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Gareth von Kallenbach (980 KP) rated Nightcrawler (2014) in Movies
Aug 6, 2019
The concept of the American dream is generally thought of as ascending to great heights of success. For some, that means creating something out of nothing. They can do this either through lots of hard work, or by having a stroke of good luck.
“Nightcrawler” centers around Louis Bloom (Jake Gyllenhaal), a young man who is attempting to do just that – create something out of nothing and ascend to great heights of success.
Truly a schmuck by every definition of the word, Louis is a contemptible character. He lies, steals, and bends every rule in pursuit of the almighty dollar. This makes for a character that people will love to hate.
Louis discovers a grand opportunity to make money by essentially playing paparazzi to the world of crime. A skill in high demand in a news industry which sensationalizes violence and crime in order to gain ratings.
The film portrays the workings of the news media as somewhat twisted. The industry plays off of the naivety of the American public.
This theme builds throughout the movie, becoming more and more apparent. It hints at an uncertainty of the ethics of crime news coverage. This message is perhaps intended to extend beyond the silver screen and into the real world.
A thriller with depth, “Nightcrawler” is one hell of a debut for director Dan Gilroy. In addition to the unique and complex plot line, the cast is expertly selected.
Each character achieves a raw realness that turns the audience into witnesses rather than movie goers.
Gyllenhaal, who lost 20 pounds for the role, has mastered the art of portraying madness. His eyes communicate a certain detached sadness, yet at the same time he appears egotistical. His expression exudes an inner dialogue which is fleeting and somewhat absent from reality. He is the main character in the movie, as well as in his own mind.
The evolution which his character, Louis, exhibits is electrifying. He is a man in constant motion – doing whatever it takes to succeed, and sinking deeper into the dark side of a news media that lives off of ratings.
The film starts to resemble a gory train wreck which one cannot resist but to stare at as it follows Louis. In order to get the perfect shot, he pushes the line of morality further and further. His morally questionable character begins to blur into the realm of psychotic.
Human lives begin to be something of a commodity when on the other side of a lens. Nina (Rene Russo), a news director desperate to stay in demand is determined to stay focused on theme of urban crime creeping into suburban neighborhoods. She knows this is what grabs attention, and despite reality, she intends to deliver a particular story to viewers.
Russo’s tired eyes add to the realness of the dramatic story. She is just one of the characters which may confuse the audience in regards to who is “good” and who is “bad.” The interplay between characters who cannot be defined as good or bad creates a massively entertaining drama.
The deeper message of the film is left up for interpretation. Perhaps many people are just “not so good,” then there’s Louis who most people won’t be able to help but loath.
A true statement piece, “Nightcrawler” delivers a nauseating cinematic rush.
I give “Nightcrawler” 5 out of 5 stars.
“Nightcrawler” centers around Louis Bloom (Jake Gyllenhaal), a young man who is attempting to do just that – create something out of nothing and ascend to great heights of success.
Truly a schmuck by every definition of the word, Louis is a contemptible character. He lies, steals, and bends every rule in pursuit of the almighty dollar. This makes for a character that people will love to hate.
Louis discovers a grand opportunity to make money by essentially playing paparazzi to the world of crime. A skill in high demand in a news industry which sensationalizes violence and crime in order to gain ratings.
The film portrays the workings of the news media as somewhat twisted. The industry plays off of the naivety of the American public.
This theme builds throughout the movie, becoming more and more apparent. It hints at an uncertainty of the ethics of crime news coverage. This message is perhaps intended to extend beyond the silver screen and into the real world.
A thriller with depth, “Nightcrawler” is one hell of a debut for director Dan Gilroy. In addition to the unique and complex plot line, the cast is expertly selected.
Each character achieves a raw realness that turns the audience into witnesses rather than movie goers.
Gyllenhaal, who lost 20 pounds for the role, has mastered the art of portraying madness. His eyes communicate a certain detached sadness, yet at the same time he appears egotistical. His expression exudes an inner dialogue which is fleeting and somewhat absent from reality. He is the main character in the movie, as well as in his own mind.
The evolution which his character, Louis, exhibits is electrifying. He is a man in constant motion – doing whatever it takes to succeed, and sinking deeper into the dark side of a news media that lives off of ratings.
The film starts to resemble a gory train wreck which one cannot resist but to stare at as it follows Louis. In order to get the perfect shot, he pushes the line of morality further and further. His morally questionable character begins to blur into the realm of psychotic.
Human lives begin to be something of a commodity when on the other side of a lens. Nina (Rene Russo), a news director desperate to stay in demand is determined to stay focused on theme of urban crime creeping into suburban neighborhoods. She knows this is what grabs attention, and despite reality, she intends to deliver a particular story to viewers.
Russo’s tired eyes add to the realness of the dramatic story. She is just one of the characters which may confuse the audience in regards to who is “good” and who is “bad.” The interplay between characters who cannot be defined as good or bad creates a massively entertaining drama.
The deeper message of the film is left up for interpretation. Perhaps many people are just “not so good,” then there’s Louis who most people won’t be able to help but loath.
A true statement piece, “Nightcrawler” delivers a nauseating cinematic rush.
I give “Nightcrawler” 5 out of 5 stars.
Sarah (7800 KP) rated The True Adventures of Wolfboy (2021) in Movies
Mar 1, 2021
Nice but lacking in magic
The Adventures of Wolfboy, also known as The True Adventures of Wolfboy, is a 2021 coming of age style drama and the feature film debut from Czech director Martin Krejcí. It follows Paul, a teenager with a life changing physical condition called congenital hypertrichosis that causes an abnormal and excessive amount of hair growth across his entire body, as he journeys to meet his estranged mother.
