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Haley Mathiot (9 KP) rated Dead Perfect in Books
Apr 27, 2018
My Summary: Shannah is going to die. She has a blood disease that none of the doctors can identify, and she only has months to live. She’s on her last month, possibly her last week… she hates to think it’s her last day, but it sure feels like it. She has been watching the strange tall, dark (and hansom) man for several months, and is convinced that he is a vampire (though she’s not exactly sane when she makes that decision). She goes to him seeking immortality, but collapses in near death on his front porch. When she wakes up, she feels better. What did he do that healed her? She’s not a vampire, but even the doctors couldn’t heal her… then there’s the fact that she’s pretty sure that she’s falling in love with him. but Ronan’s healing doesn’t last forever… and Shannah has to make a hard choice.
Ronan is five hundred and thirteen years old. He has never loved anyone in his life, but when Shannah comes to his door he takes her into his house and begins to heal her in his own special way. But then he accidentally falls in love with her. That causes problems—when your mortal soulmate is going to die soon and she isn’t sure she wants to be a leach her whole life. If he changes her against her will, will she hate him forever? Are his only choices letting her die and losing her, or changing her and losing her?
And then there’s that whole problem with a vampire hunter tracking down Ronan… and trying to kill him.
My Thoughts—at first glimpse, this seemed so twilight-ish. But once I started reading it I got out of my vampire stereotype and enjoyed this book quite a lot. I was at the library and dying for a light-hearted vampire romance (because I was just in that mood) so I picked it up. It’s a very quick read, and very sweet.
The Plot—the plot moved quickly, though at one point a thought crossed my mind, “there isn’t much story here, how is the author dragging it out into 345 pages and is still managing to keep it interesting?” although the plot seemed a little simple, it held my attention very well.
The Characters—I loved the characters in this book. Shannah was depicted as a desperate-to-do-anything-to-keep-alive kind of girl, to the point that she was willing to live with a vampire. Ronan had so much passion and love for this poor girl that it made him endearing. I love how he’d always call her “love.” It was so sweet. Jim Hewitt, the hunter, was a character that you just didn’t like one bit—a strong willed jerk who, although he thought he was doing the right thing, even that he was doing it to keep Shannah safe, I didn’t like him and I felt sorry for him. Though, in my opinion, I liked what happened to him at the end ;)
The writing—There were a lot of really good descriptions in this book, I was able to see everything that the author said in beautiful detail. There wasn’t any graphic sex, though there were a few scenes at the end, but it was brief. There were a few re-used phrases in the book though, and that gets annoying. (My sister and I call this the JMG Syndrome, or “Jenny McGrady” syndrome, because of a series we read when we were younger. Jenny was always feeling “like she got slugged in the stomach”. The phrase was used several times in all fifteen books. It got old really fast.) Shannah had many kissed “brushed across her brow” in this book. But besides that, the writing was warm and welcoming.
My Recommendation: I recommend this book to anyone who likes a good paranormal romance, vampires, or just a romance in general. Ages 16+, only because of the frequency of sex at the end of the book (though I will say that the vampire held fast to abstinence, so that was encouraging.) there wasn’t any foul language, and I really liked that! I hate books that have so much language that I feel dirty reading it. But this book was very clean.
~Haleyknitz
Ronan is five hundred and thirteen years old. He has never loved anyone in his life, but when Shannah comes to his door he takes her into his house and begins to heal her in his own special way. But then he accidentally falls in love with her. That causes problems—when your mortal soulmate is going to die soon and she isn’t sure she wants to be a leach her whole life. If he changes her against her will, will she hate him forever? Are his only choices letting her die and losing her, or changing her and losing her?
And then there’s that whole problem with a vampire hunter tracking down Ronan… and trying to kill him.
My Thoughts—at first glimpse, this seemed so twilight-ish. But once I started reading it I got out of my vampire stereotype and enjoyed this book quite a lot. I was at the library and dying for a light-hearted vampire romance (because I was just in that mood) so I picked it up. It’s a very quick read, and very sweet.
The Plot—the plot moved quickly, though at one point a thought crossed my mind, “there isn’t much story here, how is the author dragging it out into 345 pages and is still managing to keep it interesting?” although the plot seemed a little simple, it held my attention very well.
