didn't realize that most of the book is in interview/oral history-type format, so when you read the actual book, it just flips between Megan and Nick chatting back and forth. This takes a little getting used to and while I'm not a big audiobook fan (personal preference, my brain wanders too much), I think this is one that would be *fantastic* in audio form. I'm stalking our public library, waiting for them to get an audio copy for my wife. There are a few chapters that are written out, and I enjoyed those a bit more.
"To my way of thinking, it's an illustration of a relationship that the reader might find surprisingly normal. When all you have by which to judge a relationship are some grippingly cute Instagram videos, it might not occur to one that there's a lot of banal real life." ~Nick
So mostly, this book is just Nick and Megan talking. Because it's Nick and Megan, it's still pretty darn enjoyable. They cover certain topics in various chapters, so it can get a bit repetitive in places (we learn multiple times that Nick's family is salt of the earth and Megan's was, well, not). Still, it's fascinating to learn how the two met, a bit about their various careers (not as much as I would have liked--there are no funny Will and Grace or Parks and Recs anecdotes here), and a lot about their pasts.
The best part is that the book makes you smile--it's clearly apparent how much Nick and Megan love each other. I enjoyed learning more about both of them and how they spend their life together. Megan shares a fun Meryl Streep story, I loved her even more because apparently she's a hermit who loves to read (ME TOO MEGAN LET'S BE FRIENDS), and they are a couple who likes to hang out and do puzzles with their dogs. Life goals at its best.
"It's a wonder that I ever had a boyfriend in my entire life, because all I really like to do is read. I don't even know how I ever met another human."
"All I ever want to do is read. I only leave the house under duress."
Overall, this is fun book about two fun and interesting people. If you're an audiobook fan--even a little bit--I bet you'd enjoy it more in that format. If you like Megan or Nick, you'll find something to enjoy in this one. If you're looking for a chronological history with lots of tidbits about their careers, this isn't that book. But if you want some insight into Megan and Nick as people, this is a worthwhile read.
I love both Megan and Nick immensely, so I was extremely excited when I saw they had a book coming out. My library copy arrived a day after publication, so I hadn't even had a chance to read many reviews. I didn't realize that most of the book is in interview/oral history-type format, so when you read the actual book, it just flips between Megan and Nick chatting back and forth. This takes a little getting used to and while I'm not a big audiobook fan (personal preference, my brain wanders too much), I think this is one that would be *fantastic* in audio form. I'm stalking our public library, waiting for them to get an audio copy for my wife. There are a few chapters that are written out, and I enjoyed those a bit more.
"To my way of thinking, it's an illustration of a relationship that the reader might find surprisingly normal. When all you have by which to judge a relationship are some grippingly cute Instagram videos, it might not occur to one that there's a lot of banal real life." ~Nick
So mostly, this book is just Nick and Megan talking. Because it's Nick and Megan, it's still pretty darn enjoyable. They cover certain topics in various chapters, so it can get a bit repetitive in places (we learn multiple times that Nick's family is salt of the earth and Megan's was, well, not). Still, it's fascinating to learn how the two met, a bit about their various careers (not as much as I would have liked--there are no funny Will and Grace or Parks and Recs anecdotes here), and a lot about their pasts.
The best part is that the book makes you smile--it's clearly apparent how much Nick and Megan love each other. I enjoyed learning more about both of them and how they spend their life together. Megan shares a fun Meryl Streep story, I loved her even more because apparently she's a hermit who loves to read (ME TOO MEGAN LET'S BE FRIENDS), and they are a couple who likes to hang out and do puzzles with their dogs. Life goals at its best.
"It's a wonder that I ever had a boyfriend in my entire life, because all I really like to do is read. I don't even know how I ever met another human."
"All I ever want to do is read. I only leave the house under duress."
Overall, this is fun book about two fun and interesting people. If you're an audiobook fan--even a little bit--I bet you'd enjoy it more in that format. If you like Megan or Nick, you'll find something to enjoy in this one. If you're looking for a chronological history with lots of tidbits about their careers, this isn't that book. But if you want some insight into Megan and Nick as people, this is a worthwhile read.
