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Merissa (12051 KP) rated Wait Until Dawn (Southern Spirits #4) in Books
Apr 19, 2023
So Wait Until Dawn is Rich's story. Like many, I assumed he would be getting together with Matt, but that obviously wasn't the case. What I love about Bailey Bradford's stories, is that she leads you one way before giving you a complete about-turn, but it completely works! Carlin is the perfect mate for Matt, and Chris - the gorgeous, pierced pacifist, who looks tough but is a teddy bear - is perfect for Rich.
Rich has been through hell and the start of this book reflects that. This is not for the faint-hearted as the torture that Rich has been living with is described in gruesome detail. Chris is the one person that refuses to take any c**p from Rich. Now, to be fair, this may well be because he is actually face-to-face with him. It is a lot easier to lie to people over the phone when they can't see you. I would have liked his friends to try to reach Rich on a more personal note over the past year, but then if they had, this story wouldn't have gone the way it did.
The ending for this one felt a bit rushed to me, with the actual fight to get McAllister and Trenton out of Rich glossed over. They have been fighting in his body throughout the whole story, causing him to contemplate suicide, but it's all over and done within a paragraph or two, but I still don't really know how.
Apart from that, I loved this book and am very happy now that Rich can start to heal. I did like how he and Matt sorted things out. Definitely recommended and a good, solid addition to this series.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Oct 26, 2015
Rich has been through hell and the start of this book reflects that. This is not for the faint-hearted as the torture that Rich has been living with is described in gruesome detail. Chris is the one person that refuses to take any c**p from Rich. Now, to be fair, this may well be because he is actually face-to-face with him. It is a lot easier to lie to people over the phone when they can't see you. I would have liked his friends to try to reach Rich on a more personal note over the past year, but then if they had, this story wouldn't have gone the way it did.
The ending for this one felt a bit rushed to me, with the actual fight to get McAllister and Trenton out of Rich glossed over. They have been fighting in his body throughout the whole story, causing him to contemplate suicide, but it's all over and done within a paragraph or two, but I still don't really know how.
Apart from that, I loved this book and am very happy now that Rich can start to heal. I did like how he and Matt sorted things out. Definitely recommended and a good, solid addition to this series.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Oct 26, 2015
Emma @ The Movies (1786 KP) rated Mary Poppins Returns (2018) in Movies
Sep 25, 2019
I'm not going to lie, the trailer for this worried me greatly. Despite Emily Blunt's roots her accent sounds like someone's stereotypical idea of a prim and proper British nanny, it stuck out like a sore thumb from the trailer.
Right from the outset you can see that spark from the original film in the animation, the character traits and style. Everything is very familiar and yet different.
I have to say though that the songs were not memorable. If fact I left the cinema thinking about the original more and ended up having a little Mary Poppin medley on my journey back. When you didn't think it could get any worse she actually converts to cockney for one of the songs and I'm left enjoying some of the uninspiring dance routines while wishing I had a remote control to mute the sound.
I'm struggling to remember if the chimney sweep dance routine and the lamp lighter routine in the new film have a lot of similarities. What I can say about it is that there were some very odd camera shots in there. It felt very much like they wanted you to only focus on Miranda and so we got lots of creepy close ups. The sequence really didn't work for me, and honestly I can't even remember the song.
There were some very touching moments in the latter half of the film. Whishaw wasn't really working for me early on but he has a very powerful moment in the middle that kicks off some much better pieces. I can't say that any of the acting particularly thrilled me, the best was probably in the animated characters.
I was genuinely thrilled to see Dick Van Dyke in Mary Poppins Returns though. I smiled from ear to ear when he started dancing, that moment alone is the main reason for the stars this film earned. But even after the dance routine I wasn't keen on his part in it.
The real question about MP films is if every second Wednesday Topsy's world goes upside-down... what happens to Mary Poppins on every second Tuesday? (Do we know the answer to this? Have I just missed it somewhere?)
What you should do
In my opinion this remake was made on the basis of "if it ain't broke don't fix it", except in the process of making it look like a sequel... they broke it. But, I seem to be in a minority on this one. If you want the nostalgic feeling but don't want to replace the amazing songs from the original then you should be alright seeing this.
Movie thing you wish you could take home
Some of whatever Mary Poppins is smoking?
Right from the outset you can see that spark from the original film in the animation, the character traits and style. Everything is very familiar and yet different.
I have to say though that the songs were not memorable. If fact I left the cinema thinking about the original more and ended up having a little Mary Poppin medley on my journey back. When you didn't think it could get any worse she actually converts to cockney for one of the songs and I'm left enjoying some of the uninspiring dance routines while wishing I had a remote control to mute the sound.
