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Muffy Prospect (5 KP) rated Iron Man 2 (2010) in Movies
Jun 17, 2019
Paul Tyrrell (139 KP) rated Iron Man 2 (2010) in Movies
Apr 17, 2020
Rhodey replaced? Scarlett Johansson introduced
So we get to see iron man fight himself, and Scarlett Johansson (3 times already) introduced and a final fight scene that sees lots and lots of robots. Not quite up to the original (how often does that happen) but still a good 2nd adventure
Gina Prince-Bythewood recommended Out of Sight (1998) in Movies (curated)
Dianne Robbins (1738 KP) rated Flight (2012) in Movies
Apr 23, 2019
John Goodman's character (6 more)
Denzel Washington
Suspense
Drama
Don Cheadle
Bruce Greenwood
Epic crash sequence
Good movie
Washington plays a complex, flawed, and conflicted pilot whose long-hidden demons are unearthed after his plane comes crashing to earth. Is he a hero or is he to blame for what happened? That's what the NTSB, the media, and the public want to know and they're determined to leave no stone unturned in their search for answers.
Mark Jaye (65 KP) rated Iron Man 3 (2013) in Movies
May 21, 2019
Downey JR....is....Iron Man!
Contains spoilers, click to show
Continuing my post 'Endgame' stroll down the MCU's memory lane I turned to the third solo outing for Iron Man.
Whilst having good memories of this instalment it was better than I recalled. Picking up after the events of 'Avengers Assemble ' we see Tony Stark dealing with PTSD, suffering anxiety and panic attacks. It's interesting to see now - after Endgame, the change in direction for Stark. Here is a man who knows - who has seen, there's greater threats out there. It's the start of what 'Avengers: Age of Ultron' progresses 4 MCU movies later.
The story is straight forward enough. Initially we are led to believe that the villain of the piece is The Mandarin, played by Ben Kingsley (or so we presume), the terrorist threat with whom Iron Man goes up against. Half way through we are thrown a twist with the reveal that Kingsley is actually Tony Slattery, an actor in the employ of the real puppet master - Aldrich Lillian (As played by Guy Pearce) who is using the terrorist threat to cover his real agenda....Extremis.
Great action, Acting, Don Cheadle, Gwyneth Paltrow, Iron Man 3 is the best of the trilogy helping to solidify RDJ's status as founding player of this cinematic universe.
Whilst having good memories of this instalment it was better than I recalled. Picking up after the events of 'Avengers Assemble ' we see Tony Stark dealing with PTSD, suffering anxiety and panic attacks. It's interesting to see now - after Endgame, the change in direction for Stark. Here is a man who knows - who has seen, there's greater threats out there. It's the start of what 'Avengers: Age of Ultron' progresses 4 MCU movies later.
The story is straight forward enough. Initially we are led to believe that the villain of the piece is The Mandarin, played by Ben Kingsley (or so we presume), the terrorist threat with whom Iron Man goes up against. Half way through we are thrown a twist with the reveal that Kingsley is actually Tony Slattery, an actor in the employ of the real puppet master - Aldrich Lillian (As played by Guy Pearce) who is using the terrorist threat to cover his real agenda....Extremis.
Great action, Acting, Don Cheadle, Gwyneth Paltrow, Iron Man 3 is the best of the trilogy helping to solidify RDJ's status as founding player of this cinematic universe.
LeftSideCut (3778 KP) rated Space Jam: A New Legacy (2021) in Movies
Feb 16, 2022
Watching Space Jam: A New Legacy is exactly how I imagine experiencing the nine circles of Dante's Inferno would be like, a seemingly endless advertisement for Warner Bros, whilst the remnants of your childhood melt away in painful, screaming agony. Remember how much fun you had back in the 90s with the original Space Jam? Yeah? Fuck you. Here's a violent barrage of quidditch, Matrix jokes, and cool video game lingo, whilst Porky Pig raps in your dumb faces, you dumb bastards.
Look, I know this is a film for kids, but honestly, the kids deserve better. At least Don Cheadle seems like he had fun. Good for him. Good. For. Him.
Look, I know this is a film for kids, but honestly, the kids deserve better. At least Don Cheadle seems like he had fun. Good for him. Good. For. Him.
