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Lyndsey Gollogly (2893 KP) rated The Silent Patient in Books
Sep 2, 2023
118 of 235
Book
The Silent Patient
By Alex Michaelides
⭐️⭐️⭐️⭐️⭐️
The Silent Patient is a shocking psychological thriller of a woman’s act of violence against her husband—and of the therapist obsessed with uncovering her motive.
Alicia Berenson’s life is seemingly perfect. A famous painter married to an in-demand fashion photographer, she lives in a grand house with big windows overlooking a park in one of London’s most desirable areas. One evening her husband Gabriel returns home late from a fashion shoot, and Alicia shoots him five times in the face, and then never speaks another word.
Alicia’s refusal to talk, or give any kind of explanation, turns a domestic tragedy into something far grander, a mystery that captures the public imagination and casts Alicia into notoriety. The price of her art skyrockets, and she, the silent patient, is hidden away from the tabloids and spotlight at the Grove, a secure forensic unit in North London.
Theo Faber is a criminal psychotherapist who has waited a long time for the opportunity to work with Alicia. His determination to get her to talk and unravel the mystery of why she shot her husband takes him down a twisting path into his own motivations—a search for the truth that threatens to consume him....
This was so so good!! It kept you completely sucked and and that ending was a WTF moment for me I did not see that coming at all! Brilliant!
Book
The Silent Patient
By Alex Michaelides
⭐️⭐️⭐️⭐️⭐️
The Silent Patient is a shocking psychological thriller of a woman’s act of violence against her husband—and of the therapist obsessed with uncovering her motive.
Alicia Berenson’s life is seemingly perfect. A famous painter married to an in-demand fashion photographer, she lives in a grand house with big windows overlooking a park in one of London’s most desirable areas. One evening her husband Gabriel returns home late from a fashion shoot, and Alicia shoots him five times in the face, and then never speaks another word.
Alicia’s refusal to talk, or give any kind of explanation, turns a domestic tragedy into something far grander, a mystery that captures the public imagination and casts Alicia into notoriety. The price of her art skyrockets, and she, the silent patient, is hidden away from the tabloids and spotlight at the Grove, a secure forensic unit in North London.
Theo Faber is a criminal psychotherapist who has waited a long time for the opportunity to work with Alicia. His determination to get her to talk and unravel the mystery of why she shot her husband takes him down a twisting path into his own motivations—a search for the truth that threatens to consume him....
This was so so good!! It kept you completely sucked and and that ending was a WTF moment for me I did not see that coming at all! Brilliant!
Sarah (7798 KP) rated Gatecrash (2021) in Movies
Feb 19, 2021
Enjoyably strange
Gatecrash is a 2021 psychological thriller from Lawrence Gough, based on a play by Terry Hughes. It opens with a rather beautiful and picturesque shot of the English countryside at dusk, when a speeding car disturbs the peace and alongside a prominent score, promises us a rather tense and thrilling start to the film.
And in this aspect it doesn’t disappoint. Gatecrash disposes with any preamble and pitches us straight into the action. A couple return to a rather maze-like and futuristically styled home in the middle of an argument, but what at first seems like a domestic argument is in fact much more serious: the husband, Steve (Ben Cura), has just committed a hit and run. He’s drunk, abusive and wants his wife, Nicole (Olivia Bonamy), to take the blame. And it wasn’t just an innocent accident as Steve not only knocked someone over, he drove over them again in his rush to flee.
The first 15 minutes follows this argument and then as it ends as Nicole and Steve separate inside the house; him to clean up any evidence from the accident and her to discretely take a pregnancy test. This soon begins to drag, and fortunately we’re saved by a sinister phone call from the landline, that appears to be coming from Steve’s mobile, that he hasn’t seen since the hit and run. This soon escalates into something verging on horror territory as we follow Nicole around their now claustrophobic house.
It’s this middle act that I enjoyed the most as Gatecrash turns into a tense and almost terrifying thriller, as Nicole and Steve have to face off against a mysterious and menacing police officer (Samuel West) who arrives on their doorstep. West is possibly my favourite part of this film, his character is completely over the top and ridiculous yet still portrays this strange, ominous air. It’s strange to find a character who is immensely fun to watch yet still manages to terrify you. He’s further helped by his character’s unexplained and questionable motives that give this thriller an intriguing air of mystery.
Following on from the aftermath of the hit and run, the film jumps to a later time after Nicole has had her baby and again the couple are visited by another mysterious stranger, this one called Sid (Anton Lesser). At first Sid seems like a kind, lovely old man but his unusual air and conversation soon unveil yet more hidden and sinister motives that culminate in a tense finale.
