"I’ve got to say that this band were a massive influence on late-period Oasis. It was the one album I bought from a review because it said it was a bit like The Beatles, a bit like The Stones, a bit like The Who, really 60s-influenced and all the rest. I put it on the car stereo when I was driving to an Oasis gig and right from the start it was like, 'Wow.' It just blew me away, the lyrics, the playing. And then when we got to see them live and the singer was this giant fat dude. We ended up going on tour with them for two years. I watched them every single night and I thought they were incredible and they became really, really good friends and I still think that this album is a modern masterpiece."

"The seizure-prone should avoid listening to this particular album while driving. H.P. Lovecraft's "muffled, maddening beating of vile drums and the thin monotonous whine of accursed flutes" could be a record review (instead of the music of the blind idiot god Azathoth), and there is also strange sinister chanting in an eldritch tongue (Maghrebi). But if the CD reissue is to be trusted (which is a subject of much controversy), they are chanting sentiments no more sinister than "Your Eyes Are Like a Cup of Tea." Partly because the major local crop is marijuana, many Western visitors have discovered and rediscovered Jajouka and its remarkable music, which is considered trance-enhancing and therefore an aid to meditation (and self-medication). Phasing and echo effects added by Brian Jones pointedly undermine the expectation of field-recording authenticity."