Mayhawke (97 KP) rated Ocean's Eleven (2001) in Movies
Feb 9, 2018
Fantastically Enjoyable Heist Movie
Danny Ocean (Clooney) is released from jail on parole, and heads straight off to rob the un-robbable : not one, but three Vegas casinos. The casinos are, of course, owned by the nastiest bloke in town (Garcia), who coincidentaly - or maybe not - is the new man-in-the-life of Clooney's ex-wife (Roberts).
Clever plot, nicely done.
Clooney, Pitt, Damon and Garcia are excellent, as usual. Highly dubious British accent from Don Cheadle, but y'know were 'e's comin' from.
And you know where this film is going, right from the start. There are no surprises, but who cares?
Lacks the Rat Pack charisma of the original for purists, but has enough merit to stand on it's own and should be enjoyed as an 'also' rather than an 'instead of'.
Clever plot, nicely done.
Clooney, Pitt, Damon and Garcia are excellent, as usual. Highly dubious British accent from Don Cheadle, but y'know were 'e's comin' from.
And you know where this film is going, right from the start. There are no surprises, but who cares?
Lacks the Rat Pack charisma of the original for purists, but has enough merit to stand on it's own and should be enjoyed as an 'also' rather than an 'instead of'.
Gareth von Kallenbach (980 KP) rated Miles Ahead (2016) in Movies
Aug 6, 2019
If you’ve ever found yourself in a coffee shop, bookstore, or perhaps even a jazz club in the 21st century you can’t NOT have heard either the name ‘Miles Davis’, his music, or perhaps both. If you’ve been living under a rock your whole life and by some miracle you have a smartphone, computer, or a radio find a jazz station and it’s almost a sure thing you’ll here his music within minutes. The man is no myth although the man and his music are so legendary there is almost a mythical presence to him. He is one of the greats. No question. No argument.
‘Miles Ahead’ is a biopic about the legendary jazz musician directed by and staring Don Cheadle who also co-wrote the film with Steven Baigelman, Christopher Wilkinson, and Steven J. Rivele.
Emayatzy Corinealdi, Ewan McGregor, Michael Stuhlbarg, and Keith Stanfield. Rather than focus on the entire life of the great jazz musician which could encompass several films and take up an entire archive, the film focuses mainly on a period in Davis’s life where he is living in relative seclusion in his home in New York City after having retreated from the public spotlight five years previously. Miles endeavors to begin recording and playing music once again after combating addictions to alcohol and cocaine which he indulged in to deal with his wife leaving him and the heavy stress brought upon him by a loss of inspiration to compose music. At about this same time ‘Rolling Stone’ reporter Dave Braden (McGregor), a borderline paparazzi of the time but not quite, calls upon Davis begging him to let him write about Davis’s great comeback. After several futile attempts on the part of Braden, Davis reluctantly agrees after Braden introduces him to a new dealer willing to supply him with high-grade cocaine. What follows is something thats almost out of a Hunter S. Thompson book as the two attempt to recover a demo tape of Davis’s most recent recordings from a low level gangster/manager/agent who stole the from Davis’s home. Amongst the drugs and the booze and the gun fights and car chases there are brief flashbacks into Miles’s past where he relives times good and bad with his wife Frances (Corinealdi). How they met, how they lived, and how she inspired some of his greatest works through her graceful dancing and their mutual love for classical music like Eric Satie, Chopin, and Stravinsky and how he eventually lost her due to his addictions and indulgences.
For such a brief glimpse into the life of one of music’s greatest, the movie was quite well done. It was clearly a labor of love for Mr. Cheadle who had his hands in nearly every aspect of the movie and went so far as to learn to play the trumpet so he could actually play the music himself in the movie. The actor, who is amongst the best and most underrated of our time, reportedly spent six years making this film. The background music is mostly comprised of tracks from arguably one of Davis’s best albums ‘Sketches Of Spain’ and selections of his work is played by Cheadle himself. It’s sometimes difficult to tell whether the movie is more about the music or the man himself. Does it honestly matter though? In many ways, they’re one in the same are they not? The movie is rated R for scenes with violence, adult language, and intimate scenes. I’d give it 4 out of 5 stars. The only negative thing I have to say about is that I wish there had been more about the life of the man. His beginnings. Like when he was accepted into the Juilliard School of Music in New York only to drop out. His days spent jamming with Charlie Parker. Again, that would encompass far more time than one would consider ‘feasible’ for a movie.
