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MaryAnn (14 KP) rated The Noble Guardian (The Bow Street Runners #3) in Books
Nov 4, 2019
A Cross-Country Trip through Regency England Brings Intrigue, Rogues, and High Adventure
The must-read conclusion to Michelle Grieps Bow Street Runners Trilogy: Life couldnt be better for Abigail Gilbertbut its been a long time in coming. Having lived with a family who hated her, its finally her time for love. Abby sets off on a journey across England to marry one of the most prestigious gentlemen in the landuntil highwaymen upset her plans and threaten her life. Horse patrol captain Samuel Thatcher arrives just in time to save Abby. But shes simply another victim in a job hes come to despise. Tired of the dark side of humanity, he intends to buy land and retire. Abby pleads with him to escort her for the rest of her journey. He refusesuntil she offers him something he desperately needs to achieve his goal. . .money. Delivering her safely will give him more than enough to buy property. So begins an impossible trek for the cynical lawman and the proper lady. Each will be indelibly changed by the time they reach her betrothed, if they dont kill one another firstor fall in love.
My Thoughts: This was an interesting and well-researched book. Author Michelle Griep once again brings to her readers an exciting read! The storyline is interesting; written in the time period when women did not travel alone, much less in dangerous territory. Abby is a strong character, which has been built by years of abuse from her stepmother. This makes her a very intriguing character for this novel. I enjoyed her character and felt empathy for her in many ways. All the characters make up for a good story in this novel and are not far fetched at all. For those who like historical romances, this is the one for you. It's full of action, romance and real to life instances that make up the storyline in this novel.
Michelle Griep has written another winner.
The must-read conclusion to Michelle Grieps Bow Street Runners Trilogy: Life couldnt be better for Abigail Gilbertbut its been a long time in coming. Having lived with a family who hated her, its finally her time for love. Abby sets off on a journey across England to marry one of the most prestigious gentlemen in the landuntil highwaymen upset her plans and threaten her life. Horse patrol captain Samuel Thatcher arrives just in time to save Abby. But shes simply another victim in a job hes come to despise. Tired of the dark side of humanity, he intends to buy land and retire. Abby pleads with him to escort her for the rest of her journey. He refusesuntil she offers him something he desperately needs to achieve his goal. . .money. Delivering her safely will give him more than enough to buy property. So begins an impossible trek for the cynical lawman and the proper lady. Each will be indelibly changed by the time they reach her betrothed, if they dont kill one another firstor fall in love.
My Thoughts: This was an interesting and well-researched book. Author Michelle Griep once again brings to her readers an exciting read! The storyline is interesting; written in the time period when women did not travel alone, much less in dangerous territory. Abby is a strong character, which has been built by years of abuse from her stepmother. This makes her a very intriguing character for this novel. I enjoyed her character and felt empathy for her in many ways. All the characters make up for a good story in this novel and are not far fetched at all. For those who like historical romances, this is the one for you. It's full of action, romance and real to life instances that make up the storyline in this novel.
Michelle Griep has written another winner.
LeftSideCut (3776 KP) rated Cult Of Chucky (2017) in Movies
Jan 7, 2020 (Updated Jan 22, 2020)
Honestly - I genuinely enjoyed Cult of Chucky. Is it a guilty pleasure? Perhaps, but not as much as some of the other films in the franchise.
There are a few thing that set it apart from the others though - the way the whole thing is shot for a start. Don Mancini captures multiple great and memorable shots throughout (even verging on arty sometimes!) and his use of minimal colours and clinical white settings give it a very stand-out look when compared to the rest of the series. It also makes for some striking visuals when all the violence kicks off in the second half of the movie.
Here's another way it stands out - Cult of Chucky is easily the most gory Child's Play entry, making use of both great practical effects and questionable CGI to get the job done, but it ultimately achieves what it sets out to do.
That gore factor carries an element of horror with it, and Mancini is keen to prove that Chucky is way past the hammier Bride and Seed days.
The main human cast are pretty run of the mill, with exception of Fiona Dourif, once again, a really likable protagonist who is easy to root for.
In terms of pacing, Cult has a pretty slow building first half, but it's not much of a problem, as the closing half is just flat out ridiculous, to the point where it's hugely entertaining.