Paul (Jaeden Martell) lives an isolated life with his father in New York, where he hides away from everyone and only ventures out under the cover of a woolly balaclava, despite his father’s (Chris Messina) attempts to coax him into accepting his condition and revealing himself to the world. After a failed trip out to the local carnival for his 13th birthday, Paul returns home to find a mysterious gift from his mother (Chloë Sevigny), who he’s never known as she left when he was a child. Following a confrontation with his father over his proposal to send him to a special school, Paul runs away from home in search of his estranged mother. Along the way, he meets a number of colourful characters including carnival owner Mr. Silk (John Turturro), complicated and friendly Aristiana (Sophie Giannamore) and the daring and roguish Rose (Eve Hewson).
The Adventures of Wolfboy is undoubtedly a film for young adults or teenagers, meant as a coming of age, ‘accepting yourself’ type of road movie and in this it succeeds, although its message is rather more subtle than you’d expect. It expertly deals with the theme of loving yourself and others just as you are in a very low key manner, to the point where you almost miss the subtle hints at a character’s backstory (which is definitely true for Aristiana). For some this might be a problem, but a lot of films go out of their way to be heavy handed, virtually shoving a message down your throat so for me, I enjoyed the subtleties on display here. They’re helped by an unassuming performance from Jaeden Martell and charismatic turns from both Eve Hewson and Sophie Giannamore, who altogether with a story that doesn’t play out quite as predictably as first thought, make this an entertaining and heartwarming watch.
That said, despite the well meaning and heartwarming intentions, this film does falter. The title itself and the fairytale storyboard chapter titles throughout the film give this a magical sense of fantasy that just doesn’t quite materialise. I feel like it’s meant to be whimsical and adventurous, but the actual finished article falls short. It isn’t helped by John Turturro’s Mr Silk, who despite being the villain just comes across as weird rather than sinister, and what becomes of his character is a little lacklustre too. Generally if feels like it’s missing some ‘oomph’, a magical whimsical boost to turn this into something more than an average coming of age movie.
The Adventures of Wolfboy is a nice heartwarming film, and it’s refreshing to see a subtle take on a subject that has been done many times before. I just wished they’d have taken the magical and whimsical angle further, as this would have made it more than just average.
Paul (Jaeden Martell) lives an isolated life with his father in New York, where he hides away from everyone and only ventures out under the cover of a woolly balaclava, despite his father’s (Chris Messina) attempts to coax him into accepting his condition and revealing himself to the world. After a failed trip out to the local carnival for his 13th birthday, Paul returns home to find a mysterious gift from his mother (Chloë Sevigny), who he’s never known as she left when he was a child. Following a confrontation with his father over his proposal to send him to a special school, Paul runs away from home in search of his estranged mother. Along the way, he meets a number of colourful characters including carnival owner Mr. Silk (John Turturro), complicated and friendly Aristiana (Sophie Giannamore) and the daring and roguish Rose (Eve Hewson).
The Adventures of Wolfboy is undoubtedly a film for young adults or teenagers, meant as a coming of age, ‘accepting yourself’ type of road movie and in this it succeeds, although its message is rather more subtle than you’d expect. It expertly deals with the theme of loving yourself and others just as you are in a very low key manner, to the point where you almost miss the subtle hints at a character’s backstory (which is definitely true for Aristiana). For some this might be a problem, but a lot of films go out of their way to be heavy handed, virtually shoving a message down your throat so for me, I enjoyed the subtleties on display here. They’re helped by an unassuming performance from Jaeden Martell and charismatic turns from both Eve Hewson and Sophie Giannamore, who altogether with a story that doesn’t play out quite as predictably as first thought, make this an entertaining and heartwarming watch.
That said, despite the well meaning and heartwarming intentions, this film does falter. The title itself and the fairytale storyboard chapter titles throughout the film give this a magical sense of fantasy that just doesn’t quite materialise. I feel like it’s meant to be whimsical and adventurous, but the actual finished article falls short. It isn’t helped by John Turturro’s Mr Silk, who despite being the villain just comes across as weird rather than sinister, and what becomes of his character is a little lacklustre too. Generally if feels like it’s missing some ‘oomph’, a magical whimsical boost to turn this into something more than an average coming of age movie.
The Adventures of Wolfboy is a nice heartwarming film, and it’s refreshing to see a subtle take on a subject that has been done many times before. I just wished they’d have taken the magical and whimsical angle further, as this would have made it more than just average.
Sarah (7800 KP) rated Finding Steve McQueen (2019) in Movies
Nov 3, 2020
Not much of a heist
Finding Steve McQueen is a heist drama centring around a young man who idolises Steve McQueen, and follows him as he joins a gang of thieves as they plot to steal millions from President Nixon’s secret funds. This is loosely based around a true story and is told from the point of view of the gang’s getaway driver Harry Barber, with his McQueen inspired locks and mannerisms.
The tale of the 1972 heist is recounted by Barber (Travis Fimmel) to his girlfriend Molly Murphy (Rachael Taylor) in 1980, after having been on the run from the FBI for 8 years. This starts out as though it could be a rather fun and lighthearted heist movie, but I’m afraid despite it’s short 90 minute run time, it feels rather drawn out and dull. Right from the get go, the cinematography, directing style and just general look of this film just doesn’t feel right. It feels like it has been made for tv, it has that rather cheap look about it and sadly the camera angles and character styling do nothing but reinforce this. The CGI, whilst infrequent, is very bad and you can spot the green screen scenes a mile off. Even the car chase scene is lacklustre and unimpressive. You can tell that this hasn’t had a lot of money thrown at it.
The performances too I’m afraid are also rather lacking, although a large part of this is likely down to the often dodgy script that seems to enjoy ramming 70s references down our throats whilst being completely unconvincing about every other aspect of the story. I haven’t see much of Travis Fimmel, so I’m not sure if his goofy persona in this is his acting style or in character, but either way it doesn’t always work. Rachael Taylor’s Molly seems out of place and rather unlikeable and it’s only Forest Whitaker as FBI Agent Howard Lambert who comes out unscathed, playing a rather aloof and unfazed agent on the tail of the gang following the heist.
