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Lee (2222 KP) rated Dora and the Lost City of Gold (2019) in Movies
Aug 28, 2019 (Updated Aug 28, 2019)
Well, that was a fun surprise!
While my youngest daughter was growing up, I watched a lot of Dora the Explorer on TV. She absolutely loved the show and its characters, its catchphrases and the music all ended up becoming a permanent fixture in my brain for a few years. When news broke of a live action movie, Dora and The Lost City of Gold, accompanied by a trailer and poster, I wasn't really sure what to make of it all. My daughter on the other hand, now aged 14, basically couldn't care less. But, when a succession of fairly positive reviews started coming through, including comparisons to Spy Kids and the classic Indiana Jones movies, I managed to convince her to come with me. And it's pretty fair to say, we both had a great time!
Kicking off with a seriously fun nostalgia trip for anyone who has seen more than their fair share of Dora episodes, the movie pretty much recreates the opening credits from the TV show. The song! Dora's talking backpack and map! And cousin Diego is there too!! But, it turns out Dora and Diego aren't actually just a couple of kids driving recklessly around the jungle in a jeep - they are in fact just using their imagination, driving a homemade cardboard vehicle at the jungle home where Dora lives with her parents.
10 years later and Dora hasn't really changed that much, enthusiastically exploring the jungle and communicating with all of the animals. When her parents (played by Michael Peña and Eva Longoria) decide to venture off in search of a lost city of gold, they pack Dora off to the big city where she joins Diego at high school. But Dora and her over friendly, extrovert ways prove to be a big embarrassment for cousin Diego, who has grown up to be a fairly normal, moody teenager, leaving behind his imaginative jungle childhood.
When her parents suddenly go missing one day, Dora enlists the help of Diego and a couple of unwitting fellow students to venture with her into the jungle in order to try and find them and the lost city of gold. What follows is an extremely enjoyable jungle adventure, complete with mysteries, puzzles to solve, and even bad guys too. Isabela Moner, who featured earlier this year as a troubled teenager in the brilliant Instant Family, is perfect as Dora as she brings the older version of the character to life. Her teen co stars all bring something different to the story too, and prove to be a real fun, mixed cast.
Throw in a poo song, an animated Dora scene brought on by breathing in hallucinogenic pollen and a catchy final song and dance number and Dora and the Lost City of Gold is the summer family movie you never knew you needed in your life!
Kicking off with a seriously fun nostalgia trip for anyone who has seen more than their fair share of Dora episodes, the movie pretty much recreates the opening credits from the TV show. The song! Dora's talking backpack and map! And cousin Diego is there too!! But, it turns out Dora and Diego aren't actually just a couple of kids driving recklessly around the jungle in a jeep - they are in fact just using their imagination, driving a homemade cardboard vehicle at the jungle home where Dora lives with her parents.
10 years later and Dora hasn't really changed that much, enthusiastically exploring the jungle and communicating with all of the animals. When her parents (played by Michael Peña and Eva Longoria) decide to venture off in search of a lost city of gold, they pack Dora off to the big city where she joins Diego at high school. But Dora and her over friendly, extrovert ways prove to be a big embarrassment for cousin Diego, who has grown up to be a fairly normal, moody teenager, leaving behind his imaginative jungle childhood.
When her parents suddenly go missing one day, Dora enlists the help of Diego and a couple of unwitting fellow students to venture with her into the jungle in order to try and find them and the lost city of gold. What follows is an extremely enjoyable jungle adventure, complete with mysteries, puzzles to solve, and even bad guys too. Isabela Moner, who featured earlier this year as a troubled teenager in the brilliant Instant Family, is perfect as Dora as she brings the older version of the character to life. Her teen co stars all bring something different to the story too, and prove to be a real fun, mixed cast.
Throw in a poo song, an animated Dora scene brought on by breathing in hallucinogenic pollen and a catchy final song and dance number and Dora and the Lost City of Gold is the summer family movie you never knew you needed in your life!