The Characters—I loved the characters in this book. Shannah was depicted as a desperate-to-do-anything-to-keep-alive kind of girl, to the point that she was willing to live with a vampire. Ronan had so much passion and love for this poor girl that it made him endearing. I love how he’d always call her “love.” It was so sweet. Jim Hewitt, the hunter, was a character that you just didn’t like one bit—a strong willed jerk who, although he thought he was doing the right thing, even that he was doing it to keep Shannah safe, I didn’t like him and I felt sorry for him. Though, in my opinion, I liked what happened to him at the end ;)
The writing—There were a lot of really good descriptions in this book, I was able to see everything that the author said in beautiful detail. There wasn’t any graphic sex, though there were a few scenes at the end, but it was brief. There were a few re-used phrases in the book though, and that gets annoying. (My sister and I call this the JMG Syndrome, or “Jenny McGrady” syndrome, because of a series we read when we were younger. Jenny was always feeling “like she got slugged in the stomach”. The phrase was used several times in all fifteen books. It got old really fast.) Shannah had many kissed “brushed across her brow” in this book. But besides that, the writing was warm and welcoming.
My Recommendation: I recommend this book to anyone who likes a good paranormal romance, vampires, or just a romance in general. Ages 16+, only because of the frequency of sex at the end of the book (though I will say that the vampire held fast to abstinence, so that was encouraging.) there wasn’t any foul language, and I really liked that! I hate books that have so much language that I feel dirty reading it. But this book was very clean.
~Haleyknitz
Lindsay (1693 KP) rated An Amish Cradle in Books
Feb 15, 2018 (Updated Apr 9, 2019)
In His Father’s Arms by Beth Wiseman: This is a story about a couple that struggles with a baby with Down syndrome. What they do not know if how to deal with it. Ruth Anne finds out the truth about her best friend first pregnancy. Ruth Anne can not understand why her best friend is acting really strange around her and her baby boy.
Levi is also struggling to deal with his little boy illness. He knows his little cousin died from this illness. He afraid that is son will be taken from him. Do learn to deal with their little boy medical issues and learn to trust God?
A Son for Always by Amy Clipston: Carolyn is happy to know that she is a pregnant with her and Joshua first child together. She worried that she will have to keep her job and financially secure Ben's future.
Joshua seems to want to let Carolyn that she can stop working at the hotel. Carolyn is still having doubts that Joshua will help her with Ben future. Even though, Joshua has adopted Ben and wanted Ben to have his last name.
Carolyn needs a sign that Joshua will treat her son Ben as his own. She gets that sign, but I do not want to tell you when or how. That would be giving the ending away.
A Heart Full of Love by Kathleen Fuller: Ellie is expecting her first child with her husband. Though when she gives birth to twins. Her mother decides that will take care of the twins and keep them safe. In doing so, she will not let Ellie bond with her daughters.
What is Ellie's mother dealing with that she won't let Ellie take care of her own daughters. Ellie knows she will need help with her daughters. Ellie wants time with her daughters and takes care of them.
Ellie starts to have questions about what happen with a girl named Rachel. She goes over to her parents house and to find the answers. What a sweet ending his story has.
An Unexpected Blessing by Vannetta Chapman: Etta finds out that she is expecting once again. She as a frighting labor. She seems happy with her new little one. She is worried about her overgrown son, David and wants her to return.
Her other children are overjoyed for her and their dad. They help to give her the crib that was made be their dad. They get a surprise when their one son returns. He gets a surprise as well.
Levi is also struggling to deal with his little boy illness. He knows his little cousin died from this illness. He afraid that is son will be taken from him. Do learn to deal with their little boy medical issues and learn to trust God?
A Son for Always by Amy Clipston: Carolyn is happy to know that she is a pregnant with her and Joshua first child together. She worried that she will have to keep her job and financially secure Ben's future.
Joshua seems to want to let Carolyn that she can stop working at the hotel. Carolyn is still having doubts that Joshua will help her with Ben future. Even though, Joshua has adopted Ben and wanted Ben to have his last name.
Carolyn needs a sign that Joshua will treat her son Ben as his own. She gets that sign, but I do not want to tell you when or how. That would be giving the ending away.
A Heart Full of Love by Kathleen Fuller: Ellie is expecting her first child with her husband. Though when she gives birth to twins. Her mother decides that will take care of the twins and keep them safe. In doing so, she will not let Ellie bond with her daughters.
What is Ellie's mother dealing with that she won't let Ellie take care of her own daughters. Ellie knows she will need help with her daughters. Ellie wants time with her daughters and takes care of them.
Ellie starts to have questions about what happen with a girl named Rachel. She goes over to her parents house and to find the answers. What a sweet ending his story has.
An Unexpected Blessing by Vannetta Chapman: Etta finds out that she is expecting once again. She as a frighting labor. She seems happy with her new little one. She is worried about her overgrown son, David and wants her to return.
Her other children are overjoyed for her and their dad. They help to give her the crib that was made be their dad. They get a surprise when their one son returns. He gets a surprise as well.
Haley Mathiot (9 KP) rated Replication: The Jason Experiment in Books
Apr 27, 2018
Replication: the Jason Experiment has many different components that make it an excellent book.