I'm struggling to remember if the chimney sweep dance routine and the lamp lighter routine in the new film have a lot of similarities. What I can say about it is that there were some very odd camera shots in there. It felt very much like they wanted you to only focus on Miranda and so we got lots of creepy close ups. The sequence really didn't work for me, and honestly I can't even remember the song.
There were some very touching moments in the latter half of the film. Whishaw wasn't really working for me early on but he has a very powerful moment in the middle that kicks off some much better pieces. I can't say that any of the acting particularly thrilled me, the best was probably in the animated characters.
I was genuinely thrilled to see Dick Van Dyke in Mary Poppins Returns though. I smiled from ear to ear when he started dancing, that moment alone is the main reason for the stars this film earned. But even after the dance routine I wasn't keen on his part in it.
The real question about MP films is if every second Wednesday Topsy's world goes upside-down... what happens to Mary Poppins on every second Tuesday? (Do we know the answer to this? Have I just missed it somewhere?)
What you should do
In my opinion this remake was made on the basis of "if it ain't broke don't fix it", except in the process of making it look like a sequel... they broke it. But, I seem to be in a minority on this one. If you want the nostalgic feeling but don't want to replace the amazing songs from the original then you should be alright seeing this.
Movie thing you wish you could take home
Some of whatever Mary Poppins is smoking?
Rachel King (13 KP) rated The Bronze and the Brimstone in Books
Feb 11, 2019
This book is the sequel to The Lens and the Looker: Book #1 of the Verona Series (History Camp: the Verona Trilogy) and opens with the main character, Hansum, in a dream. This is actually rather confusing, as I don't realize he is dreaming until afterwards, and it seems like a poorly-timed ploy to re-introduce the reader to what has occurred so far in the series.
Early in the book, Hansum is separated from his friends, but not before he manages to marry Guillietta in secret. What bugs me about this is how Guillietta's father still treats him like a child, even though he is certainly entitled to be treated as an adult by this time. Hansum exhibits a certain level of maturity that few seem to recognize or respect. Once Hansum is moved to a private estate, his story exchanges with the rest of his friends in alternating sections.
The drama that occurs between Shamira and the artist is quite transparent to me. I am not sure if the author intended for the reader to discern the artist's true intentions so easily, but the artist's lack of talent combined with obvious lies and an obsessive interest in the lookers made it apparent what he was really about. I can only feel sorry for Shamira in her first foray into the realm of romance.
Hansum does well at creatively avoiding an engagement to Lady Beatrice, but I had to wonder how long he would be successful at this. With Hansum's almost constant protectiveness over the genie, Pan, I also wondered how long he would really be able to keep up the ruse.
With a greater focus on the technological advancements that Hansum is introducing, and less of a focus on the relationship-building of the first book in the series, this book was better written and a more enjoyable read for me. The author's evident strengths lie in his knowledge of the technology used in the series and the history of 14th-century Verona, so when those are brought to the forefront, the writing is quite intriguing. I still feel that the author is trying to do too much with this novel and trying to appeal to a too-large audience with everything from romance, history, suspense, political intrigue, and technology, to numerous science fiction themes, but it is better written than the first book in the series.
Early in the book, Hansum is separated from his friends, but not before he manages to marry Guillietta in secret. What bugs me about this is how Guillietta's father still treats him like a child, even though he is certainly entitled to be treated as an adult by this time. Hansum exhibits a certain level of maturity that few seem to recognize or respect. Once Hansum is moved to a private estate, his story exchanges with the rest of his friends in alternating sections.
The drama that occurs between Shamira and the artist is quite transparent to me. I am not sure if the author intended for the reader to discern the artist's true intentions so easily, but the artist's lack of talent combined with obvious lies and an obsessive interest in the lookers made it apparent what he was really about. I can only feel sorry for Shamira in her first foray into the realm of romance.
Hansum does well at creatively avoiding an engagement to Lady Beatrice, but I had to wonder how long he would be successful at this. With Hansum's almost constant protectiveness over the genie, Pan, I also wondered how long he would really be able to keep up the ruse.
With a greater focus on the technological advancements that Hansum is introducing, and less of a focus on the relationship-building of the first book in the series, this book was better written and a more enjoyable read for me. The author's evident strengths lie in his knowledge of the technology used in the series and the history of 14th-century Verona, so when those are brought to the forefront, the writing is quite intriguing. I still feel that the author is trying to do too much with this novel and trying to appeal to a too-large audience with everything from romance, history, suspense, political intrigue, and technology, to numerous science fiction themes, but it is better written than the first book in the series.