It’s this final act that I was least keen on. At first the dialogue between Sid, Nicole and Steve is gripping but it seems to drag on and keep going round in circles before it finally gets to some dramatic piece of action. This dragging dialogue is definitely Gatecrash’s biggest flaw, and this is in no doubt down to it’s theatre origins. On the stage I can see dialogue like this working well, but as a film it needs a lot more oomph to keep our attention. The cast do well to keep us entertained though, Olivia Bonamy puts in a very understated performance as Nicole and Ben Cura was delightful to watch as Steve purely because the character is a rather despicable excuse for a man. And fortunately Gough’s cinematography works well with the few action scenes to try and make up for the slumps in the dialogue heavy earlier scenes.
Overall Gatecrash is a fairly enjoyable thriller and is worth watching purely for its general air of mystery and the tense and exciting second act.
And in this aspect it doesn’t disappoint. Gatecrash disposes with any preamble and pitches us straight into the action. A couple return to a rather maze-like and futuristically styled home in the middle of an argument, but what at first seems like a domestic argument is in fact much more serious: the husband, Steve (Ben Cura), has just committed a hit and run. He’s drunk, abusive and wants his wife, Nicole (Olivia Bonamy), to take the blame. And it wasn’t just an innocent accident as Steve not only knocked someone over, he drove over them again in his rush to flee.
The first 15 minutes follows this argument and then as it ends as Nicole and Steve separate inside the house; him to clean up any evidence from the accident and her to discretely take a pregnancy test. This soon begins to drag, and fortunately we’re saved by a sinister phone call from the landline, that appears to be coming from Steve’s mobile, that he hasn’t seen since the hit and run. This soon escalates into something verging on horror territory as we follow Nicole around their now claustrophobic house.
It’s this middle act that I enjoyed the most as Gatecrash turns into a tense and almost terrifying thriller, as Nicole and Steve have to face off against a mysterious and menacing police officer (Samuel West) who arrives on their doorstep. West is possibly my favourite part of this film, his character is completely over the top and ridiculous yet still portrays this strange, ominous air. It’s strange to find a character who is immensely fun to watch yet still manages to terrify you. He’s further helped by his character’s unexplained and questionable motives that give this thriller an intriguing air of mystery.
Following on from the aftermath of the hit and run, the film jumps to a later time after Nicole has had her baby and again the couple are visited by another mysterious stranger, this one called Sid (Anton Lesser). At first Sid seems like a kind, lovely old man but his unusual air and conversation soon unveil yet more hidden and sinister motives that culminate in a tense finale.
It’s this final act that I was least keen on. At first the dialogue between Sid, Nicole and Steve is gripping but it seems to drag on and keep going round in circles before it finally gets to some dramatic piece of action. This dragging dialogue is definitely Gatecrash’s biggest flaw, and this is in no doubt down to it’s theatre origins. On the stage I can see dialogue like this working well, but as a film it needs a lot more oomph to keep our attention. The cast do well to keep us entertained though, Olivia Bonamy puts in a very understated performance as Nicole and Ben Cura was delightful to watch as Steve purely because the character is a rather despicable excuse for a man. And fortunately Gough’s cinematography works well with the few action scenes to try and make up for the slumps in the dialogue heavy earlier scenes.
Overall Gatecrash is a fairly enjoyable thriller and is worth watching purely for its general air of mystery and the tense and exciting second act.
Billie Wichkan (118 KP) rated The Dark Path in Books
Mar 15, 2019
Merry, Sam and their baby, Connor. A perfect little family in the perfect little setting.
Sam who has the perfect little wife, Merry bakes blueberry pies, cooks well, cleans and sees to the garden.
The Mother who loves and adores her baby. Sam who wanted nothing else but to have a homely wife and a child of his own in the most idyllic of settings.
They have it all.
But is Merry all that she appears to be?
Then along comes Frank, she is a long standing friend of Merry's from her past. They used to be like sisters.
This was previously published under the name You Were Made for This.
This is a wonderful dark and twisted tale told from several different POV's.
This a dark and disturbing story which i very addictive. It digs into the relationship of the 3 main characters and all the emotions that come with this.
I found the pace to be just right for this novel and love the way the story is brought out to us.
This is a psychological domestic thriller which reminds us all that all is not what it appears to be and who can you really trust?
This maybe too dark for some to read but I think you should give this one a chance as I was totally hooked and gripped with the story.
A haunting ending to a superb well written story.
**********Many many thank to NetGalley and the publisher as well for making the ARC of this book available online.******
Sam who has the perfect little wife, Merry bakes blueberry pies, cooks well, cleans and sees to the garden.
