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LEGO® DC Super Heroes Chase
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PLAY AS POPULAR LEGO® DC COMICS CHARACTERS! The LEGO® DC Super Heroes Chase game is for the all...
File Manager Pro - Advance File Manager and Document Reader
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File Manager - Advance File Manager and Document Reader Manage your Documents & Files with File...
Purple Phoenix Games (2266 KP) rated Disney Shadowed Kingdom in Tabletop Games
Sep 15, 2021
You know how sometimes you see a game box and you are just so intrigued and then you realize it uses an IP that you love and you just HAVE to get it? Me too. This is what transpired as I was trying to fill my cart at my favorite online game retailer. I needed something small, I love Disney, and the box art is so good. So I grabbed it. Unfortunately, the box art on this one is probably the best part of this game. Let’s find out why.
In Disney Shadowed Kingdom players are attempting to drive away the darkness of Doubt with the help of Wish (which are both characters, I guess). In order to do this the players will be splitting up within the Magic Kingdom to cleanse the different locations and, with the help of Wish, gain enough Magic to fend off Doubt and the darkness forever!
To setup, each player receives a random (or chosen) Hero Card (in the photo above I was Daisy). The Magic/Shadow Tracker is placed on the table with the tokens on the 0 spaces of each tracker. Place the Wish card on the table. Shuffle the cards and deal each player 10 cards. Each player will then draw the top two cards from their deck, look at them, and then place them face-down in front of themselves on the table. Once done, the play area will be a 2×2 grid of each player’s first draw. The first player will draw two cards from their deck and the second player will draw one. The game may now begin!
On a player’s turn they will take their “oldest” card in their current hand and play it to the table. They may play it to push a card toward their partner to be Discovered, or play it to a side of the grid to push a card outside grid to be Dispelled (discarded). When a card is pushed to a player to be Discovered the discovering player will read the card aloud and follow its directions. Once complete the discovering player takes the card in hand to be used on a future turn. When a card is Dispelled the partner of the active player will NOT play the card for its face abilities, but will rather place it directly in their own discard pile.
When certain location cards are Discovered they may cause the hero’s (the card that was chosen at the beginning) special ability to trigger. These abilities could be peeking at cards in the grid or partner’s hand, or swapping two cards, or other abilities. Play continues in this way until players have pushed enough Magic cards to their partners to win or enough Shadow cards to allow the darkness to invade and lose the game.
Components. This game is a small stack of cards, some Hero cards, and the Magic/Shadow tracker with tokens. The cards are fine quality, the Hero cards are thick cardboard, and the other components are also fine. The art on the cards is amazing, and the saving grace.
Overall I would not recommend this game at all. I only rated it as highly as I did because I love the art and the theme. The gameplay just doesn’t work. There were times, when playing, we would get stuck in a loop of a card telling us to randomize the grid over and over. So while there IS an amount of memory used in the game, it can quickly be thrown out the window with just one card. This is merely one instance of the strategy and tactics needed to win or even play this one: almost none. As you HAVE to play the oldest card in your hand, it becomes a chore to try to remember exactly where it has been placed, and the hope that your partner will not push it toward you to be Discovered. And as bad as that may sound, the other cog in this wonky wheel is that players may not communicate with each other AT ALL. No talking, gestures, reactions, etc. So players are placing cards into the grid to be pushed about without knowing what may be in the grid. Sure, the Heroes all have special abilities, but they are limited to triggering only when one specific location card is Discovered. In a deck of 20 cards, having just one trigger your ability can be frustrating, as that card may never be Discovered in the first place.
When all is said and done, this is a Disney game in name only, and not a great one. The inability to really enact any strategy is severely limiting and thus just presents a game that you play without really making many decisions at all. It’s a guess as to what your partner has played, and “knowing” when to Discover or Dispel is also a crap shoot. Yes, cards on your side of the grid may be known to you, but once your partner pushes cards to you to Discover you no longer know 3/4 of the grid contents. It is just frustrating.
I will probably not be playing this again, and I really don’t see it staying in my collection. It’s sad, really, because this game feels like it should be grander but there are so many missing pieces that is really flops. Purple Phoenix Games gives Disney Shadowed Kingdom a woeful 5 / 12. With so many Disney-themed games out there, and many of them decent to good, pass on this one and grab a different one. I know a few off the top of my head I could suggest. Just message me or email me and I would be happy to recommend some Disney games that are excellent.
In Disney Shadowed Kingdom players are attempting to drive away the darkness of Doubt with the help of Wish (which are both characters, I guess). In order to do this the players will be splitting up within the Magic Kingdom to cleanse the different locations and, with the help of Wish, gain enough Magic to fend off Doubt and the darkness forever!
