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Kyera (8 KP) rated Cress (The Lunar Chronicles, #3) in Books
Jan 31, 2018
As I mentioned in the past review as this is not the first book in the series there will be major spoilers, even though I'm not spoiling anything from this book.
Whether I agree or not, many people find that Scarlet is their least favorite book in the series. As a result, I worry that they may not continue with the series at that point which would be a major mistake. Cress is an absolutely fantastic book and will hit you in the feels more times than I can count.
While they may not be my OTP, Cresswell is probably in my top five or 10 favorite ships. I've never really sat down and tried to figure it out. It's like trying to figure out which puppies in an entire room full of puppies are the cutest. Impossible. As much as I love Wolflet and Kaider, there is just that extra something that Cress and Thorne have.
For those familiar with the Disney movie, Tangled, their relationship is very similar (in my opinion). I absolutely adore the two of them together. While Thorne is a bit of a player, confident, a wanted criminal... he goes on this major character arc over the course of the series. Cress has this romanticized, hero view of him and he realizes that he wants to live up to that image.
I laughed so hard when Thorne barreled into the hallway yelling Cress and then ran right past the room. It both tugged at my heartstrings so much and made me roll my eyes. One of my favourite lines was "You came for me" because it just shows the new, unsure feelings between them while simultaneously showing that they're much deeper than either truly realizes yet. My heart melted.
It is fantastic to see how the characters grow and evolve over the course of the series. Kai starts out as a prince and completely unprepared for his responsibilities. He is thrust into his role much sooner than anticipated and he has to grow up really quickly. He has the weight of an entire people on his shoulders.
All Cinder ever wanted was to be a normal person and she finds out that her life is even more abnormal than she realized. Not only is she a cyborg, but she's Lunar. Not only is she a Lunar, but she's royalty. She has just as much if not more on her shoulders than Kai does. She is the one that people have been putting all of their hopes and dreams on for over a decade.
Cress has been stuck in a satellite by herself with no human interaction for a large portion of her life. Her whole life she had to escape into fictional stories in her own head because of her real life. She never learned to stand up for herself and she's not used to the real world. It was nice to see little elements of her bravery throughout the story despite the fact that that is not her nature.
Sadly, we don't really get to see any development from Scarlet or Wolf. Their stories in Cress are relatively non-existent. Despite the fact that they were the focus of the second book, I do think that it was a negative for me that one of the main pairs was essentially completely overlooked in this book. At the same time, I also have that feeling for Winter and Jacin in regards to the first two books and most of the third. We get little glimpses of them and spend a small amount of time with Jacin, but overall I don't feel like I know their characters whatsoever.
The author does continue the world building but the writing is predominantly focused on the characters and the plot. There are some really nice glimpses into small villages or communities in other places than we're used to. I think it is a nice blend between story and world so that these books are very accessible. It's not heavy world building that might make readers hesitant to dive into such rich, dense worlds (like high fantasy might be).
Overall, I think this is a fabulous novel and I would highly recommend the entire series to people even if science-fiction is not normally what you gravitate towards.
Whether I agree or not, many people find that Scarlet is their least favorite book in the series. As a result, I worry that they may not continue with the series at that point which would be a major mistake. Cress is an absolutely fantastic book and will hit you in the feels more times than I can count.
While they may not be my OTP, Cresswell is probably in my top five or 10 favorite ships. I've never really sat down and tried to figure it out. It's like trying to figure out which puppies in an entire room full of puppies are the cutest. Impossible. As much as I love Wolflet and Kaider, there is just that extra something that Cress and Thorne have.
For those familiar with the Disney movie, Tangled, their relationship is very similar (in my opinion). I absolutely adore the two of them together. While Thorne is a bit of a player, confident, a wanted criminal... he goes on this major character arc over the course of the series. Cress has this romanticized, hero view of him and he realizes that he wants to live up to that image.
I laughed so hard when Thorne barreled into the hallway yelling Cress and then ran right past the room. It both tugged at my heartstrings so much and made me roll my eyes. One of my favourite lines was "You came for me" because it just shows the new, unsure feelings between them while simultaneously showing that they're much deeper than either truly realizes yet. My heart melted.
It is fantastic to see how the characters grow and evolve over the course of the series. Kai starts out as a prince and completely unprepared for his responsibilities. He is thrust into his role much sooner than anticipated and he has to grow up really quickly. He has the weight of an entire people on his shoulders.
All Cinder ever wanted was to be a normal person and she finds out that her life is even more abnormal than she realized. Not only is she a cyborg, but she's Lunar. Not only is she a Lunar, but she's royalty. She has just as much if not more on her shoulders than Kai does. She is the one that people have been putting all of their hopes and dreams on for over a decade.
Cress has been stuck in a satellite by herself with no human interaction for a large portion of her life. Her whole life she had to escape into fictional stories in her own head because of her real life. She never learned to stand up for herself and she's not used to the real world. It was nice to see little elements of her bravery throughout the story despite the fact that that is not her nature.
Sadly, we don't really get to see any development from Scarlet or Wolf. Their stories in Cress are relatively non-existent. Despite the fact that they were the focus of the second book, I do think that it was a negative for me that one of the main pairs was essentially completely overlooked in this book. At the same time, I also have that feeling for Winter and Jacin in regards to the first two books and most of the third. We get little glimpses of them and spend a small amount of time with Jacin, but overall I don't feel like I know their characters whatsoever.
The author does continue the world building but the writing is predominantly focused on the characters and the plot. There are some really nice glimpses into small villages or communities in other places than we're used to. I think it is a nice blend between story and world so that these books are very accessible. It's not heavy world building that might make readers hesitant to dive into such rich, dense worlds (like high fantasy might be).
Overall, I think this is a fabulous novel and I would highly recommend the entire series to people even if science-fiction is not normally what you gravitate towards.
BookwormMama14 (18 KP) rated The Thorn Keeper (Penned in Time #2) in Books
Jan 2, 2019
If you were to ask me right now, what my favorite book of the year is...I would mumble and grunt for a few minutes and then rattle off a list of at least 10 books. But without a doubt, The Thorn Keeper will be at the top of the list.