Throw in some solid links to characters from the original trilogy (with the same damn actors no less!) and you have a mostly decent slice of silly horror fun.
If the original Child's Play franchise indeed comes to a close with Cult, then it can be comfortable in the fact that's it bowed out nicely, although I do hope there's more to come.
I can just about found a handful of things to like about every film in the series (except Child's Play 3, fuck that film) so it would be a damn shame to.not see where the story goes.
There are a few thing that set it apart from the others though - the way the whole thing is shot for a start. Don Mancini captures multiple great and memorable shots throughout (even verging on arty sometimes!) and his use of minimal colours and clinical white settings give it a very stand-out look when compared to the rest of the series. It also makes for some striking visuals when all the violence kicks off in the second half of the movie.
Here's another way it stands out - Cult of Chucky is easily the most gory Child's Play entry, making use of both great practical effects and questionable CGI to get the job done, but it ultimately achieves what it sets out to do.
That gore factor carries an element of horror with it, and Mancini is keen to prove that Chucky is way past the hammier Bride and Seed days.
The main human cast are pretty run of the mill, with exception of Fiona Dourif, once again, a really likable protagonist who is easy to root for.
In terms of pacing, Cult has a pretty slow building first half, but it's not much of a problem, as the closing half is just flat out ridiculous, to the point where it's hugely entertaining.
Throw in some solid links to characters from the original trilogy (with the same damn actors no less!) and you have a mostly decent slice of silly horror fun.
If the original Child's Play franchise indeed comes to a close with Cult, then it can be comfortable in the fact that's it bowed out nicely, although I do hope there's more to come.
I can just about found a handful of things to like about every film in the series (except Child's Play 3, fuck that film) so it would be a damn shame to.not see where the story goes.
Gareth von Kallenbach (980 KP) rated Dom Hemingway (2014) in Movies
Aug 6, 2019
Dom Hemingway’ is a dark comedy-crime drama movie written and directed by Richard
Shepard (better known for directing the pilot episode of Ugly Betty) and stars
Jude Law, Emilia Clarke, Richard E. Grant, and Demian Bichir.
Dom (Jude Law) is a foul-mouthed, short-tempered, and reckless master safe cracker who
is returning to the streets after 12 years in prison. Intent on collecting his reward for
keeping silent while in prison and fueled by massive amounts of alcohol, drugs, and his
massive ego, Dom and his best friend/partner in crime Dickie (Richard E. Grant) travel
though the British and French country sides to rendevous with Dom’s former employeer
Mr. Fontaine. Shortly thereafter though, Don arrives at the conclusion that no amount
of money can replace what hes’ lost and that his one and only priority is to
seek out his long-lost daughter Evelyn (Emilia Clarke).
Now, this movie is definitely a departure from Jude Law’s previous movies. Imagine him
if he were to gain 29 lbs., dress like an evil ‘Fonz’, and then join ‘Motorhead’.
THAT .. is the Jude Law you get to see in this movie. It’s dark, but fun at the same time.
Most definitely NOT something kids should see. It’s full-speed ahead with sex, drugs,
and rock & roll. When the movie does put on the brakes, it slams on the brakes hard!
Watching the character try to acclimate to the world after 12 years in prison and make
peace with his daughter and her family … it’s like watching a champion’s league
soccer match. One minute one team has it, the next minute the other team has it….
You honestly don’t know what’s going to happen next. Me? Personally? I got a kick out of
this one. My only beef is the way the movie ended … if I told you why though, i’d
be spoiling the movie. For that reason, I give the film 3 out of 5 stars.
Again, a great movie … Dark … but also funny. But the ending? It came just too soon.
Shepard (better known for directing the pilot episode of Ugly Betty) and stars
Jude Law, Emilia Clarke, Richard E. Grant, and Demian Bichir.
Dom (Jude Law) is a foul-mouthed, short-tempered, and reckless master safe cracker who
is returning to the streets after 12 years in prison. Intent on collecting his reward for
keeping silent while in prison and fueled by massive amounts of alcohol, drugs, and his
massive ego, Dom and his best friend/partner in crime Dickie (Richard E. Grant) travel
though the British and French country sides to rendevous with Dom’s former employeer
Mr. Fontaine. Shortly thereafter though, Don arrives at the conclusion that no amount
of money can replace what hes’ lost and that his one and only priority is to
seek out his long-lost daughter Evelyn (Emilia Clarke).