The heist itself is really the main problem here. Instead of being a heist movie, this plays out like a romance with a little bit of heist thrown in, and not a very exciting one at that. There are some moments of intrigue and fun when you see how the gang pulled the heist off and later on how they got caught, but apart from this it’s probably one of the dullest heists I’ve ever seen. Aside from a decent soundtrack, there is very little excitement in this. The motive for the heist also seems rather fuzzy and far fetched. Even the romance seems forced and wavers between being very fake and unconvincing to rather cringeworthy and cliched.
There’s also the question of whether this movie succeeds in finding Steve McQueen, and whilst it is undoubtedly a homage to the man himself, it is not a very successful one. It references all the right things but unfortunately struggles to get close to the man himself and as heist movies go, it may have done itself a disservice by trying to liken itself to McQueen and his successes. Overall I’m afraid this is a rather dull heist film that even with a low budget could’ve been much better.
The tale of the 1972 heist is recounted by Barber (Travis Fimmel) to his girlfriend Molly Murphy (Rachael Taylor) in 1980, after having been on the run from the FBI for 8 years. This starts out as though it could be a rather fun and lighthearted heist movie, but I’m afraid despite it’s short 90 minute run time, it feels rather drawn out and dull. Right from the get go, the cinematography, directing style and just general look of this film just doesn’t feel right. It feels like it has been made for tv, it has that rather cheap look about it and sadly the camera angles and character styling do nothing but reinforce this. The CGI, whilst infrequent, is very bad and you can spot the green screen scenes a mile off. Even the car chase scene is lacklustre and unimpressive. You can tell that this hasn’t had a lot of money thrown at it.
The performances too I’m afraid are also rather lacking, although a large part of this is likely down to the often dodgy script that seems to enjoy ramming 70s references down our throats whilst being completely unconvincing about every other aspect of the story. I haven’t see much of Travis Fimmel, so I’m not sure if his goofy persona in this is his acting style or in character, but either way it doesn’t always work. Rachael Taylor’s Molly seems out of place and rather unlikeable and it’s only Forest Whitaker as FBI Agent Howard Lambert who comes out unscathed, playing a rather aloof and unfazed agent on the tail of the gang following the heist.
The heist itself is really the main problem here. Instead of being a heist movie, this plays out like a romance with a little bit of heist thrown in, and not a very exciting one at that. There are some moments of intrigue and fun when you see how the gang pulled the heist off and later on how they got caught, but apart from this it’s probably one of the dullest heists I’ve ever seen. Aside from a decent soundtrack, there is very little excitement in this. The motive for the heist also seems rather fuzzy and far fetched. Even the romance seems forced and wavers between being very fake and unconvincing to rather cringeworthy and cliched.
There’s also the question of whether this movie succeeds in finding Steve McQueen, and whilst it is undoubtedly a homage to the man himself, it is not a very successful one. It references all the right things but unfortunately struggles to get close to the man himself and as heist movies go, it may have done itself a disservice by trying to liken itself to McQueen and his successes. Overall I’m afraid this is a rather dull heist film that even with a low budget could’ve been much better.
Ivana A. | Diary of Difference (1171 KP) rated The Hopes and Triumphs of the Amir Sisters in Books
Oct 5, 2020
The Hopes and Triumphs of the Amir Sisters by Nadiya Hussain was on my TBR, but I didn’t have the paperback version of the book yet. When I noticed there is an audiobook available from my library, I decided to go ahead and listen to it while I was solving my jigsaw puzzle.
The Hopes and Triumphs of the Amir Sister is the third book in a series that features the Amir sisters. In this book the spotlight is on Mae, the youngest sister of them all. I haven’t read the other two books, but I hope they are better than this one.
Mae was a very annoying character.
And the fact that she was the main character in this book was probably the main reason I didn’t enjoy listening to this book. She has grown up watching her sisters be in the spotlight, living their lives, getting married, having children. She has always been there to help them with everything they might need, because that is her responsibility as their sister.
When Mae heads to university, she fails to fit into any group and make friends. Whenever she goes home and tries to talk about her university life, her stories are lost to the more important stories of her sisters and their babies. Mae feels angry and upset, which leads to her making some decisions that are perhaps unlike her, and also hide some important news from the whole family.
I think the whole family had many issues as a whole, and each individual member had problems on their own.
It is possible that I have never read about a more dysfunctional family that doesn’t work together, but pretends it does. I have seen families that just accept the fact that something is wrong. But this family just keeps going in this weird direction, and it made me uncomfortable throughout the whole journey.
The book in itself handles a lot of sensitive topics, such as sexual advances, public shaming on social media when women put makeup on the train, racism, sexuality, religion, cultural beliefs etc. I felt that this was the only bright spot in the book, to make the readers aware of what is happening, and how some characters respond to it.
Mae was the character I couldn’t relate to the most. Her thoughts and opinions, her way of seeing life was just something I did not agree with. I can understand that she might have been living in a bubble her whole life before moving to university. However, to be so unaware of the outside world and the people around it was just beyond me. I couldn’t agree with how she accepted defeat as something that comes to her by default, and how she was so uninterested to do anything that can make her happier. Refusing to improve in any way is a big character flaw, and I cannot agree with it.
Honestly, I did not enjoy The Hopes and Triumphs of the Amir Sisters.
I am not sure why, but there was so much unnecessary drama, without any real reasoning behind it. Perhaps the fact that I consumed this book as an audiobook has something to do with it as well. The narrator’s voice was really annoying and high-pitched.
The ending was average and very predictable. I didn’t feel as if the characters actually learnt anything in particular about themselves or each other. In conclusion, this book was not for me and I didn’t enjoy it.
The Hopes and Triumphs of the Amir Sister is the third book in a series that features the Amir sisters. In this book the spotlight is on Mae, the youngest sister of them all. I haven’t read the other two books, but I hope they are better than this one.
Mae was a very annoying character.