The Thorn Keeper posses a certain eloquence that enraptures you from the very beginning. I can't count the number of times that I had tears in my eyes as I read (tearing up right now in fact, thinking about the message of this story), or squealed with delight, or wanted to purse whomp someone, and there was one instance that I was in such shock, I literally felt like I was going to hurl. Out of all the books that I have read this year, The Thorn Keeper is the one that touched the depth of my soul in a way that completely turned my world upside down. The romance is so sweet and quite passionate (all clean of course), but that only scratches the surface of the content of the book.
Whether through decisions in our past or reasons unknown to us, sometimes we have been given difficulties that we have to walk through. We would not recommend making those choices and hope that others are spared the pain and suffering we have endured. Yet even though it is hard, we would not be the people we are today if we had not gone through it. God has brought us through the valley...Not so that we can look over our shoulder and long to be back on the other side, but to look forward and press onwards. Do not let your dreams be forgotten along the way. Even if it doesn't seem as if they can or will ever come true. If God has placed a dream in your heart, never let go of it. Whether it is ministry, missions, art, dance, fashion or family.
In conclusion, I would have to say that Pepper Basham's books are among the best I have ever read. Filled with hard lessons and real life, balanced with passion and faith. Only a very talented author can take someone whom I despised in book one, bring them to redemption, and within 36 pages of the book they find a way to worm their way into my heart. Catherine and David's journey of discovering true love is so very tender. When life throws them a curveball, will they rely on their own strength to make it through, or will they trust in the love of the Father to carry them? In order to truly understand and appreciate Catherine and David's history, I highly recommend reading The Thorn Bearer first (which is another favorite of mine).
I purchased a print copy of The Thorn Keeper for my personal enjoyment. I was not required to write a review, positive or otherwise. All opinions expressed are mine alone.
The Thorn Keeper posses a certain eloquence that enraptures you from the very beginning. I can't count the number of times that I had tears in my eyes as I read (tearing up right now in fact, thinking about the message of this story), or squealed with delight, or wanted to purse whomp someone, and there was one instance that I was in such shock, I literally felt like I was going to hurl. Out of all the books that I have read this year, The Thorn Keeper is the one that touched the depth of my soul in a way that completely turned my world upside down. The romance is so sweet and quite passionate (all clean of course), but that only scratches the surface of the content of the book.
Whether through decisions in our past or reasons unknown to us, sometimes we have been given difficulties that we have to walk through. We would not recommend making those choices and hope that others are spared the pain and suffering we have endured. Yet even though it is hard, we would not be the people we are today if we had not gone through it. God has brought us through the valley...Not so that we can look over our shoulder and long to be back on the other side, but to look forward and press onwards. Do not let your dreams be forgotten along the way. Even if it doesn't seem as if they can or will ever come true. If God has placed a dream in your heart, never let go of it. Whether it is ministry, missions, art, dance, fashion or family.
In conclusion, I would have to say that Pepper Basham's books are among the best I have ever read. Filled with hard lessons and real life, balanced with passion and faith. Only a very talented author can take someone whom I despised in book one, bring them to redemption, and within 36 pages of the book they find a way to worm their way into my heart. Catherine and David's journey of discovering true love is so very tender. When life throws them a curveball, will they rely on their own strength to make it through, or will they trust in the love of the Father to carry them? In order to truly understand and appreciate Catherine and David's history, I highly recommend reading The Thorn Bearer first (which is another favorite of mine).
I purchased a print copy of The Thorn Keeper for my personal enjoyment. I was not required to write a review, positive or otherwise. All opinions expressed are mine alone.
Acanthea Grimscythe (300 KP) rated Everything You Want Me to Be in Books
May 16, 2018
It's not very often that I add a title to my list of favorite books, and I've never felt the burning desire to create a shelf for my favorite reads on Goodreads - that is, until this moment. After finishing up with Mindy Mejia's Everything You Want Me to Be, I am nearly speechless. What Mejia has pulled off in her book is nothing short of a impressive.
One of the things that caught my interest when I was browsing through titles to request on NetGalley was the synopsis for this novel, which I found to be unique. Most books give you a loose summary of the plot, sans spoilers. It's the information that you usually find on the back of a book, really. That little tidbit of information for Everything You Want Me to Be came defied the norm in that regard by blatantly telling potential readers that they would be following the life of a girl up until her death which, if you ask me, is a pretty big spoiler: one that leaves a challenge at that. If you tell your readers that the main character is dead, the question that remains is this: how are you going to keep them hooked? Mejia's reply to that query comes in the form of a plot full of nerve-wracking twists and turns that, no matter how certain a reader might be, is likely to still leave them searching for answers. (I was actually guessing until the very end how this book would play out, and I did not figure it out until the very last moment, when there were only lines left until the major reveal.)
Everything You Want Me to Be is a whodunnit novel - of that, I have no doubt. Eighteen-year-old Henrietta Hoffman, full of talent and with her whole life ahead of her, is murdered. It was someone close to her, according to evidence, and its left to the sheriff, who happens to be the girl's father's best friend, to find out who's behind it. It is also a psychological thriller. Reading this book, I felt things I did not want to feel. Where I felt I should be directing anger and disgust, I could not; in fact, my least favorite character is actually the victim, rather than the various suspects I encountered as I read.
Henrietta, or Hattie as she prefers to be called, is a typical teen-aged girl, facing the usual obstacles of small town life. Having been in her shoes, I was able to connect with her and, in some ways, relive my own past as I read through her dialogue. Born and raised in rural south Minnesota, Hattie has dreams of the Big Apple. Every moment of her free time is spent focusing on those dreams, and while she's browsing through a forum, she meets a guy that she ends up falling in love with. Through private messages, a relationship blooms, and she and this guy embark upon a journey with an unknown destination. It's a pretty easy web to get caught up in, especially when one spends most of their time pleasing other people, which Hattie obviously does.
The book is told from three perspectives in total: Henrietta's, Peter's, and Del's. Peter is a teacher at her school and Del is the town's sheriff. In addition to these three vastly different points-of-view, there is a plethora of minor characters and, surprisingly enough, they all have their own quirks and flaws. I have to admit I'm actually impressed by how much depth there is to Mejia's characters and that she's written them in such a way that it's easy to remember their traits. More often than not, when there's so many characters to flesh out, it is way too easy to lose track of individual character traits.
I can't say a whole lot about the plot's flow really. To be honest, it is a bit all over the place. Considering that Everything You Want Me to Be is written in a loose journal-style and one of the speakers is the sheriff, that is to be expected. Obviously there isn't much of a need to include him prior to the discovery of Hattie's body. Also, the story starts at the end, then hooks back to a year prior to the murder. Fortunately, each shift in voice is dated, so it's not too much of a challenge to keep up with.
