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Emma @ The Movies (1786 KP) rated Herself (2020) in Movies
Oct 6, 2020
I was keen to see this from recommendations I'd spotted online, but I wasn't overly enthused by the description... boy am I glad that the internet has great taste in movies.
Sandra is trying to keep her life together for her two daughters after she escapes from her abusive husband. Feeling isolated, overworked and living in a terrible situation Sandra has an off the wall idea that seems like a pipe dream. With the help of those around her she makes a true home for her girls and regains pieces of herself she'd lost.
Herself has some very serious topics in it, domestic violence and childhood trauma being at the top of the list, so that's definitely something to keep in mind if you're thinking of watching it. These topics are very effectively done and those feelings jumped out and affected me in a way I really didn't expect... I cried through a significant amount of the film, so probably just as well I was sitting in my living room and not a crowded cinema.
An interesting discovery on this was that one of the writers was Clare Dunne who plays the lead role of Sandra. I don't know what the process was between her and Malcolm Campbell but that involvement undoubtedly helps Dunne relay the true intent of the script, which I felt was incredibly well written.
Dunne's performance blew me away, barely minutes into the film you realise just what you're in for, it was such a brutal switch that my jaw nearly hit the floor. At every tense moment Dunne's acting is flawless and she conveys the emotions to a T. She does it so well that you get caught up in her anxiety, I found myself waiting for the bad things she was living in fear of and it was agonising... in a good way.
Along with her performance they use footage so well to help convey the story. When Sandra has an anxiety attack they cut clips into the scene, the quick changing back and forth between memory and present day brings the unsettling familiarity of panic and brings about a deeply emotional moment in the film. It might not conjure the exact same feeling as your own personal anxiety attack but it was closer than any other films I've seen it in.
Herself is a strong reminder that the vulnerable have the power within them to overcome anything through the right support and people who care. And sadly, it also reminds us that the system is a little messed up. I'm so pleased that I got the opportunity to see this, it's a well crafted film and I can say without a doubt it's already one of the highlights of this year's LFF.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/10/herself-movie-review.html
Sandra is trying to keep her life together for her two daughters after she escapes from her abusive husband. Feeling isolated, overworked and living in a terrible situation Sandra has an off the wall idea that seems like a pipe dream. With the help of those around her she makes a true home for her girls and regains pieces of herself she'd lost.
Herself has some very serious topics in it, domestic violence and childhood trauma being at the top of the list, so that's definitely something to keep in mind if you're thinking of watching it. These topics are very effectively done and those feelings jumped out and affected me in a way I really didn't expect... I cried through a significant amount of the film, so probably just as well I was sitting in my living room and not a crowded cinema.
An interesting discovery on this was that one of the writers was Clare Dunne who plays the lead role of Sandra. I don't know what the process was between her and Malcolm Campbell but that involvement undoubtedly helps Dunne relay the true intent of the script, which I felt was incredibly well written.
Dunne's performance blew me away, barely minutes into the film you realise just what you're in for, it was such a brutal switch that my jaw nearly hit the floor. At every tense moment Dunne's acting is flawless and she conveys the emotions to a T. She does it so well that you get caught up in her anxiety, I found myself waiting for the bad things she was living in fear of and it was agonising... in a good way.
Along with her performance they use footage so well to help convey the story. When Sandra has an anxiety attack they cut clips into the scene, the quick changing back and forth between memory and present day brings the unsettling familiarity of panic and brings about a deeply emotional moment in the film. It might not conjure the exact same feeling as your own personal anxiety attack but it was closer than any other films I've seen it in.
