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Kevin Phillipson (9955 KP) rated Phenomena (1985) in Movies
Oct 3, 2018
Jennifer connelly (3 more)
Dario Argento
Gore
Donald pleasence
Just watched again on blu ray from arrow one of Dario Argentos later gailos not perfect but still good some good acting performances from both jennifer connelly and donald pleasance. There's plenty of gore on hand and some good kills excellent music score to. My Blu ray has all three versions including the us cut creeps and a 2 hour doc on the making of the film not a bad package thumbs up
Andy K (10821 KP) rated Halloween: The Curse of Michael Myers (1995) in Movies
Oct 2, 2018
And introducing Paul Rudd!
Wow what a low point in the Halloween series.
Michael is back to finish up murdering every surviving member of the Strode family in this nonsense entry in the series. Hard to believe 6 years after the last installment this is the best they could come up with.
Production problems plagues the film which I'm sure didn't help. It was painful to watch.
Too bad this had to be the last appearance of Dr. Loomis due to the death of Donald Pleasance.
Michael is back to finish up murdering every surviving member of the Strode family in this nonsense entry in the series. Hard to believe 6 years after the last installment this is the best they could come up with.
Production problems plagues the film which I'm sure didn't help. It was painful to watch.
Too bad this had to be the last appearance of Dr. Loomis due to the death of Donald Pleasance.
Jpb (34 KP) rated Halloween (1978) in Movies
Mar 6, 2021
Were it all began
This movie may be as old as it gets, but It has stood the test of time and really like it. No one amazed me more than Donald Pleasance himself as Dr. Samuel Loomis, we all know how much of a legendary actor he is and I have never been more convinced. Everyone else play there roles brilliantly and everything else about this movie was so awesome, but in reality it's normally the characters that get the most credit with Halloween we also need to think and look at the music used and how it elevates the story. You've got to see this timeless classic, it puts the night of Halloween in a pretty creepy but mysterious perspective for all generations. I garuntee it!
Awix (3310 KP) rated From Beyond the Grave (1974) in Movies
Sep 1, 2019 (Updated Mar 6, 2020)
Final Amicus portmanteau horror sticks to the format very agreeably. Peter Cushing runs a junk/antique shop; ghastly supernatural fates afflict everyone who tries to swindle or steal from him. Starts off relatively seriously but becomes increasingly camp and tongue-in-cheek as it continues; the usual strong cast helps to lift some slightly schlocky material, and the familiarity of some of the stories is offset by something approaching an actual plot twist.
The hard-to-describe segment with Ian Bannen and Donald Pleasance is probably the best, the one with Ian Carmichael and the elemental the weakest, but the stories are more consistent than in many films of this type. Does what you expect from this kind of film; also very good value if you enjoy watching actors called Ian.
The hard-to-describe segment with Ian Bannen and Donald Pleasance is probably the best, the one with Ian Carmichael and the elemental the weakest, but the stories are more consistent than in many films of this type. Does what you expect from this kind of film; also very good value if you enjoy watching actors called Ian.
LeftSideCut (3778 KP) rated Halloween 4: The Return of Michael Myers (1988) in Movies
Mar 15, 2021
Ignore the fact that Michael Myers' mask looks a bit silly in this one and there's a lot to love.
It's back-to-basics approach of Myers stalking his way though Haddonfield is a welcome one after the hospital setting of II, and the bonkers acid trip of III.
Danielle Harris displays a damn fine performance as lead kid character Jamie Lloyd, and Donald Pleasance returns again as Loomis (apparently not dead after the almost certainly fatal explosion he was right next to at the end of II), acting suitably crazy as is to be expected by now.
There are some great shots on display, once again, courtesy of the simple, striking, and terrifying look of Michael Myers (from far away this time though, seriously, the mask looks really silly close up) and the general production values are pretty decent.
It's of course not a patch on the original, but as far as sequels go, Halloween 4 is one of the better ones. Also, one character gets impaled with a shotgun, which is just ridiculous and fantastic at the same time.
It's back-to-basics approach of Myers stalking his way though Haddonfield is a welcome one after the hospital setting of II, and the bonkers acid trip of III.
Danielle Harris displays a damn fine performance as lead kid character Jamie Lloyd, and Donald Pleasance returns again as Loomis (apparently not dead after the almost certainly fatal explosion he was right next to at the end of II), acting suitably crazy as is to be expected by now.
There are some great shots on display, once again, courtesy of the simple, striking, and terrifying look of Michael Myers (from far away this time though, seriously, the mask looks really silly close up) and the general production values are pretty decent.
It's of course not a patch on the original, but as far as sequels go, Halloween 4 is one of the better ones. Also, one character gets impaled with a shotgun, which is just ridiculous and fantastic at the same time.
Awix (3310 KP) rated Tales That Witness Madness (1973) in Movies
Oct 27, 2020
Enjoyably (and appropriately) bonkers portmanteau horror movie based around the experiences of asylum patients. An imaginary friend turns out to be real, an antique bike turns out to be cursed, man falls in love with a tree stump, etc, etc. Kim Novak came out of retirement to play a slightly vacant literary agent who ends up eating her own daughter's flesh at a cannibal luau.
