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Sassy Brit (97 KP) rated The Art of Hiding in Books
Jun 5, 2019
The Art of Hiding by Amanda Prowse is a solid story highlighting one family’s struggle to cope with a life changing event that not only turned their lives upside down in a blink of an eye, but forced them re-evaluate what was important to them. No easy feat, I can tell you!
Nina has it all, great house, loving husband, and two well-looked after kids who could literally have anything they wanted should they ask. But after tragedy strikes, and her husband Finn is killed in car accident, suddenly Nina is left with a mountain of debt and two ‘posh’ kids who do not know how to cope in the real world when everything they know is drastically all taken away from them.
I loved the fact that her husband was maybe not the good guy in all this either, I mean, how could he amount so much debt and not tell his own wife? What was he thinking? Yes, that’s right, he wasn’t! This also means that because of his past actions she now has to stick up for her husband when talking about him to her kids for their sake. He was their dad, after all. Difficult, though. Especially when deep down she’s angry about the secrets he’s been keeping from her when he was alive, and the impact it’s going to have on them all now he’s gone and left them with a mess to cope with.
What’s worse is there is absolutely nothing she can do to change that now. Life has to go on, and deal with this situation they must. If only he had talked to her they wouldn’t have been in this mess, but in all honesty, no one could foresee the accident. Isn’t that always the way? Makes you think, doesn’t it? Life can be taken away from you just like that *snaps fingers*.
I enjoyed seeing Nina’s character grow from strength to strength. Not only was she forced to turn her own life around and face the harsh reality of what her husband had done, she also had to help her kids through their struggles of losing their dad, their home, their school, friends, and everything they ever thought was their life, as they knew it. I can’t imagine living such an affluent life only to have it all taken away like that, but I can imagine it to be a realistic issue that could happen to someone very easily. This is exactly why I enjoyed this book immensely. The emotional depth and self discovery that Nina and her kids went through was a treat to read! (Oh, that sounds rather sadistic of me!) In fact, It was so good I even shed a tear. You know, the sad but happy, mixed feelings kind?
In a way this is not the physiological thriller I expected, but more of a family drama.
If you haven’t got your hands on this compelling book yet, don’t delay any longer! If it SOUNDS like something you’d like, it will most likely BE something you’d LOVE! Amanda Prowse knows how to tell a realistic story that tugs on your heartstrings, and really makes you think. A well written story of love, lies and one’s determination to do whatever it takes to protect her family during a time of crisis and disarray.
Thank you to the author, and Netgalley for my copy in exchange for my unbiased opinion. Actually, I also won this paperback version in a Goodreads contest.
Nina has it all, great house, loving husband, and two well-looked after kids who could literally have anything they wanted should they ask. But after tragedy strikes, and her husband Finn is killed in car accident, suddenly Nina is left with a mountain of debt and two ‘posh’ kids who do not know how to cope in the real world when everything they know is drastically all taken away from them.
I loved the fact that her husband was maybe not the good guy in all this either, I mean, how could he amount so much debt and not tell his own wife? What was he thinking? Yes, that’s right, he wasn’t! This also means that because of his past actions she now has to stick up for her husband when talking about him to her kids for their sake. He was their dad, after all. Difficult, though. Especially when deep down she’s angry about the secrets he’s been keeping from her when he was alive, and the impact it’s going to have on them all now he’s gone and left them with a mess to cope with.
What’s worse is there is absolutely nothing she can do to change that now. Life has to go on, and deal with this situation they must. If only he had talked to her they wouldn’t have been in this mess, but in all honesty, no one could foresee the accident. Isn’t that always the way? Makes you think, doesn’t it? Life can be taken away from you just like that *snaps fingers*.
I enjoyed seeing Nina’s character grow from strength to strength. Not only was she forced to turn her own life around and face the harsh reality of what her husband had done, she also had to help her kids through their struggles of losing their dad, their home, their school, friends, and everything they ever thought was their life, as they knew it. I can’t imagine living such an affluent life only to have it all taken away like that, but I can imagine it to be a realistic issue that could happen to someone very easily. This is exactly why I enjoyed this book immensely. The emotional depth and self discovery that Nina and her kids went through was a treat to read! (Oh, that sounds rather sadistic of me!) In fact, It was so good I even shed a tear. You know, the sad but happy, mixed feelings kind?
In a way this is not the physiological thriller I expected, but more of a family drama.
If you haven’t got your hands on this compelling book yet, don’t delay any longer! If it SOUNDS like something you’d like, it will most likely BE something you’d LOVE! Amanda Prowse knows how to tell a realistic story that tugs on your heartstrings, and really makes you think. A well written story of love, lies and one’s determination to do whatever it takes to protect her family during a time of crisis and disarray.
Thank you to the author, and Netgalley for my copy in exchange for my unbiased opinion. Actually, I also won this paperback version in a Goodreads contest.
Movie Metropolis (309 KP) rated Avatar (2009) in Movies
Jun 10, 2019
James Cameron has had his work cut out trying to eclipse the success of his previous film Titanic, way back in 1997 and to this day it remains the highest grossing film of all time. It’s hard to believe that it’s been 12 years since his name was plastered on the big screen but he’s back with Avatar, a science fiction epic to rival Titanic’s crown.
Avatar has been marketed to death with 10-minute trailers littering cinemas across the globe and it hasn’t stopped there, James Cameron has been parading himself and the films stars around like toy soldiers to ensure it receives as much attention as he thinks it deserves, but is it actually any good?
Let’s start with the premise, an ex marine (Sam Worthington) who has been paralysed from the waist down in battle has been sent to an alien planet called Pandora to help mine for a very valuable metal and would you believe it, it’s name is ‘Unobtainium’, no jokes. Whilst there, he meets the Na’vi, an alien race that resemble giant smurfs. He becomes intrigued by their way of life, not to mention falling in love with one of them (Zoe Saldana). No, I’m not kidding and yes it does sound ridiculous.