Sassy Brit (97 KP) rated The Duchess Deal in Books
Jun 6, 2019
^^ Returning from the war, scarred Duke of Ashbury decides he needs an heir, but that would mean a wife and she’d have to look upon his beastly war wounds, which would never do. So when he sets his sights on the vicar’s daughter Emma Gladstone and proposes a marriage of convenience deal, he begins to put some rules into place to protect her (or maybe himself) from seeing his disfigured body.
^^ But Emma is no fool, and insists on some rules of her own. She can see that beneath the scars, bad temper and his awfully stubborn ways, he’s quite simply just a lonely man needing companionship, and no different to her. Surely beauty is only skin deep and there’s much more to him than outward appearances.
^^ Oh, what a lovely story this is. Yes, on the surface this is what I’d call a sweet romance; a poor girl meets rich Duke love story. But deep down, below the surface of the title and cover, I uncovered some hidden gems. It’s a story of two lost souls trying to make the best of what they feel they have left to offer.
^^ The Duke is a great character, and yes, he does have his faults, and I’m not talking his appearance, but can he really be blamed after what he’s been through? The war has left the Duke scarred, physically and mentally. He may be a hero on the battlefield, but with his scars on show he’s found himself to be rather intimidating to others; children scream, dogs howl, honestly, if no one can bear to look at him, how is he ever going to produce an heir?
^^ Then we meet Emma, wise before her years, and not a woman to be messed around. But if that’s so, why would Emma choose to go into a loveless marriage with a man who only wants her for an heir? He’s already made it totally clear they’ll never have to sleep in the same bed ever again after their child is born. What on earth could possibly be in it for her? Well, maybe deep down, Emma’s not so confident after all. Perhaps, this wealthy Duke may be her last chance to have a child, and gain some security into her life. After all, if her father said “No decent man would ever want you!” as he banished her from their house, then maybe there’s some truth to it?
^^ I found myself thinking this is very much a charming Beauty and the Beast story. The way Emma and Ash get to know each other is both realistic and so endearing. This has some cracking dialogue with several laugh out loud moments, which made this such an enjoyable, fast read. I can’t wait to read more like this from Mills and Boon.
^^ Oh and I nearly forgot. It’s got it’s sexy bits in it too, and they are totally fitting and in line with this time period. What did make me smile, (and I thought it was a nice touch) was how, at the beginning of the book, there is a lovely dedication from the author (also once a vicar’s daughter) thanking her dad for being nothing like her character Emma’s father. Tessa Dare also mentions which chapters her father should miss out when reading. Don’t you realise that these pages will be where everyone visits first? ?
Overall: This is a charming Beauty and the Beast story, about love, honesty and mistakingly becoming the Monster of Mayfair! (Hilarious).
^^ But Emma is no fool, and insists on some rules of her own. She can see that beneath the scars, bad temper and his awfully stubborn ways, he’s quite simply just a lonely man needing companionship, and no different to her. Surely beauty is only skin deep and there’s much more to him than outward appearances.
^^ Oh, what a lovely story this is. Yes, on the surface this is what I’d call a sweet romance; a poor girl meets rich Duke love story. But deep down, below the surface of the title and cover, I uncovered some hidden gems. It’s a story of two lost souls trying to make the best of what they feel they have left to offer.
^^ The Duke is a great character, and yes, he does have his faults, and I’m not talking his appearance, but can he really be blamed after what he’s been through? The war has left the Duke scarred, physically and mentally. He may be a hero on the battlefield, but with his scars on show he’s found himself to be rather intimidating to others; children scream, dogs howl, honestly, if no one can bear to look at him, how is he ever going to produce an heir?
^^ Then we meet Emma, wise before her years, and not a woman to be messed around. But if that’s so, why would Emma choose to go into a loveless marriage with a man who only wants her for an heir? He’s already made it totally clear they’ll never have to sleep in the same bed ever again after their child is born. What on earth could possibly be in it for her? Well, maybe deep down, Emma’s not so confident after all. Perhaps, this wealthy Duke may be her last chance to have a child, and gain some security into her life. After all, if her father said “No decent man would ever want you!” as he banished her from their house, then maybe there’s some truth to it?
