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Deceit and Self-Deception: Fooling Yourself the Better to Fool Others
Book
In Deceit and Self Deception Robert Trivers, whose work has been acclaimed by figures such as...
Jesters_folly (230 KP) rated High-Rise Invasion in TV
May 30, 2021
Contains spoilers, click to show
High-Risk Invasion is an anime that starts with with a very dark premises (and I guess should have a trigger warning here). A school girl (Yuri) finds herself in a world that exists entirely on the top floors and roofs of sky scrapers. She soon meets a figure in a strange mask who seems intent on driving her off the roof and to her death. Yuri soon find out that there are a number of these 'Masks' who's sole purpose is to try to drive the none masks to suicide.
After a few episodes, 'High-Rise Invasion' takes a strange turn, surviving the masks is part of a test to find some one who is worthy of becoming the new god.
High-Rise Invasion starts very dark and it's easy to see why it changed tones, it either had to change to something unexpected or become something like 'Alice in Borderland ' and a lot of the story is spent on world building and setting up the main premises.
Viewers need to be aware that 'High-Rise Invasion' contains suicide, violence, threat of rape as well as the anime standards of panty-shots and other clothes being ripped. If you are ok with these themes and a high level of violence then 'High-Rise Invasion' offers an interesting story and plenty of action.
After a few episodes, 'High-Rise Invasion' takes a strange turn, surviving the masks is part of a test to find some one who is worthy of becoming the new god.
High-Rise Invasion starts very dark and it's easy to see why it changed tones, it either had to change to something unexpected or become something like 'Alice in Borderland ' and a lot of the story is spent on world building and setting up the main premises.
Viewers need to be aware that 'High-Rise Invasion' contains suicide, violence, threat of rape as well as the anime standards of panty-shots and other clothes being ripped. If you are ok with these themes and a high level of violence then 'High-Rise Invasion' offers an interesting story and plenty of action.
Ed O'Brien recommended Screamadelica by Primal Scream in Music (curated)
Mark @ Carstairs Considers (2165 KP) rated The Overlook (Harry Bosch, #13; Harry Bosch Universe, #16) in Books
Sep 26, 2020
Fast Paced Fast Read
LAPD Detective Harry Bosch has recently transferred to the Los Angeles Homicide Special department, and his first case finds him at an overlook on Mulholland Drive where a doctor was shot in the back of the head. Bosch has hardly gotten the basics of the case when the FBI shows up. As jurisdictional wars break out, Bosch tries to keep his focus on solving the crime. Can he do it?
I was surprised to find this book was shorter than normal for a Harry Bosch novel, but when I learned it originally appeared in serialized form, it made sense. The book doesn’t skimp on twists and turns; they are still packed into the pages. I had part of the solution figured out early, but it was just a small part of it. Bosch is dealing with a ticking clock, and that means that any personal sub-plots are left out of the book. Because of the shorter length, the characters aren’t as well developed as usual, but this lack of character growth is a minor issue. What bothered me more was some of Bosch’s actions here. Normally, I enjoy his efforts to skirt the rules, but in this case, I felt he went a bit too far. Still, Harry’s many fans will enjoy this fast-paced entry to the series.
I was surprised to find this book was shorter than normal for a Harry Bosch novel, but when I learned it originally appeared in serialized form, it made sense. The book doesn’t skimp on twists and turns; they are still packed into the pages. I had part of the solution figured out early, but it was just a small part of it. Bosch is dealing with a ticking clock, and that means that any personal sub-plots are left out of the book. Because of the shorter length, the characters aren’t as well developed as usual, but this lack of character growth is a minor issue. What bothered me more was some of Bosch’s actions here. Normally, I enjoy his efforts to skirt the rules, but in this case, I felt he went a bit too far. Still, Harry’s many fans will enjoy this fast-paced entry to the series.
Phone Tracker GPS Pro !
Utilities and Productivity
App
*** 70% OFF SALE FOR A LIMITED TIME! *** Locate any cell phone in the world, on any network,...
Files Pro - File Browser & Manager for Cloud
Utilities and Productivity
App
> FAST AND EASY To Get The Files You Want!!! > NO LIMITS on Storage with Cloud Platform Linking! >...
