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The Mule (2018)
The Mule (2018)
2018 | Crime, Drama, Mystery
Verdict: Simple & Enjoyable

Story: The Mule starts as Earl Stone (Eastwood) a horticulturist that has spend too much of his life on the road away from his family, missing the major events in his family’s life. After he doesn’t cope with the changes in the market, he is left with nothing and looking like failing his granddaughter Ginny (Farmiga), only for her fiancée Mike (Freeman) offer him a chance to just drive.
With Earl taking the job, it turns out he has been transporting drugs, with Agent Colin Bates (Cooper) and Agent Trevino (Pena) trying to track down anyone smuggling drugs across the border. How long can Earl keep this up before he gets caught, even though he is spending the money on helping the community.

Thoughts on The Mule

Characters – Earl is a horticulturist, he has spent his whole life in this business, which has seen him sacrifice major family events, making him distant to most of his family. He loses his job and is given a chance to become a driver for a cartel, which he soon becomes the most successful in the industry he even gives the money back to the community he has seen struggle for years. Mary is the ex-wife that has finally become tired of the let downs that Earl has left the family with. Ginny is the granddaughter that has been promised money and doesn’t care as long as her grandfather is willing to be there for her on the big days. Agent Bates is fresh to the force he is tasked to try and stop the smuggling and spends most of the time trying to learn about the new mysterious mule for the cartel.
Performances – Clint Eastwood is a joy to watch in this film, he comes off like an everyday older person that just wants to be willing to help people around his life, even though he is filled with regret about his family life. Bradley Cooper doesn’t really get too much time to shine or do anything in his role, while the rest of the cast don’t seem to get that much time to show off their characters.
Story – The story here that follows a retirement aged, he has worked his whole life and ends up becoming a drug mule for a cartel, which sees him becoming one of the most wanted men in America. This is based on a real man that took this role because he enjoyed driving, he isn’t like anybody else they have worked for, but his style makes him harder to track down. The story does use the themes of regretting losing time in life which is clear in the behaviour from Earl along the way. We do have a few plot holes with how the cartel carry out their jobs, because this just seems to end, without any consequences, why would they give up the success they were having too.
Crime – The crime side of the film does feel like just somebody casually taking part in the drug mule business, he is only ever put to a test once he needs to decide his own future.
Settings – The film uses the settings to show the locations that Earl stops along the way, which does make him harder to track.

Scene of the Movie – The last run.
That Moment That Annoyed Me – Nothing seems to happen to the cartel.
Final Thoughts – This is an easy to watch crime story that shows just how one person can casually commit crimes without anybody noticing them.

Overall: Easy Watch.
  
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Grim Ambition (A Grim Trilogy #1)
Grim Ambition (A Grim Trilogy #1)
Jennifer Reinfried | 2017 | Fiction & Poetry
8
8.0 (1 Ratings)
Book Rating
This book was offered to me by Jennifer Reinfried, and even though I’m not big fan of “Marvel” and super heroes, I got interested in this book, because the “bad girl” was involved into finding out, who Grim was. That was what drew me to this book, and it was quite a nice read for me. This is a book about good and evil, and that sometimes evil can swap sides. The description of the book is quite detailed, so I don’t see a need to add anything.

This book is full of diverse characters, and any reader will have a variety to choose from as their favourites. In this case my most favourite was Alex, the cruel and vicious right hand of Mafia’s head Vance. Let me explain you why. From all of the characters, he was the most interesting one. He had everything what great villain would need: cruel, ruthless, smart, cunning, good looking and a little bit psychotic. I personally think he was the best rounded character from all of them. I believe that Shawn needed to be a little bit more extraordinary, so knowing how to drive a car and how to shoot, when you are blind would’ve been something “wow”. Emma, was my least favourite one. She was not smart, and her way up was literary though bed, her way into infiltration through seduction and bed. She chose the easiest ways which made her really boring to me. Jaxon was quite interesting as well. It was visible that he knows more than he gives away, and he has plenty of secrets to share with the readers in upcoming books. I was really glad, that author wrote this book including more than one character. More voices in the book helps to understand the characters better, and made it more interesting for me, as a reader.