The Mother who loves and adores her baby. Sam who wanted nothing else but to have a homely wife and a child of his own in the most idyllic of settings.
They have it all.
But is Merry all that she appears to be?
Then along comes Frank, she is a long standing friend of Merry's from her past. They used to be like sisters.
This was previously published under the name You Were Made for This.
This is a wonderful dark and twisted tale told from several different POV's.
This a dark and disturbing story which i very addictive. It digs into the relationship of the 3 main characters and all the emotions that come with this.
I found the pace to be just right for this novel and love the way the story is brought out to us.
This is a psychological domestic thriller which reminds us all that all is not what it appears to be and who can you really trust?
This maybe too dark for some to read but I think you should give this one a chance as I was totally hooked and gripped with the story.
A haunting ending to a superb well written story.
**********Many many thank to NetGalley and the publisher as well for making the ARC of this book available online.******
Hazel (2934 KP) rated Sticks and Stones in Books
Nov 24, 2018
This is the debut novel for this author and, I think, a pretty accomplished one at that; a little unbelievable at times I admit but quite a satisfying read. Dealing with the difficult subject matter of domestic violence, this book is more about the subtleties of this abhorrent crime rather than the "in your face" violence although there is some violence.
The books starts with the funeral of a decorated Police Officer but thoroughly unpleasant man - Phillip - and "mourning" his death are 3 women; Ruby, Imogen and Naomi.
Ruby is the first wife who has never moved on and remains under Phillip's spell.
Imogen is the current but estranged wife and mother of their son.
Naomi is the girlfriend and soon to be third wife.
Phillip is an absolute a**hole; a master at manipulation and control, a bully and downright despicable person however, the tables are turned when Imogen manages to lock him in the cellar and so begins the story of the developing relationship between the three women, their growing strength and confidence and their common goal of getting revenge on the man that has caused them so much pain and heartache ... but, how did he die?
Well written with a good pace and well developed characters, this is a great debut psychological thriller and Jo Jakeman is certainly an author I will watch out for.
My thanks go to the publisher, Random House UK Vintage, via NetGalley for my copy in return for an honest review.
The books starts with the funeral of a decorated Police Officer but thoroughly unpleasant man - Phillip - and "mourning" his death are 3 women; Ruby, Imogen and Naomi.
Ruby is the first wife who has never moved on and remains under Phillip's spell.
Imogen is the current but estranged wife and mother of their son.
Naomi is the girlfriend and soon to be third wife.
Phillip is an absolute a**hole; a master at manipulation and control, a bully and downright despicable person however, the tables are turned when Imogen manages to lock him in the cellar and so begins the story of the developing relationship between the three women, their growing strength and confidence and their common goal of getting revenge on the man that has caused them so much pain and heartache ... but, how did he die?
Well written with a good pace and well developed characters, this is a great debut psychological thriller and Jo Jakeman is certainly an author I will watch out for.
My thanks go to the publisher, Random House UK Vintage, via NetGalley for my copy in return for an honest review.
The New Husband
7.7
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Just because you love someone doesn’t mean you know them. Nina Garrity learned that the hard...
domestic thriller family contemporary
Her Pretty Face
9.0
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The author of the bestselling novel The Party—lauded as “tense and riveting” by New York Times...
mystery thriller
Neon's Nerd Nexus (360 KP) rated The Invisible Man (2020) in Movies
Mar 3, 2020 (Updated Mar 3, 2020)
See no evil
The Invisible Man is not a movie about an Invisible Man and certainly not the horror movie its being promoted as, instead its a tight little scifi esq thriller about domestic violence and the lingering effects domestic abuse can bring. Directed by the same director of the absolutley fantastic film Upgrade The invisible man could almost be a companion piece in a sense or even take place in the same world as Upgrade. From the titles its clear tension and impending dread is absolutely nailed here and as we look in on our lead character we can see just how extreme and unsafe her situation/relationship has become. Shes a victim trapped by an abusive and obsessive partner and before her life becomes any more at risk she escapes, but what she then leaves herself open to is a life of paraninoia, mental scaring, trauma, torture and living life in constant fear that her partner will come for her again. Shes never free from him and the way the film uses the invisible man as a metaphor is extremely clever as it shows her trying to live a normal life while clearly completely damaged by the hold one man had on her and by the echoes of the abuse she recived from him (in a sense its like hes still there constantly breathing over her shoulder). Everything is done well and the film really benefits from its slow pace as it helps us as a viewer really get invested into this character and shows just how damaged she has become from past events. Its score is phenomenal too helping ramp up the fear and tension with its intense futuristic droning and screeching. When violence hits its impactful, brutal and shocking as the long build up for it makes it seem like it comes out of nowhere preserving shock value perfectly. Fight scenes are filmed just like the ones from Upgrade full of energy/style and are just as unique/cool while making subtle nods to that film too. Acting is really good especially Elisabeth Moss watching her evolve as a character and in sense use the traits of the person she hates to become stronger is riviting and Eldis Hodge gives a great support role too. Its to bad at times the acting its hurt unnecessarily however by very exposition heavy dialog. If youve seen the trailer for this movie the invisible man reveal will have been spoilt for you as will too a crucial story point however overall as a film what Leigh Whannell has achieved here with this film is certainly very very brave and vastly diffrent from the way these films usually play out. Hes given a very clever and unique take on a character that has already been done to death in films and while it was predictable to a certain extent I applaud him for not going for the lazy done to death almost supernatural approach to this character. The Invisible man is a breath of fresh air amongst crap like fantasy island/the boy 2 and while by no means perfect its brave and realistic portrayals of the after effects of domestic abuse are shocking, well represented and tuff to watch at times. Invisible man is a pleasant surprise but will no doubt be far to slow and intelligent for those just looking for mere jump scares. That being said if this director keeps up this great track record I wouldnt be surprised if bigger film companies start seeking him out very soon.