Thanks to NetGalley and the publisher for providing me with an advance copy for the purpose of an unbiased review. I can't wait for a chance to purchase a physical copy of this book for my shelf!
One of the things that caught my interest when I was browsing through titles to request on NetGalley was the synopsis for this novel, which I found to be unique. Most books give you a loose summary of the plot, sans spoilers. It's the information that you usually find on the back of a book, really. That little tidbit of information for Everything You Want Me to Be came defied the norm in that regard by blatantly telling potential readers that they would be following the life of a girl up until her death which, if you ask me, is a pretty big spoiler: one that leaves a challenge at that. If you tell your readers that the main character is dead, the question that remains is this: how are you going to keep them hooked? Mejia's reply to that query comes in the form of a plot full of nerve-wracking twists and turns that, no matter how certain a reader might be, is likely to still leave them searching for answers. (I was actually guessing until the very end how this book would play out, and I did not figure it out until the very last moment, when there were only lines left until the major reveal.)
Everything You Want Me to Be is a whodunnit novel - of that, I have no doubt. Eighteen-year-old Henrietta Hoffman, full of talent and with her whole life ahead of her, is murdered. It was someone close to her, according to evidence, and its left to the sheriff, who happens to be the girl's father's best friend, to find out who's behind it. It is also a psychological thriller. Reading this book, I felt things I did not want to feel. Where I felt I should be directing anger and disgust, I could not; in fact, my least favorite character is actually the victim, rather than the various suspects I encountered as I read.
Henrietta, or Hattie as she prefers to be called, is a typical teen-aged girl, facing the usual obstacles of small town life. Having been in her shoes, I was able to connect with her and, in some ways, relive my own past as I read through her dialogue. Born and raised in rural south Minnesota, Hattie has dreams of the Big Apple. Every moment of her free time is spent focusing on those dreams, and while she's browsing through a forum, she meets a guy that she ends up falling in love with. Through private messages, a relationship blooms, and she and this guy embark upon a journey with an unknown destination. It's a pretty easy web to get caught up in, especially when one spends most of their time pleasing other people, which Hattie obviously does.
The book is told from three perspectives in total: Henrietta's, Peter's, and Del's. Peter is a teacher at her school and Del is the town's sheriff. In addition to these three vastly different points-of-view, there is a plethora of minor characters and, surprisingly enough, they all have their own quirks and flaws. I have to admit I'm actually impressed by how much depth there is to Mejia's characters and that she's written them in such a way that it's easy to remember their traits. More often than not, when there's so many characters to flesh out, it is way too easy to lose track of individual character traits.
I can't say a whole lot about the plot's flow really. To be honest, it is a bit all over the place. Considering that Everything You Want Me to Be is written in a loose journal-style and one of the speakers is the sheriff, that is to be expected. Obviously there isn't much of a need to include him prior to the discovery of Hattie's body. Also, the story starts at the end, then hooks back to a year prior to the murder. Fortunately, each shift in voice is dated, so it's not too much of a challenge to keep up with.
Thanks to NetGalley and the publisher for providing me with an advance copy for the purpose of an unbiased review. I can't wait for a chance to purchase a physical copy of this book for my shelf!
Midge (525 KP) rated The Playing Card Killer in Books
Feb 19, 2019
A Fantastic, Creepy Thriller!
Well, I have to say that I enjoyed every minute of this cracking crime/thriller!
I loved that, straight-away, Russell James introduces Brian Sheridan, who is currently on medication for anxiety-related problems. Brian decides to stop taking his medication as he thinks that he is living life through fog and haze which he hates. As a result, he is tormented by dreams of women being strangled, then left with a playing card tucked in their corpse. When he sees an apparent victim on the news, dead, Brian fears he may be the unwitting killer. Detective Eric Weissbard thinks the same thing and starts to build a case to get Brian convicted. But there's so much more to these murders…
Brian discovers that he has a brother, Tyler, with a penchant for murder. Tyler is willing to frame Brian for the crimes unless Brian wants to join Team Playing Card Killer.
Russell James’ sympathetic portrayal of the immensely likeable Brian was wonderful to read as his neuroses and delusions were laid bare and there was no hidden side to him. Brian is a troubled young man with an adoptive family with whom he barely has any sort of relationship. His girlfriend, Daniela, by contrast, is confident, and self -assured and she delivers Brian an ultimatum - either he continues with his medication or she will leave him.
I also liked Russell James’ fantastic character portrayal of Detective Weissbard who is talented, analytical and operates mostly and very successfully on gut instinct. However, he is disrespected by his colleagues and is assigned to chasing all the non-eventful leads and red herrings. That is until a jittery young guy arrives at the station, claiming to have detailed knowledge of the investigation that hasn’t been revealed.
For me, THE PLAYING CARD KILLER explores some freaky imaginings and is full of creepy vibes. It's a fantastic thriller that surprised me with a mystery that borders on a grim horror novel. I was never quite sure exactly how far off the rails Brian had gone or where the author was going next with this disturbing but exciting story. The suspense was so great that I was on the edge of my seat because I was so absorbed with Brian and Detective Weissbard.
THE PLAYING CARD KILLER held my interest from start to finish and the way in which Russell James brought everything to a conclusion was just fabulous. I loved it and it has left me eager to read more from this author. I would recommend THE PLAYING CARD KILLER to anyone who likes this genre.
[Thank you to NetGalley, Flame Tree Press and Russell James for a free ARC of this book in exchange for a voluntary, honest review.]
I loved that, straight-away, Russell James introduces Brian Sheridan, who is currently on medication for anxiety-related problems. Brian decides to stop taking his medication as he thinks that he is living life through fog and haze which he hates. As a result, he is tormented by dreams of women being strangled, then left with a playing card tucked in their corpse. When he sees an apparent victim on the news, dead, Brian fears he may be the unwitting killer. Detective Eric Weissbard thinks the same thing and starts to build a case to get Brian convicted. But there's so much more to these murders…
Brian discovers that he has a brother, Tyler, with a penchant for murder. Tyler is willing to frame Brian for the crimes unless Brian wants to join Team Playing Card Killer.