Herself is a strong reminder that the vulnerable have the power within them to overcome anything through the right support and people who care. And sadly, it also reminds us that the system is a little messed up. I'm so pleased that I got the opportunity to see this, it's a well crafted film and I can say without a doubt it's already one of the highlights of this year's LFF.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/10/herself-movie-review.html
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Nick Friesen (96 KP) rated Blade Runner (1982) in Movies
Jul 13, 2017
Dark and gorgeous setting (4 more)
Harrison Ford
Thought-provoking premise
That moody Vangelis score
Rutger Hauer
Best in Class Cyberpunk Neo-Noir
Most Sci-Fi fans these days probably rank Blade Runner somewhere in their top five favorites. Its status and influence on Sci-Fi, especially in the Cyberpunk sub-genre, is undeniable. When it was first released in 1982, however, it was not so well appreciated. It was met with polarized reviews and underwhelming domestic box office figures. This was probably due to some misplaced expectations of the movie. The studio erroneously marketed Blade Runner as an action/adventure, and not to mention, Harrison Ford was riding the fame of another Sci-Fi franchise that was much more action-oriented. It's no surprise then, that audiences and critics alike were initially turned off by the slow-burn pacing of detective noir that Blade Runner pulled into a science fiction setting. Today, Blade Runner is a celebrated masterpiece of filmmaking and adored by fans around the world. However, with a sequel coming soon, those new to the franchise might be a little confused due to the existence of multiple versions of the film. Let's clear that up a bit.
Fast-forward ten years to 1992, when the world received the Director's Cut of the film. At the time, Blade Runner had picked up in popularity through video rental and the international market, and the studio was prompted to release an official Director's Cut after an unofficial version was being made available from a workprint. The Director's Cut was the first introduction to Blade Runner for a whole new generation, including myself.
Fast-forward fifteen more years to 2007, when Ridley Scott brought Blade Runner fans his definitive version of the movie, the Final Cut. Blade Runner: The Final Cut was digitally remastered and reworked by Ridley Scott with complete artistic freedom, whereas the Director's Cut was created by the studio without his involvement. This version fixes some technical problems that persisted from the theatrical version to the Director's Cut, and adds back a little story to better fulfill Ridley Scott's original vision for the film.
If you're looking to get into Blade Runner before Blade Runner 2049 hits theatres in October, the Final Cut is probably the best place to start. It offers the most cohesive viewing experience, complete with restored visuals. Believe me when I tell you there is no movie quite like Blade Runner. Watching Rick Deckard (Harrison Ford) track down and "retire" replicants on the streets of a dystopian Los Angeles awash in neon signs never ceases to fill me with awe. Rutger Hauer's performance as the main antagonist, Roy Batty, is both chilling and thought-provoking, making viewers question what being human truly means.
Blade Runner is now widely considered to be not just the first example of Cyberpunk in film, but also the best. And for good reason, as every frame is a work of art, and the philosophical questions it first posed 35 years ago are still being debated today. Us die-hard fans can only pray the upcoming sequel doesn't completely obliterate the mystery and pathos of the replicant condition.
Fast-forward ten years to 1992, when the world received the Director's Cut of the film. At the time, Blade Runner had picked up in popularity through video rental and the international market, and the studio was prompted to release an official Director's Cut after an unofficial version was being made available from a workprint. The Director's Cut was the first introduction to Blade Runner for a whole new generation, including myself.
Fast-forward fifteen more years to 2007, when Ridley Scott brought Blade Runner fans his definitive version of the movie, the Final Cut. Blade Runner: The Final Cut was digitally remastered and reworked by Ridley Scott with complete artistic freedom, whereas the Director's Cut was created by the studio without his involvement. This version fixes some technical problems that persisted from the theatrical version to the Director's Cut, and adds back a little story to better fulfill Ridley Scott's original vision for the film.
If you're looking to get into Blade Runner before Blade Runner 2049 hits theatres in October, the Final Cut is probably the best place to start. It offers the most cohesive viewing experience, complete with restored visuals. Believe me when I tell you there is no movie quite like Blade Runner. Watching Rick Deckard (Harrison Ford) track down and "retire" replicants on the streets of a dystopian Los Angeles awash in neon signs never ceases to fill me with awe. Rutger Hauer's performance as the main antagonist, Roy Batty, is both chilling and thought-provoking, making viewers question what being human truly means.
Blade Runner is now widely considered to be not just the first example of Cyberpunk in film, but also the best. And for good reason, as every frame is a work of art, and the philosophical questions it first posed 35 years ago are still being debated today. Us die-hard fans can only pray the upcoming sequel doesn't completely obliterate the mystery and pathos of the replicant condition.
