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Darren (1599 KP) rated Let Her Out (2016) in Movies
Oct 14, 2019
Story: Let Her Out starts as we follow Helen (LeVierge) a bike messenger whose only knowledge of her mother is that she died, when Helen is involved in an accident her life is turned upside down, when she starts to see visions and loses time.
After going through scans, Helen learns that she is suffering from vanishing twin syndrome which is leading to the dark space in her mind growing causing all the side effects but just how long can she remain calm before being taken over by her former twin.
Thoughts on Let Her Out
Characters – Helen is a biker messenger that after being involved in an accident starts to lose her mind only to learn that she was one of a twin but now the former one is starting to take over her body and mind. This is a strong character that you can feel is losing her mind through the actions of the movie. Molly is the best friend and roommate that is trying her best to support her through the problems she facing. Ed is Molly’s boyfriend and an extra wedge between the friendship as the descent into madness continues.
Performances – Alanna LeVierge gives us a real mixed bag of a performance, while her descent into the madness comes off good her interactions feel weak for the most part. Nina Kiri is good but doesn’t get enough time to shine. The rest of the cast are fine but don’t get much time either.
Story – The story follows one woman who is about to lose her mind thanks to vanishing twin syndrome. The first half follows the simple idea that things could be going wrong, but the second half goes full blown into that idea where the transformation in character becomes clear. This is a solid idea for a story, while it has been done before this takes things to a bloodier level than before.
Horror – The horror tries to be a mix between a couple of sub-genres, we have the moments of suspense which don’t get used very well at all, but the blood and gore side hits the marks with the final act being the highlight of the film.
Settings – We do have a mix of settings for the film with the one target setting being the motel which is meant to symbolise something to the characters.
Special Effects – The effects are mostly practical, with the final act giving us a wonderful pay off.
Scene of the Movie – The final act.
That Moment That Annoyed Me – Some of the dialogue was poor.
Final Thoughts – This is a horror film that gets saved by the final act which will shock, it is a slow burner but does have a strong pay off in the end, even if moments are weak in places.
Overall: Good shock saving horror.
After going through scans, Helen learns that she is suffering from vanishing twin syndrome which is leading to the dark space in her mind growing causing all the side effects but just how long can she remain calm before being taken over by her former twin.
Thoughts on Let Her Out
Characters – Helen is a biker messenger that after being involved in an accident starts to lose her mind only to learn that she was one of a twin but now the former one is starting to take over her body and mind. This is a strong character that you can feel is losing her mind through the actions of the movie. Molly is the best friend and roommate that is trying her best to support her through the problems she facing. Ed is Molly’s boyfriend and an extra wedge between the friendship as the descent into madness continues.
Performances – Alanna LeVierge gives us a real mixed bag of a performance, while her descent into the madness comes off good her interactions feel weak for the most part. Nina Kiri is good but doesn’t get enough time to shine. The rest of the cast are fine but don’t get much time either.
Story – The story follows one woman who is about to lose her mind thanks to vanishing twin syndrome. The first half follows the simple idea that things could be going wrong, but the second half goes full blown into that idea where the transformation in character becomes clear. This is a solid idea for a story, while it has been done before this takes things to a bloodier level than before.
Horror – The horror tries to be a mix between a couple of sub-genres, we have the moments of suspense which don’t get used very well at all, but the blood and gore side hits the marks with the final act being the highlight of the film.
Settings – We do have a mix of settings for the film with the one target setting being the motel which is meant to symbolise something to the characters.
Special Effects – The effects are mostly practical, with the final act giving us a wonderful pay off.
Scene of the Movie – The final act.
That Moment That Annoyed Me – Some of the dialogue was poor.
Final Thoughts – This is a horror film that gets saved by the final act which will shock, it is a slow burner but does have a strong pay off in the end, even if moments are weak in places.
Overall: Good shock saving horror.
Chris Sawin (602 KP) rated Friday the 13th Part VII: The New Blood (1988) in Movies
Jun 20, 2019 (Updated Jun 21, 2019)
Tina Shepard isn't your normal, everyday girl. When she was younger, she overheard her parents having a heated argument that got really ugly. Tina decided to run out onto a boat in the nearby lake. Her father runs out to try and talk her into coming back to shore and that's when Tina's extraordinary abilities are revealed. Her father winds up dying in an accident caused by Tina's telekinetic powers.