The plot is intricately woven, exciting, fast-paced, and realistic. Yes it's about clones, but Williamson does an excellent job of keeping it from feeling ridiculous and impossible. She builds her world realistically and believably. The story starts off compelling, keeps you interested the whole time, and ends with potential. I like the ending because it doesn't feel like happyland syndrome (even though it's a happy ending) because it's an open ending: Williamson doesn't write everything down, but you pretty much know what happens, and it makes you feel so happy.
The characters are very complex. Abby is a Christian, but she's not perfect by any stretch. The youth pastor is a good guy, but he's not perfect either. Abby's relationship with God is realistic, her relationship with her father (who isn't saved) is hard to watch, but she tries to stay above reproach in the way she deals with his misunderstandings of her. I would have liked to know more about how Abby came to know Christ, but not knowing didn't take away from her story or her character. And maybe that's a story for another time.
Even though all the Jason's are clones, they are all very different. There are similar things about them, like their expressions (and probably their likes and dislikes) but they all have very unique characters. This story tackles the concept that yes we are born with DNA that determines a lot about us, but the way we grow up and the lifestyle we have and the influences around us also seriously impact our thoughts and choices. It's a balancing act; Williamson exposes it.
This book is a Christian novel, but it doesn't feel preachy (I call this Fictional Preaching), nor does it feel like a girl with a perfect almost sappy relationship with God. It's realistic. Abby fails, Abby sins, but she keeps going the right direction and she doesn't give up.
Lastly, the romance between the characters starts off subtle enough that you don't think anything of it, and stays real. It's not about the physical—so many teen romances start off that way. In fact, this novel says a lot about love: it's about them as people seeing examples of the love of Christ in each other! and because they love Christ, they love each other. And that's the way love is supposed to be: We love because He first loved us. It's a beautiful picture, and an excellent execution.
This novel was exciting, fast-paced, realistic, encouraging, and inspiring. On top of it all, it was totally clean. I recommend this one to anyone. Seriously. Read it. You won't regret it.
Check out the interview with Jill Williamson and the giveaway for a copy of the novel!
The plot is intricately woven, exciting, fast-paced, and realistic. Yes it's about clones, but Williamson does an excellent job of keeping it from feeling ridiculous and impossible. She builds her world realistically and believably. The story starts off compelling, keeps you interested the whole time, and ends with potential. I like the ending because it doesn't feel like happyland syndrome (even though it's a happy ending) because it's an open ending: Williamson doesn't write everything down, but you pretty much know what happens, and it makes you feel so happy.
The characters are very complex. Abby is a Christian, but she's not perfect by any stretch. The youth pastor is a good guy, but he's not perfect either. Abby's relationship with God is realistic, her relationship with her father (who isn't saved) is hard to watch, but she tries to stay above reproach in the way she deals with his misunderstandings of her. I would have liked to know more about how Abby came to know Christ, but not knowing didn't take away from her story or her character. And maybe that's a story for another time.
Even though all the Jason's are clones, they are all very different. There are similar things about them, like their expressions (and probably their likes and dislikes) but they all have very unique characters. This story tackles the concept that yes we are born with DNA that determines a lot about us, but the way we grow up and the lifestyle we have and the influences around us also seriously impact our thoughts and choices. It's a balancing act; Williamson exposes it.
This book is a Christian novel, but it doesn't feel preachy (I call this Fictional Preaching), nor does it feel like a girl with a perfect almost sappy relationship with God. It's realistic. Abby fails, Abby sins, but she keeps going the right direction and she doesn't give up.
Lastly, the romance between the characters starts off subtle enough that you don't think anything of it, and stays real. It's not about the physical—so many teen romances start off that way. In fact, this novel says a lot about love: it's about them as people seeing examples of the love of Christ in each other! and because they love Christ, they love each other. And that's the way love is supposed to be: We love because He first loved us. It's a beautiful picture, and an excellent execution.
This novel was exciting, fast-paced, realistic, encouraging, and inspiring. On top of it all, it was totally clean. I recommend this one to anyone. Seriously. Read it. You won't regret it.
Check out the interview with Jill Williamson and the giveaway for a copy of the novel!
LilyLovesIndie (123 KP) rated Hunted (The Gates Legacy, #1) in Books
Nov 5, 2018
Harrow Gates - vampire, diseased, hunted. Jordan - bereaved, determined, out for revenge. Pritchard Tack - entrepreneur, protector of the infected, searching for a cure. Altogether, they make a wonderful lead for a fantastic start to a series I know I will be watching closely for the foreseeable future!
My copy started with a glossary, which was a superb tease and left me rushing forward to find out what on earth could lead to all these ideas and words. Sure enough, within the first 5% I was completely hooked and didn't want to put my kindle down. I was totally drawn into the characters, drama and mystery, highlighting just how high the quality of writing was in this story. The way the perspective switches between the different characters is done with skill and is very clear to follow. This feeds into the mystery created by the glossary and the writing in general as you're ripped away from that character just as the next piece of information is about to be revealed! This makes it highly compulsive reading, with the 'one more chapter' syndrome being a real possibility when reading this book.
