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Bob Mann (459 KP) rated The Mule (2018) in Movies
Sep 28, 2021
Eastwood is back, but is he hero or anti-hero?
It’s delightful to see Clint Eastwood back in front of the camera on the big screen. His last starring film was “Trouble with the Curve” in 2012 – a baseball-themed film that I don’t remember coming out in the UK, let alone remember seeing. Before that was 2008’s excellent “Gran Torino”.
Based on a true story.
“The Mule” is based on a true New York Times story about Leo Sharp, a veteren recruited by a cartel to ship drugs from the southern border to Chicago.
Eastwood couldn’t cast Sharp in the movie as himself because he died back in 2016, so had to personally take the role. (This is #satire…. Eastwood’s last film was the terrible “The 15:17 to Paris” where his ‘actors’ were the real-life participants themselves: you won’t find a review on this site as I only review films I’ve managed to sit through…. and with this one I failed!).
The plot.
Eastwood plays Earl Stone, a self-centred horticulturist of award-winning daylily’s (whatever they are) who is estranged from wife Mary (Dianne Wiest) and especially from his daughter Iris (Alison Eastwood, Clint’s own daughter), who now refuses to speak to him. This is because Earl has let his family down at every turn. The only person willing to give him a chance is his grand-daughter Ginny (Taissa Farmiga, younger sister of Vera). With his affairs in financial freefall, a chance meeting at a wedding leads Earl into a money-making driving job for the cartel operated by Laton (Andy Garcia). (Laton doesn’t seem to have a first name….. Fernando perhaps?).
With has beat-up truck and aged manner, he is invisible to the cops and so highly effective in the role. Even when – as the money keeps rolling in – he upgrades his truck to a souped-up monster!
Loose Morals.
It’s difficult to know whether Eastwood is playing a hero or an anti-hero. You feel tense when Earl is at risk of being caught, but then again the law officers would be preventing hundreds of kilos of cocaine from reaching the streets of Chicago and through their actions saving the lives of probably hundreds of people. I felt utterly conflicted: the blood of those people, and the destruction of the families that addiction causes, was on Earl’s hands as much as his employer’s. But you can’t quite equate that to the affable old-man that Eastwood portrays, who uses much of the money for charitable good-works in his community.
Family values.
In parallel with the drug-running main plot is a tale of Earl’s attempted redemption: “family should always come first”. When the two storylines come together around a critical event then it feels like a sufficient trigger for Earl to turn his back on his life of selfishness. This also gives room for some splendid acting scenes between Eastwood and Wiest. It’s also interesting that Earl tries to teach the younger DEA enforcement agent not to follow in the sins of his past. Bradley Cooper, back in pretty-boy mode, plays the agent, but seemed to me to be coasting; to me he wasn’t convincing in the role. Michael Peña is better as his unnamed DEA-buddy.
Final thoughts.
The showing at my cinema was surprisingly well-attended for a Wednesday night, showing that Eastwood is still a star-draw for box-office even in his old age. And it’s the reason to see the film for sure. His gristled driving turn to camera (most fully seen in the trailer rather than the final cut) is extraordinary.
He even manages to turn in an “eyes in rearview-mirror” shot that is surely a tribute to his Dirty Harry days!
If you can park your moral compass for a few hours then its an enjoyable film of drug-running and redemption. I’d like to suggest it also illustrates that crime really doesn’t pay, but from the end titles scene I’m not even sure at that age if that even applies!
Based on a true story.
“The Mule” is based on a true New York Times story about Leo Sharp, a veteren recruited by a cartel to ship drugs from the southern border to Chicago.
Eastwood couldn’t cast Sharp in the movie as himself because he died back in 2016, so had to personally take the role. (This is #satire…. Eastwood’s last film was the terrible “The 15:17 to Paris” where his ‘actors’ were the real-life participants themselves: you won’t find a review on this site as I only review films I’ve managed to sit through…. and with this one I failed!).
The plot.