In the present day, Tina and her mother are off to a cabin in the woods with Tina's psychologist, Dr. Crews, in hopes of making progress so Tina won't have to return to an institution. A group of young twenty somethings are gathered next door for a surprise birthday party. Both houses just happen to be in the Camp Crystal Lake area. Tina gets upset at Dr. Crews during one of their sessions and runs out to the lake. Her emotions get the best of her and she winds up resurrecting Jason, who's still chained to the bottom of the lake, with telekinesis. Not too long afterward, Tina starts having premonitions of people being gruesomely murdered by a man in a hockey mask. Is she going crazy or are these terrifying visions a reality?
As it stands, this is my guilty pleasure of the franchise. I love the concept and think it would be a really solid Friday the 13th sequel if it wasn't for the MPAA butchering this film. Most of the gore has been cut and it really hurts the film as a whole. This also begins Kane Hodder's reign as the masked serial killer for the franchise, who seems to be a cult favorite as the best Jason.
Speaking of Jason, he looks the best in this film. It may just be my opinion, but in addition to loving undead Jason, the make-up effects and his costume are just phenomenal in this one. As ugly as he looks when his mask gets ripped off, this is the film that makes him look the most flattering. That's not saying much for a guy who's been chained down at the bottom of a lake for ten years and killed multiple times, but at least he doesn't look like he has down syndrome this time around. If an uncut or director's cut of some kind ever makes the light of day, it'll probably wind up being in my top three F13 films. Easily. Here's an idea of what was cut from the film:
In the present day, Tina and her mother are off to a cabin in the woods with Tina's psychologist, Dr. Crews, in hopes of making progress so Tina won't have to return to an institution. A group of young twenty somethings are gathered next door for a surprise birthday party. Both houses just happen to be in the Camp Crystal Lake area. Tina gets upset at Dr. Crews during one of their sessions and runs out to the lake. Her emotions get the best of her and she winds up resurrecting Jason, who's still chained to the bottom of the lake, with telekinesis. Not too long afterward, Tina starts having premonitions of people being gruesomely murdered by a man in a hockey mask. Is she going crazy or are these terrifying visions a reality?
As it stands, this is my guilty pleasure of the franchise. I love the concept and think it would be a really solid Friday the 13th sequel if it wasn't for the MPAA butchering this film. Most of the gore has been cut and it really hurts the film as a whole. This also begins Kane Hodder's reign as the masked serial killer for the franchise, who seems to be a cult favorite as the best Jason.
Speaking of Jason, he looks the best in this film. It may just be my opinion, but in addition to loving undead Jason, the make-up effects and his costume are just phenomenal in this one. As ugly as he looks when his mask gets ripped off, this is the film that makes him look the most flattering. That's not saying much for a guy who's been chained down at the bottom of a lake for ten years and killed multiple times, but at least he doesn't look like he has down syndrome this time around. If an uncut or director's cut of some kind ever makes the light of day, it'll probably wind up being in my top three F13 films. Easily. Here's an idea of what was cut from the film:
Haley Mathiot (9 KP) rated Triangles in Books
Apr 27, 2018
The thing about Ellen Hopkins is she writes about the stuff that everyone knows happens, but nobody is willing to admit to. She gives emotion and reason to why people make the choices we do, and what they feel like in the middle of a messy hurtful situation. She is the opposite of happyland syndrome. She tells it how it is.
I had read a little bit of Hopkins's work before: I started Crank (When I say started I mean read the first few pages) and loved it, but I was busy and never got the chance to get into it. But I got an ARC of Triangles, so I sat down and read it—and after one page I was hooked.
If you've been reading my blog at all, you know I'm not a person who likes stories about love gone wrong and marriages failing and extramarital sex etc. because I'm a Christian, and a romantic, and a softie (read 'wimp'). But I went ahead and dove into this book, because I knew Hopkins is a good writer.
It surpassed my expectations. I should have expected her to be this awesome, since obviously she's pretty famous and everyone else figured it out before I did, but I really am blown away, not only by her blunt yet graceful storytelling, but by her nerve to tackle the stories nobody wants to tell: a dying child, a gay son, a pregnant teen, sexual disease, threesomes, a woman sleeping with her best friend's husband… it's all in here. Yet, it's not plot overkill. She made it work. Somehow.
Though, be warned. Since she does say it like it is, this book is not for the easily offended. But if you're willing to look past the content, there's a gem waiting for you about forgiveness, hope, and what love really means.
Content/recommendation: explicit sexual content, swearing. Ages 18+
I had read a little bit of Hopkins's work before: I started Crank (When I say started I mean read the first few pages) and loved it, but I was busy and never got the chance to get into it. But I got an ARC of Triangles, so I sat down and read it—and after one page I was hooked.