And the fact that she was the main character in this book was probably the main reason I didn’t enjoy listening to this book. She has grown up watching her sisters be in the spotlight, living their lives, getting married, having children. She has always been there to help them with everything they might need, because that is her responsibility as their sister.
When Mae heads to university, she fails to fit into any group and make friends. Whenever she goes home and tries to talk about her university life, her stories are lost to the more important stories of her sisters and their babies. Mae feels angry and upset, which leads to her making some decisions that are perhaps unlike her, and also hide some important news from the whole family.
I think the whole family had many issues as a whole, and each individual member had problems on their own.
It is possible that I have never read about a more dysfunctional family that doesn’t work together, but pretends it does. I have seen families that just accept the fact that something is wrong. But this family just keeps going in this weird direction, and it made me uncomfortable throughout the whole journey.
The book in itself handles a lot of sensitive topics, such as sexual advances, public shaming on social media when women put makeup on the train, racism, sexuality, religion, cultural beliefs etc. I felt that this was the only bright spot in the book, to make the readers aware of what is happening, and how some characters respond to it.
Mae was the character I couldn’t relate to the most. Her thoughts and opinions, her way of seeing life was just something I did not agree with. I can understand that she might have been living in a bubble her whole life before moving to university. However, to be so unaware of the outside world and the people around it was just beyond me. I couldn’t agree with how she accepted defeat as something that comes to her by default, and how she was so uninterested to do anything that can make her happier. Refusing to improve in any way is a big character flaw, and I cannot agree with it.
Honestly, I did not enjoy The Hopes and Triumphs of the Amir Sisters.
I am not sure why, but there was so much unnecessary drama, without any real reasoning behind it. Perhaps the fact that I consumed this book as an audiobook has something to do with it as well. The narrator’s voice was really annoying and high-pitched.
The ending was average and very predictable. I didn’t feel as if the characters actually learnt anything in particular about themselves or each other. In conclusion, this book was not for me and I didn’t enjoy it.
Kirk Bage (1775 KP) rated Buster's Mal Heart (2016) in Movies
Jan 22, 2021
Remember before the digital revolution and on demand TV channels when you had to stay up late and watch the films shown after midnight to see anything outside of the mainstream? Quite often they were awful, cheap, rambling experiences that maybe had one or two memorable scenes, or something so weird that you had to find out if any of your friends had seen it. Well, this is one of those films, except it was made in 2017 and I saw it in 2020 on Netflix.
I had added it to my watchlist some time during my obsession with Rami Malek and Mr Robot, knowing he had popped up in several cameo roles in big films over the years, but keen to see him take a lead role before the Oscar train of Bohemian Rhapsody and A-list fame. It is also that kind of film that arthouse cinemas would show during indie festivals or on late night double bills; stepping stones, hopefully, for all concerned to bigger things.
Writer director Sarah Adina Smith hasn’t quite made it yet, so you probably haven’t heard of her. She directed 2 episodes of Hanna, which I liked a lot, and will be talking about on The Wasteland at some point, and a few other bits of TV, but that’s about it. Judged on this oddity there is a good deal of vision and talent going on – but not yet an eye for total coherence.
Buster doesn’t know what it is, and neither do the critics, listing it as a mystery, a drama, a thriller, a sci-fi and a crime film, which… ok, yes, it has elements of all those, but isn’t really any of them, also. The titular character played by Malek is an ethereal enigma trapped in his own weird existence, and through a series of out of time and out of sequence flashbacks we come to understand his journey and descent into madness, after encountering a down at heel salesman with a big conspiracy theory to pedal, called The Inversion.
It remains shrouded in ambiguity and strangeness for most of the modest, but not off-putting, 96 minute running time, as Malek grows a beard, loses a beard and grows a beard again. Even when all is said and done, it takes a minute to put it all together and figure out what the point of it was. As something curious to let wash over you, I have to say I kinda liked it. Malek was as committed and interesting to watch as he always is, and I was just happy that films like this can still get made.
Ultimately, possibly a short film idea stretched too thin into a feature, which is an all too familiar phenomenon for new directors. But, an idea interesting and original enough to earn the right to be thought of as “showing potential”. If Smith ever does make it as big as say Jim Jarmusch or Kelly Reichardt then the arthouse geeks like me will be looking back on this with great interest. You just wonder how many people will see it at all, now the days of post midnight movies on a set channel are pretty much over?
I had added it to my watchlist some time during my obsession with Rami Malek and Mr Robot, knowing he had popped up in several cameo roles in big films over the years, but keen to see him take a lead role before the Oscar train of Bohemian Rhapsody and A-list fame. It is also that kind of film that arthouse cinemas would show during indie festivals or on late night double bills; stepping stones, hopefully, for all concerned to bigger things.
Writer director Sarah Adina Smith hasn’t quite made it yet, so you probably haven’t heard of her. She directed 2 episodes of Hanna, which I liked a lot, and will be talking about on The Wasteland at some point, and a few other bits of TV, but that’s about it. Judged on this oddity there is a good deal of vision and talent going on – but not yet an eye for total coherence.
Buster doesn’t know what it is, and neither do the critics, listing it as a mystery, a drama, a thriller, a sci-fi and a crime film, which… ok, yes, it has elements of all those, but isn’t really any of them, also. The titular character played by Malek is an ethereal enigma trapped in his own weird existence, and through a series of out of time and out of sequence flashbacks we come to understand his journey and descent into madness, after encountering a down at heel salesman with a big conspiracy theory to pedal, called The Inversion.
It remains shrouded in ambiguity and strangeness for most of the modest, but not off-putting, 96 minute running time, as Malek grows a beard, loses a beard and grows a beard again. Even when all is said and done, it takes a minute to put it all together and figure out what the point of it was. As something curious to let wash over you, I have to say I kinda liked it. Malek was as committed and interesting to watch as he always is, and I was just happy that films like this can still get made.