LoganCrews (2861 KP) rated Wild Wild West (1999) in Movies
Nov 10, 2020
I hate the late 90s blockbuster, man... I really do. This era's tongue-in-cheek manufactured spectacle coated with pause-for-laughs cringe 'jokes' and standard-to-crappy action makes my skin crawl. This is actually much, much better than 𝘐𝘯𝘥𝘦𝘱𝘦𝘯𝘥𝘦𝘯𝘤𝘦 𝘋𝘢𝘺 but otherwise they're the exact same formula in tiring popcorn slogs though this one dared to actually have a bit of fun sometimes unlike ID so truthfully I have no idea why this one is more reviled - it just seems random to me. Yeah I have no idea why this source material was turned into confusingly sexual, boring one-note tripe but the last twenty minutes is actually kind of exciting and the effects are top-notch. Don't even lie, you think that giant steampunk spider is fucking cool too and the gadgets/costumes/sets/makeup are eye-catching too - I only wish they were all in a better movie. The two perfunctory performances from Smith and Kline are canceled out by the religious scenery-chewing of Ted Levine and this movie's MVP Kenneth Branagh but besides the title song that I'm tired of pretending doesn't slap -because it *does* - that's about where the positives end. Its only personality traits are being dumb, looking cool sometimes, and misogyny.
Kristy H (1252 KP) rated You Love Me in Books
Apr 15, 2021
A creepy but long-winded entry in the YOU series
Joe Goldberg has resolved to be a good guy. No more obsessions, no more killing to get what he wants. He's moving to the Pacific Northwest, he's going to work in a library (he has some experience with books, after all), and he's reformed. It's at the library where he meets her. Mary Kay DiMarco. A librarian. Beautiful, older. She's also a mother. She's busy and distracted. But Joe knows true love will prevail, because he's doing things the right way. With his undying love and friendship, Mary Kay will have no choice but to fall for him.
"And of course you couldn't help it. After all, you love me."
I was incredibly excited to hear there would be a third "Joe" book, because I can still remember reading the first, YOU. I was alone on a mini-vacation and spent the entire thing creeped out, feeling watched, thanks to how good Kepnes is at writing Joe and his obsessiveness. The good thing about YOU LOVE ME is that she still captures Joe's voice perfectly. He's just... Joe. Obsessed. Weird. Witty. Over the top.
(Stop reading if you don't want to know what happened in the first two books.)
In YOU LOVE ME, Joe is fleeing Love--not the concept, but the actual person, from book two. After his encounters with her, he's ready to be on the straight and narrow. He realizes he has no more chances, no more "get out of jail free" cards. Starting over in the Pacific Northwest is it.
So, while Joe is still his usual creepy self, he's slightly diminished. We don't get full-on stalk/kill Joe, and it's a little disappointing. I'm not going to lie: I want Joe to triumph over others. I like when Joe wins. And, sadly, I found myself not wanting to go back and pick this book up after I started it. I was so bummed! It was long, meandering, and all the twists seemed either odd and too convenient or just really strange. It dragged on, lacking the ominous tension of YOU.
I still rooted for Joe, of course. That's the talent Kepnes brings, making us cheer on the bad guy. But there was less "Joe versus evil" than "Joe versus annoying" in this read. Of course we wanted Joe to win--his foes were downright irritating.
Overall, this book still captures Joe's voice really well, but the actual story seems lacking. It's long and couldn't keep my full interest. Now, if there's a book four, will I still read it? Sure. 2.5 stars, rounded to 3 here, because there's always something about Joe.
"And of course you couldn't help it. After all, you love me."
I was incredibly excited to hear there would be a third "Joe" book, because I can still remember reading the first, YOU. I was alone on a mini-vacation and spent the entire thing creeped out, feeling watched, thanks to how good Kepnes is at writing Joe and his obsessiveness. The good thing about YOU LOVE ME is that she still captures Joe's voice perfectly. He's just... Joe. Obsessed. Weird. Witty. Over the top.
(Stop reading if you don't want to know what happened in the first two books.)
In YOU LOVE ME, Joe is fleeing Love--not the concept, but the actual person, from book two. After his encounters with her, he's ready to be on the straight and narrow. He realizes he has no more chances, no more "get out of jail free" cards. Starting over in the Pacific Northwest is it.
So, while Joe is still his usual creepy self, he's slightly diminished. We don't get full-on stalk/kill Joe, and it's a little disappointing. I'm not going to lie: I want Joe to triumph over others. I like when Joe wins. And, sadly, I found myself not wanting to go back and pick this book up after I started it. I was so bummed! It was long, meandering, and all the twists seemed either odd and too convenient or just really strange. It dragged on, lacking the ominous tension of YOU.
I still rooted for Joe, of course. That's the talent Kepnes brings, making us cheer on the bad guy. But there was less "Joe versus evil" than "Joe versus annoying" in this read. Of course we wanted Joe to win--his foes were downright irritating.