The film starts pretty slowly, but then again at just under three hours long it has plenty of time to build momentum and after those first 10-minutes you get sucked into the whole environment of Pandora in the most dazzling 3D I have ever seen in the cinema. The special effects are complimented perfectly with the 3D experience and the alien environment is stunning, so stunning in fact that you have to see it, to believe it.
Considering the story is about blue smurf like aliens and is to say the least, a little thin on the ground; I was surprised to be sat there with all different kinds of emotion splattered across my face. One minute I would be wanting to shout out at the screen in sheer rage at what was going on, other times I would be sobbing my heart out in some of the most upsetting scenes I have seen in a modern Sci-fi. It just doesn’t happen, Sci-fi and tears just don’t go together; it’s like eating chocolate with fish. The transition between action, thriller, comedy and drama is exceptionally watertight and Avatar blends these genres all perfectly to form what is a complete package of a film.
Unfortunately, whilst the acting is sublime from most corners, with Zoe Saldana being the stand out performance as one of the female Na’vi, some of the human actors don’t really get enough screen time; annoying considering the films length. Sigourney Weaver is viciously underused and even though she plays her character with brilliance, she needed more screen time to fully develop the role.
Thankfully though, Cameron’s film limits the faults to those few and Avatar remains a magical ride, which whilst not being utterly original, reeks of box office championship and may just take over Titanic as the biggest film of all time.
Avatar is then, what everyone had ever wanted it to be, it combines unparalleled special effects in superb 3D with fabulous performances from the actors who really looked like they wanted to be in their roles. Trust the hype and you will witness history in the making.
https://moviemetropolis.net/2010/10/17/avatar-2009/
Avatar has been marketed to death with 10-minute trailers littering cinemas across the globe and it hasn’t stopped there, James Cameron has been parading himself and the films stars around like toy soldiers to ensure it receives as much attention as he thinks it deserves, but is it actually any good?
Let’s start with the premise, an ex marine (Sam Worthington) who has been paralysed from the waist down in battle has been sent to an alien planet called Pandora to help mine for a very valuable metal and would you believe it, it’s name is ‘Unobtainium’, no jokes. Whilst there, he meets the Na’vi, an alien race that resemble giant smurfs. He becomes intrigued by their way of life, not to mention falling in love with one of them (Zoe Saldana). No, I’m not kidding and yes it does sound ridiculous.
The film starts pretty slowly, but then again at just under three hours long it has plenty of time to build momentum and after those first 10-minutes you get sucked into the whole environment of Pandora in the most dazzling 3D I have ever seen in the cinema. The special effects are complimented perfectly with the 3D experience and the alien environment is stunning, so stunning in fact that you have to see it, to believe it.
Considering the story is about blue smurf like aliens and is to say the least, a little thin on the ground; I was surprised to be sat there with all different kinds of emotion splattered across my face. One minute I would be wanting to shout out at the screen in sheer rage at what was going on, other times I would be sobbing my heart out in some of the most upsetting scenes I have seen in a modern Sci-fi. It just doesn’t happen, Sci-fi and tears just don’t go together; it’s like eating chocolate with fish. The transition between action, thriller, comedy and drama is exceptionally watertight and Avatar blends these genres all perfectly to form what is a complete package of a film.
Unfortunately, whilst the acting is sublime from most corners, with Zoe Saldana being the stand out performance as one of the female Na’vi, some of the human actors don’t really get enough screen time; annoying considering the films length. Sigourney Weaver is viciously underused and even though she plays her character with brilliance, she needed more screen time to fully develop the role.
Thankfully though, Cameron’s film limits the faults to those few and Avatar remains a magical ride, which whilst not being utterly original, reeks of box office championship and may just take over Titanic as the biggest film of all time.
Avatar is then, what everyone had ever wanted it to be, it combines unparalleled special effects in superb 3D with fabulous performances from the actors who really looked like they wanted to be in their roles. Trust the hype and you will witness history in the making.
https://moviemetropolis.net/2010/10/17/avatar-2009/
Movie Metropolis (309 KP) rated Only The Brave (2017) in Movies
Jun 10, 2019
One of the year's best films
Films based on true events are ten-a-penny these days. From 2015s stunning American Sniper and 2016s breath-taking Deepwater Horizon to the critically acclaimed Patriots Day, there seems to be no stopping the ‘true to life’ variety of movies that has suddenly become very popular.
The trouble is, getting the films right is trickier than for any other genre. Not only do you have to please the audience with bombastic spectacle, you have to respect the events that caused them to exist in the first place. The new kid on the block is Only the Brave. But does this tale of the Granite Mountain Hotshots do their incredibly tragic story justice?
Through hope, determination, sacrifice and the drive to protect families and communities, the Granite Mountain Hotshots become one of the most elite firefighting teams in the country. While most people run from danger, they run toward it — watching over lives, homes and everything people hold dear, forging a unique brotherhood that comes into focus with one fateful fire in Yarnell, Arizona.
With a cast that includes the likes of Jeff Bridges, Miles Teller, Josh Brolin, Jennifer Connelly and Andie MacDowell to name but a few, there’s no denying there is some seriously good talent on offer here. After researching the people these characters are based on, it appears that director Joseph Kosinski – who just so happens to be directing the long-awaited Top Gun sequel – has picked the perfect group of actors to portray them.
Teller is frankly, outstanding as troubled Brendan McDonough, joining the Hotshots after leaving his life of crime and addiction behind him. Josh Brolin is his ever-magnetic self as group leader Eric Marsh and the legendary Jeff Bridges really needs no introduction. The cast ooze class in every frame.