Ultimately, possibly a short film idea stretched too thin into a feature, which is an all too familiar phenomenon for new directors. But, an idea interesting and original enough to earn the right to be thought of as “showing potential”. If Smith ever does make it as big as say Jim Jarmusch or Kelly Reichardt then the arthouse geeks like me will be looking back on this with great interest. You just wonder how many people will see it at all, now the days of post midnight movies on a set channel are pretty much over?
Darren (1599 KP) rated You're Not You (2014) in Movies
Jun 25, 2019
Story: You’re Not You starts on Kate’s (Swank) 35th birthday, a classic pianist that notice something isn’t right with her body, 18 months later Kate is in need of care, even with her husband Evan (Duhamel) needing to work, while finding a new carer to help with ALS care.
That new carer is college student Bec (Rossum) who parties every night and doesn’t come with an off switch. Bec is the only person Kate want to care for her as she is the only one that treats her like a person not a patient and after Kate learns Evan has been having an affair, it leaves Kate and Bec together to handle the caring and living the remaining time with the disease.
Thoughts on You’re Not You
Characters – Kate was a successful pianist, happily married and wonderful party host, she soon starts to get the first symptoms of ALS which comes on strong, she now needs constant caring, but is tired of the nurses that treat her like a patient, she chooses Bec who offers her friendship, while also offering Bec life advice in a time where she could be going with no direction. Bec is a directionless brash college student who gets given a chance to care of Kate, she becomes the biggest challenge of her life, teaching her responsibility and helping guide her in the right direction. Evan is the husband of Kate, he has tried to care for her the best he can, but can’t give up his job which has put a distance between the two, causing him to have had an affair.
Performances – Hilary Swank has two Oscars to her name, this performance here shows the talent she has once again, she is fantastic as the victim of the ALS disease. Emmy Rossum has made a name for herself on television, but here you feel she should have broken out because her performance is great to. Josh Duhamel is good as the character we want to hate through the film.
Story – The story throws the spotlight on ALS, we follow one person suffering from the disease who knows the sacrifices people will have to make to care for her, we see how people who are sick do want to be treated like people rather than just patients and giving them, this treatment will make their remaining time worthwhile. We do have a story about how the older (but not old) woman helps give the lost student a direction for her life. This is a story about the battle against a disease which is taking people everyday, how the people around them need there for them to make the remain time in their lives positive.
Settings – The settings in this film show the different lives both Kate and Bec have come from, how they are joined together in the same battle to support each other. I feel the settings help us understand the disease making made by the characters in the film.
Scene of the Movie – Enjoying a drink or two together.
That Moment That Annoyed Me – The only thing I feel we would have liked more of would be the medical side of what could have been done to try and help as we have plenty of talks about experimental treatments.
Final Thoughts – This is a very good drama, we get to see how one person’s suffering could impact many people and how helpless they will feel while fighting it.
Overall: Powerful, heart-breaking and inspiring.
https://moviesreview101.com/2019/06/21/youre-not-you-2014/
That new carer is college student Bec (Rossum) who parties every night and doesn’t come with an off switch. Bec is the only person Kate want to care for her as she is the only one that treats her like a person not a patient and after Kate learns Evan has been having an affair, it leaves Kate and Bec together to handle the caring and living the remaining time with the disease.
Thoughts on You’re Not You
Characters – Kate was a successful pianist, happily married and wonderful party host, she soon starts to get the first symptoms of ALS which comes on strong, she now needs constant caring, but is tired of the nurses that treat her like a patient, she chooses Bec who offers her friendship, while also offering Bec life advice in a time where she could be going with no direction. Bec is a directionless brash college student who gets given a chance to care of Kate, she becomes the biggest challenge of her life, teaching her responsibility and helping guide her in the right direction. Evan is the husband of Kate, he has tried to care for her the best he can, but can’t give up his job which has put a distance between the two, causing him to have had an affair.
Performances – Hilary Swank has two Oscars to her name, this performance here shows the talent she has once again, she is fantastic as the victim of the ALS disease. Emmy Rossum has made a name for herself on television, but here you feel she should have broken out because her performance is great to. Josh Duhamel is good as the character we want to hate through the film.
Story – The story throws the spotlight on ALS, we follow one person suffering from the disease who knows the sacrifices people will have to make to care for her, we see how people who are sick do want to be treated like people rather than just patients and giving them, this treatment will make their remaining time worthwhile. We do have a story about how the older (but not old) woman helps give the lost student a direction for her life. This is a story about the battle against a disease which is taking people everyday, how the people around them need there for them to make the remain time in their lives positive.
Settings – The settings in this film show the different lives both Kate and Bec have come from, how they are joined together in the same battle to support each other. I feel the settings help us understand the disease making made by the characters in the film.
Scene of the Movie – Enjoying a drink or two together.
That Moment That Annoyed Me – The only thing I feel we would have liked more of would be the medical side of what could have been done to try and help as we have plenty of talks about experimental treatments.
Final Thoughts – This is a very good drama, we get to see how one person’s suffering could impact many people and how helpless they will feel while fighting it.
Overall: Powerful, heart-breaking and inspiring.
https://moviesreview101.com/2019/06/21/youre-not-you-2014/
Emma @ The Movies (1786 KP) rated Bumblebee (2018) in Movies
Sep 25, 2019
I'm really torn by this film. I enjoyed it but at the same time it isn't amazing. It's got all the classic formulas in it. Charlie is still trying to make sense of her father's death. Bumblebee is trying to remember who he is. Together they help each other... it really could be one of many films.
Something I'm pleased to discover is that other people were getting Herbie vibes from this. In the notes I was jotting down for my review I put "this would make a pretty good Herbie story". And then I pondered the possibility that Herbie was a Transformer who was broken and stuck in his Beetle shape.
The opening battle on Cyberton is surprisingly natural considering it's made up of CGId robots. It makes for a great opening. But I wasn't wowed. I should have been blown away by the effects and I just wasn't.