Russell James’ sympathetic portrayal of the immensely likeable Brian was wonderful to read as his neuroses and delusions were laid bare and there was no hidden side to him. Brian is a troubled young man with an adoptive family with whom he barely has any sort of relationship. His girlfriend, Daniela, by contrast, is confident, and self -assured and she delivers Brian an ultimatum - either he continues with his medication or she will leave him.
I also liked Russell James’ fantastic character portrayal of Detective Weissbard who is talented, analytical and operates mostly and very successfully on gut instinct. However, he is disrespected by his colleagues and is assigned to chasing all the non-eventful leads and red herrings. That is until a jittery young guy arrives at the station, claiming to have detailed knowledge of the investigation that hasn’t been revealed.
For me, THE PLAYING CARD KILLER explores some freaky imaginings and is full of creepy vibes. It's a fantastic thriller that surprised me with a mystery that borders on a grim horror novel. I was never quite sure exactly how far off the rails Brian had gone or where the author was going next with this disturbing but exciting story. The suspense was so great that I was on the edge of my seat because I was so absorbed with Brian and Detective Weissbard.
THE PLAYING CARD KILLER held my interest from start to finish and the way in which Russell James brought everything to a conclusion was just fabulous. I loved it and it has left me eager to read more from this author. I would recommend THE PLAYING CARD KILLER to anyone who likes this genre.
[Thank you to NetGalley, Flame Tree Press and Russell James for a free ARC of this book in exchange for a voluntary, honest review.]
Lyndsey Gollogly (2893 KP) rated The King (After hours book 1) in Books
Apr 24, 2020
"How far would you go to get the one man you've been dreaming about all your life?"
I am such a cliche.
I have the hots for my boss.
Well, he's not really my boss since that job title belongs to my best friend in the whole wide world and as much as I love her to death, I don't exactly spend countless hours imagining licking her hard abs with whip cream like I do her business partner.
Too much?
Sorry.
My bad.
Unfortunately, when my head is on the magnetic, breathtakingly gorgeous Dean Knox, I get carried away.
I can't promise that outbursts like this one won't happen again, so fair warning.
I've been working at Royal Magazine for two years now, and although I love it, watching the man I'm crushing on, surrounded by gorgeous beauties, twenty-four seven, is kind of a bummer.
But lo and behold, I think I might have just found a way to get what I want.
I might have to lie, steal, cheat and basically lose all my morals in the process, but if it gets me the man of my dreams, then it will be worth it.
Right?
I guess there's only one way to find out.
Wish me luck. I think I'm going to need it.
I actually loved it! Not sure if it’s me being over emotional after a tough day but I got emotional reading it! I started it within 1.5 hours I’d finished! Loved it!! Edie is just adorable and Dean is hot as hell! The sex scenes were hot and heavy which I think Ivy Fox does so well! They are never repetitive. Really enjoyed it
I am such a cliche.
I have the hots for my boss.
Well, he's not really my boss since that job title belongs to my best friend in the whole wide world and as much as I love her to death, I don't exactly spend countless hours imagining licking her hard abs with whip cream like I do her business partner.
Too much?
Sorry.
My bad.
Unfortunately, when my head is on the magnetic, breathtakingly gorgeous Dean Knox, I get carried away.
I can't promise that outbursts like this one won't happen again, so fair warning.
I've been working at Royal Magazine for two years now, and although I love it, watching the man I'm crushing on, surrounded by gorgeous beauties, twenty-four seven, is kind of a bummer.
But lo and behold, I think I might have just found a way to get what I want.
I might have to lie, steal, cheat and basically lose all my morals in the process, but if it gets me the man of my dreams, then it will be worth it.
Right?
I guess there's only one way to find out.
Wish me luck. I think I'm going to need it.
I actually loved it! Not sure if it’s me being over emotional after a tough day but I got emotional reading it! I started it within 1.5 hours I’d finished! Loved it!! Edie is just adorable and Dean is hot as hell! The sex scenes were hot and heavy which I think Ivy Fox does so well! They are never repetitive. Really enjoyed it
Merissa (11805 KP) rated I Never Knew (Riverside Town #4) in Books
Jul 3, 2023
I NEVER KNEW is the fourth book in the Riverside Town series, but I haven't read any of the others, and had no difficulties following this story or the characters involved.
Ryan is an angry young man who hides his feelings behind insults and gruffness. Elijah is the owner of a cafe, taking over when his mum and dad died, putting his own dreams on hold. Together, they are grumpy/sunshine and a delight to read about. I loved the explanations given for Ryan, to help you understand his character - the reasons for his anger and also his lack of enjoyment of sex until he met Elijah. I thought these were done brilliantly, giving details without too much drama.
Elijah has his own issues to deal with, trying to run a cafe that is leaking money with workers who don't show up. He is too nice of a guy and I was glad when he toughened up a bit on them. I don't like it when people are taken advantage of - even in books! I liked him marshmallow soft in the other areas though.
This is a fast-paced story and it works! From beginning to end, their relationship is just how it should be. Why question something when it's so right?! Elijah and Ryan got the ending I was hoping for, and I'm so very happy about that. I am definitely returning to Riverside Town and catching up on some of the others now. Definitely recommended by me.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jun 29, 2023
Ryan is an angry young man who hides his feelings behind insults and gruffness. Elijah is the owner of a cafe, taking over when his mum and dad died, putting his own dreams on hold. Together, they are grumpy/sunshine and a delight to read about. I loved the explanations given for Ryan, to help you understand his character - the reasons for his anger and also his lack of enjoyment of sex until he met Elijah. I thought these were done brilliantly, giving details without too much drama.
Elijah has his own issues to deal with, trying to run a cafe that is leaking money with workers who don't show up. He is too nice of a guy and I was glad when he toughened up a bit on them. I don't like it when people are taken advantage of - even in books! I liked him marshmallow soft in the other areas though.
