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Gareth von Kallenbach (980 KP) rated Ghostbusters (2016) in Movies
Aug 6, 2019
The team starts a ghost chasing business in the middle of New York city, although I never see them collect any money. Like the original, they drive around in a hearse. But this time it’s pink and white.
This time around everything is cheesy and over the top. Even the equipment, while pretty cool at times, is mostly flashing lights. The CGI is pretty terrible quite frankly, making the old graphic techniques used in the original put it to shame.
It’s worth pointing out that, of course, avid fans of the original will go in with a skeptical mindset. However, the movie does in fact build in entertainment value as the characters become a bit more believable. Yet, it remains completely slapstick in its comedic style.
It doesn’t present itself as trying to replace the original, and bringing this point home are the subtle and enjoyable cameos that pop up here and there.
While it’s best described as a slapstick comedy, this “Ghostbusters” is a fun and lighthearted movie that doesn’t take itself too seriously.
A cartoonish version of something loved by many, I give the “Ghostbusters” 2 out of 5 stars.
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Matthew Krueger (10051 KP) rated Targets (1968) in Movies
Jun 18, 2020
The plot: After unhinged Vietnam vet Bobby Thompson (Tim O'Kelly) kills his wife and mother, he goes on a brutal shooting spree. Starting at an oil refinery, he evades the police and continues his murderous outing at a drive-in movie theater, where Byron Orlock (Boris Karloff), a retiring horror film icon, is making a promotional appearance. Before long, Orlock, a symbol of fantastical old-fashioned scares, faces off against Thompson, a remorseless psychopath rooted in a harsh modern reality.
Even Karloff's charcter is a retired horror film actor, so he can never get away from the horror genre/type-casting.
In the film's finale at a drive-in theater, Orlok – the old-fashioned, traditional screen monster who always obeyed the rules – confronts the new, realistic, nihilistic late-1960s "monster" in the shape of a clean-cut, unassuming multiple murderer.
Bogdanovich got the chance to make Targets because Boris Karloff owed studio head Roger Corman two days' work. Corman told Bogdanovich he could make any film he liked provided he used Karloff and stayed under budget. In addition, Bogdanovich had to use clips from Corman's Napoleonic-era thriller The Terror in the movie. The clips from The Terror feature Jack Nicholson and Boris Karloff. A brief clip of Howard Hawks' 1931 film The Criminal Code featuring Karloff was also used.
American International Pictures offered to release, but Bogdanovich wanted to try to see if the film could get a deal with a major studio. It was seen by Robert Evans of Paramount who bought it for $150,000, giving Corman an instant profit on the movie before it was even released.
Although the film was written and production photography completed in late 1967, it was released after the assassinations of Martin Luther King and Robert F. Kennedy in early 1968 and thus had some topical relevance to then-current events. Nevertheless, it was not very successful at the box office.
Quentin Tarantino later called it "the most political movie Corman ever made since The Intruder. And forty years later it’s still one of the strongest cries for gun control in American cinema. The film isn’t a thriller with a social commentary buried inside of it (the normal Corman model), it’s a social commentary with a thriller buried inside of it... It was one of the most powerful films of 1968 and one of the greatest directorial debuts of all time. And I believe the best film ever produced by Roger Corman.
Its a excellent mystery suspenseful thrilling starring Boris Karloff, last appearance in a marjor american film, before he passed away in 1968. A great film to end your career on.