Bumblebee as a character was a real joy. After his memory is damaged he's basically back to being a scared little boy and the animation reflects that incredibly well. Everything about him is inquisitive and childlike, and all the little touches are there to really bring him to life. He's very human in the moments before he gets his memory back.
There are so many of his scenes that were genuinely pleasing to watch. Him waving at Charlie as she chases after them. The cassette tapes. The extended toilet paper prank and house demolition scenes. Probably my favourite bit though is where he's sitting in the forest and she's trying to fix him, his fidgeting is adorable.
When it comes to the cast feels like we've got the members of a comedy working on a drama/action film. They work well with what they've got and we get some enjoyable performances but there's nothing that really sticks in the memory.
I still enjoyed Bumblebee but I can't say that I found it to be any better than previous films in the franchise, certainly not on the action and graphics side of things. The soundtrack is full of some classic tunes that are very well placed, and the overall vibe of that combined with everything else is spot on for the 80s. You do forget it's set in 1987 though, which means that little things pop up like the TV and the technology that the military have and you feel like the films has already dated.
This is the first Transformers movie to get a PG rating in the UK, previously they've all been rated 12. It's definitely family friendly... but... it reminds me more and more of Herbie every moment I think about it.
As a last thought... seriously, Charlie? You have your moments. "If we're driving down the street and we see someone you have to hide"... if you're driving down the street he's a car anyway, hiding would make it more obvious that he's not just a car. You draw more attention to Bee than he does. Blindfolding yourself with Memo's shirt (weird moment in the film by the way, creepily out of place) and then standing out the sunroof? That won't make you more noticeable to passersby.
What you should do
It's an enjoyable film and should make for a fun family outing. I don't think there's any particular rush to see it in the cinema though.
Movie thing you wish you could take home
Who wouldn't want they're own Transformer who can change into any car it wants AND can dance?!
Something I'm pleased to discover is that other people were getting Herbie vibes from this. In the notes I was jotting down for my review I put "this would make a pretty good Herbie story". And then I pondered the possibility that Herbie was a Transformer who was broken and stuck in his Beetle shape.
The opening battle on Cyberton is surprisingly natural considering it's made up of CGId robots. It makes for a great opening. But I wasn't wowed. I should have been blown away by the effects and I just wasn't.
Bumblebee as a character was a real joy. After his memory is damaged he's basically back to being a scared little boy and the animation reflects that incredibly well. Everything about him is inquisitive and childlike, and all the little touches are there to really bring him to life. He's very human in the moments before he gets his memory back.
There are so many of his scenes that were genuinely pleasing to watch. Him waving at Charlie as she chases after them. The cassette tapes. The extended toilet paper prank and house demolition scenes. Probably my favourite bit though is where he's sitting in the forest and she's trying to fix him, his fidgeting is adorable.
When it comes to the cast feels like we've got the members of a comedy working on a drama/action film. They work well with what they've got and we get some enjoyable performances but there's nothing that really sticks in the memory.
I still enjoyed Bumblebee but I can't say that I found it to be any better than previous films in the franchise, certainly not on the action and graphics side of things. The soundtrack is full of some classic tunes that are very well placed, and the overall vibe of that combined with everything else is spot on for the 80s. You do forget it's set in 1987 though, which means that little things pop up like the TV and the technology that the military have and you feel like the films has already dated.
This is the first Transformers movie to get a PG rating in the UK, previously they've all been rated 12. It's definitely family friendly... but... it reminds me more and more of Herbie every moment I think about it.
As a last thought... seriously, Charlie? You have your moments. "If we're driving down the street and we see someone you have to hide"... if you're driving down the street he's a car anyway, hiding would make it more obvious that he's not just a car. You draw more attention to Bee than he does. Blindfolding yourself with Memo's shirt (weird moment in the film by the way, creepily out of place) and then standing out the sunroof? That won't make you more noticeable to passersby.
What you should do
It's an enjoyable film and should make for a fun family outing. I don't think there's any particular rush to see it in the cinema though.
Movie thing you wish you could take home
Who wouldn't want they're own Transformer who can change into any car it wants AND can dance?!
Gareth von Kallenbach (980 KP) rated Gold (2017) in Movies
Jul 12, 2019
The pursuit of the big gold strike drives Kenny Wells (Matthew McConaughey) deep into the jungles of Indonesia. Wells is a third generation Nevada prospector trying to keep the mining company from going under. He is unable to secure a loan or investment for mining projects. He is watching his reputation take a major hit, being seen as an alcoholic and laughing stock in the industry. He is down to his last dime and working out of a bar when he pawns his girlfriend Kay’s (Bryce Dallas Howard) watch and gets on a plane to Indonesia. He is headed to meet an eager geologist Michael Acosta (Edgar Ramirez) also in the last throws of his career in. The put together Acosta and disheveled Wells strike a deal. The unlikely duo head into the uncharted jungle in search of the mother lode. After months of failure, through Wells bout with Malaria, a crew who quit and monsoon weather the impossible happens and the two have found what looks like the largest gold deposit in history. The two men who were outcast in their fields are now the most popular miners on the planet. Everyone wants to be a part of this deal and get a piece of the gold. While Acosta stays in Indonesia to operate the day to day of the mining operation Wells heads back to Reno to secure money for digging up the gold. It’s not long that major mining companies and Wall Street investors are knocking on Wells door. Whisking him off to New York in private planes and throwing lavish parties. The now begins the real test to see if he can handle the success and not blow the largest strike of his life.
Directed by Stephen Gaghan (Syriana) Gold is a wild, based on true events, story. Which means it probably has some truths, some half-truths and some almost too wild to be true but maybe true moments. McConaughey’s performance as Wells is excellent. The character at times is a slobbish, out of control alcoholic, that appears to be over his head and out of his element. But most of the time his determination to make a name for himself and his never say no attitude has you rooting for him, even when his is passed out in his underwear on the floor. The rest of the performances are good in support. The relationship with Ramirez’ character and their unlikely friendship is really well done. It took two people who seemed completely different and allowed us to see how they could come together for one goal to become good partners and friends. The story overall is good not great. It took us on a journey with Wells and mixed in really serious themes with outlandish situations. There are times that Wells antics seem forced and don’t completely disrupt the flow but definitely slow it down. It had those moments that definitely made me laugh and others that were really emotional and raw. In that way it was a blend of comedy and drama. Which for the most part mixed together really well. The film took place in the 1980’s and definitely was shot in a way that gave it a feel of the era. I enjoyed the overall the cinematography not overly spectacular but good.
