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Emma @ The Movies (1786 KP) rated Raya and the Last Dragon (2021) in Movies
Jun 27, 2021
Of course I wasn't paying Premier prices for this! (This is how long ago I wrote this review, you can now watch it on your Disney+ subscription for free.) So instead I made it my first film back to the cinema for 7 months.
Kumandra was once a glorious place inhabited by humans and dragons in harmony. But when an enemy comes to ruin that, the dragons sacrifice themselves to save the humans. 500 years later the humans have learnt nothing from the sacrifice, and when greed takes hold of the tribes, the land is once again put in peril.
Essentially we're given a fantasy treasure hunt, that highlights the need for cooperation and community. That is definitely a strong point throughout the film. While it might not be based on something specific, it plays on a lot of different Asian cultures, the accuracy of which I'm afraid I wouldn't know. The different regions all had their own look and feel which I thought was a nice touch, but something felt like it needed more variety, and I'm not sure if that was something more diverse or different animation styles.
Of all the characters I actually found Raya to be the least engaging. Her eventual personality could be put down to how she''d grown up, but the choice to make her like that left me disliking her. Picking between her and Namaari was easy, Namaari's actions were consistent and she evolved in a positive way, and I really didn't feel that about Raya. I found her actions increasingly frustrating as the films went on.
The character that made this whole film for me was ninja baby and trickster, Noi. Plus her troop, The Ongis. I was roaring, and absolutely loved every scene they were in. The animation involved was so smooth and it perfectly fit their antics.
What I struggled with as I watched was the animation of Sisu. I liked the dragon style, and I liked the human style, but I didn't really like them together. Our human contingent seemed to be more traditional, and the dragons appeared to be more cartoonish in comparison. With Sisu, the mane and colours just stuck out and felt unnatural... yes, I know that's a ridiculous thing to say when talking about an animated dragon.
Voice cast in Raya and the Last Dragon was generally good, there wasn't anyone I would highlight over the others, but Sisu was the one that made me pause again. I'm growing to enjoy Awkwafina in films, but I'm not sure the pairing here was quite right.
I wasn't disappointed when I came out of the cinema, but at the same time I wasn't wowed. It didn't feel like a Disney offering, and I don't think I'll need to revisit it. There wasn't enough in it to hook my interest and keep me focused on anything that was happening. Perhaps it might have been different had Raya been a little less frustrating, but I don't think that would have given much of a boost to the film. I think what took me so long to publish this review was that I was having real trouble deciding on a score. I'm still not convinced by my choice, if I could put a shrug, I probably would.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/06/raya-and-last-dragon-movie-review.html
Kumandra was once a glorious place inhabited by humans and dragons in harmony. But when an enemy comes to ruin that, the dragons sacrifice themselves to save the humans. 500 years later the humans have learnt nothing from the sacrifice, and when greed takes hold of the tribes, the land is once again put in peril.
Essentially we're given a fantasy treasure hunt, that highlights the need for cooperation and community. That is definitely a strong point throughout the film. While it might not be based on something specific, it plays on a lot of different Asian cultures, the accuracy of which I'm afraid I wouldn't know. The different regions all had their own look and feel which I thought was a nice touch, but something felt like it needed more variety, and I'm not sure if that was something more diverse or different animation styles.
Of all the characters I actually found Raya to be the least engaging. Her eventual personality could be put down to how she''d grown up, but the choice to make her like that left me disliking her. Picking between her and Namaari was easy, Namaari's actions were consistent and she evolved in a positive way, and I really didn't feel that about Raya. I found her actions increasingly frustrating as the films went on.
The character that made this whole film for me was ninja baby and trickster, Noi. Plus her troop, The Ongis. I was roaring, and absolutely loved every scene they were in. The animation involved was so smooth and it perfectly fit their antics.
What I struggled with as I watched was the animation of Sisu. I liked the dragon style, and I liked the human style, but I didn't really like them together. Our human contingent seemed to be more traditional, and the dragons appeared to be more cartoonish in comparison. With Sisu, the mane and colours just stuck out and felt unnatural... yes, I know that's a ridiculous thing to say when talking about an animated dragon.
Voice cast in Raya and the Last Dragon was generally good, there wasn't anyone I would highlight over the others, but Sisu was the one that made me pause again. I'm growing to enjoy Awkwafina in films, but I'm not sure the pairing here was quite right.
I wasn't disappointed when I came out of the cinema, but at the same time I wasn't wowed. It didn't feel like a Disney offering, and I don't think I'll need to revisit it. There wasn't enough in it to hook my interest and keep me focused on anything that was happening. Perhaps it might have been different had Raya been a little less frustrating, but I don't think that would have given much of a boost to the film. I think what took me so long to publish this review was that I was having real trouble deciding on a score. I'm still not convinced by my choice, if I could put a shrug, I probably would.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/06/raya-and-last-dragon-movie-review.html
Ross (3284 KP) rated The Shattered Realm of Ardor Benn in Books
Mar 12, 2021
Fantastic fantasy heist follow-up
I received an advance copy of this book from the publishers and NetGalley in exchange for an honest review
The second Ardor Benn book is another epic tale of the ruse artist taking on the royal family. The first book saw Ard's efforts depose the current king and save the dragon race (and hence the world). Sadly, the replacement royalty is no better and the Great Chain is now scattered into different, warring islands. Ard finds himself embroiled in a plot to unearth the conspiracy that the new king's dead nephew, and the rightful heir, is not actually dead.
