"I was driving through Iceland listening to this song and it’s just really gorgeous. I think this is how people feel when they take drugs - they begin on this floating cloud and then it becomes a bit chaotic at the end. “It sounds like they were on drugs when they made it, but it doesn’t make me sad when I think about it, there’s something with it, it’s positive without making me vomit, which I really enjoy. Sometimes happier music is hard to listen to, because you can question as to why you aren’t as happy as the people in the song, but I like this song. “I discovered this song much later, after ‘Rez’. When I hear one song I don’t automatically go and find the whole album, I kind of stop and just have fun with that song for months - I get really patient with songs and I can listen to them for months. I saw that ‘Born Slippy’ was on the same album as ‘Rez’ and now of course I have the whole album and I have rave parties for myself, just me. “I also love to listen to this song whilst I paint, when I paint something without meaning. I’m full of opposites or coherent contrasts, one day I like to be at rave parties and then I like to be in forests. I like to see what the world has to offer me.”"

"The first time I heard this was in 2012. I remember we were driving down the Great Ocean Road in Australia, the sun was out and hearing this, it was such an amazing song. And subsequently learning what it was about, or so the story goes, I don’t know whether it’s true or not but it’s an affecting story, which is the line ‘I couldn’t say it to your face, but I won’t be around anymore’ is about him either telling a lover or a friend that he’s HIV Positive and that his days are numbered. “Aside from it being an amazing song, I always think as a lyricist you want to be having conversations that you can’t have, that you’re too scared to have. If you’re making yourself uncomfortable then you’re doing something right, because there’s an incredible catharsis that comes with that. It really puts my issues into perspective, it is all relative, but it’s an amazing song and I think to be that honest and to be that authentic is an amazing thing and that’s when I always connect to music, when it’s doing that. “In the last few years Arthur Russell has had a real resurgence and that interest in him has snowballed. He had a million clubby projects and there’s a lot of his stuff that I don’t connect with, but the more direct, vulnerable stuff I really like. There’s the Love Is Overtaking Me compilation, it feels like a ‘Best of"