Cinematography wise, the lush landscapes of Arizona lend themselves perfectly to a beautifully shot film that features intense CGI and tasteful practical effects. Make no mistake though, this is not an action film and it feels all the better for it. While the fires themselves are mightily impressive and rendered with magnificent detail and precision, the real action here is in the human drama, of which there is an abundance.
The fact that this touching story is based on true events means that the subject matter needs to be handled as sensitively as possible and in that respect, Only the Brave has succeeded on every level. The touching tribute to these incredible men before the end credits proves to be a final emotional gut-punch after 2 hours of absolute excellence.
The script is good at making us feel for these people through their daily personal lives and their professional mentalities. In fact, it’s so well written, it may just be one of the best scripts I’ve had the pleasure of watching come to life all year and coupled with the glorious airborne shots, it makes for a deeply immersive film.
Only the Brave isn’t a film that shouts about any one thing it does well. Instead Joseph Kosinski rallies a phenomenal cast in a film that is beautifully written, exquisitely acted and is a fitting but perhaps most importantly, touching, tribute to the men who desperately tried to protect those around them.
https://moviemetropolis.net/2017/11/11/only-the-brave-review/
The trouble is, getting the films right is trickier than for any other genre. Not only do you have to please the audience with bombastic spectacle, you have to respect the events that caused them to exist in the first place. The new kid on the block is Only the Brave. But does this tale of the Granite Mountain Hotshots do their incredibly tragic story justice?
Through hope, determination, sacrifice and the drive to protect families and communities, the Granite Mountain Hotshots become one of the most elite firefighting teams in the country. While most people run from danger, they run toward it — watching over lives, homes and everything people hold dear, forging a unique brotherhood that comes into focus with one fateful fire in Yarnell, Arizona.
With a cast that includes the likes of Jeff Bridges, Miles Teller, Josh Brolin, Jennifer Connelly and Andie MacDowell to name but a few, there’s no denying there is some seriously good talent on offer here. After researching the people these characters are based on, it appears that director Joseph Kosinski – who just so happens to be directing the long-awaited Top Gun sequel – has picked the perfect group of actors to portray them.
Teller is frankly, outstanding as troubled Brendan McDonough, joining the Hotshots after leaving his life of crime and addiction behind him. Josh Brolin is his ever-magnetic self as group leader Eric Marsh and the legendary Jeff Bridges really needs no introduction. The cast ooze class in every frame.
Cinematography wise, the lush landscapes of Arizona lend themselves perfectly to a beautifully shot film that features intense CGI and tasteful practical effects. Make no mistake though, this is not an action film and it feels all the better for it. While the fires themselves are mightily impressive and rendered with magnificent detail and precision, the real action here is in the human drama, of which there is an abundance.
The fact that this touching story is based on true events means that the subject matter needs to be handled as sensitively as possible and in that respect, Only the Brave has succeeded on every level. The touching tribute to these incredible men before the end credits proves to be a final emotional gut-punch after 2 hours of absolute excellence.
The script is good at making us feel for these people through their daily personal lives and their professional mentalities. In fact, it’s so well written, it may just be one of the best scripts I’ve had the pleasure of watching come to life all year and coupled with the glorious airborne shots, it makes for a deeply immersive film.
Only the Brave isn’t a film that shouts about any one thing it does well. Instead Joseph Kosinski rallies a phenomenal cast in a film that is beautifully written, exquisitely acted and is a fitting but perhaps most importantly, touching, tribute to the men who desperately tried to protect those around them.
https://moviemetropolis.net/2017/11/11/only-the-brave-review/
Brown_Flopsy (3 KP) rated Thirteen Reasons Why: (TV Tie-in) in Books
Feb 4, 2018
Contains spoilers, click to show
As a school librarian and in light of the recent Netflix adaptation of this book, I felt that I should read it.
Firstly, I don't think this book actively promotes suicide. I actually think it is the intention of the author to make us think about how our actions affect other people's lives. It is not about revenge. It is about changing your actions...making time to talk to that person you think may need someone to talk to....being kinder. Listening to the tapes makes Clay appreciate that a person's actions can influence another's life in ways you do not realise and that making an effort to really get to know someone else can help them be happier if they are struggling.
However, this is definitely not a book to be given to someone who is suffering from depression. This is not a self-help book. Hannah is in a cycle of self-destruction, a downward spiral she is not able to escape from. She has already made up her mind that she cannot carry on and I am not sure she can be diverted from her course in the end. Mr Porter tries to help her talk, but unintentionally confirms the decision she has already made. I have not suffered from depression myself, but am very aware of what this can lead to and I can see that the book could be read in a way which could offer suicide as an option to someone who is in a dark place.
If you are worried about whether to recommend this book, or allow a young person to read this, my advice would be that this is not a story for younger children - this is a dark and sometimes sexual story and does have a rape in it. I would not recommend this book for anyone under the age of 15/16, because of this.
In addition, be aware that this is not a story for someone who suffers from depression as it can be read in a way which seems to offer suicide as an acceptable option if you can see youself in the same place as Hannah finds herself, although this is not its intention. Be aware of who is reading this book. It is, however an interesting read and does open the discussion about suicide, just be careful about who you recommend this to and do talk about it with them both before and afterwards.
Having said all this, I did enjoy reading the book and don't believe that the author intends anything dark by it or suggests intentionally that suicide is a way to get revenge on others.
The Netflix series worries me far more than the book itself. This strings out the story in a way which seems to glamorise Hannah's tapes and the idea of revenge on those that caused her suffering to make it into a "teen drama full of angst". I would be very worried about letting youngsters watch this series.
The Netflix series is horrific. This oringinally had a certificate of 15, but this was been amended to 18. The tv show definitely does not leave you with the same feelings as the book and most certainly is not for children. The final episode even shows Hannah sitting in a bath and cutting into her veins with a razor blade. Please do not watch this if you liked the book. Jay Asher, you should be ashamed that you had anything to do with this!
