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    FreeFlight Jumping

    FreeFlight Jumping

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Shifter Woods: Claw (Esposito County Shifters #4)
Shifter Woods: Claw (Esposito County Shifters #4)
Nicola M. Cameron | 2023 | Paranormal, Romance
8
8.0 (2 Ratings)
Book Rating
blinder of a plot twist!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.

This is book 4 in the Esposito County Shifters series, but I have not read them all. They can all be read as stand alones.

Angela runs after discovering her abusive boyfriend sells her out to the mob. Something guides her to Esposito County and Matt saves her. There is a familiar scent to Angela that Matt can't place, but he knows one thing: he will do anything to keep her safe, and make her his.

I liked this a lot. It takes a darker edge than Growl (book 3) but plays another blinder of a plot twist for Matt and Angela that I did not see coming!

It's steamy and smexy, yes but this had less of a *MINE* moment that some shifter books have and more of an *I know you, but can't place you* and the feelings for both Matt and Angela creep up on them. Oh, don't get me wrong, Matt has that drive to protect Angela right from the start, but he wasn't sure what it meant. I loved that it takes time, you know? The rapid fall-in-loves books are all well and good, but I especially liked that particular book isn't like that.

I loved that the other shifters in town pulled together to sort out Angela's problem, and I love that Matt asked if he could deal with it personally.

A thoroughly enjoyable 4 star read.

*same worded review will appear elsewhere
  
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The Lighthouse (2019)
The Lighthouse (2019)
2019 | Drama, Horror
Weird - and I couldn't look away
I have viewed some really strange films in my day. When asked, I often mention MIRRORMASK (based on a Neil Gaiman story) and mother! (the Darren Aronofsky oddity) as the strangest films I have ever seen.

Add Robert Eggers’ THE LIGHTHOUSE to this list.

Based on a real life tragedy from 1801, THE LIGHTHOUSE follows 2 isolated Lighthouse keepers as they interact with each other, slowly going mad in the process…or did they? Is one of them mad and the other sane? Are they both mad? Or…is it the viewer who is going mad? Eggers let’s you, the viewer, decide.

And…good for him. I have now encountered 2 films directed by former Production Designer Eggers - THE WITCH and now this film. In both cases, the movies are interestingly shot and intriguing to view but almost incomprehensible. The more so with THE LIGHTHOUSE, it is almost as if Eggers heard the criticism of THE WITCH of being incomprehensible and said “hold my beer”.

Besides the production values - which really are quite good (especially Eggers use of Black and White) - what holds this movie in high regards is the acting of the 2 people in film. These 2 characters are the only speaking parts in this movie.

Willem Dafoe portrays the older, veteran Lighthouseman who tells the tales of Mermaids and Curses and has a generally air of foreboding from the start. It is a masterwork by Dafoe - his best work of his career (and that’s saying something). He is unnerving to view from the start. The only thing the viewer needs to figure out is whether he is insane or very, very, very sane.

The surprise for me in this movie is the work of Robert Pattinson, the younger Lighthouseman who is in his first assignment. He is the audience’s eyes into this weird world and he is very much sane at the beginning. At the end…well…you decide. He was able to go toe-to-toe with DaFoe and held his own very well. This young actor has made a conscious choice following the Twilight films and with this movie and with Christopher Nolan's TENANT he is establishing himself as a darn good performer.

As for the film itself, my one recommendation for you is to not be too concerned of making sense of what is going on in the scene you are watching…you’ll drive yourself mad doing this (at least it was driving me mad). After awhile I just sat back and drank in the weirdness - and the quality acting and production values - that was enfolding in front of me and the ending was satisfying (enough).

All in all one of the stranger times I’ve had at the movies.

Letter Grade: B

7 stars (out of 10) and you can take that to the Bank (ofMarquis)