To setup, each player receives a random (or chosen) Hero Card (in the photo above I was Daisy). The Magic/Shadow Tracker is placed on the table with the tokens on the 0 spaces of each tracker. Place the Wish card on the table. Shuffle the cards and deal each player 10 cards. Each player will then draw the top two cards from their deck, look at them, and then place them face-down in front of themselves on the table. Once done, the play area will be a 2×2 grid of each player’s first draw. The first player will draw two cards from their deck and the second player will draw one. The game may now begin!
On a player’s turn they will take their “oldest” card in their current hand and play it to the table. They may play it to push a card toward their partner to be Discovered, or play it to a side of the grid to push a card outside grid to be Dispelled (discarded). When a card is pushed to a player to be Discovered the discovering player will read the card aloud and follow its directions. Once complete the discovering player takes the card in hand to be used on a future turn. When a card is Dispelled the partner of the active player will NOT play the card for its face abilities, but will rather place it directly in their own discard pile.
When certain location cards are Discovered they may cause the hero’s (the card that was chosen at the beginning) special ability to trigger. These abilities could be peeking at cards in the grid or partner’s hand, or swapping two cards, or other abilities. Play continues in this way until players have pushed enough Magic cards to their partners to win or enough Shadow cards to allow the darkness to invade and lose the game.
Components. This game is a small stack of cards, some Hero cards, and the Magic/Shadow tracker with tokens. The cards are fine quality, the Hero cards are thick cardboard, and the other components are also fine. The art on the cards is amazing, and the saving grace.
Overall I would not recommend this game at all. I only rated it as highly as I did because I love the art and the theme. The gameplay just doesn’t work. There were times, when playing, we would get stuck in a loop of a card telling us to randomize the grid over and over. So while there IS an amount of memory used in the game, it can quickly be thrown out the window with just one card. This is merely one instance of the strategy and tactics needed to win or even play this one: almost none. As you HAVE to play the oldest card in your hand, it becomes a chore to try to remember exactly where it has been placed, and the hope that your partner will not push it toward you to be Discovered. And as bad as that may sound, the other cog in this wonky wheel is that players may not communicate with each other AT ALL. No talking, gestures, reactions, etc. So players are placing cards into the grid to be pushed about without knowing what may be in the grid. Sure, the Heroes all have special abilities, but they are limited to triggering only when one specific location card is Discovered. In a deck of 20 cards, having just one trigger your ability can be frustrating, as that card may never be Discovered in the first place.
When all is said and done, this is a Disney game in name only, and not a great one. The inability to really enact any strategy is severely limiting and thus just presents a game that you play without really making many decisions at all. It’s a guess as to what your partner has played, and “knowing” when to Discover or Dispel is also a crap shoot. Yes, cards on your side of the grid may be known to you, but once your partner pushes cards to you to Discover you no longer know 3/4 of the grid contents. It is just frustrating.
I will probably not be playing this again, and I really don’t see it staying in my collection. It’s sad, really, because this game feels like it should be grander but there are so many missing pieces that is really flops. Purple Phoenix Games gives Disney Shadowed Kingdom a woeful 5 / 12. With so many Disney-themed games out there, and many of them decent to good, pass on this one and grab a different one. I know a few off the top of my head I could suggest. Just message me or email me and I would be happy to recommend some Disney games that are excellent.
Trainz Simulator 2
Games and Entertainment
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Experience being a train driver on a variety of routes throughout the world, choose from a wide...
BankofMarquis (1832 KP) rated Wrath of Man (2021) in Movies
Jun 16, 2021
Surprising Depth of Character and GREAT action
I am always up for a good “B” action flick - something mindless that shows a macho hero (usually seeking revenge) taking out a boatload of faceless/nameless bad guys. So it was with much anticipation that I settled back into my chair to clear my head and catch Jason Statham doing what he does best.
What I got was something much, much more.
Directed by Guy Ritchie (LOCK, STOCK AND TWO SMOKING BARRELS), WRATH OF MAN tells the tale of seemingly innocent, meek, quiet man who takes a job with an Armored Car Company. Of course, since this meek man is played with a steely-eyed gaze by Jason Statham, there is something more to him. In the course of this film, of course, we find out.
Ritchie is a seasoned veteran Director of these sorts of films (LOCK STOCK…, SNATCH and the recent THE GENTLEMEN being examples of his ability) and this film nicely showcases his skill. He sets up the characters and the action scenes deftly and he does something that I really love to see in a film - he shows the same action scene from 3 different character's’ perspectives, every time we view the same scene from a different point of view it adds some depth to the scene (and the characters). It is this aspect of the film - the depth of character - that I was not expecting to see.