There is also an interesting new subplot where we see a university professor tasked with discovering new Grit types (the world's magic system, whereby different materials once digested and fired by a dragon produce different magical results). This angle, like the industrial/medical revolution is surprisingly thrilling, with additional intrigue as the results become the interests of some unsavoury characters.
Ard and Raek are once again superb and quickly put together a plot to infiltrate a secret criminal underworld and discover the whereabouts of the true king. The secrecy and plotting, and use of the world's magic makes for some excellent exciting passages.
There are the usual twists and turns along the way, as the security measures in place in the secret society make it hard for Ard to progress too quickly.
As with the first book, the true nature of this strange world is unveiled a little more over the course of the book in spectacular fashion.
A wonderful fun read.
The second Ardor Benn book is another epic tale of the ruse artist taking on the royal family. The first book saw Ard's efforts depose the current king and save the dragon race (and hence the world). Sadly, the replacement royalty is no better and the Great Chain is now scattered into different, warring islands. Ard finds himself embroiled in a plot to unearth the conspiracy that the new king's dead nephew, and the rightful heir, is not actually dead.
There is also an interesting new subplot where we see a university professor tasked with discovering new Grit types (the world's magic system, whereby different materials once digested and fired by a dragon produce different magical results). This angle, like the industrial/medical revolution is surprisingly thrilling, with additional intrigue as the results become the interests of some unsavoury characters.
Ard and Raek are once again superb and quickly put together a plot to infiltrate a secret criminal underworld and discover the whereabouts of the true king. The secrecy and plotting, and use of the world's magic makes for some excellent exciting passages.
There are the usual twists and turns along the way, as the security measures in place in the secret society make it hard for Ard to progress too quickly.
As with the first book, the true nature of this strange world is unveiled a little more over the course of the book in spectacular fashion.
A wonderful fun read.
The Raven and the Dove
8.5
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Four fates collide in this avian-inspired, epic fantasy retelling of Tristan and Isolde perfect for...
B (15 KP) rated Welcome to Night Vale in Podcasts
Jan 10, 2018
From the faceless old lady who secretly lives in your home
A fictitious but friendly desert community. Cecil Palmer narrates the goings on of strange characters, strange locations, and sometimes even stranger happenings. With characters like the librarians and the Glow Cloud (all hail) and locations of the Dog park one is lead to believe this town is but another boring stop along Highway 800. Very quickly, you realize the Faceless old woman who secretly lives in your home might be more than she seems. With friends like the blogger Hiram McDaniels, a literal five-headed dragon, who can breathe fire from at least one of those heads, crazy and exciting things are bound to happen.
Jessica Lupton (3 KP) rated Dragon Quest XI: Echoes of an Elusive Age in Video Games
Feb 28, 2019
For instance you can control all 4 characters in your party or decide to have 3 on automatic commands. Characters can either stay I a line or can be moved when it's their turn around the battle circle ,giving a great choice that can be played traditionally in a battle line of move players around the battle arena , giving a more engaged feeling with the fighting.
Overall story 8/10
Old school Jrpg feel 10/10
Battle /fighting mechanics 7/10(took me 40 hrs in game before i NEEDED to upgrade a character before a boss battle.However there is a hard mode to compensate which you are asked at the start of the game)
Overall story 8/10
Old school Jrpg feel 10/10
Battle /fighting mechanics 7/10(took me 40 hrs in game before i NEEDED to upgrade a character before a boss battle.However there is a hard mode to compensate which you are asked at the start of the game)
Awix (3310 KP) rated Q: The Winged Serpent (1982) in Movies
Mar 31, 2019 (Updated Mar 31, 2019)
Hugely likeable, tongue-in-cheek mash-up of monster movie and crime drama. An ancient Aztec dragon-bird-god begins terrorising window-cleaners, construction workers and other people on top of high buildings in New York. Small-time crook (Moriarty) comes across the lair but will only tell heroic detective (Carradine) if the price is right.
The stuff with the monster is grisly good fun, while the more down to earth scenes are lifted hugely by the terrific performance of Moriarty, who seems to think he's appearing in a John Cassavetes film. The special effects are heroically over-ambitious and a subplot about an Aztec cult committing human sacrifices feels like an awkward afterthought, but that just adds to the entertainment value of an unashamed exploitation movie, and a mighty fine one too.
The stuff with the monster is grisly good fun, while the more down to earth scenes are lifted hugely by the terrific performance of Moriarty, who seems to think he's appearing in a John Cassavetes film. The special effects are heroically over-ambitious and a subplot about an Aztec cult committing human sacrifices feels like an awkward afterthought, but that just adds to the entertainment value of an unashamed exploitation movie, and a mighty fine one too.
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