^^ I found myself thinking this is very much a charming Beauty and the Beast story. The way Emma and Ash get to know each other is both realistic and so endearing. This has some cracking dialogue with several laugh out loud moments, which made this such an enjoyable, fast read. I can’t wait to read more like this from Mills and Boon.
^^ Oh and I nearly forgot. It’s got it’s sexy bits in it too, and they are totally fitting and in line with this time period. What did make me smile, (and I thought it was a nice touch) was how, at the beginning of the book, there is a lovely dedication from the author (also once a vicar’s daughter) thanking her dad for being nothing like her character Emma’s father. Tessa Dare also mentions which chapters her father should miss out when reading. Don’t you realise that these pages will be where everyone visits first? ?
Overall: This is a charming Beauty and the Beast story, about love, honesty and mistakingly becoming the Monster of Mayfair! (Hilarious).
Lucy Buglass (45 KP) rated Border (2018) in Movies
Jun 20, 2019
If you’re a fan of the original super dark fairy tales, you’re probably going to love Border. But be warned, it contains some incredibly disturbing content that I wasn’t prepared for. This film is not an easy watch, and I found myself thinking about it for a long time afterwards. That’s not necessarily a bad thing, it just isn’t for the faint of heart.
The film follows Tina (Eva Melander), a woman who works for the Swedish Border Control. She has a unique talent to sniff out contraband, so she’s an asset to the rest of the team. This ability confuses many around her, and this becomes a central part of Tina’s self-discovery later on in the film. Alongside her ability, Tina suffers from facial deformities which makes her an outcast in society.
Tina’s life changes when she meets a man named Vore (Eero Milonoff), who looks just like her. At first, she suspects him of something, but following an inspection, lets him pass through. The two of them have frequent encounters throughout the film, with Vore helping Tina to understand who she is. As she’s embarking on this journey, Tina is assigned to a child pornography case, with the authorities believing her ability can help them find the perpetrator.
Border is dark both in its narrative and its visuals, as you seldom see the sunlight throughout the entire film. It feels gritty, dirty and bleak, reflecting this incredibly harrowing case that Tina has to try and solve. Even her own home is depressing; living in a tiny cabin-like home with a man named Roland who trains dogs. Tina’s relationship with Roland is confusing to the audience, and she barely spends any time at home, opting to take walks outside instead. She is an incredibly lonely, isolated character until Vore comes along.
The film’s visuals really stood out to me, I loved the ethereal fantasy elements even when bad things are happening. Since Tina spends a lot of her time outdoors, her encounters with wildlife and nature are beautifully shot. These moments seem to be the only ones that bring Tina real joy, and the cinematography reflects this. The film’s bleakness can often feel too much at times, but it’s entirely appropriate given the story. Despite Tina’s eventual self-discovery, this is not a happy film.
Tina and Vore’s animalistic behaviour may be uncomfortable for some audiences, and it was for me too. The film relies on long, purely diegetic scenes that bring us closer to the action than we may have liked. Their relationship is raw, functional and sometimes aggressive, often making it difficult to like the characters. Despite this, I still liked Tina as a character and wanted her to find happiness.
Border is just under two hours in length, but feels much longer due to Abbasi’s use of lingering shots. I did find myself feeling a little frustrated with this at times, but the beauty of the cinematography made up for it. The story is as twisted as it is captivating, and by the end of the film you’re left in a stunned silence trying to process what you just saw. It’s the kind of film that leaves you feeling exhausted afterwards.