Overall, this book still captures Joe's voice really well, but the actual story seems lacking. It's long and couldn't keep my full interest. Now, if there's a book four, will I still read it? Sure. 2.5 stars, rounded to 3 here, because there's always something about Joe.
Emma @ The Movies (1786 KP) rated My Hero Academia: Heroes Rising (2020) in Movies
Mar 12, 2020
It was very exciting to finally get an anime screening at my local Cineworld. We don't seem to get considered for these different screenings very often so it made a nice change to see something a little unusual.
A class of superheroes-in-training are sent to an island where the resident hero has retired. Getting experience is the best way to learn and getting to know the people around them will help them learn what they're fighting for.
The day to day hero life is hum-drum but fulfilling and most of the trainees are settling in well. Things are about to change, a spate of superpower robberies take place and it seems the culprits are heading for the island.
I've read manga in the past and have seen snippets of anime from time to time but I don't think I've ever sat down to a whole film of it apart from Pokemon. Possibly I shouldn't have started with something fairly deep in an existing franchise but I wasn't aware of it beforehand, and actually, I would have said it could have been a standalone after watching it.
It was really nice to see so many people there for it, there were about 30 others which felt like quite a lot for our cinema, more than I was expecting... and by the look of it there were all young enough to be my kids, so that was a fun experience.
I'm not going to lie, I was very confused at the beginning. It opens on a chase sequence and with no idea who these characters were or what was happening, I was lost. It doesn't take too long to get the gist of everything after this but it really threw me for a while.
On the advice of Twitter peeps I went and saw the subtitled release rather than the dubbed, this would have been my personal choice too as I find dubbing a rather hit and miss format. I'm not sure what might be lost in translation but some of the dialogue didn't seem natural, it might be an interesting experience to see it again with a dubbed track over it for the comparison.
You know when you're driving and looking for a turning so you can see where you're going better? During that first chase scene in particular the music is quite loud and the voices were hardly audible... I know I didn't need to head the audio as I wouldn't have understood it anyway but reading the subtitles without hearing the pacing was quite tricky and felt like it was partly why the scene was confusing to me. (This brings up all sorts of questions about subtitles when people HAVE to use them that I'd never even considered before.) The sound issue did get a little better as it progressed, but there was still a discrepancy through the film.
One good guy has to be virtuous and self-sacrificing, one has to be overly aggressive with a hidden soft side, another has to be adorably cute. Is that how they all work or just this one? Oh, and for the most part, everyone has to have great hair. I found either end of the scale of characters to be frustrating, Mahoro and Bakugo (I hope I'm getting these character names right) were on the aggressive side and the outbursts of screaming didn't make a lot of sense. There are several of the heroes that have a rather saccharine demeanour that also grated at me. Within the ensemble though there were characters like Deku and Katsuma who felt much more balanced, and Katsuma was so adorable to boot.
The story for the film seemed simple enough, bad guys want something, good guys have to protect it and stop them. Classic. But the back story to it seemed very complicated with a whole section of the film verging on unnecessary. This could be something that makes more sense with it combined with the series, but it's not something I'm going to know for now.
That may or may not have contributed to me struggling through the first 40 minutes of the film. I'm sure a little advanced knowledge might have helped, for example, I don't know whether Nine's motivations were established in the series. As it was it took me a while to work out.
Once we hit the confrontation of the film everything really picks up and I was a lot more engaged. As it progresses there's quite a strong moral compass that becomes evident and a lot of teachable moments are thrown at us, by the end I was really moved by some of the characters and their actions. Emotions were surprisingly well handled and the sense of right and wrong with them come across well.
I did have fun watching the film but there were things that held me back. The fact that the villain is well matched by a group of unattended school kids with only a partial grasp on their powers being one. Essentially the heroes come back for round two with nothing more than determination, but I get the sense that that all just helps with the sense that anyone can triumph over evil. I could rant on about this until the cows come home.
The biggest thing that held this back is not really a negative to the film, it's more that I'm a newbie to it. Anime is made up of several different styles, realistic, cartoonish, fantastical, that's a lot to deal with when you're not familiar with something. In a bad comparison for you it's like watching Who Framed Roger Rabbit? without knowing half the characters, you don't know why they look the way they do and you don't know what their function is. The only way that's going to make more sense to me is by watching more of it.
My Hero Academia: Heroes Rising is probably a good place for me to pick up some anime knowledge, once the film got going it was an enjoyable ride. As a nice surprise this also attracted the best audience I've had in quite a while.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/03/my-hero-academia-heroes-rising-movie.html
A class of superheroes-in-training are sent to an island where the resident hero has retired. Getting experience is the best way to learn and getting to know the people around them will help them learn what they're fighting for.