Statham, of course, is perfectly cast as the mysterious “H”. He has a strength of character (as well as a physical strength) needed to drive this story forward. I believed his motivations as a character while eagerly anticipating his “turn on a dime” change from “meek and mild” to “action hero”. In lesser hands, it would have seemed corny, but with Statham (and the direction of Ritchie), it is not.
Ritchie, of course, fills this world with a “rogues gallery” of tough guys, henchmen, unlikely heroes and villians. Standouts of this group were veteran character actor Holt McCallany (a veritable “that guy” actor) who plays a fellow armored car driver, Jeffrey Donovan (TV’s BURN NOTICE) and Scott Eastwood (Clint’s son) as a couple of “bad guys” and Darrell D’Silva (a veteran of European films who was heretofore unknown to me) as one of Statham’s allies. Whenever D’Silva was on the screen, he would draw my attention (in a good way). I’ll be keeping an eye out for him in future films.
Also along for the fun are the great Eddie Marsan (as the Manager of the Armored Car Company) and a gravelly voiced Andy Garcia (as a shadowy person from Statham’s past). They both know exactly what type of film they are in and look like they are having fun with their roles. Oh…and there is also a Josh Hartnett sighting (the “it” actor of the early ‘2000’s). His character of another Armored Car Driver is the weakest written and least realized of the characters in this film - but it was fun to see him on screen again.
But…all of these fine qualities rise or fall on the Direction of the action sequences and in the capable hands of Guy Ritchie, these scenes succeed greatly. He sets up and choreographs the fights (both hand-to-hand and gun fights) in such a way that the audience is never confused about what is going on (unless it is a deliberate choice) and he eschews the quick-cut editing that (I feel) is a sign of a weakly conceived and choreographed fight.
I was pleasantly surprised by how much I enjoyed this film - not only for the action, but for the depth of character and quality that was put up on the screen.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
What I got was something much, much more.
Directed by Guy Ritchie (LOCK, STOCK AND TWO SMOKING BARRELS), WRATH OF MAN tells the tale of seemingly innocent, meek, quiet man who takes a job with an Armored Car Company. Of course, since this meek man is played with a steely-eyed gaze by Jason Statham, there is something more to him. In the course of this film, of course, we find out.
Ritchie is a seasoned veteran Director of these sorts of films (LOCK STOCK…, SNATCH and the recent THE GENTLEMEN being examples of his ability) and this film nicely showcases his skill. He sets up the characters and the action scenes deftly and he does something that I really love to see in a film - he shows the same action scene from 3 different character's’ perspectives, every time we view the same scene from a different point of view it adds some depth to the scene (and the characters). It is this aspect of the film - the depth of character - that I was not expecting to see.
Statham, of course, is perfectly cast as the mysterious “H”. He has a strength of character (as well as a physical strength) needed to drive this story forward. I believed his motivations as a character while eagerly anticipating his “turn on a dime” change from “meek and mild” to “action hero”. In lesser hands, it would have seemed corny, but with Statham (and the direction of Ritchie), it is not.
Ritchie, of course, fills this world with a “rogues gallery” of tough guys, henchmen, unlikely heroes and villians. Standouts of this group were veteran character actor Holt McCallany (a veritable “that guy” actor) who plays a fellow armored car driver, Jeffrey Donovan (TV’s BURN NOTICE) and Scott Eastwood (Clint’s son) as a couple of “bad guys” and Darrell D’Silva (a veteran of European films who was heretofore unknown to me) as one of Statham’s allies. Whenever D’Silva was on the screen, he would draw my attention (in a good way). I’ll be keeping an eye out for him in future films.
Also along for the fun are the great Eddie Marsan (as the Manager of the Armored Car Company) and a gravelly voiced Andy Garcia (as a shadowy person from Statham’s past). They both know exactly what type of film they are in and look like they are having fun with their roles. Oh…and there is also a Josh Hartnett sighting (the “it” actor of the early ‘2000’s). His character of another Armored Car Driver is the weakest written and least realized of the characters in this film - but it was fun to see him on screen again.
But…all of these fine qualities rise or fall on the Direction of the action sequences and in the capable hands of Guy Ritchie, these scenes succeed greatly. He sets up and choreographs the fights (both hand-to-hand and gun fights) in such a way that the audience is never confused about what is going on (unless it is a deliberate choice) and he eschews the quick-cut editing that (I feel) is a sign of a weakly conceived and choreographed fight.
I was pleasantly surprised by how much I enjoyed this film - not only for the action, but for the depth of character and quality that was put up on the screen.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Kirk Bage (1775 KP) rated Unsolved Mysteries in TV
Jan 22, 2021 (Updated Jan 22, 2021)
It is a guilty secret of mine that when in the right mood I love to get a small fix of the unexplained or the macabre true crime documentary type thing. They tend to range from truly ridiculous to the mildly convincing, but tend not to have especially high production value. Netflix seem to know there is demand for it however, and every now and again there is a mini-series that can live in the same box as the more serious docs.