Firstly, I don't think this book actively promotes suicide. I actually think it is the intention of the author to make us think about how our actions affect other people's lives. It is not about revenge. It is about changing your actions...making time to talk to that person you think may need someone to talk to....being kinder. Listening to the tapes makes Clay appreciate that a person's actions can influence another's life in ways you do not realise and that making an effort to really get to know someone else can help them be happier if they are struggling.
However, this is definitely not a book to be given to someone who is suffering from depression. This is not a self-help book. Hannah is in a cycle of self-destruction, a downward spiral she is not able to escape from. She has already made up her mind that she cannot carry on and I am not sure she can be diverted from her course in the end. Mr Porter tries to help her talk, but unintentionally confirms the decision she has already made. I have not suffered from depression myself, but am very aware of what this can lead to and I can see that the book could be read in a way which could offer suicide as an option to someone who is in a dark place.
If you are worried about whether to recommend this book, or allow a young person to read this, my advice would be that this is not a story for younger children - this is a dark and sometimes sexual story and does have a rape in it. I would not recommend this book for anyone under the age of 15/16, because of this.
In addition, be aware that this is not a story for someone who suffers from depression as it can be read in a way which seems to offer suicide as an acceptable option if you can see youself in the same place as Hannah finds herself, although this is not its intention. Be aware of who is reading this book. It is, however an interesting read and does open the discussion about suicide, just be careful about who you recommend this to and do talk about it with them both before and afterwards.
Having said all this, I did enjoy reading the book and don't believe that the author intends anything dark by it or suggests intentionally that suicide is a way to get revenge on others.
The Netflix series worries me far more than the book itself. This strings out the story in a way which seems to glamorise Hannah's tapes and the idea of revenge on those that caused her suffering to make it into a "teen drama full of angst". I would be very worried about letting youngsters watch this series.
The Netflix series is horrific. This oringinally had a certificate of 15, but this was been amended to 18. The tv show definitely does not leave you with the same feelings as the book and most certainly is not for children. The final episode even shows Hannah sitting in a bath and cutting into her veins with a razor blade. Please do not watch this if you liked the book. Jay Asher, you should be ashamed that you had anything to do with this!
Kristy H (1252 KP) rated Best Intentions in Books
Feb 13, 2018
Marti Trailor is a beleaguered mother of three young children, struggling to hold on to any pieces of her own self as she takes care of her household and family while her husband, Elliot, works endless hours as an obstetrician. When her youngest daughter starts kindergarten, Marti, a former social worker, decides to go back to work. She gets a job, which, coincidentally happens to be in her husband's hospital--something he doesn't seem too thrilled about. Once there, Marti realizes just how overworked many of the doctors are. She also can't help but get a little too involved in the lives of her clients. It's while helping a client--and skirting that precarious line between social worker and friend--that Marti sees something horrible happen at the hospital. This event will change the course of her life forever and threaten everything she holds dear.
<i>This was an interesting novel, to say the least.</i> I was immediately drawn to it, as the author apparently lives in Charlottesville, my hometown. This book is set in Richmond, VA, and she certainly captures the area and the state quite well.
The book is told entirely from Marti's perspective and it takes a little while to fall into the pattern of reading, as present-tense and past-tense are presented together in the chapters without any break (at least they were in my ARC), leaving you a bit confused at first. The back and forth can be a little awkward and jarring in the beginning, though once you get used to it, it's a pretty compelling device. The novel isn't exactly exciting in a thriller-type way, but there's <i>a fascinating element to it that keeps you reading.</i>
There's a lot going on in this book--marital issues, a discussion on hospital policies, Marti juggling work and motherhood, investigative journalism, discussion into Richmond politics, etc. Sometimes it seems a little too much: did Marti really need to be the daughter of a Congressman, for instance?
Still, Raskin is a descriptive writer, and her prose is fairly easy to read, and again, as I mentioned, it's a hard-to-put down book. She had me from nearly the beginning, when she described one of the characters as "Tommy Lee Jones in his heyday cute." (She gets me, she really gets me, I thought!)
As the novel progresses, I found it almost Jodi Picoult-esque. There's a strong emphasis on character development, courtroom drama, and plot elements designed to make you think. Sure, the characters are drawn a bit black and white--Elliot bad, Marti good, but it works: Elliot is just so awful you cannot help but like Marti even more. Did I find the novel quite as persuasive and enjoyable as Picoult in her heyday? No. But that's pretty hard to do.
Overall, I enjoyed this one. It's descriptive, oddly compelling, and was a nice change of pace from the thrillers I've been reading lately. Definitely worth a read. I'd go with around 3.75 stars, rounded up to 4 here.
I received a copy of this novel from the publisher and Netgalley (thank you!); it is available everywhere as of 08/15/2017.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a>; ~ <a href="https://www.instagram.com/justacatandabook/">Instagram</a>; </center>
<i>This was an interesting novel, to say the least.</i> I was immediately drawn to it, as the author apparently lives in Charlottesville, my hometown. This book is set in Richmond, VA, and she certainly captures the area and the state quite well.
The book is told entirely from Marti's perspective and it takes a little while to fall into the pattern of reading, as present-tense and past-tense are presented together in the chapters without any break (at least they were in my ARC), leaving you a bit confused at first. The back and forth can be a little awkward and jarring in the beginning, though once you get used to it, it's a pretty compelling device. The novel isn't exactly exciting in a thriller-type way, but there's <i>a fascinating element to it that keeps you reading.</i>
There's a lot going on in this book--marital issues, a discussion on hospital policies, Marti juggling work and motherhood, investigative journalism, discussion into Richmond politics, etc. Sometimes it seems a little too much: did Marti really need to be the daughter of a Congressman, for instance?