Eastwood plays Earl Stone, a self-centred horticulturist of award-winning daylily’s (whatever they are) who is estranged from wife Mary (Dianne Wiest) and especially from his daughter Iris (Alison Eastwood, Clint’s own daughter), who now refuses to speak to him. This is because Earl has let his family down at every turn. The only person willing to give him a chance is his grand-daughter Ginny (Taissa Farmiga, younger sister of Vera). With his affairs in financial freefall, a chance meeting at a wedding leads Earl into a money-making driving job for the cartel operated by Laton (Andy Garcia). (Laton doesn’t seem to have a first name….. Fernando perhaps?).
With has beat-up truck and aged manner, he is invisible to the cops and so highly effective in the role. Even when – as the money keeps rolling in – he upgrades his truck to a souped-up monster!
Loose Morals.
It’s difficult to know whether Eastwood is playing a hero or an anti-hero. You feel tense when Earl is at risk of being caught, but then again the law officers would be preventing hundreds of kilos of cocaine from reaching the streets of Chicago and through their actions saving the lives of probably hundreds of people. I felt utterly conflicted: the blood of those people, and the destruction of the families that addiction causes, was on Earl’s hands as much as his employer’s. But you can’t quite equate that to the affable old-man that Eastwood portrays, who uses much of the money for charitable good-works in his community.
Family values.
In parallel with the drug-running main plot is a tale of Earl’s attempted redemption: “family should always come first”. When the two storylines come together around a critical event then it feels like a sufficient trigger for Earl to turn his back on his life of selfishness. This also gives room for some splendid acting scenes between Eastwood and Wiest. It’s also interesting that Earl tries to teach the younger DEA enforcement agent not to follow in the sins of his past. Bradley Cooper, back in pretty-boy mode, plays the agent, but seemed to me to be coasting; to me he wasn’t convincing in the role. Michael Peña is better as his unnamed DEA-buddy.
Final thoughts.
The showing at my cinema was surprisingly well-attended for a Wednesday night, showing that Eastwood is still a star-draw for box-office even in his old age. And it’s the reason to see the film for sure. His gristled driving turn to camera (most fully seen in the trailer rather than the final cut) is extraordinary.
He even manages to turn in an “eyes in rearview-mirror” shot that is surely a tribute to his Dirty Harry days!
If you can park your moral compass for a few hours then its an enjoyable film of drug-running and redemption. I’d like to suggest it also illustrates that crime really doesn’t pay, but from the end titles scene I’m not even sure at that age if that even applies!
Cal Brown (53 KP) rated Spider-Man: Homecoming (2017) in Movies
Jul 7, 2017
Great alternative perspective on the marvel universe. (4 more)
Great casting. Love the racial diversity and equality of characters.
Amazing references to the original films and the MCU.
Tom Holland's performance and presence is incredible.
Air-gasping plot twists.
The aspect ratio of the smartphone-video diary doesn't make sense. (1 more)
A few minor logic flaws.
Spider-teen
Contains spoilers, click to show
Spiderman, a superhero that has been the go-to Halloween costume for the past 15 years and rightly so. With this being the 6th Spiderman movie, most would expect a drained and exhausted movie. I try to go into the cinema with an unbiased opinion on any movie, but even I expected it. However, it was a replenishing surprise to see a cinematic and equally entertaining Marvel film.
I loved seeing an alternative, somewhat more realistic, perspective on the MCU (Marvel Cinematic Universe). Hearing the 'voice of the people' and what students think of the avengers was a quirky amusement.
As a filmmaker, it was incredulous to see a specific inter-textual reference within one of the scenes. Night draws and the Vulture is driving the car with Peter Parker in the back. Things are getting tense as he realises that Peter Parker is Spiderman. The car is stationary at a set of traffic lights. The light turns green, cut to a close up of the Vulutre's face as he replicates the Green Goblin's expression and speaks the exact same words to Spiderman that the Green Goblin did in the very fist movie.
It's hard to believe that Tom Holland (Peter Parker) was born and raised in London as his American accent is spot on! This was complimented by his excellent and energetic performance.