Making a Murderer was maybe the first to break through into the mainstream consciousness, some five years ago. I watched the first series of that with a morbid fascination, as did everyone else. The second season was interesting too, but lacked the cliffhanger drive of the first. Then there are three or four parters like the superlative Ted Bundy Tapes, which get to the point and don’t out stay their welcome. Unsolved Mysteries is sort of something in the middle.
The twist on this series is that these six stories are all active cases that remain unsolved by local police forces, and we are encouraged at the end of each one to call a hotline with any info that may lead to an arrest. This is a gimmick, of course, and I can’t imagine the calls and emails they have been getting! Those would make a better TV show than this actually is, for sure.
Each episode is an hour long, which in honesty is twice as long as it needs to be in half the cases. In fact, only two of the six captured my imagination enough to give me chills and want to know what happened. The other four were standard missing person stories that although “unsolved” were pretty mundane. As mundane as murder ever gets… which is a pitfall of watching this stuff… it all gets quite normalised and loses its power to disturb, as it should.
The first to interest me was the first up, the strange story of Rey Rivera, known as “the mystery on the rooftop”. The thing that got me was the hidden note taped to the back of his computer, that read like a coded message, and hinted at involvement with a secret society. That, combined with the fact that his fall to death was impossible, and that his boss put a gagging order on all his staff after the event. Whatever this guy had going on in his life it was weird! And his family knew not one thing about it…
The second was “House of Terror”, the story of a French aristocrat who secretly shot his entire family while they slept, carefully buried them under the back porch with immense care, left no other trace of evidence in the house, then disappeared forever into the mountains, seemingly creating a deliberate false trail on CCTV. What got me here was the calculation and calm of it all, combined with the mystery of not knowing his motive, other than the fact he may have been living a lie about how successful he was financially. Regardless, his actions were so cool and unpanicked, it was like watching something out of the Bourne Identity.
As I say, otherwise it is all pretty standard stuff, and nothing to write home about. But I will remember those two cases and be holding out for any new developments in them. I guess that’s all they want – enough intrigue to keep you hooked for more down the line. Of course, you are never quite sure how manipulative with the “truth” these things are? It seemed to be presented soberly and without a sensationalist angle, but you never know. Why do I watch them at all, that is the biggest mystery…
Making a Murderer was maybe the first to break through into the mainstream consciousness, some five years ago. I watched the first series of that with a morbid fascination, as did everyone else. The second season was interesting too, but lacked the cliffhanger drive of the first. Then there are three or four parters like the superlative Ted Bundy Tapes, which get to the point and don’t out stay their welcome. Unsolved Mysteries is sort of something in the middle.
The twist on this series is that these six stories are all active cases that remain unsolved by local police forces, and we are encouraged at the end of each one to call a hotline with any info that may lead to an arrest. This is a gimmick, of course, and I can’t imagine the calls and emails they have been getting! Those would make a better TV show than this actually is, for sure.
Each episode is an hour long, which in honesty is twice as long as it needs to be in half the cases. In fact, only two of the six captured my imagination enough to give me chills and want to know what happened. The other four were standard missing person stories that although “unsolved” were pretty mundane. As mundane as murder ever gets… which is a pitfall of watching this stuff… it all gets quite normalised and loses its power to disturb, as it should.
The first to interest me was the first up, the strange story of Rey Rivera, known as “the mystery on the rooftop”. The thing that got me was the hidden note taped to the back of his computer, that read like a coded message, and hinted at involvement with a secret society. That, combined with the fact that his fall to death was impossible, and that his boss put a gagging order on all his staff after the event. Whatever this guy had going on in his life it was weird! And his family knew not one thing about it…
The second was “House of Terror”, the story of a French aristocrat who secretly shot his entire family while they slept, carefully buried them under the back porch with immense care, left no other trace of evidence in the house, then disappeared forever into the mountains, seemingly creating a deliberate false trail on CCTV. What got me here was the calculation and calm of it all, combined with the mystery of not knowing his motive, other than the fact he may have been living a lie about how successful he was financially. Regardless, his actions were so cool and unpanicked, it was like watching something out of the Bourne Identity.
As I say, otherwise it is all pretty standard stuff, and nothing to write home about. But I will remember those two cases and be holding out for any new developments in them. I guess that’s all they want – enough intrigue to keep you hooked for more down the line. Of course, you are never quite sure how manipulative with the “truth” these things are? It seemed to be presented soberly and without a sensationalist angle, but you never know. Why do I watch them at all, that is the biggest mystery…
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