In Pine Bluff Arkansas, Jeffrey comes home from travel to find his wife, Sabine, missing. Her car has been left behind, and she's seemingly vanished into thin air. As Detective Marcus Durand begins his investigation, things quickly become complicated. Sabine and Jeffrey's marriage wasn't what it seemed, and all signs appear to Jeffrey wanting her gone. What was he doing between his flight and arriving home, for instance? Meanwhile, several hundred miles away, Beth Murphy is on the run, carefully executing a meticulous plan to escape her violent husband. One slip, one mistake, and Beth knows he will find her--and kill her.
"Four hours on the road, two hundred and eight-three miles of space between us, and it's nowhere near enough. I still hear the clink of your keys when you toss them on the table, still tense at the thud of your shoes when you come closer to the kitchen. Still feel the fear slithering, snake-like, just under the surface of my skin. You have three moods lately: offensive, enraged, or violent."
This was a really enjoyable, compulsively readable thriller. It pulls you in nearly immediately and never lets you go--I was completely sucked up in the various stories. The book alternates between the points of view of Beth, Jeffrey, and Marcus. Beth is focused on escaping her husband, Jeffrey on figuring out what happened to his wife, and Marcus on solving the case. Each has their own unique voice, but you're never quite sure of who is telling you the truth or what is happening.
"People don't just fall off the face of the planet. They run, they hide, or they are taken. I should know, because I am one of them."
The result of hearing each person's individual take is a really exciting, twisty story. Where is Sabine? Who exactly is Beth? There are a bunch of fun "aha" moments throughout. I figured out some ahead of time; others were great surprises. No matter what, I enjoyed every moment and was kept interested and guessing. I especially liked and was intrigued by the character of Beth. (Please note that there is a domestic violence trigger in this book.)
Overall, this is a quick, suspenseful read that will keep you flipping the pages. I recommend this well-executed and entertaining thriller! 4+ stars.
"Four hours on the road, two hundred and eight-three miles of space between us, and it's nowhere near enough. I still hear the clink of your keys when you toss them on the table, still tense at the thud of your shoes when you come closer to the kitchen. Still feel the fear slithering, snake-like, just under the surface of my skin. You have three moods lately: offensive, enraged, or violent."
This was a really enjoyable, compulsively readable thriller. It pulls you in nearly immediately and never lets you go--I was completely sucked up in the various stories. The book alternates between the points of view of Beth, Jeffrey, and Marcus. Beth is focused on escaping her husband, Jeffrey on figuring out what happened to his wife, and Marcus on solving the case. Each has their own unique voice, but you're never quite sure of who is telling you the truth or what is happening.
"People don't just fall off the face of the planet. They run, they hide, or they are taken. I should know, because I am one of them."
The result of hearing each person's individual take is a really exciting, twisty story. Where is Sabine? Who exactly is Beth? There are a bunch of fun "aha" moments throughout. I figured out some ahead of time; others were great surprises. No matter what, I enjoyed every moment and was kept interested and guessing. I especially liked and was intrigued by the character of Beth. (Please note that there is a domestic violence trigger in this book.)
Overall, this is a quick, suspenseful read that will keep you flipping the pages. I recommend this well-executed and entertaining thriller! 4+ stars.
Jennifer Roup (9 KP) rated The Wife Between Us in Books
Dec 27, 2017
#GritLit Domestic Thriller Must Read
The premise of this book is captivating.