Jamie (131 KP) rated Born a Crime: Stories from a South African Childhood in Books
Jul 22, 2017
Noah’s wit and charm (1 more)
Frank discussions of racism, poverty, and family
A stellar memoir
For those that don’t already know who Trevor Noah is, he is a comedian from South Africa that is now the current host of The Daily Show, taking the place of Jon Stewart when he retired. Trevor is an accomplished polyglot, speaking 9 languages fluently and has some fluency in several more. In much of his comedy he talks about his difficulties with racial identity having been born during apartheid to an African mother and a Swiss father. Apartheid was a system of institutionalized segregation in South Africa that lasted from the 1940’s to the 1990’s.
The book is bursting at the seams with humorous anecdotes about growing up as the wild child in his family. Getting in trouble, trying to outrun and outsmart his mom, committing petty crimes with friends, striking out with girls; Trevor’s life was colorful in no small part because of his mother. In interviews Trevor has stated that his memoir became sort of an open love letter to his mother, Patricia Noah–a fiercely independent woman that refused to be held down by her race or gender and sought to show her son the world outside of apartheid South Africa, who tried to save her son from the cruelty of the world.
“The world doesn’t love you. If the police get you, the police don’t love you. When I beat you, I’m trying to save you. When they beat you, they’re trying to kill you.”
The last chapters had me sobbing which was something that I hadn’t anticipated. Trevor mentions his step-father in the early chapters in passing, like a dark cloud that hung over his family’s life. I wasn’t prepared for the deeply troubling and heartbreaking portrait of a loving family ripped apart by abuse and the failures of law enforcement to prevent tragedy despite numerous attempts to get help.
I was already a fan of Trevor Noah, having watched some of his stand-up comedy and was overjoyed when he took over The Daily Show. From this memoir I have a newfound respect for Trevor not only for the horrendous abuse and racism he has endured, but how he allowed these things to shape who he is. He approaches issues of race, identity, poverty, and abuse with honesty and was able to articulate his feelings on topics that I have been struggling with for years. This memoir was surprisingly cathartic to me as someone that has struggled both with a mixed racial background and as a survivor of domestic abuse.
This was a wonderful memoir that really showcased that even in the darkest of places one can still find hope and strength in love. It was both insightful and laugh out loud funny, even if some of the humor could be viewed as highly offensive. I really enjoyed this memoir and am happy that I read it, it’s definitely going down on my shelf as a favorite.
The book is bursting at the seams with humorous anecdotes about growing up as the wild child in his family. Getting in trouble, trying to outrun and outsmart his mom, committing petty crimes with friends, striking out with girls; Trevor’s life was colorful in no small part because of his mother. In interviews Trevor has stated that his memoir became sort of an open love letter to his mother, Patricia Noah–a fiercely independent woman that refused to be held down by her race or gender and sought to show her son the world outside of apartheid South Africa, who tried to save her son from the cruelty of the world.
“The world doesn’t love you. If the police get you, the police don’t love you. When I beat you, I’m trying to save you. When they beat you, they’re trying to kill you.”
The last chapters had me sobbing which was something that I hadn’t anticipated. Trevor mentions his step-father in the early chapters in passing, like a dark cloud that hung over his family’s life. I wasn’t prepared for the deeply troubling and heartbreaking portrait of a loving family ripped apart by abuse and the failures of law enforcement to prevent tragedy despite numerous attempts to get help.
I was already a fan of Trevor Noah, having watched some of his stand-up comedy and was overjoyed when he took over The Daily Show. From this memoir I have a newfound respect for Trevor not only for the horrendous abuse and racism he has endured, but how he allowed these things to shape who he is. He approaches issues of race, identity, poverty, and abuse with honesty and was able to articulate his feelings on topics that I have been struggling with for years. This memoir was surprisingly cathartic to me as someone that has struggled both with a mixed racial background and as a survivor of domestic abuse.
This was a wonderful memoir that really showcased that even in the darkest of places one can still find hope and strength in love. It was both insightful and laugh out loud funny, even if some of the humor could be viewed as highly offensive. I really enjoyed this memoir and am happy that I read it, it’s definitely going down on my shelf as a favorite.