The casting for this film was noteworthy. The racial diversity and equality of characters was great.
There were a few logic flaws within the film, but they're not worth enough value to even discuss them as the story and value of the film overall was excellent. I'm content with giving this film an almost perfect 9/10 as there were a few parts of the story where I felt like it was getting repetitive and the plot was starting to feel a bit 'back-and-forth'.
I loved seeing an alternative, somewhat more realistic, perspective on the MCU (Marvel Cinematic Universe). Hearing the 'voice of the people' and what students think of the avengers was a quirky amusement.
As a filmmaker, it was incredulous to see a specific inter-textual reference within one of the scenes. Night draws and the Vulture is driving the car with Peter Parker in the back. Things are getting tense as he realises that Peter Parker is Spiderman. The car is stationary at a set of traffic lights. The light turns green, cut to a close up of the Vulutre's face as he replicates the Green Goblin's expression and speaks the exact same words to Spiderman that the Green Goblin did in the very fist movie.
It's hard to believe that Tom Holland (Peter Parker) was born and raised in London as his American accent is spot on! This was complimented by his excellent and energetic performance.
The casting for this film was noteworthy. The racial diversity and equality of characters was great.
There were a few logic flaws within the film, but they're not worth enough value to even discuss them as the story and value of the film overall was excellent. I'm content with giving this film an almost perfect 9/10 as there were a few parts of the story where I felt like it was getting repetitive and the plot was starting to feel a bit 'back-and-forth'.
Haley Mathiot (9 KP) rated The Ice Twins in Books
Apr 27, 2018
This was literally the most depressing book I’ve ever read. Like, literally. The writing was lyrical and descriptive (almost too much so), and it was hard to listen to because of the emotional devastation of the characters. It was a rollercoaster because out of the three main characters (daughter, husband, wife) you loved all of them, you hated all of them, but you weren’t sure which one was the bad guy (and there was definitely a bad guy). And then once you figured out which one you hated the most, it would switch on you. Suffice to say, this made it an emotional trip.
As I said, the writing was almost so descriptive that it was annoying. And it wasn’t all of it, there were just some parts where I thought “Okay, I get it, move on with the story please.” Another thing was some of the dialogue was redundant. I realize you’re dealing with a traumatized child here, and they tend to repeat themselves and not elaborate, but there are artful ways of writing that without driving your reader crazy. (Example, thought not a direct quote: “tell me what happened?” “Nothing.” “Tell me?” “no. nothing.” “Please?” “Nothing.” “Please sweetheart.” “No! Nothing.” and on and on we go.)
But the story itself wrapped up with an intensely confusing and fulfilling climax, and even a week later it is still haunting me… the ghost may never go away.
The narration was combined: there were three people reading. Rawlins for the voice of Sarah, the mother; Duncan for the voice of Angus before the climax; King for the voice of Angus after the climax (which I thought was really weird, honestly). I liked Rawlins and King, but not Duncan at all. I also would have liked Rawlins to do the voice of the daughter for the whole thing, not just her chapters, since her voice was really good for it. It would have been so much editing though.
The Ice Twins was an overall good reading experience and despite it’s minor flaws I would recommend it to anyone who likes drama, romance, or general fiction.
As I said, the writing was almost so descriptive that it was annoying. And it wasn’t all of it, there were just some parts where I thought “Okay, I get it, move on with the story please.” Another thing was some of the dialogue was redundant. I realize you’re dealing with a traumatized child here, and they tend to repeat themselves and not elaborate, but there are artful ways of writing that without driving your reader crazy. (Example, thought not a direct quote: “tell me what happened?” “Nothing.” “Tell me?” “no. nothing.” “Please?” “Nothing.” “Please sweetheart.” “No! Nothing.” and on and on we go.)
But the story itself wrapped up with an intensely confusing and fulfilling climax, and even a week later it is still haunting me… the ghost may never go away.