If you've been reading my blog at all, you know I'm not a person who likes stories about love gone wrong and marriages failing and extramarital sex etc. because I'm a Christian, and a romantic, and a softie (read 'wimp'). But I went ahead and dove into this book, because I knew Hopkins is a good writer.
It surpassed my expectations. I should have expected her to be this awesome, since obviously she's pretty famous and everyone else figured it out before I did, but I really am blown away, not only by her blunt yet graceful storytelling, but by her nerve to tackle the stories nobody wants to tell: a dying child, a gay son, a pregnant teen, sexual disease, threesomes, a woman sleeping with her best friend's husband… it's all in here. Yet, it's not plot overkill. She made it work. Somehow.
Though, be warned. Since she does say it like it is, this book is not for the easily offended. But if you're willing to look past the content, there's a gem waiting for you about forgiveness, hope, and what love really means.
Content/recommendation: explicit sexual content, swearing. Ages 18+
Ali A (78 KP) rated When We Were Vikings in Books
Mar 4, 2020
When We Were Vikings is about Zelda, a high functioning 21 year old diagnosed with fetal alcohol syndrome, who is a Viking enthusiast trying to figure out her life quest. Zelda lives with her brother Gert after both of their parents died when they were young. Gert and his on again/off again girlfriend Annie, whom Zelda calls AK47, make up Zelda's main tribe. Together, they try to figure out their legacies.
Andrew David MacDonald delivered an amazing story. I absolutely adored the character of Zelda. The way she loved Vikings and applied the Viking culture to make it through life's difficulties was endearing. I loved Zelda and I just wanted her to succeed. Her blunt, unembellished language was easy to read and refreshing. Whether it's telling off thugs or talking about sex and periods, Zelda says what she thinks.
Her brother Gert also tried to figure out how to not only live his life and figure the world out, but also tried to help Zelda figure hers out. He attempted to work with the cards he'd been dealt, but in all honesty, he seemed to constantly grab from the pile ones that just made life harder - he was always making messes that others were cleaning up after, even Zelda herself. I just wanted to sit him down and tell him to get it together and keep it together.
This book had a lot of concepts in it that worked for me. The characters are both quirky and realistic. It's endearing and heartwarming; it's full of love and hate. Some portions of the book made me laugh out loud while others made me want to slam the book shut out of frustration. It had some light themes but also some pretty dark themes. When We Were Vikings earned a spot on my Recommended Fiction List.
"...The point is you're willing to give it a try. That's what makes someone a legend."
Andrew David MacDonald delivered an amazing story. I absolutely adored the character of Zelda. The way she loved Vikings and applied the Viking culture to make it through life's difficulties was endearing. I loved Zelda and I just wanted her to succeed. Her blunt, unembellished language was easy to read and refreshing. Whether it's telling off thugs or talking about sex and periods, Zelda says what she thinks.
Her brother Gert also tried to figure out how to not only live his life and figure the world out, but also tried to help Zelda figure hers out. He attempted to work with the cards he'd been dealt, but in all honesty, he seemed to constantly grab from the pile ones that just made life harder - he was always making messes that others were cleaning up after, even Zelda herself. I just wanted to sit him down and tell him to get it together and keep it together.
This book had a lot of concepts in it that worked for me. The characters are both quirky and realistic. It's endearing and heartwarming; it's full of love and hate. Some portions of the book made me laugh out loud while others made me want to slam the book shut out of frustration. It had some light themes but also some pretty dark themes. When We Were Vikings earned a spot on my Recommended Fiction List.
"...The point is you're willing to give it a try. That's what makes someone a legend."
Breaking the Silence: My Journey of Discovery as Transformative Surgery Allowed Me to Hear for the First Time
Book
Imagine for a moment that you have never heard the voices of those you love, the music on the radio,...
BankofMarquis (1832 KP) rated Motherless Brooklyn (2019) in Movies
Jan 15, 2021
A little too slow and self-indulgent for my tastes
There is no denying that Edward Norton is a talented performer. Ever since he burst onto the scene with his Oscar nominated performance in PRIMAL FEAR, he has been a presence both on and off the screen as an Actor, Writer, Producer and Director.
With his latest effort, MOTHERLESS BROOKLYN (based on the base selling novel by Jonathan Lethem), Norton puts ALL of his skills to work as he Produced, Directed, Wrote and Starred in this Private Eye thriller from 2019.
If only Norton had handed at least 1 of those jobs over to someone else.