This is a fast-paced story and it works! From beginning to end, their relationship is just how it should be. Why question something when it's so right?! Elijah and Ryan got the ending I was hoping for, and I'm so very happy about that. I am definitely returning to Riverside Town and catching up on some of the others now. Definitely recommended by me.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jun 29, 2023
Rachel King (13 KP) rated Forever (The Wolves of Mercy Falls #3) in Books
Feb 11, 2019
While I have read many other reviews on this book saying that it was a disappointment and did not have the same appeal of the other two books in the trilogy, I actually really enjoyed this book, just for different reasons than I liked the first two. For me, Cole redeemed himself in this book. I previously found him to be obnoxious and spoiled and self-absorbed, but in this book, his unique perspective on the world made his insights both entertaining and valuable. His chemistry with Isabelle is still ever-present, but unfortunately takes a back seat to the drama of Grace and Sam. What he discovers about the wolf chemical is fascinating, and I wouldn't have minded being privy to a few more of his questionable experiments, despite how dangerous the results often were. Cole is also the only character I cried over in this book - twice.
My favorite scene is when Sam and Grace get to be wolves together. Their connection to each other is near-visible in its strength, and the chemistry they exhibited in the previous books in renewed in this bond. That alone is enough to make me wonder if Cole's cure is really necessary.
What I dislike is what happens with Isabelle. She does so much to help these wolves, but in the end she does not have much say over her own destiny, either. I suppose she can kind of relate to them, in her own way.
The events surround Beck, Sam's father figure, are bittersweet. What happens to him I found predictable, and a kind of literary justice. His contributions to the tale were played out, and all that was left was to answer for what he did to Sam as a boy. There could have been other ways, but this one was more of a catalyst for the justice of another. Still, I feel for Sam for his loss, even if don't share those emotions for Beck. I also can't help wondering if this entire tale could not have been so different if Shelby had never been turned.
While Stiefvater's open ending leaves much to the imagination, I don't mind it so much. In my head, all of the dreams and goals of the main characters are achieved, with a happy ending, as all books should be.
My favorite scene is when Sam and Grace get to be wolves together. Their connection to each other is near-visible in its strength, and the chemistry they exhibited in the previous books in renewed in this bond. That alone is enough to make me wonder if Cole's cure is really necessary.
What I dislike is what happens with Isabelle. She does so much to help these wolves, but in the end she does not have much say over her own destiny, either. I suppose she can kind of relate to them, in her own way.
The events surround Beck, Sam's father figure, are bittersweet. What happens to him I found predictable, and a kind of literary justice. His contributions to the tale were played out, and all that was left was to answer for what he did to Sam as a boy. There could have been other ways, but this one was more of a catalyst for the justice of another. Still, I feel for Sam for his loss, even if don't share those emotions for Beck. I also can't help wondering if this entire tale could not have been so different if Shelby had never been turned.
While Stiefvater's open ending leaves much to the imagination, I don't mind it so much. In my head, all of the dreams and goals of the main characters are achieved, with a happy ending, as all books should be.
Chris Sawin (602 KP) rated A Nightmare on Elm Street (2010) in Movies
Jun 22, 2019 (Updated Jun 23, 2019)
Nancy (Rooney Mara) thinks she's suffering from an average case of nightmares that are causing her to lose sleep. A burned man with blades on his fingers haunts her dreams. She doesn't think much of it until her friends start getting picked off one by one while they sleep and are dreaming of the same man. Something happened during their childhood that connects them to this man that their parents are trying to cover up. As far as anyone else is concerned, Freddy Krueger (Jackie Earle Haley) never existed. What their parents refuse to believe is that Freddy exists in the dreams of their children causing them to remember their past and kill them. Now it's up to Nancy and her friend Quentin (Kyle Gallner) to figure out how the pieces of the puzzle fit before they become Freddy's next victims.
A Nightmare on Elm Street is one of the most beloved horror classics of all time. The original introduced us to Fred Krueger who would later be known as "Freddy" and evolve into one of the most popular icons in the horror genre. 26 years later, the film has been remade and Jackie Earle Haley has replaced Robert Englund as the dream-stalking child killer. Fans of the original franchise were left wondering if there was a slight chance of this being somewhat decent and if Haley's version of Freddy wouldn't be cringeworthy. Truth be told, the film may not be as bad as you're expecting.
This remake rests on the shoulders of Haley's portrayal of Freddy. If die hard horror fans can get past constantly comparing him to Englund, then they'll realize that Haley doesn't do a bad job. His Rorschach voice was actually a great choice for the role as it seemed to reverberate off the walls of the theater throughout the entire film. His stalking methods were a bit different than expected. Haley's Freddy doesn't talk as much as Englund's and seems to be off-screen just as often as he is on. The wisecracking has been toned way down, as well, but he does manage to squeeze in, "How's this for a wet dream?" Haley's version of Freddy is angry. He is PISSED that these kids squealed on him and he wants them to pay, but wants to dish out his revenge in a way that lets him have fun at the same time. His body language speaks volumes, too. His bladed fingers itch in anticipation of the kill. In fact, it seems like his fingers talk more than he does. The realistic burn victim route with the make-up seems like it's just as much a blessing as it is a curse. Freddy's eyes look really weird. They're too small and beady. He looks like kind of like a monkey when you do catch a full glimpse of his face. That's a shame, too. Since everything else looks pretty fantastic.
The storyline seems to basically follow the same path as the original film, but it probably should have skipped some of the new detours it makes along the way. Kris dreams of herself as a child with bloody claw marks across her torso and then finds the same dress with four gashes in her attic, but she doesn't have any scars from this rather severe injury she obtained when she was five? Even if the explanation was she had some sort of cosmetic surgery, wouldn't that be just as traumatic for a child? The CG version of the scene where we see Freddy coming out of the wall in the remake is probably the weakest in the entire film. The scene in the original is one of its most memorable visuals. In the remake, it's botched thanks to crummy CG. Even in comparison to the rest of the CG in the film, it doesn't measure up. It's the one scene that I wasn't able to look past. However, the micronaps idea is truly fantastic for the film. That was one thing I highly approved of going into it. The way that is pulled off is one of the highlights of the remake. It's one of those ideas that fits so perfectly, you're surprised it wasn't in the original film. Fred Krueger's background is where the film really goes into its own territory though. Fred was a gardener who lived in the basement of Badham Pre-School and the children were his life. He apparently took them to his "cave" where they emerged with scratches on their bodies. The parents of Elm Street don't bother trying to inform the police. They just burn Krueger alive as retribution to what he did to their children. While the original franchise never really came right out and said that Freddy was a child molester, it always strongly hinted at it. The remake seems to basically come right out and say that he is one without actually saying it. The evidence they find in his "cave" solidifies that fact. Maybe they felt like they needed to do that since this is such a "serious" version of Freddy...? Certain things just don't add up in the long run. Quentin and Nancy are driving in a car at one point and Quentin has a micronap where he sees Freddy in front of the car. He swerves out of the way to avoid hitting him and winds up in this boggy marsh off the side of the road. The question is WHY would you swerve out of the way of a man who was trying to kill you?