Not up to the standard of any of the Amicus portmanteaus, mainly because of a sub-par script - the twists to the various tales are either screamingly obvious, completely baffling or non-existent - but it's sort of campy fun anyway, with an interesting cast and reasonably good direction. Not remotely scary, though. The fact that much of it is totally ridiculous (the so-called Hawaiians look eastern European, and that's before we even get to the stuffed tiger or Michael Jayston going to bed wth a log) somehow doesn't detract from the entertainment value. Would have been nice to see more of Donald Pleasance, but you can't have everything.
Not up to the standard of any of the Amicus portmanteaus, mainly because of a sub-par script - the twists to the various tales are either screamingly obvious, completely baffling or non-existent - but it's sort of campy fun anyway, with an interesting cast and reasonably good direction. Not remotely scary, though. The fact that much of it is totally ridiculous (the so-called Hawaiians look eastern European, and that's before we even get to the stuffed tiger or Michael Jayston going to bed wth a log) somehow doesn't detract from the entertainment value. Would have been nice to see more of Donald Pleasance, but you can't have everything.
Awix (3310 KP) rated Halloween (1978) in Movies
Oct 30, 2020
John Carpenter's landmark horror movie; not the first slasher movie, but pretty much the textbook example of the genre. A homicidal maniac (and, just possibly, vessel of pure evil) breaks out of an institution and returns to his home town, where he murdered his sister at the age of six. Obsessive doctor Donald Pleasence is in hot pursuit, but Jamie Lee Curtis (in her debut) is about to find that babysitting really deserves danger money...
Always interesting to watch these classic horror films back on the big screen: as usual, there was a lot of nervous sniggering at some of the technical shortcomings of a low-budget production (plus Halloween has been so extensively ripped off and parodied it's the kind of film you feel you've seen before, even if you haven't). However, there were yelps and screams in the appropriate places as the film got going: Carpenter handles the jump scares with consummate technical skill, but it works as well as it does because of the atmosphere he creates, helped mainly by Pleasance. A film that really sets out to do only one thing, and for the most part achieves that brilliantly.
Always interesting to watch these classic horror films back on the big screen: as usual, there was a lot of nervous sniggering at some of the technical shortcomings of a low-budget production (plus Halloween has been so extensively ripped off and parodied it's the kind of film you feel you've seen before, even if you haven't). However, there were yelps and screams in the appropriate places as the film got going: Carpenter handles the jump scares with consummate technical skill, but it works as well as it does because of the atmosphere he creates, helped mainly by Pleasance. A film that really sets out to do only one thing, and for the most part achieves that brilliantly.
Andrew Kennedy (199 KP) rated Halloween (1978) in Movies
Jul 8, 2019
The night HE came home
John Carpenter and Debra Hill created in just 30 days what some horror directors couldn't achieve in 30 months, a perfectly paced, well acted and truly tense slasher movie.
From the opening tracking shot to the final montage everything about this film is on point.
Donald Pleasance as Dr Sam Loomis delivers each of his warnings about Michael Myers with such gusto that you truly believe that Myers is the embodiment of evil.
Jamie Lee Curtis is brilliantly believable as the girl next door Laurie Strode, who Myers hunts down this Halloween night.
Nick Castle as Myers has such suttle movements and the now much copied head tilt.
The story of the young Michael Myers who viciously murders his sister Judith at age 6. Now 21 Myers escapes from Smith's Grove sanitarium and heads for his home town of Haddenfield.
Once there in one night Micheal will raise unholy hell and with Dr Loomis in pursuit trying to stop his escaped patient.
The music is iconic not just Carpenter's memorable theme but the music throughout helps to raise the tension. The camera work is amazing, one very famous scene in particular always delivers a chill.
This is truly a horror masterpiece.
From the opening tracking shot to the final montage everything about this film is on point.
Donald Pleasance as Dr Sam Loomis delivers each of his warnings about Michael Myers with such gusto that you truly believe that Myers is the embodiment of evil.
Jamie Lee Curtis is brilliantly believable as the girl next door Laurie Strode, who Myers hunts down this Halloween night.
Nick Castle as Myers has such suttle movements and the now much copied head tilt.
The story of the young Michael Myers who viciously murders his sister Judith at age 6. Now 21 Myers escapes from Smith's Grove sanitarium and heads for his home town of Haddenfield.
Once there in one night Micheal will raise unholy hell and with Dr Loomis in pursuit trying to stop his escaped patient.
The music is iconic not just Carpenter's memorable theme but the music throughout helps to raise the tension. The camera work is amazing, one very famous scene in particular always delivers a chill.
This is truly a horror masterpiece.
Steve Fearon (84 KP) rated Halloween (1978) in Movies
Sep 5, 2018 (Updated Sep 5, 2018)
John Carpenter's Slasher still stands tallest
Contains spoilers, click to show
That theme song starts.
You feel it somewhere deep inside, that feeling that something special is going to happen.