The day to day hero life is hum-drum but fulfilling and most of the trainees are settling in well. Things are about to change, a spate of superpower robberies take place and it seems the culprits are heading for the island.
I've read manga in the past and have seen snippets of anime from time to time but I don't think I've ever sat down to a whole film of it apart from Pokemon. Possibly I shouldn't have started with something fairly deep in an existing franchise but I wasn't aware of it beforehand, and actually, I would have said it could have been a standalone after watching it.
It was really nice to see so many people there for it, there were about 30 others which felt like quite a lot for our cinema, more than I was expecting... and by the look of it there were all young enough to be my kids, so that was a fun experience.
I'm not going to lie, I was very confused at the beginning. It opens on a chase sequence and with no idea who these characters were or what was happening, I was lost. It doesn't take too long to get the gist of everything after this but it really threw me for a while.
On the advice of Twitter peeps I went and saw the subtitled release rather than the dubbed, this would have been my personal choice too as I find dubbing a rather hit and miss format. I'm not sure what might be lost in translation but some of the dialogue didn't seem natural, it might be an interesting experience to see it again with a dubbed track over it for the comparison.
You know when you're driving and looking for a turning so you can see where you're going better? During that first chase scene in particular the music is quite loud and the voices were hardly audible... I know I didn't need to head the audio as I wouldn't have understood it anyway but reading the subtitles without hearing the pacing was quite tricky and felt like it was partly why the scene was confusing to me. (This brings up all sorts of questions about subtitles when people HAVE to use them that I'd never even considered before.) The sound issue did get a little better as it progressed, but there was still a discrepancy through the film.
One good guy has to be virtuous and self-sacrificing, one has to be overly aggressive with a hidden soft side, another has to be adorably cute. Is that how they all work or just this one? Oh, and for the most part, everyone has to have great hair. I found either end of the scale of characters to be frustrating, Mahoro and Bakugo (I hope I'm getting these character names right) were on the aggressive side and the outbursts of screaming didn't make a lot of sense. There are several of the heroes that have a rather saccharine demeanour that also grated at me. Within the ensemble though there were characters like Deku and Katsuma who felt much more balanced, and Katsuma was so adorable to boot.
The story for the film seemed simple enough, bad guys want something, good guys have to protect it and stop them. Classic. But the back story to it seemed very complicated with a whole section of the film verging on unnecessary. This could be something that makes more sense with it combined with the series, but it's not something I'm going to know for now.
That may or may not have contributed to me struggling through the first 40 minutes of the film. I'm sure a little advanced knowledge might have helped, for example, I don't know whether Nine's motivations were established in the series. As it was it took me a while to work out.
Once we hit the confrontation of the film everything really picks up and I was a lot more engaged. As it progresses there's quite a strong moral compass that becomes evident and a lot of teachable moments are thrown at us, by the end I was really moved by some of the characters and their actions. Emotions were surprisingly well handled and the sense of right and wrong with them come across well.
I did have fun watching the film but there were things that held me back. The fact that the villain is well matched by a group of unattended school kids with only a partial grasp on their powers being one. Essentially the heroes come back for round two with nothing more than determination, but I get the sense that that all just helps with the sense that anyone can triumph over evil. I could rant on about this until the cows come home.
The biggest thing that held this back is not really a negative to the film, it's more that I'm a newbie to it. Anime is made up of several different styles, realistic, cartoonish, fantastical, that's a lot to deal with when you're not familiar with something. In a bad comparison for you it's like watching Who Framed Roger Rabbit? without knowing half the characters, you don't know why they look the way they do and you don't know what their function is. The only way that's going to make more sense to me is by watching more of it.
My Hero Academia: Heroes Rising is probably a good place for me to pick up some anime knowledge, once the film got going it was an enjoyable ride. As a nice surprise this also attracted the best audience I've had in quite a while.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/03/my-hero-academia-heroes-rising-movie.html
Emma @ The Movies (1786 KP) rated Life Itself (2018) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
This film is hard to watch, not because it's not good but because there's a lot of chaos to the story at the beginning. We're then treated to a portion that's entirely in Spanish which kicks off an emotional rollercoaster that brings us into the end.
One of the things we see near the beginning of this story almost instantly made me dislike the film, the story line exposes the fact that what we're hearing might not be what actually happened. It plays on the point that one person's view of something isn't the same as another person's. This will sound silly when I say it but I was annoyed that it had pointed out that the film might be lying to me. The reason it's particularly silly is that this same scenario happens a lot in all sorts of films. I know films lie to me but I don't want to know it.