Now, this movie is definitely a departure from Jude Law’s previous movies. Imagine him
if he were to gain 29 lbs., dress like an evil ‘Fonz’, and then join ‘Motorhead’.
THAT .. is the Jude Law you get to see in this movie. It’s dark, but fun at the same time.
Most definitely NOT something kids should see. It’s full-speed ahead with sex, drugs,
and rock & roll. When the movie does put on the brakes, it slams on the brakes hard!
Watching the character try to acclimate to the world after 12 years in prison and make
peace with his daughter and her family … it’s like watching a champion’s league
soccer match. One minute one team has it, the next minute the other team has it….
You honestly don’t know what’s going to happen next. Me? Personally? I got a kick out of
this one. My only beef is the way the movie ended … if I told you why though, i’d
be spoiling the movie. For that reason, I give the film 3 out of 5 stars.
Again, a great movie … Dark … but also funny. But the ending? It came just too soon.
B'
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Ryan Hill (152 KP) rated Avengers: Endgame (2019) in Movies
May 11, 2019
"Part of the journey is the end"
A satisfying conclusion to the Infinity Saga, the best way to describe Avengers: Endgame is Fan Wish Fulfillment: The Movie. Seriously, this film lives and breathes fan service from top to bottom, yet it WORKS. Rather than coming off as obnoxiously pandering, the film’s use of fan service is more secondary to everything else, often being used in ways that are creative and even add to the comedy. And speaking of comedy, Avengers: Endgame is unquestionably one of the funniest films in the MCU, yet the comedy never detracts from the heart or the emotional weight of the film itself.
It’s legitimately shocking how much the Russo Bros have improved as filmmakers. Not only do they perfectly nail tonal consistency here, but most, if not all, of the drama scenes are well handled, the direction of actors is great, and even in terms of just visual composition (especially cinematography) and editing, they show major improvement here compared to their previous MCU works. There’s also some neat production design and Alan Silvestri provides a fantastic score.
Co-writers Christopher Markus and Stephen McFeely’s screenplay is easily one of the strongest aspects of Avengers: Endgame. While some characters won’t get as much focus as others, the characters who are primarily focused on (Nebula, Tony, Steve and Hawkeye) each have legitimately really great, character arcs, and the way it ties them into the film’s theme of loss only makes them even better.
But despite the shockingly strong writing and direction, Avengers: Endgame mostly works so well due to its mostly committed ensemble. The acting is mostly pretty solid-strong across the board, with the standouts being Robert Downey Jr, Karen Gillan and Chris Evans who are excellent. That said, Chris Hemsworth, Brie Larson (in very minimal screen time), Jeremy Renner, Scarlett Johansson, Mark Ruffalo,Paul Rudd, Bradley Cooper, Josh Brolin and Don Cheadle all have their moments as well.
If Avengers: Endgame really is a farewell to many characters people have grown to love, then it is almost certainly a rewarding and satisfying one, and the third act features one of the best battle sequences in any comic book film. It might not be absolutely perfect, but it’s well performed, strongly written & directed, thoroughly entertaining and incredibly satisfying, and you’ll laugh, cheer and most definitely even cry. Without a doubt one of the absolute best MCU installments to date.
It’s legitimately shocking how much the Russo Bros have improved as filmmakers. Not only do they perfectly nail tonal consistency here, but most, if not all, of the drama scenes are well handled, the direction of actors is great, and even in terms of just visual composition (especially cinematography) and editing, they show major improvement here compared to their previous MCU works. There’s also some neat production design and Alan Silvestri provides a fantastic score.
Co-writers Christopher Markus and Stephen McFeely’s screenplay is easily one of the strongest aspects of Avengers: Endgame. While some characters won’t get as much focus as others, the characters who are primarily focused on (Nebula, Tony, Steve and Hawkeye) each have legitimately really great, character arcs, and the way it ties them into the film’s theme of loss only makes them even better.