The characters are also fabulous, and we pick them apart just as carefully as the plot, slowly learning what makes each of them tick. Harrow, Tack and Jordan are wonderful to read, they engage you, pull you into your complicated life and leave you wanting to know more of them and their lives. Demetrius is a very odd character, driven by very different desires to the others, yet he is equally engaging to read about. It takes real skill to be able to pull a reader so completely into so many characters, and so I really must shower praise on Font for managing to do this.
The story is, at risk of repeating myself, fantastic. It thoroughly draws you in, instilling in you a need to keep reading and has you thinking about what is going to happen next. The momentum is excellently paced, particularly towards the end because even though you're expecting something big to happen, you're still shocked and hit just as hard as if it were a huge surprise! The deaths (not spoiling it though haha!) are quick and fast and really tug on your emotions, leaving you reeling as the end of the story arrives. I've got to warn you though, as these are the exact words a friend said to me, 'don't get too attached to anyone - you never know who is going to be next!' - and boy was she right! That said, I loved it, and I'm a convert to this series.
*This book was first reviewed on Lily Loves Indie as part of a blog tour, for which an ARC was received in return for an honest review*
My copy started with a glossary, which was a superb tease and left me rushing forward to find out what on earth could lead to all these ideas and words. Sure enough, within the first 5% I was completely hooked and didn't want to put my kindle down. I was totally drawn into the characters, drama and mystery, highlighting just how high the quality of writing was in this story. The way the perspective switches between the different characters is done with skill and is very clear to follow. This feeds into the mystery created by the glossary and the writing in general as you're ripped away from that character just as the next piece of information is about to be revealed! This makes it highly compulsive reading, with the 'one more chapter' syndrome being a real possibility when reading this book.
The characters are also fabulous, and we pick them apart just as carefully as the plot, slowly learning what makes each of them tick. Harrow, Tack and Jordan are wonderful to read, they engage you, pull you into your complicated life and leave you wanting to know more of them and their lives. Demetrius is a very odd character, driven by very different desires to the others, yet he is equally engaging to read about. It takes real skill to be able to pull a reader so completely into so many characters, and so I really must shower praise on Font for managing to do this.
The story is, at risk of repeating myself, fantastic. It thoroughly draws you in, instilling in you a need to keep reading and has you thinking about what is going to happen next. The momentum is excellently paced, particularly towards the end because even though you're expecting something big to happen, you're still shocked and hit just as hard as if it were a huge surprise! The deaths (not spoiling it though haha!) are quick and fast and really tug on your emotions, leaving you reeling as the end of the story arrives. I've got to warn you though, as these are the exact words a friend said to me, 'don't get too attached to anyone - you never know who is going to be next!' - and boy was she right! That said, I loved it, and I'm a convert to this series.
*This book was first reviewed on Lily Loves Indie as part of a blog tour, for which an ARC was received in return for an honest review*
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Tom Turner (388 KP) rated White Dolphin in Books
May 10, 2021
I decided to read this book when I saw a confirmation from the author posted on Facebook, confirming that one of the characters shared my disability, Hemiplegia. My disability is often overlooked in representation as people mainly go for deaf, blind, wheelchair user or someone with down syndrome. So I was intrigued to find out how well Gill Lewis had done it.
First thing I will say, in the book she doesn't make the particular disability, just referring to Cerebral Palsey, an umbrella term which covers a number of physical disabilities. Though it would have been nice to see the name dropped, I can understand why this is. The book is aimed at an audience aged around 11, and throwing up technical terms and explainations might be too much. Most children through osmosis know what Cerebral Palsey is, and if they don't, they've learned something. Plus, with the confirmation from the author, be and the knowledge of what Hemiplegia looks like it was obvious from the start that this is what it was meant to be.
But a novel is more than just a one aspect of a character, and so how did the story fair. At first I worried it might turn out to be a Free Willy rip off. But without going into detail, while there are elements of that in here it is just one part of the whole. There was a lot going on, ans not only were we seeing it act out through the eyes of a girl dealing with real issues, Kara felt incredibly real to me. I was surprised how psychologically deep Lewis was able to make her characters, and this kept me reading on. Never once did I feel Felix (the disabled character that had attracted me to the book in the first place) as a one dimensional character. More often than not fictional disabled people are flanderised so that their disability is their personality. This was not Felix. Sure, he had his frustrations with life due to his disability, but that was just a part of his personality. Nor was his narrative solely that of overcoming his disability. A chapter before Felix becomes joint hero with Kara, we have a scene where he's struggling to walk up a flight of outside steps because the rail stops short (something I personally have experienced too many times!) Emphasising and reminding the reader that while he is able to excel in one area, life can still be a frustration elsewhere.