Norton stars as Lionel Essrog, a Private Eye with Tourette’s Syndrome, who’s investigation into the murder of a mentor of his exposes corruption, racism, greed and abuse of power in City Hall in New York City in the 1950’s.
As the star, Norton brings a nice edge to Lionel, who’s Tourette’s causes him to twitch and belt out words randomly, as well as gives him a photographic memory. While the twitching and random swearing are a bit over the top at times, the photographic memory helps Lionel solve the case (of course it does).
And that’s where I have issue with writer Norton - as he cannot resist the urge to showcase Actor Norton’s propensity to go over the top and puts in many, many “Tourette’s moments” as well as putting in long dialogue scenes that tries to show the audience how smart Lionel is.
Unfortunately, Director Norton indulges Writer Norton and Actor Norton so the film has a languid pace that just sits on Lionel’s actions and words. This is a 2 hour movie packed into a 2 1/2 hour run time. Now, to be fair to Director Norton, there are some absolutely gorgeous and interesting pictures put on the screen and the atmosphere (and characters) that are created are interesting (enough) to ALMOST forgive the self-indulgent ways of Writer/Actor/Director Norton.
As for the rest of the cast, Bruce Willis is…Bruce Willis as a Private Eye that works with Lionel and Willem DaFoe is at his “Willem DeFoe-iest” in portraying a critic of New York City Hall with a secret past. It’s as if Director Norton said to both of these 2 fine actors to just “do your thing” while he focused on the myriad of other jobs he had on this film.
Special notice needs to be made of the work of Gugu Mbatha-Raw as Femme Fatale Laura Rose (a part that Norton specifically added to the film - her character was not in the book - and wrote just for her). She is quite good in this role and her scenes with Norton crackle somewhat louder than the rest of the film.
And then there is Alec Baldwin as a corrupt, racist, politician who is looking out for only 1 person - himself. While Baldwin is very good in this 100% serious role, I couldn’t be help but be reminded of a certain comedic character he has played for the past few years on Saturday Night Live.
The music by Daniel Pemberton and the Cinematography by Dick Pope add greatly to the atmosphere of this film - and that is good - for when the story bogs down (and it bogs down A LOT), there usually is something interesting to look at or listen to.
Not a bad film, but it could have been a much better film if someone would have taken at least ONE of the jobs off of Norton (I would vote for Director) and tightened things up and tone down Norton’s tendency to “ham it up” on screen.
Letter Grade: B-
6 Stars (out of 10) and you can take that to the Bank(ofMarquis)
With his latest effort, MOTHERLESS BROOKLYN (based on the base selling novel by Jonathan Lethem), Norton puts ALL of his skills to work as he Produced, Directed, Wrote and Starred in this Private Eye thriller from 2019.
If only Norton had handed at least 1 of those jobs over to someone else.
Norton stars as Lionel Essrog, a Private Eye with Tourette’s Syndrome, who’s investigation into the murder of a mentor of his exposes corruption, racism, greed and abuse of power in City Hall in New York City in the 1950’s.
As the star, Norton brings a nice edge to Lionel, who’s Tourette’s causes him to twitch and belt out words randomly, as well as gives him a photographic memory. While the twitching and random swearing are a bit over the top at times, the photographic memory helps Lionel solve the case (of course it does).
And that’s where I have issue with writer Norton - as he cannot resist the urge to showcase Actor Norton’s propensity to go over the top and puts in many, many “Tourette’s moments” as well as putting in long dialogue scenes that tries to show the audience how smart Lionel is.
Unfortunately, Director Norton indulges Writer Norton and Actor Norton so the film has a languid pace that just sits on Lionel’s actions and words. This is a 2 hour movie packed into a 2 1/2 hour run time. Now, to be fair to Director Norton, there are some absolutely gorgeous and interesting pictures put on the screen and the atmosphere (and characters) that are created are interesting (enough) to ALMOST forgive the self-indulgent ways of Writer/Actor/Director Norton.
As for the rest of the cast, Bruce Willis is…Bruce Willis as a Private Eye that works with Lionel and Willem DaFoe is at his “Willem DeFoe-iest” in portraying a critic of New York City Hall with a secret past. It’s as if Director Norton said to both of these 2 fine actors to just “do your thing” while he focused on the myriad of other jobs he had on this film.
Special notice needs to be made of the work of Gugu Mbatha-Raw as Femme Fatale Laura Rose (a part that Norton specifically added to the film - her character was not in the book - and wrote just for her). She is quite good in this role and her scenes with Norton crackle somewhat louder than the rest of the film.