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Ross (3284 KP) rated Star Wars: Episode VIII - The Last Jedi (2017) in Movies
Jan 8, 2018
Porgs not as annoying as expected (1 more)
Muppet Yoda is back (no CGI nonsense)
Contains spoilers, click to show
I enjoyed the film at the time, but something niggles afterwards that some of it was just sloppy.
Captain Phasma - a strong female villain - was barely present and did not add anywhere near as much to the story as hoped for.
There was the perfect opportunity to write Carrie Fisher out of the story in a particularly poignant moment, but that wasn't followed through (and now she will just have to be written out in the opening scenes of the following film "Oh isn't it a shame about General Morgana dying").
The most irritating part of the plot for me was how quickly Finn is supposed to have walked back, dragging Rose. It took them 10 minutes driving to their destination but he somehow manages to walk it in 2 minutes, dragging another person, past a fleet of AT-ATs! That took me right out of the moment.
Rey was not used anywhere near enough. As the strong female lead, having her spend the entire film trying to persuade Luke to help or train her was just a waste of time. They should have just used a montage.
Otherwise it was an acceptable film in the series, less of a remake of Empire than The Force Awakens was of A New Hope thankfully.
Captain Phasma - a strong female villain - was barely present and did not add anywhere near as much to the story as hoped for.
There was the perfect opportunity to write Carrie Fisher out of the story in a particularly poignant moment, but that wasn't followed through (and now she will just have to be written out in the opening scenes of the following film "Oh isn't it a shame about General Morgana dying").
The most irritating part of the plot for me was how quickly Finn is supposed to have walked back, dragging Rose. It took them 10 minutes driving to their destination but he somehow manages to walk it in 2 minutes, dragging another person, past a fleet of AT-ATs! That took me right out of the moment.
Rey was not used anywhere near enough. As the strong female lead, having her spend the entire film trying to persuade Luke to help or train her was just a waste of time. They should have just used a montage.
Otherwise it was an acceptable film in the series, less of a remake of Empire than The Force Awakens was of A New Hope thankfully.
Kristy H (1252 KP) rated Fates and Furies in Books
Feb 13, 2018
This novel details the story of Lotto and Mathilde, who meet as their college days are ending and marry shortly thereafter. Lotto and Mathilde appear to all as a glamorous and lovely couple-- adored by all their friends. However, their marriage and relationship may not be all it appears - even to each other.
Groff starts off the book from Lotto's point of view and then halfway through, we get Mathilde's side. (Therefore, everyone must compare it to "Gone Girl," which is driving me crazy. Can we just stop using "Gone Girl" as the marker to which to compare every book written since?! Thank you.) It's an interesting and well-done plot device, in Groff's deft hands, and you find yourself amazed at how the relationship differs between the two perspectives.
There's a lot of discussion of Lotto and Mathilde's parties (a bit much for me) and a backstory to Lotto's childhood (and eventually Mathilde's). Groff does an excellent job of showing how Lotto and Mathilde's childhood formed the people they became as adults -- and how they acted as spouses. I won't lie - I enjoyed Mathilde's section a bit more, even if I didn't perhaps like her as much as Lotto as a person - she's an interesting character. The end is a little much, but the novel is still well-done. I'd rate it as 3.5 stars - some of it dragged a bit for me, but I certainly enjoyed it.
Groff starts off the book from Lotto's point of view and then halfway through, we get Mathilde's side. (Therefore, everyone must compare it to "Gone Girl," which is driving me crazy. Can we just stop using "Gone Girl" as the marker to which to compare every book written since?! Thank you.) It's an interesting and well-done plot device, in Groff's deft hands, and you find yourself amazed at how the relationship differs between the two perspectives.
There's a lot of discussion of Lotto and Mathilde's parties (a bit much for me) and a backstory to Lotto's childhood (and eventually Mathilde's). Groff does an excellent job of showing how Lotto and Mathilde's childhood formed the people they became as adults -- and how they acted as spouses. I won't lie - I enjoyed Mathilde's section a bit more, even if I didn't perhaps like her as much as Lotto as a person - she's an interesting character. The end is a little much, but the novel is still well-done. I'd rate it as 3.5 stars - some of it dragged a bit for me, but I certainly enjoyed it.
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