Still, Raskin is a descriptive writer, and her prose is fairly easy to read, and again, as I mentioned, it's a hard-to-put down book. She had me from nearly the beginning, when she described one of the characters as "Tommy Lee Jones in his heyday cute." (She gets me, she really gets me, I thought!)
As the novel progresses, I found it almost Jodi Picoult-esque. There's a strong emphasis on character development, courtroom drama, and plot elements designed to make you think. Sure, the characters are drawn a bit black and white--Elliot bad, Marti good, but it works: Elliot is just so awful you cannot help but like Marti even more. Did I find the novel quite as persuasive and enjoyable as Picoult in her heyday? No. But that's pretty hard to do.
Overall, I enjoyed this one. It's descriptive, oddly compelling, and was a nice change of pace from the thrillers I've been reading lately. Definitely worth a read. I'd go with around 3.75 stars, rounded up to 4 here.
I received a copy of this novel from the publisher and Netgalley (thank you!); it is available everywhere as of 08/15/2017.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a>; ~ <a href="https://www.instagram.com/justacatandabook/">Instagram</a>; </center>
postapocalypticplayground (27 KP) rated The Cruel Prince in Books
Mar 12, 2018
Underwhelming sadly
I’m feeling a little underwhelmed if I’m honest, I have never read a Holly Black book before and with the hype surrounding this I fully felt I would be blown away, I was left with a gentle simmer. I have to say I really didn’t enjoy the characters and I’m finding it hard to think of one that was particularly likeable. Jude and her sister Tarryn are now living as wards of the man who brutally murdered their parents when they were very young, yet they seem to embrace him and throughout it doesn’t appear to be any thirst for revenge against him that fuels her, instead it seems to be focused on the torment and bullying she receives from the “cruel” prince Carden and getting back at him and his posse. I say “cruel” because it’s actually quite ambiguous, there are plenty of princes who are truly cruel in this story, more so than Carden who is just a by product of his experiences. I certainly wouldn’t agree with the blurb that he is the “wickedest of the Kings sons.” All the male characters are written without much in the way of redeeming features and most of the girls are scheming. Sadly, I didn’t really care about Jude and I found the situations she found herself in slowly more and more ludicrous almost as if it was ultimately forgotten that she was human playing fae.
However, after the first 8 chapters the story moves from High School drama to something more fantasy based, Jude finds herself tasked with an unusual role which she hopes will find her favour within the court (Tarryn gets reduced to wanting to be a good little wife to a high lord – urgh) and ultimately secure her a role in which she will win respect. Jude must learn to become tough, to learn secrets and to ultimately become a pawn in a much larger game for power. Despite my reservations Holly Black worked some magic on me that led me to not want to put the book down, there were twists and turns, truths and lies, and a plot that left me reeling, if not a little confused sometimes. It’s a book that feels like it is trying to be many things, there is one scene that feels particularly Game of Thrones esq, but it does for the most part mange to keep it’s own identity.
I have struggled to write this review and I did hover between 2 and 3 stars for a long time, I have decided on 3 as for about 2/3 I did actually enjoy the underlying story, if not the characters themselves. I found it richly woven with plenty to keep me thinking ahead and an intriguing back story. There are a number of games in play and lots of clues of being dotted around, unfortunately Jude is too caught up to put the pieces together properly which isn’t surprising as even I was struggling to keep up with all the things going on! Despite myself, I will probably read book 2 as for some reason that I can’t entirely fathom I really want to know what happens next, perhaps it’s a glamour from the pages themselves…….
However, after the first 8 chapters the story moves from High School drama to something more fantasy based, Jude finds herself tasked with an unusual role which she hopes will find her favour within the court (Tarryn gets reduced to wanting to be a good little wife to a high lord – urgh) and ultimately secure her a role in which she will win respect. Jude must learn to become tough, to learn secrets and to ultimately become a pawn in a much larger game for power. Despite my reservations Holly Black worked some magic on me that led me to not want to put the book down, there were twists and turns, truths and lies, and a plot that left me reeling, if not a little confused sometimes. It’s a book that feels like it is trying to be many things, there is one scene that feels particularly Game of Thrones esq, but it does for the most part mange to keep it’s own identity.
I have struggled to write this review and I did hover between 2 and 3 stars for a long time, I have decided on 3 as for about 2/3 I did actually enjoy the underlying story, if not the characters themselves. I found it richly woven with plenty to keep me thinking ahead and an intriguing back story. There are a number of games in play and lots of clues of being dotted around, unfortunately Jude is too caught up to put the pieces together properly which isn’t surprising as even I was struggling to keep up with all the things going on! Despite myself, I will probably read book 2 as for some reason that I can’t entirely fathom I really want to know what happens next, perhaps it’s a glamour from the pages themselves…….
Alice (12 KP) rated The Silver Tide (The Copper Cat, #3) in Books
Jul 3, 2018
My 200th book of the year was the final installment in Jen Williams’ The Copper Cat trilogy The Silver Tide and was it a doozie! The Copper Cat trilogy has got to be the best series I’ve read this year, so much so that I devoured it easily. It was without a doubt the best book of the trilogy with characters we’d only heard passing mentions of in the previous ones coming full circle and smacking us in the face. Devinia the Red? FTW!
The Silver Tide brought several running story arcs to a close nicely with just the right amount of action, drama and hate. Now I use the term hate lightly because it wasn’t hate from me but hate of some of the characters who originally I thought were good people – boy was I wrong.
The Silver Tide was the best title and I waited until right near the end to find out what the relevance of that was. Oh it was so good! I tweeted Jen Williams just before I got there grumbling because Sebastian was being abused in the book as a character and then I read the ending and my decision changed entirely.
