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Alice in Zombieland - White Rabbit Chronicles
Alice in Zombieland - White Rabbit Chronicles
Gena Showalter | 2012 | Fiction & Poetry
6
7.0 (9 Ratings)
Book Rating
This was an interesting re-imagining of Alice in Wonderland. In Alice in Zombieland, Alice Bell's life has always been curtailed by her father's insistence that monsters exist. The family cannot leave the house after dark, she's been taught how to fight hand-to-hand and with a couple of weapons, and they never - NEVER - drive past the graveyard. All of this changes in one night - when Alice "falls down the rabbit hole" as it were - and discovers her father wasn't insane after all.

Now, living with her grandparents, haunted by visions of her little sister and glimpses of monsters in the dark, Alice - or Ali, as she insists on being called - finds herself being called on to fight the monsters alongside the roughest crowd in her high school. Falling in love with the leader of the bad boys doesn't help her social life, but might help her stay alive.

I enjoyed this book and will probably pick up the sequel, Through the Zombie Glass, if I can find it at the library. The writing flowed well most of the time, and while Alice began a little whiny, by the end of the book she was pretty bad ass. It felt.... a little more "young adult" than some young adult books I've read; the emotions seemed detached or damped down a bit. While she was dealing with grief over the loss of her family, and possible death at the hands of zombies, it just didn't feel as raw as I think those emotions should have felt. And the notion of a bunch of high school kids fighting zombies - with the support of adults, including the high school principal - was a little weird. Still an interesting book, and not a waste of time, but it felt a lot like "teenagers are special snowflakes!"

You can find all my reviews at http://goddessinthestacks.wordpress.com
  
From the iconic cover through to the Epilogue, Rachel McMillan has delivered another thrilling Herringford & Watts adventure. Filled with love and mystery, sorrow and murder, trust and anarchy...You will be drawn into the story and fight alongside Merinda and Jem for justice and freedom. Can I just say..."Mounties"...Even this redneck American girl can appreciate the Royal North-West Mounted Police. And I was giddy with delight that Rachel incorporated them into this story. I loved this book so much (more than the first one I think). There was so much going on in history at this time. It was interesting to watch those with the desire to bring change, they had the passion and drive to see things through to the end...But they had a warped view of how to go about it. Unfortunately, it reminds me of society today. It breaks my heart knowing that not much has changed in that aspect. Protests, bombings, violence and murder...These are not the answers. That is all I will say about that...Back to the book...Full of the same witty dialogue and precarious circumstances that I have come to expect (and adore) from Herringford & Watts. The footnotes also make their appearance in this story, which I still think is BRILLIANT! If you are interested in mystery, humour, and romance, these are the books for you. You will want to start with the first book, A Bachelor Girl's Guide to Murder. Trust me, you don't want to miss out on this adventure. I received a free copy of A Lesson in Love & Murder in exchange for my honest review. All opinions expressed are mine alone.
  
Green Book (2018)
Green Book (2018)
2018 | Drama
This generation's Driving Miss Daisy
The 2018 Academy Awards were interesting. On one hand, I was very happy boring, pointless Roma did not win Best Picture; however i was really pulling for The Favourite to win. Neither happened and Green Book snuck in and captured the top prize instead.

The modern Oscars are free of epics like Ben-Hur, The Sound of Music or West Side Story. Instead, character-driven stories seem to be in favor recently.

In this true story, recently unemployed Italian bouncer Tony "Lip" gets hired to drive an African American genius concert pianist throughout his fall tour of the deep southern United States in 1962.

As the two men get to know each other, they are exposed to the very different worlds and set of values the each possesses. Initial hesitation is replaced by eventual respect as the men grow a bond throughout their southern adventure as they confront racism in various threatening or nonchalant forms as is happens.



Tony comes to the aide of his client, Dr. Donald Shirley, several times revealing his bigotry and denial for his race has begun to wane. Dr. Shirley as well begins to understand Tony's rough exterior and even delights Tony's wife Cyrano de Bergerac style assistance in writing verbose and eloquent letters to her.

The acting is thorough and top notch by both Viggo Mortensen (one of the great working actors today) and Mahershala Ali (hot off of Moonlight) with a screenplay to match. The characters are flawed, vivid, well-rounded and interesting. I thoroughly enjoyed this memorable film and well deserved of the big prize.

  
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Guy Garvey recommended For the Roses by Joni Mitchell in Music (curated)

 
For the Roses by Joni Mitchell
For the Roses by Joni Mitchell
1972 | Rock
(0 Ratings)
Album Favorite

"I'm a fan of the album as a concept, but I'm in an album band that never discussed doing anything else and I never sit down and listen to one side on an LP, you know? I'll listen to both sides and that was with me from the beginning. She locked herself away in a cabin with no electricity to make that record. Just her own company and you hear the heartbreak start and end on that record. Genuinely, you know. She really had her heart ripped out and stomped on, and it's so full of love and yearning and adoration and then bitterness and recrimination. And again, it's just a resonant, beautiful thing and it captures a moment in time. And you know, everything from what I consider to be Joni's only swear in a song, she says in the song: 'Woman Of Heart And Mind': ""Drive your bargains/ Push your papers/ Win your medals/ Fuck your strangers/ Don't it leave you on the empty side?"" Can you imagine having that levelled at you? Like a machine gun of character assassination, but she says in the same song, ""You know the times you impress me most/ Are the times when you don't try/ When you don't even try"". It's great – songs, quite often, especially if it's lyric-heavy music, if it relies on the narrative, as Joni's stuff does, the stuff that deals earnestly and honestly with the grey areas, is what knocks me into next week. Bob Dylan and Leonard Cohen and Joni Mitchell, but of the three she is the best."

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