This happened to be my first real exploration of Nordic cinema, and I’m certainly interested to see what other films are out there. Border is a unique and harrowing story that points fun at Nordic relations, and is certainly worth the watch. Having said that, I’m not sure I could go through it again.
https://jumpcutonline.co.uk/review-border-2019/
The film follows Tina (Eva Melander), a woman who works for the Swedish Border Control. She has a unique talent to sniff out contraband, so she’s an asset to the rest of the team. This ability confuses many around her, and this becomes a central part of Tina’s self-discovery later on in the film. Alongside her ability, Tina suffers from facial deformities which makes her an outcast in society.
Tina’s life changes when she meets a man named Vore (Eero Milonoff), who looks just like her. At first, she suspects him of something, but following an inspection, lets him pass through. The two of them have frequent encounters throughout the film, with Vore helping Tina to understand who she is. As she’s embarking on this journey, Tina is assigned to a child pornography case, with the authorities believing her ability can help them find the perpetrator.
Border is dark both in its narrative and its visuals, as you seldom see the sunlight throughout the entire film. It feels gritty, dirty and bleak, reflecting this incredibly harrowing case that Tina has to try and solve. Even her own home is depressing; living in a tiny cabin-like home with a man named Roland who trains dogs. Tina’s relationship with Roland is confusing to the audience, and she barely spends any time at home, opting to take walks outside instead. She is an incredibly lonely, isolated character until Vore comes along.
The film’s visuals really stood out to me, I loved the ethereal fantasy elements even when bad things are happening. Since Tina spends a lot of her time outdoors, her encounters with wildlife and nature are beautifully shot. These moments seem to be the only ones that bring Tina real joy, and the cinematography reflects this. The film’s bleakness can often feel too much at times, but it’s entirely appropriate given the story. Despite Tina’s eventual self-discovery, this is not a happy film.
Tina and Vore’s animalistic behaviour may be uncomfortable for some audiences, and it was for me too. The film relies on long, purely diegetic scenes that bring us closer to the action than we may have liked. Their relationship is raw, functional and sometimes aggressive, often making it difficult to like the characters. Despite this, I still liked Tina as a character and wanted her to find happiness.
Border is just under two hours in length, but feels much longer due to Abbasi’s use of lingering shots. I did find myself feeling a little frustrated with this at times, but the beauty of the cinematography made up for it. The story is as twisted as it is captivating, and by the end of the film you’re left in a stunned silence trying to process what you just saw. It’s the kind of film that leaves you feeling exhausted afterwards.
This happened to be my first real exploration of Nordic cinema, and I’m certainly interested to see what other films are out there. Border is a unique and harrowing story that points fun at Nordic relations, and is certainly worth the watch. Having said that, I’m not sure I could go through it again.
https://jumpcutonline.co.uk/review-border-2019/
Darren (1599 KP) rated Xenophobia (2019) in Movies
Aug 5, 2019
Story: Xenophobia starts as we head to an alien support group after Eric (Powell) has his own experience of the unexplained. The group has been meeting for years and to make him feel welcome, they let him know about their own experiences, first up is Becky (Renton) who on a camping trip with her husband and dogs get a visit that will change the world forever.
The next story follows a new member Karen (Stevens) who believes her daughter has been abducted by aliens after receiving a worrying video message, we follow the night which led up to the disappearance of the daughter, which is filled with strange occurrences.
The third story comes from Kara (Sterling) who has been running from her abusive husband, to a hide away for women of abuse, with Adrian (Perez) leading the protection for the women, only for them to find themselves stuck in a world they couldn’t have imagined.
Thoughts on Xenophobia
Performances – When we look at the performances in the film we get the type of performances we are expecting in the b-movie style of movies, we have moments that are over the top, while others bring us the grounded performance we need.
Story – The story here is an anthology of alien encounters that are connected by the support group, each member does have their own story, which gives us a chance to break down the different stories. First up was Pinnacles which might be one of the quickest stories, but it does let us see just how a typical alien encounter might come about, it is simple and does what it needs to, to send Eric to the support group. Doomsday is one that starts like you would imagine, only to go down a very different path which will shock along the way. Star Child is the story that embraces the b-movie style the movie gets through, it does feel like the campiest of the anthology. The Sullivan House is the biggest of the stories, it has a bigger message going on, which is all the more interesting despite the clear alien heading their way at some point. For an overall anthology this is on the similar levels as the VHS film only for it to only focus on aliens, each one will have a different look.