There was a whole short story about Henry, the lawyer, but in the book he disappears quite quickly. It was quite strange to me. The characters have quite a short life span in this book, that’s why I’m interested to see what author has “up her sleeve”. This story has some great twists and turns, which keeps the interest going. I really liked the flashbacks from Shawn’s past, and I think, that in another parts of this sequel, it will unfold even more. As I mentioned before, this book is not typical super hero book, Grim has his flaws and his strengths, the girl who was devoted mafia’s poppet got confused in what she is going to do further, so that’s quite unusual and at the same time refreshing. I really loved, that at the end of the book, author put the portraits of the main characters that was absolutely awesome. I loved, that I could compare them with the ones of my imagination.

The writing style of this book is easy to understand, but it contains some erotic scenes, so it is not suitable for younger readers. The chapters are not long in this book, so it doesn’t drag along. There is quite a lot of action going on in the book, so it is fun to read it. The ending of the book is quite well thought through, and it leaves that cliff hanger to keep you guessing of what will happen next. So to conclude, if you looking for some super hero action, which is different and refreshing, give it a go and you might be surprised. I am really interested to see, what other parts of this series will bring.
  
Beast (2022)
Beast (2022)
2022 | Thriller
6
6.5 (6 Ratings)
Movie Rating
More Tension Than I Anticipate
We are witnessing the after-effects of the COVID PANDEMIC shutdown in 2020 as the films that are being released at the tail end of summer/early fall of 2022 are not the most scintillating of efforts and thus, one must lower their expectations to have a good time at the Cineplex.

Such is the case with the “Cujo in Africa” killer lion saga BEAST starring Idris Elba as a widowed father of two teenage girls. The threesome head back to the African Village where the deceased mother was born and raised - to connect to their roots - unaware that poachers have unwittingly created a rogue, killer lion who is feasting on the humans in the area.

Directed by Batasar Kormakur (2 GUNS) and written, perfunctorily, by Ryan Engle (RAMPAGE) BEAST is a pretty by-the-book “wild animal goes after human” story with the first 1/3 of this 90 minute epic being the setup (in this case, clumsily setting up the daughter’s anger at their father who “was not there” as their mother was dying). Do you think the upcoming adventure is going to bring these 3 closer?

The middle third of the film is the hook where we put these 3 (and their friend, played by Sharlto Copley - DISTRICT 9) into harm’s way in such a way that they are trapped and must contend with the BEAST. And the final 1/3 is the payoff - how does this group conquer the BEAST?

Pretty mechanical, right?

Well…a funny thing happened while watching this film… I found myself invested in these characters, well…at least some of them, and I was genuinely interested and intrigued and (at times) a little on the edge of my seat as I watched them attempt to get out of their predicament.

Credit for this has to go to Director Kormakur who uses his camera to beautifully capture the Africa landscape that these folks are trapped in. It is a loving picture of Africa that Kormakur has drawn and it made the slow parts of this film (and there are plenty) bearable just by being able to look at the background.

Also helping this film is the friendship and camaraderie shown between Elba’s character and Copley’s character. These are 2 good actors looking like they actually are enjoying their time together and their actions on screen mirror their personalities that are drawn thinly and quickly during the first part of the film.

Fairing less well are the 2 daughters, played by Leah Jeffries and Iyana Halley. They are, for the most part, 1 dimensional “typical teenagers” who have a bone to pick with their father and don’t shy away from picking at that bone - and each other - throughout the course of this film.

But, enough about all of that, what one goes to see in these types of films is the animal attacks and Director Kormakur traps our foursome in and around a jeep while the BEAST attacks and attacks and attacks - and these scenes are shot very professionally and actually manage to ratchet up the tension as the CGI Lion goes after it’s victims.

There are enough plot holes to drive the aforementioned Jeep through in this film and sometimes the characters - especially the 2 teenage girls - make VERY dumb decisions, but the tension of the attack scenes and the work of Elba and Copley makes this film a decent (enough) viewing experience.