I'm really glad I picked this book up. And will definitely be encouring my Goddaughters to read it - especially as they are currently the demographic this book is aimed at.
First thing I will say, in the book she doesn't make the particular disability, just referring to Cerebral Palsey, an umbrella term which covers a number of physical disabilities. Though it would have been nice to see the name dropped, I can understand why this is. The book is aimed at an audience aged around 11, and throwing up technical terms and explainations might be too much. Most children through osmosis know what Cerebral Palsey is, and if they don't, they've learned something. Plus, with the confirmation from the author, be and the knowledge of what Hemiplegia looks like it was obvious from the start that this is what it was meant to be.
But a novel is more than just a one aspect of a character, and so how did the story fair. At first I worried it might turn out to be a Free Willy rip off. But without going into detail, while there are elements of that in here it is just one part of the whole. There was a lot going on, ans not only were we seeing it act out through the eyes of a girl dealing with real issues, Kara felt incredibly real to me. I was surprised how psychologically deep Lewis was able to make her characters, and this kept me reading on. Never once did I feel Felix (the disabled character that had attracted me to the book in the first place) as a one dimensional character. More often than not fictional disabled people are flanderised so that their disability is their personality. This was not Felix. Sure, he had his frustrations with life due to his disability, but that was just a part of his personality. Nor was his narrative solely that of overcoming his disability. A chapter before Felix becomes joint hero with Kara, we have a scene where he's struggling to walk up a flight of outside steps because the rail stops short (something I personally have experienced too many times!) Emphasising and reminding the reader that while he is able to excel in one area, life can still be a frustration elsewhere.
I'm really glad I picked this book up. And will definitely be encouring my Goddaughters to read it - especially as they are currently the demographic this book is aimed at.
BankofMarquis (1832 KP) rated Can You Ever Forgive Me? (2018) in Movies
Nov 11, 2018
Strong performances eleveates this "Art House" film.
With not a whole lot of interest filling out the screens at the multi-plexes at this time, I thought I'd head to the "Art House" to check out Melissa McCarthy in CAN YOU EVER FORGIVE ME? This film is garnering strong Oscar buzz for McCarthy's performance and I figured I'd see for myself.
And...darn it all...after a slow start, it does turn into an Oscar worthy performance, after all.
Telling the true tale of writer Lee Israel (based on her memoir), CYEFM tells the story of Israel's descent into criminal behavior to make ends meet by forging literary documents from the past and selling them as the real deal.
Starring as Israel, McCarthy drops all the artifice and bluster that she usually brings to her comedic characters to bring us a "non-people" person (Israel's own words) who is down on her luck. I was a bit skeptical of this performance in the first half of the film for I thought she had fallen victim to the "comedian trying their hands at a serious role" syndrome, being WAY too serious and glum, without a hint of humor. But, in the 2nd half of the film, McCarthy really finds this character and we begin to see a fully formed 3 dimensional person emerging on the screen - warts and all. And, when Israel/McCarthy gives the speech that will be shown at her Oscar nomination, she shows that she is fully deserving of any accolades that might come her way. It is a strong, humanistic portrayal of a person trying to figure it out - and learning that the shortcut probably isn't the best way to go.
Aiding her in her journey - and in this film - is Richard E. Grant as Jack Hock, another lost soul trying to make it in this world while having a good time doing it. Grant has the "showier" of the 2 roles and he revels in his moments. I would be fine with Grant being nominated as well - it is that strong of a performance and balances McCarthy's character wonderfully.
I did have a problem with the first 1/2 of this film, mainly for I disliked the 2 main characters being portrayed, they are certainly NOT 2 people to root for and I felt the film was only showing 1 dimensional stereotypes, but once McCarthy and Grant devise the forgery scheme, the film - and the performances - get very interesting, and multi-layered, indeed.
Keep in mind that this is an "Art House" film, by that I mean "talky". There isn't a whole lot of action and a TON of atmosphere and dialogue, not the type of film for everyone, but for those of you who like this sort of thing, you'll be rewarded by strong performances that lifts this film to a higher level.
Letter Grade: B+
8 (out of 10) stars and you can take that to the Bank(ofMarquis)
And...darn it all...after a slow start, it does turn into an Oscar worthy performance, after all.
Telling the true tale of writer Lee Israel (based on her memoir), CYEFM tells the story of Israel's descent into criminal behavior to make ends meet by forging literary documents from the past and selling them as the real deal.