SMACNA HVAC Duct Construction App
Business
App
This app will provide SMACNA compliant options for rectangular duct with dimensions from 1 inch to...
Poems 1962-2012
Book
The collected works of the inimitable Pulitzer Prize-winning poet It is the astonishment of...
Daniel Boyd (1066 KP) rated Wheelman (2017) in Movies
Oct 24, 2017 (Updated Oct 24, 2017)
Grillo is great (1 more)
Decent script
One Hell Of A Night
Wheelman is a Netflix movie that unfortunately debuted on the same date as the hotly anticipated Stephen King adaption, 1922. Though Wheelman deserves more than to be overlooked and although I didn't expect much going into it, I came away afterwards pleasantly surprised.
This movie reminds me of a bunch of others. There is some aspects of Phonebooth used here, it was also reminiscent of a Tom Hardy film called Locke that came out a couple of years ago. It is also similar to what Drive was marketed as in the trailers before it's release, (even though Drive ended up being a psychological nior drama.) The movie took a while to convince me; for the first 15 minutes nothing happened that really excited me, but once I got a bit deeper into and more invested in the story that was unfolding, I ended up being sucked into the wild ride that the protagonist was going through. I think that the film's success on that front, relies a great deal on the performance of Frank Grillo, so it's just as well he brought his A-game here. For 99% of the movie, Grillo is onscreen, so there is no hiding from the camera in terms of his performance and he nails every second of it. He really manages to make an insanely dangerous situation feel grounded and relatable. The other actors are mostly featured via their voices on the phone, which again makes their performances difficult to deliver, but they all manage it convincingly. I always knew who each person was in relation to each other and what each character's motives were, which isn't always clear in a movie where most characters are only heard on the phone.
The script is decent, but I feel that a lot of the dialogue was ad-libbed, which again adds a natural, more realistic feel to the events that are unfolding. This was a good move by the director and the direction overall is great. There are some fairly odd creative choices made, but all of them are effective and feel worthwhile. The cinematography and sound mixing are implemented effectively and add to the overall urgent tone that the movie is pursuing.
Overall, this is definitely worth a watch. To me, it is like a callback to a 70's action chase thriller, with a modern twist. There is also an element of film noir present and the intense tone will keep you engaged until the end credits. You do need to stick with the film past the fifteen minute mark though. Although the whole thing is only 82 minutes long in it's entirety, it takes while to really suck you in, but once it does, it is a really fun ride worth taking.
This movie reminds me of a bunch of others. There is some aspects of Phonebooth used here, it was also reminiscent of a Tom Hardy film called Locke that came out a couple of years ago. It is also similar to what Drive was marketed as in the trailers before it's release, (even though Drive ended up being a psychological nior drama.) The movie took a while to convince me; for the first 15 minutes nothing happened that really excited me, but once I got a bit deeper into and more invested in the story that was unfolding, I ended up being sucked into the wild ride that the protagonist was going through. I think that the film's success on that front, relies a great deal on the performance of Frank Grillo, so it's just as well he brought his A-game here. For 99% of the movie, Grillo is onscreen, so there is no hiding from the camera in terms of his performance and he nails every second of it. He really manages to make an insanely dangerous situation feel grounded and relatable. The other actors are mostly featured via their voices on the phone, which again makes their performances difficult to deliver, but they all manage it convincingly. I always knew who each person was in relation to each other and what each character's motives were, which isn't always clear in a movie where most characters are only heard on the phone.
The script is decent, but I feel that a lot of the dialogue was ad-libbed, which again adds a natural, more realistic feel to the events that are unfolding. This was a good move by the director and the direction overall is great. There are some fairly odd creative choices made, but all of them are effective and feel worthwhile. The cinematography and sound mixing are implemented effectively and add to the overall urgent tone that the movie is pursuing.
Overall, this is definitely worth a watch. To me, it is like a callback to a 70's action chase thriller, with a modern twist. There is also an element of film noir present and the intense tone will keep you engaged until the end credits. You do need to stick with the film past the fifteen minute mark though. Although the whole thing is only 82 minutes long in it's entirety, it takes while to really suck you in, but once it does, it is a really fun ride worth taking.