The narration was combined: there were three people reading. Rawlins for the voice of Sarah, the mother; Duncan for the voice of Angus before the climax; King for the voice of Angus after the climax (which I thought was really weird, honestly). I liked Rawlins and King, but not Duncan at all. I also would have liked Rawlins to do the voice of the daughter for the whole thing, not just her chapters, since her voice was really good for it. It would have been so much editing though.
The Ice Twins was an overall good reading experience and despite it’s minor flaws I would recommend it to anyone who likes drama, romance, or general fiction.
Goddess in the Stacks (553 KP) rated Crimson Bound in Books
Apr 30, 2018
Well, Rosamund Hodge has done it again. I think this one was actually better than Cruel Beauty, and about on par with Bright Smoke, Cold Fire. Crimson Bound is billed as Cruel Beauty #2, but it doesn't actually seem to take place in the same world. They're only connected in that they're both dark fantasy retellings of fairy tales. Crimson Bound is loosely (VERY loosely!) based on Little Red Riding Hood. It's amazing.
In Rachelle's world, The Forest is the dominating theme - it encroaches on villages and towns, sending "woodspawn" to attack people, and Forestborn to turn more humans into bloodbound and ultimately Forestborn. Humans are sheep to The Forest; prey to the Forestborn. Once a Forestborn has marked a human, they have three days to kill someone or they will die. If they kill someone, they become bloodbound - an intermediary step before they become completely Forestborn. Bloodbound have increased strength, resilience, and fighting skills, so the King has extended an offer to Bloodbound - even though they are known murderers, since they had to have killed someone to gain their powers - he will grant them clemency in exchange for their service to the realm. Guard the people from the woodspawn, the mindless monsters the Forest sends to attack people, and he'll let you live.
So Rachelle is a Bloodbound, bound to the King. Unlike most, though, she still believes in some of the old pagan stories about The Forest and the Devourer - the ancient evil driving the Forest's predatory ways. The book is about her quest to stop it from coming through into their world and destroying everything. There are twists and reveals that I cannot mention here, but it is an AMAZING piece of world-building and myth and I LOVED IT.
I also discovered she has several short stories post on her website so I'll be binge-reading those for a while!
This book - and anything by Rosamund Hodge - is pure magic. If you like dark fairy tales, you can't do better than this.
You can find all my reviews at http://goddessinthestacks.wordpress.com
In Rachelle's world, The Forest is the dominating theme - it encroaches on villages and towns, sending "woodspawn" to attack people, and Forestborn to turn more humans into bloodbound and ultimately Forestborn. Humans are sheep to The Forest; prey to the Forestborn. Once a Forestborn has marked a human, they have three days to kill someone or they will die. If they kill someone, they become bloodbound - an intermediary step before they become completely Forestborn. Bloodbound have increased strength, resilience, and fighting skills, so the King has extended an offer to Bloodbound - even though they are known murderers, since they had to have killed someone to gain their powers - he will grant them clemency in exchange for their service to the realm. Guard the people from the woodspawn, the mindless monsters the Forest sends to attack people, and he'll let you live.
So Rachelle is a Bloodbound, bound to the King. Unlike most, though, she still believes in some of the old pagan stories about The Forest and the Devourer - the ancient evil driving the Forest's predatory ways. The book is about her quest to stop it from coming through into their world and destroying everything. There are twists and reveals that I cannot mention here, but it is an AMAZING piece of world-building and myth and I LOVED IT.
I also discovered she has several short stories post on her website so I'll be binge-reading those for a while!
This book - and anything by Rosamund Hodge - is pure magic. If you like dark fairy tales, you can't do better than this.
You can find all my reviews at http://goddessinthestacks.wordpress.com
RəX Regent (349 KP) rated Warcraft (2016) in Movies
Feb 19, 2019
To begin, I am not really up on the plot of the game in which this movie is based, though I do understand that this is a prequel and that the tone is reasonably accurate to the that of the long enduring PC game.
But derivative is the word. The game was designed to allow its players to interact with each over and across the internet and essentially play in scenarios which span the fantasy genre, itself drawing from such classics as Lord Of the Rings, Dungeons and Dragons and every medieval or ancient myth imaginable.