I'm sitting here tapping my pen as I try and write this review, the film left me perplexed in so many ways. I went into the film prepared for what I thought I was going to see and yet it opened with Samuel L. Jackson. You read that right, I haven't lost the plot, Samuel L. "MFing" Jackson. Admittedly he was there doing what I love best about him but he only added to my confusion. The sort of film this is, opening with him, even with the context it makes no sense.
We're treated to lots of great actors in this one but I have to say that I was most happy to see Annette Bening pop up. (The American President used to be one of my go to films. I've also just noticed Captain Marvel in her filmography... *wheezes into a paper bag*) Her part may have been fleeting but in the chaotic part of the film she was the only grounded point. From my high to my low point... Oscar Isaac. It actually upsets me to put him in this position as I've enjoyed him in most of his recent films but I wasn't feeling the love for his character Will. In nearly every scene I could see a style I associate with Jake Johnson and honestly I'd much rather have seen him trying that role.
If you can make it to the mid-way point of the movie then you do get a much more palatable film, and a predictable one. There is a point where you absolutely know what is going to happen at the end of the film and from thereon in you look for the connections before they happen. Despite that point it's a satisfactory ending to a rather mixed bag.
We were also treated to a Q&A after the film featuring Dan Fogelman (writer and director) and actress Olivia Cooke. Sadly it was a bit of an anti-climax, I often find that these featurettes can offer some fascinating insights into the goings on but this seemed more like an after thought for this preview.
What you should do
As if to add insult to injury you don't need to leave the house to see this film as it is made by Sky (although I'm also seeing Amazon Studios coming up in places, but I'm sure the film actually said Sky) and premieres on Sky Cinema at the same time as being released at cinemas. If you can see it on there then go for it, I'm not sure it's cinema worthy.
Movie thing you wish you could take home
A life picking olives in the Spanish countryside?
One of the things we see near the beginning of this story almost instantly made me dislike the film, the story line exposes the fact that what we're hearing might not be what actually happened. It plays on the point that one person's view of something isn't the same as another person's. This will sound silly when I say it but I was annoyed that it had pointed out that the film might be lying to me. The reason it's particularly silly is that this same scenario happens a lot in all sorts of films. I know films lie to me but I don't want to know it.
I'm sitting here tapping my pen as I try and write this review, the film left me perplexed in so many ways. I went into the film prepared for what I thought I was going to see and yet it opened with Samuel L. Jackson. You read that right, I haven't lost the plot, Samuel L. "MFing" Jackson. Admittedly he was there doing what I love best about him but he only added to my confusion. The sort of film this is, opening with him, even with the context it makes no sense.
We're treated to lots of great actors in this one but I have to say that I was most happy to see Annette Bening pop up. (The American President used to be one of my go to films. I've also just noticed Captain Marvel in her filmography... *wheezes into a paper bag*) Her part may have been fleeting but in the chaotic part of the film she was the only grounded point. From my high to my low point... Oscar Isaac. It actually upsets me to put him in this position as I've enjoyed him in most of his recent films but I wasn't feeling the love for his character Will. In nearly every scene I could see a style I associate with Jake Johnson and honestly I'd much rather have seen him trying that role.
If you can make it to the mid-way point of the movie then you do get a much more palatable film, and a predictable one. There is a point where you absolutely know what is going to happen at the end of the film and from thereon in you look for the connections before they happen. Despite that point it's a satisfactory ending to a rather mixed bag.
We were also treated to a Q&A after the film featuring Dan Fogelman (writer and director) and actress Olivia Cooke. Sadly it was a bit of an anti-climax, I often find that these featurettes can offer some fascinating insights into the goings on but this seemed more like an after thought for this preview.
What you should do
As if to add insult to injury you don't need to leave the house to see this film as it is made by Sky (although I'm also seeing Amazon Studios coming up in places, but I'm sure the film actually said Sky) and premieres on Sky Cinema at the same time as being released at cinemas. If you can see it on there then go for it, I'm not sure it's cinema worthy.
Movie thing you wish you could take home
A life picking olives in the Spanish countryside?
Emma @ The Movies (1786 KP) rated Clue (1985) in Movies
Sep 25, 2019
I wish I could remember the first time I saw Clue. It has been one of my favourites for years. Tim Curry as Wadsworth and Lesley Ann Warren as Miss Scarlet will always be the highlight of this for me. Looking at my sense of humour these days I see a lot of things I recognise from these older films that I grew up with.
FUN FACT - CASTING: Jonathan Lynn said that Carrie Fisher was originally cast as Miss Scarlet but went into rehab four days before filming began, so Warren was given the role instead.
Generally all round the cast is great and they all bring something memorable to their characters.