At first I think it's clear: A man left his wife for his assistant and the ex-wife is left devastated. The new bride is carried away in the new lavish lifestyle her husband-to-be is creating for her and she barely notices the subtle clues that someone is stalking her, watching her every move.
Nellie is cute, bubbly and everything that Vanessa used to be. The ex wife, Vanessa, is a recovering alcoholic living with her aunt, wondering how Richard could leave her. So she sets up on a mission to find out what Nellie has that she doesn't and to find a way to seek revenge.
If the book would have wrapped up after the first major twist in the middle of the book, I would have been impressed but the hits and twists just kept coming so it was impossible to put down.
I think the twists and turns, plus the creepy narration from an unreliable character who is clearly losing her mind were all great. I was really hooked at first. But by the end, there was just too much going on.
It's fast-paced, creepy and so vivid that you may start to think you're even being stalked too...
It's very much like The Couple Next Door, My Husband's Wife and Lie to Me and and similar thrillers. Twisted, interesting and really great characters but just a little too drag towards the end. Still recommend it though!
At first I think it's clear: A man left his wife for his assistant and the ex-wife is left devastated. The new bride is carried away in the new lavish lifestyle her husband-to-be is creating for her and she barely notices the subtle clues that someone is stalking her, watching her every move.
Nellie is cute, bubbly and everything that Vanessa used to be. The ex wife, Vanessa, is a recovering alcoholic living with her aunt, wondering how Richard could leave her. So she sets up on a mission to find out what Nellie has that she doesn't and to find a way to seek revenge.
If the book would have wrapped up after the first major twist in the middle of the book, I would have been impressed but the hits and twists just kept coming so it was impossible to put down.
I think the twists and turns, plus the creepy narration from an unreliable character who is clearly losing her mind were all great. I was really hooked at first. But by the end, there was just too much going on.
It's fast-paced, creepy and so vivid that you may start to think you're even being stalked too...
It's very much like The Couple Next Door, My Husband's Wife and Lie to Me and and similar thrillers. Twisted, interesting and really great characters but just a little too drag towards the end. Still recommend it though!
Katie Guinn (34 KP) rated My Husband's Wife in Books
Dec 7, 2018
Lily Macdonald is a young, newly married lawyer, determined to make a fresh start and leave her secrets in the past. But her first murder case, representing a convicted killer named Joe, will threaten her happy future.
*sigh* I’m getting really burned out on “domestic thrillers,” guys. The kind that center around husbands and wives with secrets and strained relationships, that focus on the minutiae of everyday life than on any real action. The kind that likes to tout themselves as “the next Gone Girl.” Give me a good suspenseful serial killer novel, with a twisty plot and an actual likable main character!
That’s one of my biggest problems with these sorts of books, every character is just so hard to like that it’s difficult to connect with anyone or really feel invested in the story. Lily and Ed Macdonald are two people who honestly shouldn’t have married in the first place; they barely knew each other and neither of them knows how to communicate unless it’s in the form of an argument. Their nine-year-old neighbor, Carla, gains some sympathy at first as she copes with bullies and the feeling of being “different,” Unfortunately, when the story picks up more than a dozen years later, Carla hasn’t changed very much. She still thinks and acts like a child, turning out to be, in my opinion, the least likable character in the book. A note to all the thriller authors out there: it’s not a crime to write characters that people like.
I gave this one three stars because while the writing and plotting was decent, it’s ultimately a forgettable novel. Also, it’s no Gone Girl.
*sigh* I’m getting really burned out on “domestic thrillers,” guys. The kind that center around husbands and wives with secrets and strained relationships, that focus on the minutiae of everyday life than on any real action. The kind that likes to tout themselves as “the next Gone Girl.” Give me a good suspenseful serial killer novel, with a twisty plot and an actual likable main character!
That’s one of my biggest problems with these sorts of books, every character is just so hard to like that it’s difficult to connect with anyone or really feel invested in the story. Lily and Ed Macdonald are two people who honestly shouldn’t have married in the first place; they barely knew each other and neither of them knows how to communicate unless it’s in the form of an argument. Their nine-year-old neighbor, Carla, gains some sympathy at first as she copes with bullies and the feeling of being “different,” Unfortunately, when the story picks up more than a dozen years later, Carla hasn’t changed very much. She still thinks and acts like a child, turning out to be, in my opinion, the least likable character in the book. A note to all the thriller authors out there: it’s not a crime to write characters that people like.
I gave this one three stars because while the writing and plotting was decent, it’s ultimately a forgettable novel. Also, it’s no Gone Girl.