Letter Grade: B-

6 stars out of 10 and you can take that to the Bank(ofMarquis)
  
Terminator: Dark Fate (2019)
Terminator: Dark Fate (2019)
2019 | Action, Adventure, Sci-Fi
Natalie Reyes - a kick-ass non-white female hero (1 more)
Arnie's drapes
Linda Hamilton - acting didn't work for me (1 more)
Confusing storyline (as a continuation of T2)
Enjoyable Hokum
Natalia Reyes plays young Mexican Dani Ramos. Out of the blue she faces danger and tragedy when a ‘Rev 9’ Terminator (Gabriel Luna) zaps itself back in time to Mexico City to dispose of her. But, as in “Terminator 2: Judgement Day”, a protector is on hand. This time it’s in the ripped form of ‘enhanced’ human Grace (Mackenzie Davis). She’s there to protect Dani and maintain whatever key to the future that she holds.

Dani is assisted by Sarah Connor (Linda Hamilton), a vigilante Terminator-fighter wanted in all 50 US States for wanton destruction of property. But even this dynamic duo are no match for the unstoppable force of the Rev 9. So they must turn to an old nemesis from Sarah’s past for assistance.

James Cameron is heavily involved with this one. The decision was made to ‘reboot’ the series as if all the dodgy Terminator movies of the intervening years (after #2) had never happened. (That’s not to say that *I* necessarily found them all dodgy. I quite liked “Terminator 3: Rise of the Machines” for example, with it’s grim and downbeat ending).

Now I went into this flick understanding that premise. So a flashback scene in the first few minutes of the film left me mightily confused. How on earth did this link to the ‘thumbs up’ scene at the end of “Terminator 2”? #baffled.

But if you ignore this issue, the film settles into what I thought was a nice “Logan“-style modus operandi. There’s an exciting chase sequence along a Mexican highway, but it never overwhelmed the ongoing development of character and motive.

Unfortunately, this didn’t last. Overall, the script lacked momentum, showing a general lack of narrative drive. This is the result, I suspect, of the familiar malaise of ‘team-input’. There are a total of SIX writers contributing to the story and/or screenplay. For example, an opportunity to take a poke at Trump’s Mexican wall isn’t taken; neither are scenes in the topically newsworthy detention centre. It’s as if the “better not: we’ll upset people” button was pressed in either the writing room or by the studio.

Trying to make up for this wallowing second reel, the movie – on boarding a military transport plane – goes to extremes of unbelievable action, both in the sky and below the water. That “Logan-esque” start seems a long way away now.

There’s another element of the movie that confused the hell out of me. The ‘Rev 9’ is able to jump out of it’s “skeleton” which could then pursue actions on its own. Given the Terminator gets FLATTENED – skeleton and all – during certain scenes of the film, this makes little sense unless the skeleton is made of the same ‘liquid metal’ as the body. In which case, why not just have liquid metal that can assume multiple different forms and attack the target from all sides? Perhaps that came in with the “Rev 10”!

But it’s not as bad as I’ve made it sound. This is in no way a terrible movie. As a ‘brain at the door’ piece of sci-fi hocum I really quite enjoyed it. The cast in particular is nicely of our time. There’s a Colombian (not Mexican), feisty and successful female lead in the form of the relatively unknown Reyes. And she has two strong female characters in support. Arnie Schwarzenegger has top billing, but his is really a supporting role.

Natalia Reyes I thought was particularly impressive. The girl has real screen presence, and I look forward to seeing what she does next.

Mackenzie Davis is also terrific as the kick-ass cyborg. I particularly liked the way she executed a neat plot device. Grace has a ‘war-machine’ design… she’s designed for incredible bursts of activity over short periods, but then becomes next to useless as her body crashes and needs ‘rebooting’.

I don’t want to be mean, but there’s probably a reason Linda Hamilton hasn’t been in more mainstream movies since T2. Her acting here is adequate at best and didn’t really cut it for me. The script has delivered her a number of humorous lines – including the iconic “I’ll be back’ – but none of them really land in the delivery.

Instead , it’s Arnie who has the best lines in the movie, delivered with dead-pan wit. His “cover” identity – and particularly his chosen profession – deliver some laugh out loud dialogue.

All in all, I found this a big step up on other Terminator films in the series. The director is Tim Miller, he of “Deadpool“. It’s not bloody Shakespeare, but I found it – warts and all – an enjoyable night out at the movies.

For the full graphical review, check out https://bob-the-movie-man.com/2019/11/10/one-manns-movies-film-review-terminator-dark-fate-2019/