"Technicolor is one of my weaknesses, and Douglas Sirk has a way with ahead-of-its-time drama unlike few others."

"It’s very hard for me to pick a favorite Douglas Sirk movie, but ultimately it’s this one, a sumptuous tearjerker with Sirk’s signature cultural critique. The moment when Jane Wyman, after sacrificing her own happiness for her children, receives a television set as a Christmas gift in lieu of their presence shatters me every time. No one understood melodrama like Sirk, or how to sharpen it into the dagger it’s meant to be."

"I’ve been directing television for almost twenty-five years. In that time, one thing that I have learned for sure is that Douglas Sirk is the godfather of all dramatic television. It all comes from him. The best of television is redolent with his sense of ironic and knowing melodrama. He piles on the conflict in each and every scene. Bad things and disappointment stalk his characters, but always with style. The first ten minutes of Written on the Wind are literally drunk with this style. Robert Stack drinking from the bottle in an intensely yellow sports car, hundreds of leaves that blow through a Texas mansion, pages of a calendar that flip through time, and, above all else, Dorothy Malone. Nobody mambos like Malone: the sequence where she drunkenly mambos in her room while her father dies of a heart attack is choreographed for the camera like a Minnelli musical. Sirk blocks a scene with such dynamism and artfulness you can turn off the sound and know exactly what’s going on. All That Heaven Allows got me into Sirk, but Written on the Wind is the poster on my office wall—it’s a touchstone, a timeless piece of popular art."