The film was an enjoyable experience for me. A couple of memorable moments and a surprise, to me, at the end. There were some stretches in the story and some over the top antics but still fun.
Directed by Stephen Gaghan (Syriana) Gold is a wild, based on true events, story. Which means it probably has some truths, some half-truths and some almost too wild to be true but maybe true moments. McConaughey’s performance as Wells is excellent. The character at times is a slobbish, out of control alcoholic, that appears to be over his head and out of his element. But most of the time his determination to make a name for himself and his never say no attitude has you rooting for him, even when his is passed out in his underwear on the floor. The rest of the performances are good in support. The relationship with Ramirez’ character and their unlikely friendship is really well done. It took two people who seemed completely different and allowed us to see how they could come together for one goal to become good partners and friends. The story overall is good not great. It took us on a journey with Wells and mixed in really serious themes with outlandish situations. There are times that Wells antics seem forced and don’t completely disrupt the flow but definitely slow it down. It had those moments that definitely made me laugh and others that were really emotional and raw. In that way it was a blend of comedy and drama. Which for the most part mixed together really well. The film took place in the 1980’s and definitely was shot in a way that gave it a feel of the era. I enjoyed the overall the cinematography not overly spectacular but good.
The film was an enjoyable experience for me. A couple of memorable moments and a surprise, to me, at the end. There were some stretches in the story and some over the top antics but still fun.
James P. Sumner (65 KP) rated The Informer (2019) in Movies
Sep 10, 2019
A real hidden gem.
I went into this film knowing very little about it, other than the two-line blurb on my local cinema's website. Released to a muted fanfare, this twisty-turny crime drama is a surprisingly gripping and taut thriller, with some stand-out performances from the cast.
Joel Kinnaman plays Pete Koslow, an ex-con that we soon discover is working undercover for the FBI to help take down a mob boss in New York City. Not much is known (or, frustratingly, revealed) about Koslow's backstory, but Kinnaman plays the part very well. It's not as in-depth as maybe it could've been, but his personal arc is a fresh and original spin on a tried-and-tested formula, and it is, at times, compelling to watch.
Needless to say, Koslow's arrangement with the FBI goes sour before too long, and he's left alone in prison with multiple groups of enemies with their own agendas trying to kill him. The second half of the film, where the twists and turns and clever plotting flows more freely, reminded me of Will Smith's "Enemy of the State" and Liam Neeson's "A Walk Among The Tombstones", in terms of the complex approach and execution to resolving a seemingly inescapable situation.
The story was told to great effect, with the gritty tone and the deliberate pacing perfectly suiting this competent thriller.
Ana de Armas is terrific as Koslow's long-suffering and admiringly-loyal partner, Sofia. She has a look of naivety and innocence throughout, with her perma-watering wide eyes and youthful good looks, yet she is as tough as they come and the perfect match for Kinnaman's lead.
Clive Owen also deserves a mention for another consistent performance, despite him being woefully underused here. He steals every scene he's in, playing a menacing background antagonist incredibly well.
For me, this movie was let down by two things. First, its ending, which felt sudden and rushed, as if it stopped mid-sentence. It's not the kind of film that warrants a sequel, nor was it, I imagine, made with the intention of one. So to leave so many questions unanswered serves little purpose and ultimately leaves you disappointed after what was otherwise a very, very clever film.
Secondly, Rosamund Pike's performance left a lot to be desired. Because of her outstanding lack of on-screen charisma, you never truly connect with her character, Agent Wilcox. Her handling of Koslow's operation felt hollow. She showed no emotional range whatsoever, and wore the same expression throughout the entire film. Consequently, the journey of her character and the impact her decisions have on both other people, and the movie's eventual outcome, felt empty and pointless.
Despite that, this is a real hidden gem. As I noted earlier, this wasn't what you would call a "big" release. It came out under the radar and, as a result, was the subject of very few expectations. But what you have here is an intelligent thriller that provides an original take on a typical storyline that delivers in almost every way it intended to.
This is the film you stream off Netflix on a Friday night while eating a takeaway after a hard week at work.
Joel Kinnaman plays Pete Koslow, an ex-con that we soon discover is working undercover for the FBI to help take down a mob boss in New York City. Not much is known (or, frustratingly, revealed) about Koslow's backstory, but Kinnaman plays the part very well. It's not as in-depth as maybe it could've been, but his personal arc is a fresh and original spin on a tried-and-tested formula, and it is, at times, compelling to watch.
Needless to say, Koslow's arrangement with the FBI goes sour before too long, and he's left alone in prison with multiple groups of enemies with their own agendas trying to kill him. The second half of the film, where the twists and turns and clever plotting flows more freely, reminded me of Will Smith's "Enemy of the State" and Liam Neeson's "A Walk Among The Tombstones", in terms of the complex approach and execution to resolving a seemingly inescapable situation.
The story was told to great effect, with the gritty tone and the deliberate pacing perfectly suiting this competent thriller.
Ana de Armas is terrific as Koslow's long-suffering and admiringly-loyal partner, Sofia. She has a look of naivety and innocence throughout, with her perma-watering wide eyes and youthful good looks, yet she is as tough as they come and the perfect match for Kinnaman's lead.
Clive Owen also deserves a mention for another consistent performance, despite him being woefully underused here. He steals every scene he's in, playing a menacing background antagonist incredibly well.