The kills seem to get more gruesome as the film goes on. It's a nice route to go, really. The last kill of the film is probably the one you'll remember most. I wasn't too incredibly attached to Nancy in the original film, but Rooney Mara's version was really boring. You don't care about what happens to her at all. You're more interested in what happens to her friends. She's an art student that can't sleep and is connected to Freddy somehow. That's pretty much all that's revealed. Why should we care that she may die?
A Nightmare on Elm Street certainly has its misfires when it comes to special effects and its storyline, but the problems it has aren't really any different than the problems most modern day horror movies have. At least the acting wasn't terrible like in an 80s slasher and the CG effects aren't incredibly outdated or anything. The film was designed to appeal to the demographic going to movie theaters to see a horror movie in 2010 and it seems to do that very well. Sure, it probably doesn't live up to the original film, but not many remakes do. If people see this without seeing the original film first, they'll probably love the remake. For original Freddy fans though, it'll probably come down to Haley's portrayal of Freddy. If you can see the film without any expectations or with finally accepting the fact that Robert Englund is no longer Freddy, it actually isn't quite as terrible as you may have originally thought. Strangely enough, it's even entertaining at times. Go figure.
A Nightmare on Elm Street is one of the most beloved horror classics of all time. The original introduced us to Fred Krueger who would later be known as "Freddy" and evolve into one of the most popular icons in the horror genre. 26 years later, the film has been remade and Jackie Earle Haley has replaced Robert Englund as the dream-stalking child killer. Fans of the original franchise were left wondering if there was a slight chance of this being somewhat decent and if Haley's version of Freddy wouldn't be cringeworthy. Truth be told, the film may not be as bad as you're expecting.
This remake rests on the shoulders of Haley's portrayal of Freddy. If die hard horror fans can get past constantly comparing him to Englund, then they'll realize that Haley doesn't do a bad job. His Rorschach voice was actually a great choice for the role as it seemed to reverberate off the walls of the theater throughout the entire film. His stalking methods were a bit different than expected. Haley's Freddy doesn't talk as much as Englund's and seems to be off-screen just as often as he is on. The wisecracking has been toned way down, as well, but he does manage to squeeze in, "How's this for a wet dream?" Haley's version of Freddy is angry. He is PISSED that these kids squealed on him and he wants them to pay, but wants to dish out his revenge in a way that lets him have fun at the same time. His body language speaks volumes, too. His bladed fingers itch in anticipation of the kill. In fact, it seems like his fingers talk more than he does. The realistic burn victim route with the make-up seems like it's just as much a blessing as it is a curse. Freddy's eyes look really weird. They're too small and beady. He looks like kind of like a monkey when you do catch a full glimpse of his face. That's a shame, too. Since everything else looks pretty fantastic.
The storyline seems to basically follow the same path as the original film, but it probably should have skipped some of the new detours it makes along the way. Kris dreams of herself as a child with bloody claw marks across her torso and then finds the same dress with four gashes in her attic, but she doesn't have any scars from this rather severe injury she obtained when she was five? Even if the explanation was she had some sort of cosmetic surgery, wouldn't that be just as traumatic for a child? The CG version of the scene where we see Freddy coming out of the wall in the remake is probably the weakest in the entire film. The scene in the original is one of its most memorable visuals. In the remake, it's botched thanks to crummy CG. Even in comparison to the rest of the CG in the film, it doesn't measure up. It's the one scene that I wasn't able to look past. However, the micronaps idea is truly fantastic for the film. That was one thing I highly approved of going into it. The way that is pulled off is one of the highlights of the remake. It's one of those ideas that fits so perfectly, you're surprised it wasn't in the original film. Fred Krueger's background is where the film really goes into its own territory though. Fred was a gardener who lived in the basement of Badham Pre-School and the children were his life. He apparently took them to his "cave" where they emerged with scratches on their bodies. The parents of Elm Street don't bother trying to inform the police. They just burn Krueger alive as retribution to what he did to their children. While the original franchise never really came right out and said that Freddy was a child molester, it always strongly hinted at it. The remake seems to basically come right out and say that he is one without actually saying it. The evidence they find in his "cave" solidifies that fact. Maybe they felt like they needed to do that since this is such a "serious" version of Freddy...? Certain things just don't add up in the long run. Quentin and Nancy are driving in a car at one point and Quentin has a micronap where he sees Freddy in front of the car. He swerves out of the way to avoid hitting him and winds up in this boggy marsh off the side of the road. The question is WHY would you swerve out of the way of a man who was trying to kill you?
The kills seem to get more gruesome as the film goes on. It's a nice route to go, really. The last kill of the film is probably the one you'll remember most. I wasn't too incredibly attached to Nancy in the original film, but Rooney Mara's version was really boring. You don't care about what happens to her at all. You're more interested in what happens to her friends. She's an art student that can't sleep and is connected to Freddy somehow. That's pretty much all that's revealed. Why should we care that she may die?
A Nightmare on Elm Street certainly has its misfires when it comes to special effects and its storyline, but the problems it has aren't really any different than the problems most modern day horror movies have. At least the acting wasn't terrible like in an 80s slasher and the CG effects aren't incredibly outdated or anything. The film was designed to appeal to the demographic going to movie theaters to see a horror movie in 2010 and it seems to do that very well. Sure, it probably doesn't live up to the original film, but not many remakes do. If people see this without seeing the original film first, they'll probably love the remake. For original Freddy fans though, it'll probably come down to Haley's portrayal of Freddy. If you can see the film without any expectations or with finally accepting the fact that Robert Englund is no longer Freddy, it actually isn't quite as terrible as you may have originally thought. Strangely enough, it's even entertaining at times. Go figure.
Movie Metropolis (309 KP) rated Coco (2017) in Movies
Jun 10, 2019
Has pixar got it's mojo back?
Pixar has been on something of a downward trend of late, and that’s something I never thought I’d say. As much as it hurts, films like Cars 3, Finding Dory and The Good Dinosaur just don’t cut the mustard when compared to some of the studio’s greats.