This book had the same easy flow of dialogue and prose with character descriptions and world building in abundance – by world building, I don’t mean the standard Ede but a new “world” called Euriale where all sorts of weird and wonderful beasties and plants to die for – literally. This new world had some wonderful if slightly psychotic characters in it and there were pirates everywhere, several of those were psychotic as well.
The storyline for this book was based around Euriale and involved time travel, long dead gods and characters who have died and been reborn; Estenn a character who is half-mad at the beginning of the book and completely mad by the time Wydrin kicked her psycho butt is a new one, she’s entirely consumed by the Twins – Res’ni and Res’na – and believes herself to the their Emissary and it is because of Estenn that things happen in this book: good and innocent people die for her cause and Y’Gria followed by Y’Ruen, Res’ni and Res’na aid her in slaughtering the mages in a time gone by.
The ending, although sad because it ended, was brilliant. It was lovely seeing Sebastian finally get his happily ever after especially after the few disastrous attempts he made in the first two books – Oster and Sebastian I ship it. Dragon with dragon-kin oh yes! There was also a major overabundance of dragons and dragon-kin in this book and some pretty sweet new magical powers for Frith which was super.
Wydrin had her moments as always and this book was fantastically British in a lot of ways; including copious use of the words “fuck” and “mum” which I liked. I really can’t fault Wydrin Threefellows character in any way, shape or form and she went through some particularly freaky things in this book (when comparing the other books to this one, definitely freaky-deaky).
In all, this series was brilliant, it was a fantastic read all round and I’ve already got two people I know wanting to steal the series from me so they can read it on their own.
The Silver Tide brought several running story arcs to a close nicely with just the right amount of action, drama and hate. Now I use the term hate lightly because it wasn’t hate from me but hate of some of the characters who originally I thought were good people – boy was I wrong.
The Silver Tide was the best title and I waited until right near the end to find out what the relevance of that was. Oh it was so good! I tweeted Jen Williams just before I got there grumbling because Sebastian was being abused in the book as a character and then I read the ending and my decision changed entirely.
This book had the same easy flow of dialogue and prose with character descriptions and world building in abundance – by world building, I don’t mean the standard Ede but a new “world” called Euriale where all sorts of weird and wonderful beasties and plants to die for – literally. This new world had some wonderful if slightly psychotic characters in it and there were pirates everywhere, several of those were psychotic as well.
The storyline for this book was based around Euriale and involved time travel, long dead gods and characters who have died and been reborn; Estenn a character who is half-mad at the beginning of the book and completely mad by the time Wydrin kicked her psycho butt is a new one, she’s entirely consumed by the Twins – Res’ni and Res’na – and believes herself to the their Emissary and it is because of Estenn that things happen in this book: good and innocent people die for her cause and Y’Gria followed by Y’Ruen, Res’ni and Res’na aid her in slaughtering the mages in a time gone by.
The ending, although sad because it ended, was brilliant. It was lovely seeing Sebastian finally get his happily ever after especially after the few disastrous attempts he made in the first two books – Oster and Sebastian I ship it. Dragon with dragon-kin oh yes! There was also a major overabundance of dragons and dragon-kin in this book and some pretty sweet new magical powers for Frith which was super.
Wydrin had her moments as always and this book was fantastically British in a lot of ways; including copious use of the words “fuck” and “mum” which I liked. I really can’t fault Wydrin Threefellows character in any way, shape or form and she went through some particularly freaky things in this book (when comparing the other books to this one, definitely freaky-deaky).
In all, this series was brilliant, it was a fantastic read all round and I’ve already got two people I know wanting to steal the series from me so they can read it on their own.
LilyLovesIndie (123 KP) rated A Tumble Through Time in Books
Nov 5, 2018
A Tumble Through Time is a wonderful frolic in the Wild West. When everything is going wrong for Anna, she suddenly finds herself in Kansas, 1870. A slow burning love for the town Marshal, Wes, develops and before you know it, it's love, but for how long?
I was provided a complimentary copy of this book by the author in return for an honest review, and I'm pretty certain Callie Hutton is going to be pretty pleased with it! But firstly, I must thank her for offering me this book to read as it was an absolute delight from start to finish.
Let's start with the plot, time travel meets romance, meets a bit of tragedy, meets a lovely ending. Hutton is spot on with her pace, plot development, writing style and story. It ambles at a lovely easy read pace, and has the feel of a book that you can easily slip in and out of, just like a pair of old jeans! But at times, the drama in the story picks up the pace and makes for irresistible reading. However, for me, the most important point to make is how familiar it feels when you return to the book after a short reading break (and believe me when I say short!) as it feels like you never put the book down. As someone who is frequently interrupted whilst reading, that's a really important thing for me.
Next, we have the characters. Anna and Wes are a delight to read, their love isn't cheesy or over the top, and the sex scenes are incredibly well written. The characters are believable and that makes it so easy to invest your emotions and time into reading about their lives, even if Anna is a bit of a 'modern woman', it's just lovely to see the contrast of times and upbringing completely demolished by their love for each other. In fact, if anything, it made me feel 'loved up' because I was bathed in their happy glow.
One of the final things I feel needs to be pointed out is how historically accurate the book is. This area of history is one of great interest to me, and I like my books to be accurate. Whether it's 'Indian Territory' or Kansas, it's clear how much effort has gone into researching this story, especially the accents. The dialects are fantastically well written, and it was easy to find yourself actually hearing the cowboys and little familiar ditties you've all heard in the classic Wild West movies, and it all adds to how believable the tale is, developing the atmosphere to such an extent you actually think you're there in Denton.
Finally, I suppose there's nothing else to say apart from go and get yourself a copy of this book. It's a delight from cover to cover, and I cannot honestly recommend it highly enough. If you like a bit of romance, a bit of action, a bit of time travel or even just something nice and easy to read sat by the poolside on your holiday then look no further. Callie Hutton is a fantastic and very talented author and I look forward to reading more of her work.