Starring as Israel, McCarthy drops all the artifice and bluster that she usually brings to her comedic characters to bring us a "non-people" person (Israel's own words) who is down on her luck. I was a bit skeptical of this performance in the first half of the film for I thought she had fallen victim to the "comedian trying their hands at a serious role" syndrome, being WAY too serious and glum, without a hint of humor. But, in the 2nd half of the film, McCarthy really finds this character and we begin to see a fully formed 3 dimensional person emerging on the screen - warts and all. And, when Israel/McCarthy gives the speech that will be shown at her Oscar nomination, she shows that she is fully deserving of any accolades that might come her way. It is a strong, humanistic portrayal of a person trying to figure it out - and learning that the shortcut probably isn't the best way to go.
Aiding her in her journey - and in this film - is Richard E. Grant as Jack Hock, another lost soul trying to make it in this world while having a good time doing it. Grant has the "showier" of the 2 roles and he revels in his moments. I would be fine with Grant being nominated as well - it is that strong of a performance and balances McCarthy's character wonderfully.
I did have a problem with the first 1/2 of this film, mainly for I disliked the 2 main characters being portrayed, they are certainly NOT 2 people to root for and I felt the film was only showing 1 dimensional stereotypes, but once McCarthy and Grant devise the forgery scheme, the film - and the performances - get very interesting, and multi-layered, indeed.
Keep in mind that this is an "Art House" film, by that I mean "talky". There isn't a whole lot of action and a TON of atmosphere and dialogue, not the type of film for everyone, but for those of you who like this sort of thing, you'll be rewarded by strong performances that lifts this film to a higher level.
Letter Grade: B+
8 (out of 10) stars and you can take that to the Bank(ofMarquis)
Gareth von Kallenbach (971 KP) rated Halloween (2018) in Movies
Jun 19, 2019
“Halloween” has long been considered by many to have been the film that started the “Slasher” subculture. The independent movie became a box office smash and made Michael Myers a cultural icon ever since its debut in 1978.
Although multiple sequels and a reboot followed over the years; they did not match the intensity of the original as they opted for higher body counts and gore versus suspense and story and in many ways became almost a parody of themselves as Michael would cut down cast after cast of teens and anyone else in his way.
The new film takes the approach that none of the films after the first ever happened so instead of Michael stalking Lorrie in a hospital in “Halloween 2”; he was captured and incarcerated in an mental institute for the last forty years where he has remained silent despite his Doctor (Haluk Bilginer) best efforts to get him to speak as he attempts to understand what motivates a person described as pure evil.
The forty years since “The Night He Came Home” has not been kind to Laurie Strode (Jamie Lee Curtis); as since her encounter with Michael: she has become a hard drinking isolationist who suffers from severe Post Traumatic Syndrome. Laurie has become obsessed with guns, weapons, and protection to the point that it has cost her two marriages and even had her only child Karen (Judy Greer) taken from her by the state which has resulted in her having a fractured relationship with her and her granddaughter Allyson (Andi Matichak).
When a pair of journalists attempt to interview Laurie to try to get her to agree to a face to face with Michael; it sets a chain of events into motion which leads to Michael escaping during a prison transfer.
Michael wastes no time in returning home leaving a trail of death in his path and sets him on a collision course with Laurie who has spent the last forty years preparing for his return.
The film is a true sequel to the original as aside from the second film; it is the closest in tone and theme to the original. While it does have more gore and a higher body count in keeping with the modern expectations of a film of this type, writers David Gordon Green and Danny McBride clearly understand the source material and have crafted an extension of the original versus a continuation refurbished. The fact that John Carpenter has returned as an Executive Producer also helps.
The film wisely sets the focus on the characters which makes the horror aspects more compelling as this is not a bunch of anonymous victims we are watching.
A sequel is reportedly in development and I hope this creative team returns as this was a truly worthy sequel to the classic original that was long overdue.
http://sknr.net/2018/10/17/halloween/
Although multiple sequels and a reboot followed over the years; they did not match the intensity of the original as they opted for higher body counts and gore versus suspense and story and in many ways became almost a parody of themselves as Michael would cut down cast after cast of teens and anyone else in his way.
The new film takes the approach that none of the films after the first ever happened so instead of Michael stalking Lorrie in a hospital in “Halloween 2”; he was captured and incarcerated in an mental institute for the last forty years where he has remained silent despite his Doctor (Haluk Bilginer) best efforts to get him to speak as he attempts to understand what motivates a person described as pure evil.
The forty years since “The Night He Came Home” has not been kind to Laurie Strode (Jamie Lee Curtis); as since her encounter with Michael: she has become a hard drinking isolationist who suffers from severe Post Traumatic Syndrome. Laurie has become obsessed with guns, weapons, and protection to the point that it has cost her two marriages and even had her only child Karen (Judy Greer) taken from her by the state which has resulted in her having a fractured relationship with her and her granddaughter Allyson (Andi Matichak).