Movies like Up, Inside Out and Wall.E as well as The Incredibles, which we’re finally getting a sequel to this year, are up there with the best animations ever produced, never mind just from Pixar. Hoping to get back on the right track this year, Pixar has released Coco. But are we back up to scratch?
Before we begin. Did you know you can now vote in the third annual Movie Metropolis Alternative Oscars? Vote for your favourite films from last year!
Despite his family’s generations-old ban on music, young Miguel (Anthony Gonzalez) dreams of becoming an accomplished musician like his idol Ernesto de la Cruz (Benjamin Bratt). Desperate to prove his talent, Miguel finds himself in the stunning and colourful Land of the Dead. After meeting a charming trickster named Héctor (Gael García Bernal), the two new friends embark on an extraordinary journey to unlock the real story behind Miguel’s family history.
The first thing of note is just how stunning Coco is to look at. Director Lee Unkrich (Toy Story 3) creates what could be Pixar’s finest looking film to date, it really is that staggering to watch. The colourful world of the Land of the Dead is astounding and it’s pleasing that he chooses to spend the majority of the film’s runtime here. Populated by vibrant animals and the living dead, it grabs attention from scene to scene and isn’t afraid to hold on.
The animation itself is spot on, but come on, this is Pixar we’re talking about, we expect nothing less. They really are getting very good at this photo-realistic scenery business and aside from the naturally carnival-esque Land of the Dead, it reeks of realism. The characters too are rendered in ridiculously detailed CGI with the work done on Coco herself being absolutely exquisite. Every well-deserved wrinkle and the remaining twinkle in her eyes – it’s all there.
Aside from all the spectacle though, at its heart, Coco is a film about family, and the importance of family no matter how annoying or frustrating they can be. This may sound a little straightforward in comparison to some of Pixar’s more mature themes, but it’s worth noting that the plot has more twists and turns in it than some of the best thrillers – it’s a brilliant story full of laughs and emotion.
The voice work done by the entire cast is absolutely sublime, but Anthony Gonzalez’s portrayal of Miguel is beautiful. His performance is perfectly integrated into the film as Miguel slowly unravels who he truly is – it’s a testament to the actors and actresses who lent their voices that it speaks to absolutely everyone in the audience.
Pixar films have never really been about moving from one set piece to another and what keeps Coco interesting is the constant shifts in tone, colour and story
Naturally, Pixar’s trademark wit and heart are here in spades. There are some genuinely funny moments that are beautifully juxtaposed with some more sombre scenes that make you realise just how important family is. Correctly awarded a PG certification by the BBFC means that smaller children may find some of the more adult themes a little hard to watch. In fact, there were a few children in floods of tears as I left the cinema.
Pacing wise, Coco is just about right for a family friendly film. At a shade under 110 minutes, it zips along smoothly, very rarely letting up pace. But Pixar films have never really been about moving from one set piece to another and what keeps Coco interesting is the constant shifts in tone, colour and story. In this respect, it’s up there with the very best the studio has to offer us.
It is unfortunate however that there is no Pixar Short attached to Coco. Films like Inside Out and Toy Story 3 had brilliant pre-movie films to get the kids interested in what they were about to see on screen. It’s not clear why Pixar chose to snub Coco like this, but that’s one of the only negative points in a film filled to the brim with memorable moments.
Overall, Pixar is well and truly back on track with Coco. They’ve managed to create a film that not only creates some new classic characters for the studio to bring back in a sequel, but they discuss life and death in a way that adults and children alike will enjoy. Couple this with a beautiful soundtrack with some gorgeous original songs, stunning animation and a heartfelt story and they’ve definitely recovered the animation crown. What a way to start 2018.
https://moviemetropolis.net/2018/01/13/coco-review-has-pixar-got-its-mojo-back/
Movies like Up, Inside Out and Wall.E as well as The Incredibles, which we’re finally getting a sequel to this year, are up there with the best animations ever produced, never mind just from Pixar. Hoping to get back on the right track this year, Pixar has released Coco. But are we back up to scratch?
Before we begin. Did you know you can now vote in the third annual Movie Metropolis Alternative Oscars? Vote for your favourite films from last year!
Despite his family’s generations-old ban on music, young Miguel (Anthony Gonzalez) dreams of becoming an accomplished musician like his idol Ernesto de la Cruz (Benjamin Bratt). Desperate to prove his talent, Miguel finds himself in the stunning and colourful Land of the Dead. After meeting a charming trickster named Héctor (Gael García Bernal), the two new friends embark on an extraordinary journey to unlock the real story behind Miguel’s family history.
The first thing of note is just how stunning Coco is to look at. Director Lee Unkrich (Toy Story 3) creates what could be Pixar’s finest looking film to date, it really is that staggering to watch. The colourful world of the Land of the Dead is astounding and it’s pleasing that he chooses to spend the majority of the film’s runtime here. Populated by vibrant animals and the living dead, it grabs attention from scene to scene and isn’t afraid to hold on.
The animation itself is spot on, but come on, this is Pixar we’re talking about, we expect nothing less. They really are getting very good at this photo-realistic scenery business and aside from the naturally carnival-esque Land of the Dead, it reeks of realism. The characters too are rendered in ridiculously detailed CGI with the work done on Coco herself being absolutely exquisite. Every well-deserved wrinkle and the remaining twinkle in her eyes – it’s all there.
Aside from all the spectacle though, at its heart, Coco is a film about family, and the importance of family no matter how annoying or frustrating they can be. This may sound a little straightforward in comparison to some of Pixar’s more mature themes, but it’s worth noting that the plot has more twists and turns in it than some of the best thrillers – it’s a brilliant story full of laughs and emotion.
The voice work done by the entire cast is absolutely sublime, but Anthony Gonzalez’s portrayal of Miguel is beautiful. His performance is perfectly integrated into the film as Miguel slowly unravels who he truly is – it’s a testament to the actors and actresses who lent their voices that it speaks to absolutely everyone in the audience.
Pixar films have never really been about moving from one set piece to another and what keeps Coco interesting is the constant shifts in tone, colour and story
Naturally, Pixar’s trademark wit and heart are here in spades. There are some genuinely funny moments that are beautifully juxtaposed with some more sombre scenes that make you realise just how important family is. Correctly awarded a PG certification by the BBFC means that smaller children may find some of the more adult themes a little hard to watch. In fact, there were a few children in floods of tears as I left the cinema.