As a game, this sounds like fun, taking on roles and pretending to be mythological characters, wielding swords and magic, but since this was already taken wholesale from the genre, including films, what was the point?
Essentially, what we have is an epic mash up of films which have already made there mark whilst offering little if anything new worth talking about. The plot twists are predicable if not hammy, the characterisations are dull and cliched and in the end there is little to offer but a brand name and endless special effects.
The movie does pick up a bit in the third act but even this is let down with a finale of world building and sequel teasing, with the plot left wide open and several plot lines ready to go if there was ever to be a Warcraft 2. The problem is that there is little to tantalise unless you are already a die hard fan. The writing is poor, effective for driving the plot along at some pace but it is mundane, predictable and lacking any real intrigue or interest. It simply goes through the motions as does almost everything and everyone else in the film as a whole.
I want to say that it could have been better, but I can not. I think that Jones and his team have probably done a reasonable job of adapting this game but that is what it is, a derivative PC game and hardly suitable for a movie of this scale.
When will they learn?
But derivative is the word. The game was designed to allow its players to interact with each over and across the internet and essentially play in scenarios which span the fantasy genre, itself drawing from such classics as Lord Of the Rings, Dungeons and Dragons and every medieval or ancient myth imaginable.
As a game, this sounds like fun, taking on roles and pretending to be mythological characters, wielding swords and magic, but since this was already taken wholesale from the genre, including films, what was the point?
Essentially, what we have is an epic mash up of films which have already made there mark whilst offering little if anything new worth talking about. The plot twists are predicable if not hammy, the characterisations are dull and cliched and in the end there is little to offer but a brand name and endless special effects.
The movie does pick up a bit in the third act but even this is let down with a finale of world building and sequel teasing, with the plot left wide open and several plot lines ready to go if there was ever to be a Warcraft 2. The problem is that there is little to tantalise unless you are already a die hard fan. The writing is poor, effective for driving the plot along at some pace but it is mundane, predictable and lacking any real intrigue or interest. It simply goes through the motions as does almost everything and everyone else in the film as a whole.
I want to say that it could have been better, but I can not. I think that Jones and his team have probably done a reasonable job of adapting this game but that is what it is, a derivative PC game and hardly suitable for a movie of this scale.
When will they learn?
BankofMarquis (1832 KP) rated Red Sparrow (2018) in Movies
Mar 3, 2018
A Sexy spy thriller that would have been better without the SEXY
The new Jennifer Lawrence spy thriller RED SPARROW is being advertised as a "sexy" thriller, and if you watch the trailers for it, you would think it was a Jason Bourne/Mission Impossible-type of action thriller - with "sexy" action - and you would be misled and disappointed.
For, RED SPARROW, is a sexy, intelligent, inner-workings, "out-smart-the-other-guy" type of spy thriller in more of the mode of a John LeCarre novel (like TINKER, TAILOR, SOLIDER, SPY). It does have some action and some GRAPHIC torture scenes, but I would not classify it as an action film, so those looking for that will be bored.
RED SPARROW follows the tale of Bolshoi Ballet Prima Ballerina, Dominika Egorova (Jennifer Lawrence) who, after an accident ends her ballet career, is drawn into the deadly world of International Intelligence by her Uncle and must her her body as well as her mind to survive.
This is billed - and shot - as a "sexy" thriller with "SEXY" being the primary driving force - and that is too bad, for I found the sex and nudity to be gratuitous and didn't really drive the narrative forward. When the film stopped focusing on this aspect and focused on the mystery - and misdirection - at hand and Dominika's ability to outsmart and outhink those around her, that the film really catches it's footing and is quite good.
Unfortunately, you have to sit through the first 1/2 of this film - the training portion - and that is filled with gratuitous sex and sexual conquest and using your sex to disarm the enemy. It's an unfortunate choice that almost took me out of the movie, so when the (really) good second half of the film came about, I was surprised by it.
But if you can get through that, you'll be rewarded by a pretty good, pretty smart, pretty INTELLIGENT thriller.