FUN FACT - COLOURS: The character's colourful monikers match with the colour of their playing pieces in the board game and their cars in the movie.
I'm not going to lie, the fact that they didn't wear their colours has always bothered me. Evidently they're all wearing the "opposite" of their colours... I'm not sure I care for that idea if I'm honest.
I can't put my finger on what I love so much about Clue. It's just so easy to watch. From the moment Wadsworth gives that dog a withering look to the triumphant ending it's just brilliant to watch. I can't think of a moment that I dislike, and trying to pick a favourite moment? Forget it. I'd just have to present you with the entire movie with ending C.
FUN FACT - ENDINGS: While there are three endings to the film that you can see on the blu-ray/DVD, there was actually a fourth one filmed where Wadsworth revealed that he had actually poisoned everyone earlier in the evening. It's still in the novelisation but was never shown.
There are so many laughs throughout and while I've seen it so often that I don't laugh out loud as much it still brings a smile to my face. I enjoy the slightly madcap interactions and the overly dramatic reactions.
Tim Curry really is amazing, I think basically all of us would agree with that. (Well apart from one person I found online who has evidently never liked anything he's been in.) This movie could be used as his emotional resume. I don't think there are any he missed!
FUN FACT - CASTING: Lynn was set to cast Leonard Rossiter (Rigsby from Rising Damp) as Wadsworth but he sadly passed away before production started. His second choice was Rowan Atkinson but the studio were worried he was too much of an unknown in the states at the time.
While I can definitely see Rossiter in his role I really can't imagine him having the same impact on screen. Curry's flamboyancy definitely lifted the film to pole position among comedies.
Watching Clue of course makes me want to watch Murder By Death which has a very similar feel, although not quite so manic towards the end.
"It's my defense mechanism!" - Miss Scarlet
Isn't it though!?
What you should do
I know older films aren't for everyone but Clue is amazingly fun and I feel like everyone need to see it, and if you don't love it... just tell me that you did in a text message so I can't tell you're lying to me.
Note: I brought a special edition of Clue from HMV. It was a blu-ray copy in a retro VHS type box. It also came with a small poster, a collectors card, a sticker and a DVD copy. It's fun and it's different, but ultimately that version really isn't worth the money. I would just get the cheapest thing that you can. The quality difference of the blu-ray isn't worth it and the VHS box gimmick is nice in theory but disappointing in reality.
Movie thing you wish you could take home
Secret passageways in a house? Erm, yes please!
FUN FACT - CASTING: Jonathan Lynn said that Carrie Fisher was originally cast as Miss Scarlet but went into rehab four days before filming began, so Warren was given the role instead.
Generally all round the cast is great and they all bring something memorable to their characters.
FUN FACT - COLOURS: The character's colourful monikers match with the colour of their playing pieces in the board game and their cars in the movie.
I'm not going to lie, the fact that they didn't wear their colours has always bothered me. Evidently they're all wearing the "opposite" of their colours... I'm not sure I care for that idea if I'm honest.
I can't put my finger on what I love so much about Clue. It's just so easy to watch. From the moment Wadsworth gives that dog a withering look to the triumphant ending it's just brilliant to watch. I can't think of a moment that I dislike, and trying to pick a favourite moment? Forget it. I'd just have to present you with the entire movie with ending C.
FUN FACT - ENDINGS: While there are three endings to the film that you can see on the blu-ray/DVD, there was actually a fourth one filmed where Wadsworth revealed that he had actually poisoned everyone earlier in the evening. It's still in the novelisation but was never shown.
There are so many laughs throughout and while I've seen it so often that I don't laugh out loud as much it still brings a smile to my face. I enjoy the slightly madcap interactions and the overly dramatic reactions.
Tim Curry really is amazing, I think basically all of us would agree with that. (Well apart from one person I found online who has evidently never liked anything he's been in.) This movie could be used as his emotional resume. I don't think there are any he missed!
FUN FACT - CASTING: Lynn was set to cast Leonard Rossiter (Rigsby from Rising Damp) as Wadsworth but he sadly passed away before production started. His second choice was Rowan Atkinson but the studio were worried he was too much of an unknown in the states at the time.
While I can definitely see Rossiter in his role I really can't imagine him having the same impact on screen. Curry's flamboyancy definitely lifted the film to pole position among comedies.
Watching Clue of course makes me want to watch Murder By Death which has a very similar feel, although not quite so manic towards the end.
"It's my defense mechanism!" - Miss Scarlet
Isn't it though!?
What you should do
I know older films aren't for everyone but Clue is amazingly fun and I feel like everyone need to see it, and if you don't love it... just tell me that you did in a text message so I can't tell you're lying to me.