When a pair of journalists attempt to interview Laurie to try to get her to agree to a face to face with Michael; it sets a chain of events into motion which leads to Michael escaping during a prison transfer.
Michael wastes no time in returning home leaving a trail of death in his path and sets him on a collision course with Laurie who has spent the last forty years preparing for his return.
The film is a true sequel to the original as aside from the second film; it is the closest in tone and theme to the original. While it does have more gore and a higher body count in keeping with the modern expectations of a film of this type, writers David Gordon Green and Danny McBride clearly understand the source material and have crafted an extension of the original versus a continuation refurbished. The fact that John Carpenter has returned as an Executive Producer also helps.
The film wisely sets the focus on the characters which makes the horror aspects more compelling as this is not a bunch of anonymous victims we are watching.
A sequel is reportedly in development and I hope this creative team returns as this was a truly worthy sequel to the classic original that was long overdue.
http://sknr.net/2018/10/17/halloween/
Jessica - Where the Book Ends (15 KP) rated True (True Believers, #1) in Books
Jan 30, 2019
I absolutely adored this book! This is the first book of Erin McCarthy's that I've ever read, and I just loved the whole thing. The characters were real, the plot was believable, and it left me with a renewed sense of hope in love and the human race.
The pace of the story seemed right on track; although, I have to say I felt like it ended too quickly. I wasn't ready for the book to be over, and wanted to know more about what happened with Rory & Tyler. I was pleased to see that there will be another book coming out based on the lives of one of the characters featured in this book.
Rory & Tyler's love didn't feel forced or faked at all which I really enjoyed. McCarthy was able to capture the internal frustration that young women feel in relationships, and showed that sometimes if you often just open your mouth and say how you feel things can turn out for the best!
The supporting characters were phenomenal and believable. Jessica & Kylie seemed like your typical party girl college students, and I just loved the way McCarthy managed to poke and have a little fun with them. I hope that McCarthy will take the opportunity to expand on these characters in her upcoming books.
There were three topics that were covered in this book, and I think they are extremely important and deserve mentioning here. The most obvious one would be teen sex. McCarthy did a great job covering this. I feel like she really showed young girls that it was okay to wait until you were ready and you didn't have to do anything you didn't want to do. I think that Tyler was a great advocate and on several occasions it was obvious that he was worried about the affect that his relationship with Rory would have on her life. I have nothing but praise for the way McCarthy handled this topic. She was able to write about it without making the book a list of dos and don'ts for teens. The second big topic that was addressed was drug use. McCarthy addressed this in two ways first with Tyler's family, and secondly with Jessica (Rory's roommate). She was able to show in both these instances how drug use can affect your life, and the lives of those around you. And, finally another topic that was brought up is bullying (I am saying bullying because I feel that this can encompass both the child abuse and the bullying of Tyler's mom on his younger brother for having Down Syndrome). These are some pretty hefty topics that McCarthy chose to tackle in this book and she pulled if off with flying colors. She was able to address them all with a good amount of importance and tie the story up with a pretty bow at the end. My hats off to you Ms. McCarthy!
The pace of the story seemed right on track; although, I have to say I felt like it ended too quickly. I wasn't ready for the book to be over, and wanted to know more about what happened with Rory & Tyler. I was pleased to see that there will be another book coming out based on the lives of one of the characters featured in this book.
Rory & Tyler's love didn't feel forced or faked at all which I really enjoyed. McCarthy was able to capture the internal frustration that young women feel in relationships, and showed that sometimes if you often just open your mouth and say how you feel things can turn out for the best!
The supporting characters were phenomenal and believable. Jessica & Kylie seemed like your typical party girl college students, and I just loved the way McCarthy managed to poke and have a little fun with them. I hope that McCarthy will take the opportunity to expand on these characters in her upcoming books.
There were three topics that were covered in this book, and I think they are extremely important and deserve mentioning here. The most obvious one would be teen sex. McCarthy did a great job covering this. I feel like she really showed young girls that it was okay to wait until you were ready and you didn't have to do anything you didn't want to do. I think that Tyler was a great advocate and on several occasions it was obvious that he was worried about the affect that his relationship with Rory would have on her life. I have nothing but praise for the way McCarthy handled this topic. She was able to write about it without making the book a list of dos and don'ts for teens. The second big topic that was addressed was drug use. McCarthy addressed this in two ways first with Tyler's family, and secondly with Jessica (Rory's roommate). She was able to show in both these instances how drug use can affect your life, and the lives of those around you. And, finally another topic that was brought up is bullying (I am saying bullying because I feel that this can encompass both the child abuse and the bullying of Tyler's mom on his younger brother for having Down Syndrome). These are some pretty hefty topics that McCarthy chose to tackle in this book and she pulled if off with flying colors. She was able to address them all with a good amount of importance and tie the story up with a pretty bow at the end. My hats off to you Ms. McCarthy!