I was provided a complimentary copy of this book by the author in return for an honest review, and I'm pretty certain Callie Hutton is going to be pretty pleased with it! But firstly, I must thank her for offering me this book to read as it was an absolute delight from start to finish.
Let's start with the plot, time travel meets romance, meets a bit of tragedy, meets a lovely ending. Hutton is spot on with her pace, plot development, writing style and story. It ambles at a lovely easy read pace, and has the feel of a book that you can easily slip in and out of, just like a pair of old jeans! But at times, the drama in the story picks up the pace and makes for irresistible reading. However, for me, the most important point to make is how familiar it feels when you return to the book after a short reading break (and believe me when I say short!) as it feels like you never put the book down. As someone who is frequently interrupted whilst reading, that's a really important thing for me.
Next, we have the characters. Anna and Wes are a delight to read, their love isn't cheesy or over the top, and the sex scenes are incredibly well written. The characters are believable and that makes it so easy to invest your emotions and time into reading about their lives, even if Anna is a bit of a 'modern woman', it's just lovely to see the contrast of times and upbringing completely demolished by their love for each other. In fact, if anything, it made me feel 'loved up' because I was bathed in their happy glow.
One of the final things I feel needs to be pointed out is how historically accurate the book is. This area of history is one of great interest to me, and I like my books to be accurate. Whether it's 'Indian Territory' or Kansas, it's clear how much effort has gone into researching this story, especially the accents. The dialects are fantastically well written, and it was easy to find yourself actually hearing the cowboys and little familiar ditties you've all heard in the classic Wild West movies, and it all adds to how believable the tale is, developing the atmosphere to such an extent you actually think you're there in Denton.
Finally, I suppose there's nothing else to say apart from go and get yourself a copy of this book. It's a delight from cover to cover, and I cannot honestly recommend it highly enough. If you like a bit of romance, a bit of action, a bit of time travel or even just something nice and easy to read sat by the poolside on your holiday then look no further. Callie Hutton is a fantastic and very talented author and I look forward to reading more of her work.
Gareth von Kallenbach (980 KP) rated Hotel Artemis (2018) in Movies
Jun 19, 2019
Los Angeles of 2028 is a riot laden area where Martial Law is the norm and brutality is a way of life. Amidst this setting, the Hotel Artemis is open for business.. The Artemis is not your typical hotel as it provides emergency medical services to members who engage in criminal activities.
The Nurse (Jodie Foster) runs the facility and with the help of her massive Orderly Everest (Dave Bautista), they ensure that only members get admitted and follow the rules as well as receive state of the art care while in the facility.
Guests at the facility are giving names based on the suite in which they are assigned which involve geographical locales and there are a very strict set of rules they must follow such as no guns, bombs, killing other guests, and so on.
The Hotel Artemis is not a simple stitch and bandage facility as they offer advanced medical services such as Nanites, replacement organ printing, robotic A.I. medical treatment and other services which in 2018 seem like Science Fiction.
Enter Waikiki (Sterling K. Brown), who has tried to leave his criminal past behind him yet was savvy enough to keep paying his membership fees at the Artemis all the while. He and his brother have been injured in a heist and with the city under a deadly riot, they make their way to the Artemis to get treatment and hide out from the chaos outside.
Thanks to their services, the hotel is rarely empty and an Arms Dealer named Acapulco (Charlie Day), and an assassin named Nice (Sofia Boutella), are also in residence. The fact that Nice and Waikiki have a past association makes things a bit interesting as guests are always mindful of those around them even though the strict rules of membership exist to ward off any threats or danger to the guests or staff.
Complications arise when the near capacity hotel is informed that the Wolf King of L.A. (Jeff Goldblum) is en- route. The Nurse opts to follow the rules of first come first served and in doing so enrages his son (Zachary Quinto), who decided to barricade the Hotel to make sure nobody gets in before his father, who incidentally owns the facility.
As if this was not enough of a complication, a police officer from troubled past of The Nurse arrives begging for help which sets a very dangerous chain of events into motion.
The film is a very fresh and entertaining story filled with interesting characters, strong performances, and just enough action to keep the film moving along but yet keeping the focus as a character based drama.
First time Director Drew Pearce gets the most of his cast and has used his script to create a very entertaining and unique film that is well worth a watch. It is so nice to see Jodie Foster showing us once again that she is one of the most gifted actresses of our time as the two-time Oscar winner goes all in to portray a very damaged and troubled character who for what she lacks in glamour; more than makes up for with a determined strength.
I hope this film is a success as I would love to see more stories from the Hotel as I really enjoyed the film from start to finish.
http://sknr.net/2018/06/07/hotel-artemis/
The Nurse (Jodie Foster) runs the facility and with the help of her massive Orderly Everest (Dave Bautista), they ensure that only members get admitted and follow the rules as well as receive state of the art care while in the facility.
Guests at the facility are giving names based on the suite in which they are assigned which involve geographical locales and there are a very strict set of rules they must follow such as no guns, bombs, killing other guests, and so on.
The Hotel Artemis is not a simple stitch and bandage facility as they offer advanced medical services such as Nanites, replacement organ printing, robotic A.I. medical treatment and other services which in 2018 seem like Science Fiction.
Enter Waikiki (Sterling K. Brown), who has tried to leave his criminal past behind him yet was savvy enough to keep paying his membership fees at the Artemis all the while. He and his brother have been injured in a heist and with the city under a deadly riot, they make their way to the Artemis to get treatment and hide out from the chaos outside.
Thanks to their services, the hotel is rarely empty and an Arms Dealer named Acapulco (Charlie Day), and an assassin named Nice (Sofia Boutella), are also in residence. The fact that Nice and Waikiki have a past association makes things a bit interesting as guests are always mindful of those around them even though the strict rules of membership exist to ward off any threats or danger to the guests or staff.