Sci-Fi – The sci-fi side of this film focuses on the different aliens that are visiting the humans, each one does have a unique look which is great to see, something different.
Settings – The film does give us the normal locations for alien encounters, be it a remote house, the woods or a cabin in the woods, yeah nothing overly difficult, but they do work.
Special Effects – The effects in the film are a mixed bag, the practical ones all look great, which is nice to see, certain CGI moments do just look out of place though.
Scene of the Movie – The Sullivan House.
That Moment That Annoyed Me – The CGI moments are weak.
Final Thoughts – This is an entertaining alien anthology film, it is nice that they are all connected in some way which helps with the meeting, rather than just having random stories.
Overall: Anthology to enjoy.
The next story follows a new member Karen (Stevens) who believes her daughter has been abducted by aliens after receiving a worrying video message, we follow the night which led up to the disappearance of the daughter, which is filled with strange occurrences.
The third story comes from Kara (Sterling) who has been running from her abusive husband, to a hide away for women of abuse, with Adrian (Perez) leading the protection for the women, only for them to find themselves stuck in a world they couldn’t have imagined.
Thoughts on Xenophobia
Performances – When we look at the performances in the film we get the type of performances we are expecting in the b-movie style of movies, we have moments that are over the top, while others bring us the grounded performance we need.
Story – The story here is an anthology of alien encounters that are connected by the support group, each member does have their own story, which gives us a chance to break down the different stories. First up was Pinnacles which might be one of the quickest stories, but it does let us see just how a typical alien encounter might come about, it is simple and does what it needs to, to send Eric to the support group. Doomsday is one that starts like you would imagine, only to go down a very different path which will shock along the way. Star Child is the story that embraces the b-movie style the movie gets through, it does feel like the campiest of the anthology. The Sullivan House is the biggest of the stories, it has a bigger message going on, which is all the more interesting despite the clear alien heading their way at some point. For an overall anthology this is on the similar levels as the VHS film only for it to only focus on aliens, each one will have a different look.
Sci-Fi – The sci-fi side of this film focuses on the different aliens that are visiting the humans, each one does have a unique look which is great to see, something different.
Settings – The film does give us the normal locations for alien encounters, be it a remote house, the woods or a cabin in the woods, yeah nothing overly difficult, but they do work.
Special Effects – The effects in the film are a mixed bag, the practical ones all look great, which is nice to see, certain CGI moments do just look out of place though.
Scene of the Movie – The Sullivan House.
That Moment That Annoyed Me – The CGI moments are weak.
Final Thoughts – This is an entertaining alien anthology film, it is nice that they are all connected in some way which helps with the meeting, rather than just having random stories.
Overall: Anthology to enjoy.
Gareth von Kallenbach (974 KP) rated Limitless (2011) in Movies
Aug 7, 2019
After years of hearing women saying this I can now agree that Bradley Cooper does indeed have beautiful eyes. If you don’t believe me go see his new movie Limitless based on the 2001 novel The Dark Fields by Alan Glynn. The movie has so many close-ups of Bradley’s face that you find yourself staring into these blue orbs of beauty, approximately 6 feet across, that utterly mesmerize you and take you to a peaceful place where mice, cats and dogs get along.
But enough about his incredibly enchanting eyes let’s talk about the movie.
The thriller Limitless is about an unemployed struggling writer Eddie Morra (Bradley Cooper) who, after being dumped by his girlfriend Lindy (Abbie Cornish), bumps into his ex-brother-in-law Vernon (Johnny Whitworth). After talking over a few beers, Vernon realizes that Eddie needs help and gives him one pill of a supposedly FDA-approved, soon-to-be-released brain boosting drug called NZT. Eddie is skeptical but upon returning to his apartment building he tries the pill. And. It. Is. Awesome!