BackToTheMovies (56 KP) rated The Captor (2019) in Movies
Jun 21, 2019
2019 certainly seems to be the year of Ethan Hawke slaying it in movies! The Kid was a powerhouse performance enough to warrant and the year off but then The Captor is released and once again. Wow. Ethan Hawke only goes and blows the bloody doors off this real-life true story about a bank robbery in Stockholm. This is our The Captor review.
It’s 1973 and Lars Nystrom (Hawke) walks into a bank in Stockholm firing a rifle and takes two staff members hostage. Demanding $1m, a blue Mustang and the release of Gunnar Sorensson (Mark Strong) a famous bank robber. What transpires over the next few hours is beyond belief and it’s difficult to even comprehend that most of this actually happened in real life!
Starring an all-star cast of Hawke, Mark Strong and Noomi Rapace The Captor has cult classic written all over it. Hawke plays this bat shit crazy robber who’s jumped in way above his head. The performances all round not only support Hawke’s center stage dominance but they add depth to the story. We have moments of relaxation in the vaults as character arcs are developed and relationships formed. It really is a film that’s all guns blazing one minute, hilarious comedic moments the next and then tones down and becomes level headed the next.
Director and screenwriter Robert Budreau never over embellish any scenes or characters. We really see both sides of Nystrom’s (Hawke) motives and back story. A man so up front with bravado when push comes to shove but a character of layers with a vulnerable and kind-nature hiding inside. The latter of those personality traits leads to one of the captors in question falling for her captor. Stockholm Syndrome explains this very phenomenon and in the US the movie is actually titled ‘Stockholm’ before being renamed to The Captor here in the UK.
Mark Strong rocks the double denim as Gunnar Sorensson and acts like a brother of sorts to Hawke’s Nystrom. It’s great watching the scenes between the police throughout as they scramble to try and meet Nystrom’s ludicrous demands. Gunnar’s intentions are never clear or really explained throughout. He’s just happy to be out of jail if albeit with an ulterior motive.
I feel as thou the direction of the movie is trying to put us in the shoes of the hostages. The very same hostages that in real life never testified against their captors. They’re portrayed as the rebellious force with good motives whilst the police are portrayed as the bad guys who want to make them pay. Noomi Rapace plays the emotional anchor of the movie and the bond that develops between her and Nystrom is palpable.
“This movie has cult classic written all over it”
There’s no psychological explanation about the phenom that is Stockholm Syndrom it’s just a routine, tootin good time!
https://backtothemovies.com/the-captor-review-a-cult-classic-ethan-hawke-at-his-finest/
It’s 1973 and Lars Nystrom (Hawke) walks into a bank in Stockholm firing a rifle and takes two staff members hostage. Demanding $1m, a blue Mustang and the release of Gunnar Sorensson (Mark Strong) a famous bank robber. What transpires over the next few hours is beyond belief and it’s difficult to even comprehend that most of this actually happened in real life!
Starring an all-star cast of Hawke, Mark Strong and Noomi Rapace The Captor has cult classic written all over it. Hawke plays this bat shit crazy robber who’s jumped in way above his head. The performances all round not only support Hawke’s center stage dominance but they add depth to the story. We have moments of relaxation in the vaults as character arcs are developed and relationships formed. It really is a film that’s all guns blazing one minute, hilarious comedic moments the next and then tones down and becomes level headed the next.
Director and screenwriter Robert Budreau never over embellish any scenes or characters. We really see both sides of Nystrom’s (Hawke) motives and back story. A man so up front with bravado when push comes to shove but a character of layers with a vulnerable and kind-nature hiding inside. The latter of those personality traits leads to one of the captors in question falling for her captor. Stockholm Syndrome explains this very phenomenon and in the US the movie is actually titled ‘Stockholm’ before being renamed to The Captor here in the UK.
Mark Strong rocks the double denim as Gunnar Sorensson and acts like a brother of sorts to Hawke’s Nystrom. It’s great watching the scenes between the police throughout as they scramble to try and meet Nystrom’s ludicrous demands. Gunnar’s intentions are never clear or really explained throughout. He’s just happy to be out of jail if albeit with an ulterior motive.
I feel as thou the direction of the movie is trying to put us in the shoes of the hostages. The very same hostages that in real life never testified against their captors. They’re portrayed as the rebellious force with good motives whilst the police are portrayed as the bad guys who want to make them pay. Noomi Rapace plays the emotional anchor of the movie and the bond that develops between her and Nystrom is palpable.
“This movie has cult classic written all over it”
There’s no psychological explanation about the phenom that is Stockholm Syndrom it’s just a routine, tootin good time!
https://backtothemovies.com/the-captor-review-a-cult-classic-ethan-hawke-at-his-finest/