For me, this movie was let down by two things. First, its ending, which felt sudden and rushed, as if it stopped mid-sentence. It's not the kind of film that warrants a sequel, nor was it, I imagine, made with the intention of one. So to leave so many questions unanswered serves little purpose and ultimately leaves you disappointed after what was otherwise a very, very clever film.
Secondly, Rosamund Pike's performance left a lot to be desired. Because of her outstanding lack of on-screen charisma, you never truly connect with her character, Agent Wilcox. Her handling of Koslow's operation felt hollow. She showed no emotional range whatsoever, and wore the same expression throughout the entire film. Consequently, the journey of her character and the impact her decisions have on both other people, and the movie's eventual outcome, felt empty and pointless.
Despite that, this is a real hidden gem. As I noted earlier, this wasn't what you would call a "big" release. It came out under the radar and, as a result, was the subject of very few expectations. But what you have here is an intelligent thriller that provides an original take on a typical storyline that delivers in almost every way it intended to.
This is the film you stream off Netflix on a Friday night while eating a takeaway after a hard week at work.
Andy K (10823 KP) rated The People Vs. Larry Flynt (1996) in Movies
Sep 14, 2019
The tragedy. The comedy. The pornography.
Not many filmmakers can say they won two Oscars and for Best Director in two different decades and were nominated a third time in a different decade. The recently deceased movie maestro Milos Forman is one that could.
This time he decides to take on a subject he is passionate about through the lens of someone he doesn't particularly like. It is hard to believe the real Larry Flynt became a poster child for free speech and freedom of expression just so he could peddle Hustler magazine which showed every variety of "smut", "vile" and immoral behavior and imagery which makes most people disgusted. They even featured a cartoon depicting the characters from "The Wizard of Oz" getting it on with each other!
Larry Flynt started with his brother managing a strip club, but dreaming for something more. Larry decided he would publish a "newsletter" to increase awareness of the club. Upon publication, people became interested in viewing and subscribing to its controversial content, thus an empire was born.
From this club Larry also met his latest dancer soon to be wife, Althea.
The hits started coming almost immediately with different groups causing trouble for Larry and having him arrested. His legal battles soon began as well. His lawyer is not able to control his increasingly belligerent client who shows no respect for the court and openly mocked and disrespected it. Unfortunately, after one of his court appearances, he and his lawyer were shot by a sniper leaving Larry paralyzed from the waist down.
Larry didn't let up; however, deciding instead to take on Reverend Jerry Falwell in Hustler which would ultimately end up with his case being seen at the US Supreme Court.
No stranger to telling a keen biography (Amadeus ranks among the greatest biopics in movie history), director Forman manages to fashion a true tale with such fervor and passion, you get drawn in almost immediately. Even if you hate Larry's message and attitude, you must ultimately completely agree with his right to express it.
Woody Harrelson began getting noticed as a dramatic actor in 1994 with Natural Born Killers and continues to this day including blockbusters like Solo and The Hunger Games franchise as well as meaningful dramatic roles in recent films like Three Billboards and Game Change, Hard to believe the numskull from Cheers has blossomed into a full fledged movie star. His Academy Award nominated performance in this film is so well deserved. He is able to make Larry Flynt repulsive and sympathetic, rude and adorable as well as repugnant and charming all at the same time.
Courtney Love comes form nowhere and plays Larry's wife Althea with energy and really give it her all showing herself as the woman who would stand by her husband no matter what and up against the system. An early performance from Edward Norton is also welcome coming right on the heels of his breakout role in Primal Fear.
The courtroom scenes and not revolutionary, however, the drama and intensity are there broken up by Larry's quips and infant like behavior.
A very entertaining watch from a true master filmmaker highly recommended.
This time he decides to take on a subject he is passionate about through the lens of someone he doesn't particularly like. It is hard to believe the real Larry Flynt became a poster child for free speech and freedom of expression just so he could peddle Hustler magazine which showed every variety of "smut", "vile" and immoral behavior and imagery which makes most people disgusted. They even featured a cartoon depicting the characters from "The Wizard of Oz" getting it on with each other!
Larry Flynt started with his brother managing a strip club, but dreaming for something more. Larry decided he would publish a "newsletter" to increase awareness of the club. Upon publication, people became interested in viewing and subscribing to its controversial content, thus an empire was born.
From this club Larry also met his latest dancer soon to be wife, Althea.
The hits started coming almost immediately with different groups causing trouble for Larry and having him arrested. His legal battles soon began as well. His lawyer is not able to control his increasingly belligerent client who shows no respect for the court and openly mocked and disrespected it. Unfortunately, after one of his court appearances, he and his lawyer were shot by a sniper leaving Larry paralyzed from the waist down.
Larry didn't let up; however, deciding instead to take on Reverend Jerry Falwell in Hustler which would ultimately end up with his case being seen at the US Supreme Court.
No stranger to telling a keen biography (Amadeus ranks among the greatest biopics in movie history), director Forman manages to fashion a true tale with such fervor and passion, you get drawn in almost immediately. Even if you hate Larry's message and attitude, you must ultimately completely agree with his right to express it.
Woody Harrelson began getting noticed as a dramatic actor in 1994 with Natural Born Killers and continues to this day including blockbusters like Solo and The Hunger Games franchise as well as meaningful dramatic roles in recent films like Three Billboards and Game Change, Hard to believe the numskull from Cheers has blossomed into a full fledged movie star. His Academy Award nominated performance in this film is so well deserved. He is able to make Larry Flynt repulsive and sympathetic, rude and adorable as well as repugnant and charming all at the same time.
Courtney Love comes form nowhere and plays Larry's wife Althea with energy and really give it her all showing herself as the woman who would stand by her husband no matter what and up against the system. An early performance from Edward Norton is also welcome coming right on the heels of his breakout role in Primal Fear.
The courtroom scenes and not revolutionary, however, the drama and intensity are there broken up by Larry's quips and infant like behavior.
A very entertaining watch from a true master filmmaker highly recommended.