Halloween is THE Slasher, with a silent antagonist, an over-the-top performance from Donald Pleasance, the introduction of Jamie Lee Curtis, and the establishment of John Carpenter as one of the foremost purveyors of horror.
Patiently paced, with little time given to explanation of exposition, we are taken on the slow build up of tension as we go from the legendary intro sequence, to a breakout at the asylum, through to the stalking of teenagers by the man in the William Shatner mask.
Lots of shots of Myers just watching, waiting, judging, which could be interpreted as boring on paper, but it is just the right side of unnerving, and it is this constant threat which means the viewer is constantly scanning the edges of the screen, looking for our antagonist.
It contrasts beautifully with the naivety and innocence of his victims, who are just trying to enjoy Halloween as most teenagers are wont to do.
Yes this film is relatively tame compared to the films that have come after, but few can touch the pure sinister feel and atmosphere that Carpenter creates, and it is a simply iconic entry in cinema history.
Watch it for what it is, a genre changing horror film, that changed all that followed it.
No Myers, No Friday 13th, No Scream, No Nightmare On Elm Street.
Its that important.
You feel it somewhere deep inside, that feeling that something special is going to happen.
Halloween is THE Slasher, with a silent antagonist, an over-the-top performance from Donald Pleasance, the introduction of Jamie Lee Curtis, and the establishment of John Carpenter as one of the foremost purveyors of horror.
Patiently paced, with little time given to explanation of exposition, we are taken on the slow build up of tension as we go from the legendary intro sequence, to a breakout at the asylum, through to the stalking of teenagers by the man in the William Shatner mask.
Lots of shots of Myers just watching, waiting, judging, which could be interpreted as boring on paper, but it is just the right side of unnerving, and it is this constant threat which means the viewer is constantly scanning the edges of the screen, looking for our antagonist.
It contrasts beautifully with the naivety and innocence of his victims, who are just trying to enjoy Halloween as most teenagers are wont to do.
Yes this film is relatively tame compared to the films that have come after, but few can touch the pure sinister feel and atmosphere that Carpenter creates, and it is a simply iconic entry in cinema history.
Watch it for what it is, a genre changing horror film, that changed all that followed it.
No Myers, No Friday 13th, No Scream, No Nightmare On Elm Street.
Its that important.
LeftSideCut (3778 KP) rated Halloween II (1981) in Movies
Mar 5, 2021
There's a fair amount to love about Halloween II, a sequel set on the same night as the original, immediately following that films ending.
For instance, I can admire the style that director Rick Rosenthal was going for, attempting to make his sequel feel as much like the first film as possible, the idea being that you could watch both back to back.
There a few creepy shots here and there. One that really sticks is the shot of Michael in the darkness just before the poor nurse get killed with a syringe. Another is Michael on the CCTV when he first enters the hospital. Another is when Laurie see Michael across the parking lot underneath a red light. and then there's Michael with blood running out of the eye holes in his mask, followed by him walking out of that one room completely ablaze. It's all to do with Michael then! Once again, this movie showcases how his straightforward design is striking and rightly iconic.
It's nice to see Jamie Lee Curtis back as Laurie, and Donald Pleasance back as Loomis. All in all, it does truly feel like a sequel, but there's something missing.
The original is one of my favourite horrors ever made, and Halloween II, despite its positives, just fails to capture the same essence. This is partly to do with the script. It feels like a lot of the actors were just told to ad lib all their lines or something. The tension building scenes go on for a little too long also, ironically voiding a few scenes of said tension. It's feels like the first film in everything but execution pretty much.
It's a heavily flawed sequel, but it's still a decent watch, and is certainly one of the better sequels in this long running series. It deserves credit for the bit near the beginning where Loomis shouts "you don't know what death is!" before the synth heavy version of the theme tune kicks in, that was badass.
For instance, I can admire the style that director Rick Rosenthal was going for, attempting to make his sequel feel as much like the first film as possible, the idea being that you could watch both back to back.
There a few creepy shots here and there. One that really sticks is the shot of Michael in the darkness just before the poor nurse get killed with a syringe. Another is Michael on the CCTV when he first enters the hospital. Another is when Laurie see Michael across the parking lot underneath a red light. and then there's Michael with blood running out of the eye holes in his mask, followed by him walking out of that one room completely ablaze. It's all to do with Michael then! Once again, this movie showcases how his straightforward design is striking and rightly iconic.
It's nice to see Jamie Lee Curtis back as Laurie, and Donald Pleasance back as Loomis. All in all, it does truly feel like a sequel, but there's something missing.
The original is one of my favourite horrors ever made, and Halloween II, despite its positives, just fails to capture the same essence. This is partly to do with the script. It feels like a lot of the actors were just told to ad lib all their lines or something. The tension building scenes go on for a little too long also, ironically voiding a few scenes of said tension. It's feels like the first film in everything but execution pretty much.
It's a heavily flawed sequel, but it's still a decent watch, and is certainly one of the better sequels in this long running series. It deserves credit for the bit near the beginning where Loomis shouts "you don't know what death is!" before the synth heavy version of the theme tune kicks in, that was badass.
Andy K (10821 KP) Oct 4, 2018