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Game Theory Podcast
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NBA Draft and College Basketball Expert Sam Vecenie talks all levels of hoops.

Robert Longo recommended The Things They Carried in Books (curated)

Gareth von Kallenbach (980 KP) rated Draft Day (2014) in Movies
Aug 6, 2019
Draft Day wants to be the Moneyball of the National Football League. Probem is, Moneyball was based on a true story. Draft Day is pure fiction and it’s not particularly good fiction. Sure, there are realistic elements of what goes on behind the scenes on draft day, but the story that surrounds makes you wonder if this was really the best they could come up with to shine the spotlight on one of the biggest days of the year for football fans and NFL prospects.
Sonny Weaver (Kevin Costner) is a general manager of the Cleveland Browns. Now that’s a real team, although many people would question that fact. Weaver manages to acquire the number one draft pick on draft day and the movie is essentially about him trying to decide who to pick. Focusing on three potential players, Sonny has the heavy responsibility of making the right choice.
In addition to facing this daunting task of making the right decision for his team, Sonny is also wrestling with personal issues, such as a secret girlfriend and living up to his father’s legacy. There are plenty of cameos of stars of the NFL and Roger Goodell weighs in as the NFL commissioner. There were scenes that seemed meaningless in a sense but there’s a twist if you remain interested.
To the casual football fan this might be entertaining. To diehard fans, you probably know most of the goings on behind the scenes on draft day. It’s a backstage view in the day of the life of a GM trying to juggle his way through business and personal decisions on a big stage while facing a ticking clock. The movie does drags here and there but if you need a hit of the NFL drug while waiting for the next season, this might tide you over.
Sonny Weaver (Kevin Costner) is a general manager of the Cleveland Browns. Now that’s a real team, although many people would question that fact. Weaver manages to acquire the number one draft pick on draft day and the movie is essentially about him trying to decide who to pick. Focusing on three potential players, Sonny has the heavy responsibility of making the right choice.
In addition to facing this daunting task of making the right decision for his team, Sonny is also wrestling with personal issues, such as a secret girlfriend and living up to his father’s legacy. There are plenty of cameos of stars of the NFL and Roger Goodell weighs in as the NFL commissioner. There were scenes that seemed meaningless in a sense but there’s a twist if you remain interested.
To the casual football fan this might be entertaining. To diehard fans, you probably know most of the goings on behind the scenes on draft day. It’s a backstage view in the day of the life of a GM trying to juggle his way through business and personal decisions on a big stage while facing a ticking clock. The movie does drags here and there but if you need a hit of the NFL drug while waiting for the next season, this might tide you over.

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graveyardgremlin (7194 KP) rated The Dark Storm (Dark Storm #1) in Books
Feb 15, 2019
I give up. Amateur writing, awkward dialogue, cliches, bad editing (no editing?), infodump overload, characters that have no personality or sympathy, and a convoluted plot all add up to a rough draft that needed several revisions before being published.

David McK (3540 KP) rated The Star Wars in Books
Jan 30, 2019
Based on George Lucas' original rough-draft for 'Star Wars', this is an interesting read not so much for the (somewhat disconnected) story, but to see how the movies grew out of the original rough draft: this is very different from those movie(s), albeit with some of the characters and place names still showing up but in a different manner - most noticeable, perhaps, in the characters of Han Solo and Darth Vader (and 'May the Force of Others be with you' just doesn't sound right, does it?).
Having read this, it's also now VERY clear that Lucas was to re-use elements of his original rough draft in the Prequel trilogy, particularly in the whole Princess-in-hiding section(s) that are included in both The Phantom Menace and Attack of the Clones.
The art is impressive, but the dialogue/story? Not so much.
Having read this, it's also now VERY clear that Lucas was to re-use elements of his original rough draft in the Prequel trilogy, particularly in the whole Princess-in-hiding section(s) that are included in both The Phantom Menace and Attack of the Clones.
The art is impressive, but the dialogue/story? Not so much.

The Most Accurate Podcast: Fantasy Football News & Strategy by 4for4
Podcast
4for4 Fantasy Football's John Paulsen and Anthony Stalter digest, discuss and analyze the world of...

COLPs Toolkit: The Law Society's Risk and Compliance Section
Book
From January 2012, a requirement of the Legal Services Act 2007 means that every law firm is...

Matthew Krueger (10051 KP) rated Day of the Dead (1985) in Movies
Apr 1, 2020
Bub The Zombie (1 more)
Capt. Rhodes
Night, Dawn and Day: The Perfect Trilogy
Day of the Dead- is the final movie in George's trilogy. It started with Night, than Dawn and now Day. The perfect trilogy about surival, surviving, surival of the finest and the livng dead. With great charcters, excellent villians and of course the zombies. In this one you have, Bub the zombie and the evil Capt. Rhodies. So thats a plus.
The plot: Trapped in a missile silo, a small team of scientists, civilians and trigger-happy soldiers battle desperately to ensure the survival of the human race, but tension inside the base is reaching breaking-point, and the zombies are gathering outside.
Romero originally intended the film to be "the Gone with the Wind of zombie films. This forced Romero to scale back his story, rewriting the script and adjusting his original vision to fit the smaller budget.
A total of five scripts were written as Romero wrestled with the film's concepts and the budgetary constraints. The first draft was over 200 pages, which he later condensed to 122 pages. This is the true original script, and to date no copies of it have come to light. This version was likely rejected because UFDC felt it was too expensive for them to produce even with an R rating. Romero subsequently scaled down the scope of this script into a 165-page draft (often erroneously referred to as the original version), then condensed it again to a 104-page draft labeled the 'second version, second draft' in an unsuccessful final attempt to get the story within budget parameters. When this failed, he drastically altered the original story concept and ultimately produced a shooting draft that numbered only 88 pages.
Its a perfect ending for a excellent and phenomenal trilogy.
The plot: Trapped in a missile silo, a small team of scientists, civilians and trigger-happy soldiers battle desperately to ensure the survival of the human race, but tension inside the base is reaching breaking-point, and the zombies are gathering outside.
Romero originally intended the film to be "the Gone with the Wind of zombie films. This forced Romero to scale back his story, rewriting the script and adjusting his original vision to fit the smaller budget.
A total of five scripts were written as Romero wrestled with the film's concepts and the budgetary constraints. The first draft was over 200 pages, which he later condensed to 122 pages. This is the true original script, and to date no copies of it have come to light. This version was likely rejected because UFDC felt it was too expensive for them to produce even with an R rating. Romero subsequently scaled down the scope of this script into a 165-page draft (often erroneously referred to as the original version), then condensed it again to a 104-page draft labeled the 'second version, second draft' in an unsuccessful final attempt to get the story within budget parameters. When this failed, he drastically altered the original story concept and ultimately produced a shooting draft that numbered only 88 pages.
Its a perfect ending for a excellent and phenomenal trilogy.