But despite the shockingly strong writing and direction, Avengers: Endgame mostly works so well due to its mostly committed ensemble. The acting is mostly pretty solid-strong across the board, with the standouts being Robert Downey Jr, Karen Gillan and Chris Evans who are excellent. That said, Chris Hemsworth, Brie Larson (in very minimal screen time), Jeremy Renner, Scarlett Johansson, Mark Ruffalo,Paul Rudd, Bradley Cooper, Josh Brolin and Don Cheadle all have their moments as well.
If Avengers: Endgame really is a farewell to many characters people have grown to love, then it is almost certainly a rewarding and satisfying one, and the third act features one of the best battle sequences in any comic book film. It might not be absolutely perfect, but it’s well performed, strongly written & directed, thoroughly entertaining and incredibly satisfying, and you’ll laugh, cheer and most definitely even cry. Without a doubt one of the absolute best MCU installments to date.
Zuky the BookBum (15 KP) rated Small Great Things in Books
Mar 15, 2018
I read this book (a while back now!) as part of a readalong with lots of bookish friends on Instagram! It was called it #TheSmallGreatReadalong
see what we did there! Anyway, this review is coming so late compared to when I actually finished, but at least its here now!
My overall opinion on this one is that I liked it, but mainly because it was such a good discussion book, not because of the actual story. Now, that may sound controversial, that I didnt enjoy the bulk of a book all about racism, but thats not what I mean. Let me explain
I think this book did an amazing job at opening up the topic of racism to the reader. As a white woman, living in a pretty middle class existence, I know for a fact that I have unfair privileges and I will never fully understand the complexities of racism, as much as I try to educate myself. This novel certainly has opened my eyes to the some of the more subtle aspects of racism that I hadnt even thought about before. While there were the obvious racist themes in this novel, it wasnt those that shocked me the most, it was the parts that you dont often think about when you think of racism. So for that, for opening my eyes and my mind, I applaud Picoult for writing such a difficult and controversial book.
However, I think the teachings of this book could have been done in a more compelling story. At the end of the day, there was nothing inherently wrong with the plot, but I didnt quite connect with it. I found a lot of it unexciting and the twist at the end, that Picoult just has to add into each one of her books, was so blatantly obvious it didnt surprise me at all and kind of made the rest of the book feel a bit cheap?
Picoults writing isnt my favourite, it doesnt suck me in as much as other authors, but its still weaves a pretty interesting story. I think the characters in this book were far stronger than the plot.
My favourite part of this novel was watching Ruth and Kennedys relationship grow. I loved seeing how Kennedy steadily grew to understand Ruths frustrations and her plight to bring race to the forefront of peoples minds.
Overall, I did enjoy this book, mainly because of what it taught me and how its made me see things in a different way. But, its not the most exciting story Ive ever read and Im not big on the writing style.
My overall opinion on this one is that I liked it, but mainly because it was such a good discussion book, not because of the actual story. Now, that may sound controversial, that I didnt enjoy the bulk of a book all about racism, but thats not what I mean. Let me explain
I think this book did an amazing job at opening up the topic of racism to the reader. As a white woman, living in a pretty middle class existence, I know for a fact that I have unfair privileges and I will never fully understand the complexities of racism, as much as I try to educate myself. This novel certainly has opened my eyes to the some of the more subtle aspects of racism that I hadnt even thought about before. While there were the obvious racist themes in this novel, it wasnt those that shocked me the most, it was the parts that you dont often think about when you think of racism. So for that, for opening my eyes and my mind, I applaud Picoult for writing such a difficult and controversial book.
However, I think the teachings of this book could have been done in a more compelling story. At the end of the day, there was nothing inherently wrong with the plot, but I didnt quite connect with it. I found a lot of it unexciting and the twist at the end, that Picoult just has to add into each one of her books, was so blatantly obvious it didnt surprise me at all and kind of made the rest of the book feel a bit cheap?
Picoults writing isnt my favourite, it doesnt suck me in as much as other authors, but its still weaves a pretty interesting story. I think the characters in this book were far stronger than the plot.
My favourite part of this novel was watching Ruth and Kennedys relationship grow. I loved seeing how Kennedy steadily grew to understand Ruths frustrations and her plight to bring race to the forefront of peoples minds.
Overall, I did enjoy this book, mainly because of what it taught me and how its made me see things in a different way. But, its not the most exciting story Ive ever read and Im not big on the writing style.