And then there is Alec Baldwin as a corrupt, racist, politician who is looking out for only 1 person - himself. While Baldwin is very good in this 100% serious role, I couldn’t be help but be reminded of a certain comedic character he has played for the past few years on Saturday Night Live.
The music by Daniel Pemberton and the Cinematography by Dick Pope add greatly to the atmosphere of this film - and that is good - for when the story bogs down (and it bogs down A LOT), there usually is something interesting to look at or listen to.
Not a bad film, but it could have been a much better film if someone would have taken at least ONE of the jobs off of Norton (I would vote for Director) and tightened things up and tone down Norton’s tendency to “ham it up” on screen.
Letter Grade: B-
6 Stars (out of 10) and you can take that to the Bank(ofMarquis)
Haley Mathiot (9 KP) rated Symbiont (Parasitology, #2) in Books
Apr 27, 2018
Here’s the rundown: I am in love with this series. I am all over this series. I love Sal, I love the characters (I even kind of love Sherman, a little), the plot is brilliant, it’s exciting, brilliant, fast-paced, and original.
But. Why does there have to be a but! I wish there wasn’t, but there is.
There is literally only one issue with this series that makes it a 4-star instead of a five-star: I call it “Jenny McGrady Syndrome.” See years ago I read this book series about a young detective that always got herself into trouble trying to be Nancy Drew. And in every single book, at least once, this phrase was present: “Jenny felt as though she’d been slugged in the stomach.” Every. Single. Book.
Now if I found a phrase in Parasite and Symbiont that repeated only once, that wouldn’t be a big deal. Even two or three times between the two books, that wouldn’t be a big deal. But the problem I have is that there is a lot of repetition of phrases. I understand what Grant is trying to do here, making the drums an important thing, seeing red, the cold gut wrenching feeling of fear and anticipation at the same time… but I don’t want to read it forty times in five chapters. It’s not necessary. It only slows down the story and frustrates the reader.
Other than that one minor flaw, it is one of the best YA novels I’ve ever listened to. The characters are full of personality and quirks, the plot is unexpected, the bad guy makes me want to punch him in the throat, and I’m dying to find out what happens in the third book. I will absolutely read (listen) to it. I am super excited. I’m dying over here. I just wish that the unnecessary and repeated words and phrases were cut out.
I love the reader for this audiobook, Christine Lakin. She adds a lot of character and emotion, and reads clearly and at a good pace. I like her voice. She’s one of those people who you’re sure that the main character’s voice actually sounds like the narrator. I loved her performance in this as well as The Coldest Girl in Coldtown, and look forward to hearing her again, and am adding her to my list of favorite narrators.
But. Why does there have to be a but! I wish there wasn’t, but there is.
There is literally only one issue with this series that makes it a 4-star instead of a five-star: I call it “Jenny McGrady Syndrome.” See years ago I read this book series about a young detective that always got herself into trouble trying to be Nancy Drew. And in every single book, at least once, this phrase was present: “Jenny felt as though she’d been slugged in the stomach.” Every. Single. Book.
Now if I found a phrase in Parasite and Symbiont that repeated only once, that wouldn’t be a big deal. Even two or three times between the two books, that wouldn’t be a big deal. But the problem I have is that there is a lot of repetition of phrases. I understand what Grant is trying to do here, making the drums an important thing, seeing red, the cold gut wrenching feeling of fear and anticipation at the same time… but I don’t want to read it forty times in five chapters. It’s not necessary. It only slows down the story and frustrates the reader.
Other than that one minor flaw, it is one of the best YA novels I’ve ever listened to. The characters are full of personality and quirks, the plot is unexpected, the bad guy makes me want to punch him in the throat, and I’m dying to find out what happens in the third book. I will absolutely read (listen) to it. I am super excited. I’m dying over here. I just wish that the unnecessary and repeated words and phrases were cut out.
I love the reader for this audiobook, Christine Lakin. She adds a lot of character and emotion, and reads clearly and at a good pace. I like her voice. She’s one of those people who you’re sure that the main character’s voice actually sounds like the narrator. I loved her performance in this as well as The Coldest Girl in Coldtown, and look forward to hearing her again, and am adding her to my list of favorite narrators.
STEINS;GATE HD
Games and Entertainment
10.0
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Since 2009, the STEINS; GATE series has sold over 1,000,000 copies! "STEINS;GATE", based on the...
STEINS;GATE HD KR
Games and Entertainment
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STEINS;GATE has sold over 1,000,000 copies since 2009! "STEINS;GATE", based on the anime currently...