‘Miles Ahead’ is a biopic about the legendary jazz musician directed by and staring Don Cheadle who also co-wrote the film with Steven Baigelman, Christopher Wilkinson, and Steven J. Rivele.
Emayatzy Corinealdi, Ewan McGregor, Michael Stuhlbarg, and Keith Stanfield. Rather than focus on the entire life of the great jazz musician which could encompass several films and take up an entire archive, the film focuses mainly on a period in Davis’s life where he is living in relative seclusion in his home in New York City after having retreated from the public spotlight five years previously. Miles endeavors to begin recording and playing music once again after combating addictions to alcohol and cocaine which he indulged in to deal with his wife leaving him and the heavy stress brought upon him by a loss of inspiration to compose music. At about this same time ‘Rolling Stone’ reporter Dave Braden (McGregor), a borderline paparazzi of the time but not quite, calls upon Davis begging him to let him write about Davis’s great comeback. After several futile attempts on the part of Braden, Davis reluctantly agrees after Braden introduces him to a new dealer willing to supply him with high-grade cocaine. What follows is something thats almost out of a Hunter S. Thompson book as the two attempt to recover a demo tape of Davis’s most recent recordings from a low level gangster/manager/agent who stole the from Davis’s home. Amongst the drugs and the booze and the gun fights and car chases there are brief flashbacks into Miles’s past where he relives times good and bad with his wife Frances (Corinealdi). How they met, how they lived, and how she inspired some of his greatest works through her graceful dancing and their mutual love for classical music like Eric Satie, Chopin, and Stravinsky and how he eventually lost her due to his addictions and indulgences.
For such a brief glimpse into the life of one of music’s greatest, the movie was quite well done. It was clearly a labor of love for Mr. Cheadle who had his hands in nearly every aspect of the movie and went so far as to learn to play the trumpet so he could actually play the music himself in the movie. The actor, who is amongst the best and most underrated of our time, reportedly spent six years making this film. The background music is mostly comprised of tracks from arguably one of Davis’s best albums ‘Sketches Of Spain’ and selections of his work is played by Cheadle himself. It’s sometimes difficult to tell whether the movie is more about the music or the man himself. Does it honestly matter though? In many ways, they’re one in the same are they not? The movie is rated R for scenes with violence, adult language, and intimate scenes. I’d give it 4 out of 5 stars. The only negative thing I have to say about is that I wish there had been more about the life of the man. His beginnings. Like when he was accepted into the Juilliard School of Music in New York only to drop out. His days spent jamming with Charlie Parker. Again, that would encompass far more time than one would consider ‘feasible’ for a movie.
Gareth von Kallenbach (980 KP) rated Brooklyn's Finest (2010) in Movies
Aug 8, 2019
The story of three cops Sal, Tango, and Eddie, “Brooklyn’s Finest” depicts a graphic understanding of the challenges faced by hardened policemen. Eddie (Richard Gere) is disgruntled and seven days away from retirement from the police force. Tango (Don Cheadle) is stuck undercover while his real life is breaking apart. Sal (Ethan Hawke) can’t afford to support his growing family. All three of them are about to have a week that will test who they are as cops in the not so clear-cut morals of the Brooklyn police force.
A hard-hitting and graphic film, “Brooklyn’s Finest” shows the complicated life of cops struggling to balance morals and justice. Audiences will find it strongly languaged, visually appalling, and emotionally striking. These cops are not the clean-cut ideals that serve and protect, but rather people who have intensified problems on the mean streets of Brooklyn.
For the three lead actors these roles offer significant stretch, particularly in the case of Gere, who displays a physical and emotional depth in the film that is engrossing. Another worthy performance is that of Wesley Snipes as Caz, a gang leader who has recently returned from prison and is now seeking a path to new better life. With complicated characters like these, the film takes a hold of viewers by examining right and wrong in the world of both cops and criminals.
In short, “Brooklyn’s Finest” is a well-paced gripping story played by strong actors. However, audiences should be warned that the tough subject matter and hardened characters make it a far cry from traditional police dramas. This is a film that is likely to offend those who have strong ties to the ideals of police life or a distinct dislike for violence. For the rest of the movie-going public, “Brooklyn’s Finest” is a well-scripted film that is hard to ignore.