The drug allows a person to access every bit of information locked away in their brain. It gets all the neurons in their brain kicked into high gear, allows them to learn anything very quickly, makes a person more focused, perceptive, confident, driven and gives them a boost of energy. So when Eddie takes the NZT pill (close up) he helps his landlord’s attractive wife write her term paper, sleeps with her, cleans his apartment (close up) and writes a good chunk of his book for his publisher (close up). The next morning he is back to his normal self, so he goes to Vernon for more pills, events happen and Eddie ends up with a lot more pills plus a large sum of money.
With the help of NZT he begins to turn his life around. He finishes his book, gets in shape, gets a haircut, still not clean-shaven though (don’t look at the stubble, look at his eyes), learns new things, makes new friends, has lots of nooky (because women dig smart guys), travels and multiple close ups. But soon he realizes that he wants to do something meaningful with his life. As he works to achieve his dream and also get back with his ex-girlfriend, he crosses paths with a mysterious man, Russian mobster Gennady (Andrew Howard), shifty lawyers, police, corporate fat cats like Carl Van Loon (Robert De Niro), gets more random close ups and soon starts running out of pills. Will he do something meaningful with his life? Will he jump off of a building? Can his dreamy eyes get any bluer?
Right from the start the movie grabs your attention by throwing you into the action (and blue eyes) and it gently holds it in a soft blue embrace until the end. The movie has an intelligent and, at the appropriate times, humorous dialogue that flowed very smoothly and naturally. Robert De Niro and Bradley Cooper definitely brought their A game (Bradley’s eyes A+) and their on-screen chemistry is one of the best I have seen. Both Abbie Cornish and Andrew Howard were great throughout the film but each of them had their own individual scenes where they really shined. There are some plot holes but they do not detract from this very enjoyable film.
But enough about his incredibly enchanting eyes let’s talk about the movie.
The thriller Limitless is about an unemployed struggling writer Eddie Morra (Bradley Cooper) who, after being dumped by his girlfriend Lindy (Abbie Cornish), bumps into his ex-brother-in-law Vernon (Johnny Whitworth). After talking over a few beers, Vernon realizes that Eddie needs help and gives him one pill of a supposedly FDA-approved, soon-to-be-released brain boosting drug called NZT. Eddie is skeptical but upon returning to his apartment building he tries the pill. And. It. Is. Awesome!
The drug allows a person to access every bit of information locked away in their brain. It gets all the neurons in their brain kicked into high gear, allows them to learn anything very quickly, makes a person more focused, perceptive, confident, driven and gives them a boost of energy. So when Eddie takes the NZT pill (close up) he helps his landlord’s attractive wife write her term paper, sleeps with her, cleans his apartment (close up) and writes a good chunk of his book for his publisher (close up). The next morning he is back to his normal self, so he goes to Vernon for more pills, events happen and Eddie ends up with a lot more pills plus a large sum of money.
With the help of NZT he begins to turn his life around. He finishes his book, gets in shape, gets a haircut, still not clean-shaven though (don’t look at the stubble, look at his eyes), learns new things, makes new friends, has lots of nooky (because women dig smart guys), travels and multiple close ups. But soon he realizes that he wants to do something meaningful with his life. As he works to achieve his dream and also get back with his ex-girlfriend, he crosses paths with a mysterious man, Russian mobster Gennady (Andrew Howard), shifty lawyers, police, corporate fat cats like Carl Van Loon (Robert De Niro), gets more random close ups and soon starts running out of pills. Will he do something meaningful with his life? Will he jump off of a building? Can his dreamy eyes get any bluer?
Right from the start the movie grabs your attention by throwing you into the action (and blue eyes) and it gently holds it in a soft blue embrace until the end. The movie has an intelligent and, at the appropriate times, humorous dialogue that flowed very smoothly and naturally. Robert De Niro and Bradley Cooper definitely brought their A game (Bradley’s eyes A+) and their on-screen chemistry is one of the best I have seen. Both Abbie Cornish and Andrew Howard were great throughout the film but each of them had their own individual scenes where they really shined. There are some plot holes but they do not detract from this very enjoyable film.