Pacing wise, Coco is just about right for a family friendly film. At a shade under 110 minutes, it zips along smoothly, very rarely letting up pace. But Pixar films have never really been about moving from one set piece to another and what keeps Coco interesting is the constant shifts in tone, colour and story. In this respect, it’s up there with the very best the studio has to offer us.
It is unfortunate however that there is no Pixar Short attached to Coco. Films like Inside Out and Toy Story 3 had brilliant pre-movie films to get the kids interested in what they were about to see on screen. It’s not clear why Pixar chose to snub Coco like this, but that’s one of the only negative points in a film filled to the brim with memorable moments.
Overall, Pixar is well and truly back on track with Coco. They’ve managed to create a film that not only creates some new classic characters for the studio to bring back in a sequel, but they discuss life and death in a way that adults and children alike will enjoy. Couple this with a beautiful soundtrack with some gorgeous original songs, stunning animation and a heartfelt story and they’ve definitely recovered the animation crown. What a way to start 2018.
https://moviemetropolis.net/2018/01/13/coco-review-has-pixar-got-its-mojo-back/
Gareth von Kallenbach (971 KP) rated Oz the Great and Powerful (2013) in Movies
Aug 7, 2019
Taking on a movie as beloved as “The Wizard of Oz” is a daunting task. The iconic Judy Garland film is considered a classic and many of the songs from the film have remained part of our culture since it was released in 1939. Despite several book sequels, the attempts to continue the series have had little success as there have been animated films as well as an urban remake, “The Wiz”, which also failed to reach the success of the original. Director Sam Raimi opted to do an original prequel story that tells of how the fabled Wizard of Oz came to be.
Oz (James Franco), is a small-time magician toiling away in small circus in Kansas in 1905. Life on the road has allowed him to be a womanizer and an egomaniac who dreams of greatness. When his actions catch up with him, Oz is forced to flee and takes refuge from an angry mob in a hot air balloon. An unexpected storm funnel grabs the balloon, and whisks Oz to a dazzling and colorful world filled with all manner of strange creatures and wonders.
Upon his arrival, Oz is greeted by Theodora (Mila Kunis), who believes that Oz is the great wizard that legend has said will arrive to save the land and rule the people in a kind and just way. It is revealed that the land is under siege from a wicked witch, and a prophecy indicates a great wizard will arrive with the same name as the land, and will save the day.
Naturally Oz does not believe this but is more than willing to charm Theodora and her sister Evanora (Rachel Weisz), and plot to get his hands on the abundant gold that will come with his appointment as the great wizard. Oz learns that in order to take the throne, he has to defeat another witch (Michelle Williams), and sets off on a journey to the Dark Forest with his flying monkey companion Finley (Zach Braff). Along the journey, Oz learns first hand of the horrors the witch has unleashed on the unsuspecting and learns that his selfish behavior has serious consequences not just for himself, but for innocent people as well. This leads to some serious soul-searching and a confrontation that will force Oz to become the man that many believe he is, less they all perish.
The film has some great visuals as Raimi wisely shot the movie in 3D and mixed CGI with some very impressive sets. It is clear that much of the film is shot against a CGI backdrop but the visual wonder of the film is something to behold. The biggest issues I had with the film were that it was slow-paced and did drag in several parts. Franco does his best to play up the seedier side of Oz, but makes some very odd facial expressions throughout the film that seem very forced and out of place for the film and the situations he finds himself in. Kunis and Weisz make excellent witches and their backstory is a very interesting and an integral part of Dorothy’s adventures in the original film. Williams does well with her role but never seems to develop the needed chemistry with Franco. I was also surprised that the film was very light on musical numbers as there was only a hint of one that was quickly halted by Franco. “Oz: The Great and Powerful” is a visually enjoyable film that sets the stage well for the original film and Raimi is to be praised for taking on such sacred material and providing a new chapter for the modern generation. While it is not likely to be considered a classic like the original film, it is still a worthy chapter in the series which will provide good nostalgic entertainment for fans new and old alike.
Oz (James Franco), is a small-time magician toiling away in small circus in Kansas in 1905. Life on the road has allowed him to be a womanizer and an egomaniac who dreams of greatness. When his actions catch up with him, Oz is forced to flee and takes refuge from an angry mob in a hot air balloon. An unexpected storm funnel grabs the balloon, and whisks Oz to a dazzling and colorful world filled with all manner of strange creatures and wonders.
Upon his arrival, Oz is greeted by Theodora (Mila Kunis), who believes that Oz is the great wizard that legend has said will arrive to save the land and rule the people in a kind and just way. It is revealed that the land is under siege from a wicked witch, and a prophecy indicates a great wizard will arrive with the same name as the land, and will save the day.
Naturally Oz does not believe this but is more than willing to charm Theodora and her sister Evanora (Rachel Weisz), and plot to get his hands on the abundant gold that will come with his appointment as the great wizard. Oz learns that in order to take the throne, he has to defeat another witch (Michelle Williams), and sets off on a journey to the Dark Forest with his flying monkey companion Finley (Zach Braff). Along the journey, Oz learns first hand of the horrors the witch has unleashed on the unsuspecting and learns that his selfish behavior has serious consequences not just for himself, but for innocent people as well. This leads to some serious soul-searching and a confrontation that will force Oz to become the man that many believe he is, less they all perish.
The film has some great visuals as Raimi wisely shot the movie in 3D and mixed CGI with some very impressive sets. It is clear that much of the film is shot against a CGI backdrop but the visual wonder of the film is something to behold. The biggest issues I had with the film were that it was slow-paced and did drag in several parts. Franco does his best to play up the seedier side of Oz, but makes some very odd facial expressions throughout the film that seem very forced and out of place for the film and the situations he finds himself in. Kunis and Weisz make excellent witches and their backstory is a very interesting and an integral part of Dorothy’s adventures in the original film. Williams does well with her role but never seems to develop the needed chemistry with Franco. I was also surprised that the film was very light on musical numbers as there was only a hint of one that was quickly halted by Franco. “Oz: The Great and Powerful” is a visually enjoyable film that sets the stage well for the original film and Raimi is to be praised for taking on such sacred material and providing a new chapter for the modern generation. While it is not likely to be considered a classic like the original film, it is still a worthy chapter in the series which will provide good nostalgic entertainment for fans new and old alike.