A hard-hitting and graphic film, “Brooklyn’s Finest” shows the complicated life of cops struggling to balance morals and justice. Audiences will find it strongly languaged, visually appalling, and emotionally striking. These cops are not the clean-cut ideals that serve and protect, but rather people who have intensified problems on the mean streets of Brooklyn.
For the three lead actors these roles offer significant stretch, particularly in the case of Gere, who displays a physical and emotional depth in the film that is engrossing. Another worthy performance is that of Wesley Snipes as Caz, a gang leader who has recently returned from prison and is now seeking a path to new better life. With complicated characters like these, the film takes a hold of viewers by examining right and wrong in the world of both cops and criminals.
In short, “Brooklyn’s Finest” is a well-paced gripping story played by strong actors. However, audiences should be warned that the tough subject matter and hardened characters make it a far cry from traditional police dramas. This is a film that is likely to offend those who have strong ties to the ideals of police life or a distinct dislike for violence. For the rest of the movie-going public, “Brooklyn’s Finest” is a well-scripted film that is hard to ignore.
Mayhawke (97 KP) rated Ocean's Twelve (2004) in Movies
Feb 7, 2018
That moment when all the ingredients that should have made Cordon Bleu curdle and, instead, turn to liquid shit...
Contains spoilers, click to show
The follow up to the remake of 'Oceans Eleven' this is one of the best examples of Hollywood producers not knowing when to leave well enough alone, and trying to cash in on the success of an earlier film with trite rubbish.
It has all the technical quirks of the first that gave that film it's 'feel' but this is the proof that making a good film is like making a good quiche - you can have all the right ingredients but if you don't do it properly you just end up with a plate full of sludge.
It also helps to have a plot. What passes for the plot in this film is so absurd that it can't sustain a film even as lightweight as this.
Don Cheadle is still speaking his rather quaint Dick-Van-Dykelish, and the two brothers are still squabbling, but the other characters all seem to have undergone a peculiar metamorphosis. They appear to have been written by someone lacking descriptive skill, who has drawn clumsily on second-hand clichés. Damon has become the weak-kneed, over-eager social conscience of the group; Gould has become bland; the Chinese acrobat still can't speak English but everyone else can understand him. Worst of all, Andy Garcia who was so wonderfully, and chillingly menacing in the first has become a joke of a bad-guy: a cane-carrying renaissance man who can tinkle the ivories, speak fluent Chinese and illogically doesn't kill the Eleven when finds them - because a total stranger asked him not to. They are no longer characters but caricatures.
Then there's Catherine Zeta-Jones. She plays the beautiful (naturally) daughter-of-a-thief cop who specialises in 'master thieves', and has previously been involved with Pitt's character [yawwwwwn]....
You would have thought it would be impossible for a cast like this to make something so dire. Apparently it isn't.
Tediously predictable ending.
What a waste of time, money, effort and people.
It has all the technical quirks of the first that gave that film it's 'feel' but this is the proof that making a good film is like making a good quiche - you can have all the right ingredients but if you don't do it properly you just end up with a plate full of sludge.
It also helps to have a plot. What passes for the plot in this film is so absurd that it can't sustain a film even as lightweight as this.
Don Cheadle is still speaking his rather quaint Dick-Van-Dykelish, and the two brothers are still squabbling, but the other characters all seem to have undergone a peculiar metamorphosis. They appear to have been written by someone lacking descriptive skill, who has drawn clumsily on second-hand clichés. Damon has become the weak-kneed, over-eager social conscience of the group; Gould has become bland; the Chinese acrobat still can't speak English but everyone else can understand him. Worst of all, Andy Garcia who was so wonderfully, and chillingly menacing in the first has become a joke of a bad-guy: a cane-carrying renaissance man who can tinkle the ivories, speak fluent Chinese and illogically doesn't kill the Eleven when finds them - because a total stranger asked him not to. They are no longer characters but caricatures.
Then there's Catherine Zeta-Jones. She plays the beautiful (naturally) daughter-of-a-thief cop who specialises in 'master thieves', and has previously been involved with Pitt's character [yawwwwwn]....
You would have thought it would be impossible for a cast like this to make something so dire. Apparently it isn't.
Tediously predictable ending.
What a waste of time, money, effort and people.