Complications arise when the near capacity hotel is informed that the Wolf King of L.A. (Jeff Goldblum) is en- route. The Nurse opts to follow the rules of first come first served and in doing so enrages his son (Zachary Quinto), who decided to barricade the Hotel to make sure nobody gets in before his father, who incidentally owns the facility.
As if this was not enough of a complication, a police officer from troubled past of The Nurse arrives begging for help which sets a very dangerous chain of events into motion.
The film is a very fresh and entertaining story filled with interesting characters, strong performances, and just enough action to keep the film moving along but yet keeping the focus as a character based drama.
First time Director Drew Pearce gets the most of his cast and has used his script to create a very entertaining and unique film that is well worth a watch. It is so nice to see Jodie Foster showing us once again that she is one of the most gifted actresses of our time as the two-time Oscar winner goes all in to portray a very damaged and troubled character who for what she lacks in glamour; more than makes up for with a determined strength.
I hope this film is a success as I would love to see more stories from the Hotel as I really enjoyed the film from start to finish.
http://sknr.net/2018/06/07/hotel-artemis/
Gareth von Kallenbach (980 KP) rated The Judge (2014) in Movies
Jun 19, 2019
Family dramas are nothing new for most people but for hotshot defense lawyer Hank Palmer (Robert Downey Jr.), things are about to get supremely intense following the passing of his mother. Forced to go back to the small Indiana town that he grew up in, Hank has very much become the victim of his success in Chicago. While he has material goods and a wonderful daughter, his marriage is falling apart and he returns home out of a sense of duty, eager to get away from their at his earliest opportunity. His brothers Glen and Dale (Vincent D’Ofrio and Jeremy Strong), are happy to see him but unfortunately the visit brings up old wounds between Hank and his father Judge Palmer (Robert Duvall).
The duo have a very bitter history between them and at their mothers wake things can best be described as icily civil between them. Hank looks forward to catching the early flight out in the morning eager to put the town behind him forever when early the next morning their lives take a change when the judges prize Cadillac is discovered to have damage consistent from a collision.
These feisty and defiant judge claims he hit nothing and he maintains this stance even when the police show up and he is suspected of vehicular homicide. Further compounding the case is that the victim was known to the judge and had been recently released after being sentenced for murder. The fact that the two individuals had a prior and bitter history with one another makes the judge a prime candidate for vehicular homicide.
Despite his best wishes and in defiance of his father, Hank decides to represent his father and pending trial as he clearly sees that his father’s representative (Dax Sheppard), is no match for the hotshot prosecutor (Billy Bob Thornton), that is been brought in to prosecute the judge. In what can best be described as a hate/hate relationship Hank is supremely conflicted but wants to do right by his father.
Further complicating matters is the emergence of his old high school girlfriend Samantha (Vera Farmiga), who causes Hank to revisit childhood memories both painful and pleasant. Along the way new discoveries are made that causes Hank to reevaluate his father as well as his life and family and take stock of his priorities.
The film has some funny and tender moments in between the courtroom proceedings which at times our little incredulous yet always captivating.
The cast is first-rate specifically Downey Jr. and Duvall who do Oscar quality work in their roles. While some may be quick to dismiss the film is courtroom procedural, I found “The Judge” to be a very interesting and engaging human drama about very real characters and their all too relatable clauses human beings. These are not Teflon superheroes but rather real flesh and blood people confronted with problems and emotions that people in the audience should be able to rate late to even if they had not experienced them first-hand.
The supporting cast was fantastic and the pacing of the film helped to move things along despite the nearly two-hour runtime. The film is rated R due to some very intense moments and conversations between the characters but stands out as one of the more memorable and enjoyable films of 2014 .
http://sknr.net/2014/10/10/judge/
The duo have a very bitter history between them and at their mothers wake things can best be described as icily civil between them. Hank looks forward to catching the early flight out in the morning eager to put the town behind him forever when early the next morning their lives take a change when the judges prize Cadillac is discovered to have damage consistent from a collision.
These feisty and defiant judge claims he hit nothing and he maintains this stance even when the police show up and he is suspected of vehicular homicide. Further compounding the case is that the victim was known to the judge and had been recently released after being sentenced for murder. The fact that the two individuals had a prior and bitter history with one another makes the judge a prime candidate for vehicular homicide.
Despite his best wishes and in defiance of his father, Hank decides to represent his father and pending trial as he clearly sees that his father’s representative (Dax Sheppard), is no match for the hotshot prosecutor (Billy Bob Thornton), that is been brought in to prosecute the judge. In what can best be described as a hate/hate relationship Hank is supremely conflicted but wants to do right by his father.
Further complicating matters is the emergence of his old high school girlfriend Samantha (Vera Farmiga), who causes Hank to revisit childhood memories both painful and pleasant. Along the way new discoveries are made that causes Hank to reevaluate his father as well as his life and family and take stock of his priorities.
The film has some funny and tender moments in between the courtroom proceedings which at times our little incredulous yet always captivating.
The cast is first-rate specifically Downey Jr. and Duvall who do Oscar quality work in their roles. While some may be quick to dismiss the film is courtroom procedural, I found “The Judge” to be a very interesting and engaging human drama about very real characters and their all too relatable clauses human beings. These are not Teflon superheroes but rather real flesh and blood people confronted with problems and emotions that people in the audience should be able to rate late to even if they had not experienced them first-hand.
The supporting cast was fantastic and the pacing of the film helped to move things along despite the nearly two-hour runtime. The film is rated R due to some very intense moments and conversations between the characters but stands out as one of the more memorable and enjoyable films of 2014 .
http://sknr.net/2014/10/10/judge/