Note: I brought a special edition of Clue from HMV. It was a blu-ray copy in a retro VHS type box. It also came with a small poster, a collectors card, a sticker and a DVD copy. It's fun and it's different, but ultimately that version really isn't worth the money. I would just get the cheapest thing that you can. The quality difference of the blu-ray isn't worth it and the VHS box gimmick is nice in theory but disappointing in reality.
Movie thing you wish you could take home
Secret passageways in a house? Erm, yes please!
Merissa (12051 KP) rated On the 2 in Books
Aug 2, 2023
ON THE 2 is a standalone story set in New York that features some characters from previous books. You don't need to have read those to get the benefit, but I did so love seeing them and remembering their stories!
Nash is closed-off and straight-laced, working with numbers because they make sense and won't lie or betray him. Ethan is friendly and outgoing; working in a department store, he needs to be approachable. These two meet on the 2, a subway train that they both take from home to work.
One of the things guaranteed by a Felice Stevens book is the characters will be relatable. Whether because they're the grumpy or the sunshine, there will be something there that you read and laugh out loud with, from either doing the same thing yourself or knowing someone else who has done it. Neither Ethan nor Nash have the best family lives but they make the best with what they've got, in the way they know. I absolutely adored the slow burn with these two, as both of them try to figure the other one out.
I also thoroughly enjoyed how the difficulties they faced weren't just swept away in a wonderful wave of love. They worked it out and got to where they needed to be by communicating and working together. Nash speaks to Oscar, and Ethan speaks to Julia - both of them choosing kindness. Two more fantastic scenes!
A great book that I loved and have no hesitation in HIGHLY recommending.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Aug 2, 2023
Nash is closed-off and straight-laced, working with numbers because they make sense and won't lie or betray him. Ethan is friendly and outgoing; working in a department store, he needs to be approachable. These two meet on the 2, a subway train that they both take from home to work.
One of the things guaranteed by a Felice Stevens book is the characters will be relatable. Whether because they're the grumpy or the sunshine, there will be something there that you read and laugh out loud with, from either doing the same thing yourself or knowing someone else who has done it. Neither Ethan nor Nash have the best family lives but they make the best with what they've got, in the way they know. I absolutely adored the slow burn with these two, as both of them try to figure the other one out.
I also thoroughly enjoyed how the difficulties they faced weren't just swept away in a wonderful wave of love. They worked it out and got to where they needed to be by communicating and working together. Nash speaks to Oscar, and Ethan speaks to Julia - both of them choosing kindness. Two more fantastic scenes!
A great book that I loved and have no hesitation in HIGHLY recommending.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Aug 2, 2023
Goddess in the Stacks (553 KP) rated Furyborn: Empirium Trilogy Book 1 in Books
Jul 31, 2018
I'd seen several glowing reviews of this book, but I was always put off by descriptions of events that happened millennia apart from each other "intersecting" and affecting each other. Like, no. The past can affect the future, but the future can't change the past. That appears, however, to just be a problem in the synopsis of the book and not the book itself. At least in this, the opening volume of the trilogy, the future does not change the past. The book alternates between the two women, Rielle in the past and Eliana in the future. Each chapter flips back and forth. I was much more intrigued by Rielle's chapters, but that could be because there was a lot more magic in Rielle's time.
The magic system is really interesting! I love that through Rielle's trials we learn so much about the magic system, each school and guiding saint and prayers. It's really fleshed out and I enjoyed that.
The "shocking connections" aren't shocking, they're predictable. But the book was no less fantastic for it. I really think the synopsis is where the problems lie. The first couple chapters pretty much reveal all the surprises the description hints at, and the book details how we got to that point. (Mostly, anyway!) It was great, don't get me wrong, but the description of the book feels a little misleading.
The GLBT content in the book is only about two sentences, but it was a surprise and made me grin.
I really enjoyed this book. I'm looking forward to the rest of the trilogy to discover the rest of Rielle's story and what Eliana is going to do about it.
You can find all my reviews at http://goddessinthestacks.wordpress.com
The magic system is really interesting! I love that through Rielle's trials we learn so much about the magic system, each school and guiding saint and prayers. It's really fleshed out and I enjoyed that.
The "shocking connections" aren't shocking, they're predictable. But the book was no less fantastic for it. I really think the synopsis is where the problems lie. The first couple chapters pretty much reveal all the surprises the description hints at, and the book details how we got to that point. (Mostly, anyway!) It was great, don't get me wrong, but the description of the book feels a little misleading.
The GLBT content in the book is only about two sentences, but it was a surprise and made me grin.
I really enjoyed this book. I'm looking forward to the rest of the trilogy to discover the rest of Rielle's story and what Eliana is going to do about it.
You can find all my reviews at http://goddessinthestacks.wordpress.com