Letter Grade: B (C for the 1st half, A for the 2nd half)
7 (out of 10) stars and you can take that to the Bank(ofMarquis)
For, RED SPARROW, is a sexy, intelligent, inner-workings, "out-smart-the-other-guy" type of spy thriller in more of the mode of a John LeCarre novel (like TINKER, TAILOR, SOLIDER, SPY). It does have some action and some GRAPHIC torture scenes, but I would not classify it as an action film, so those looking for that will be bored.
RED SPARROW follows the tale of Bolshoi Ballet Prima Ballerina, Dominika Egorova (Jennifer Lawrence) who, after an accident ends her ballet career, is drawn into the deadly world of International Intelligence by her Uncle and must her her body as well as her mind to survive.
This is billed - and shot - as a "sexy" thriller with "SEXY" being the primary driving force - and that is too bad, for I found the sex and nudity to be gratuitous and didn't really drive the narrative forward. When the film stopped focusing on this aspect and focused on the mystery - and misdirection - at hand and Dominika's ability to outsmart and outhink those around her, that the film really catches it's footing and is quite good.
Unfortunately, you have to sit through the first 1/2 of this film - the training portion - and that is filled with gratuitous sex and sexual conquest and using your sex to disarm the enemy. It's an unfortunate choice that almost took me out of the movie, so when the (really) good second half of the film came about, I was surprised by it.
But if you can get through that, you'll be rewarded by a pretty good, pretty smart, pretty INTELLIGENT thriller.
Letter Grade: B (C for the 1st half, A for the 2nd half)
7 (out of 10) stars and you can take that to the Bank(ofMarquis)
Kate and her husband Ron, have a seemingly perfect life: happily married, two kids, etc. So Kate is thrown off by her attraction to another man, Peter Ash, when she meets him at a dinner party held by one of Ron's colleagues and his own wife. Peter himself is married, with twin sons. Unable to get Peter out her mind, Kate ignores the warnings of her friend Beth, and arranges an encounter. Shortly after that event, Kate and Beth are involved in a horrific terrorist attack, and it seems like nothing will ever be the same.
This was a slightly bizarre novel with an interesting premise: a sort of anti-adultery treatise, in a way. The novel confounded me slightly with its two different tracks: one of personal angst and murder (I don't think it's a spoiler to state that shortly after the terrorist attack, Peter Ash winds up murdered) and then the terrorist attack, which seems somewhat oddly inserted into the novel's plot. Kate's friend Beth is a police detective, and for me, Beth was driving force of the book (and seriously, practically the only sane person in this story). I enjoyed her character and while it's been noted that this was a standalone novel for Lescroart, I could see another book featuring her.
Beth is perplexed as she tries to solve Peter Ash's murder. For us: not really. I felt as if the suspect was fairly easily identifiable the whole time. Lescroart did a fairly good job as casting suspicions on someone else; at one point, I finally thought, oh, ok, maybe I really am wrong (but I wasn't). There's a whole host of characters in the novel and they are interesting, but not really as complex or intricate as Beth. Overall, I enjoyed this novel-- I haven't read anything by Lescroart since some of his early Dismas Hardy books ages ago-- but I didn't find it to have an amazing "wow" factor or anything. It was an interesting, if somewhat predictable thriller, with some strange plot points thrown in.
I received a copy of this novel from Netgalley and the publisher (thank you!) in return for an unbiased review; it is available everywhere as of 01/24/2017.
This was a slightly bizarre novel with an interesting premise: a sort of anti-adultery treatise, in a way. The novel confounded me slightly with its two different tracks: one of personal angst and murder (I don't think it's a spoiler to state that shortly after the terrorist attack, Peter Ash winds up murdered) and then the terrorist attack, which seems somewhat oddly inserted into the novel's plot. Kate's friend Beth is a police detective, and for me, Beth was driving force of the book (and seriously, practically the only sane person in this story). I enjoyed her character and while it's been noted that this was a standalone novel for Lescroart, I could see another book featuring her.
Beth is perplexed as she tries to solve Peter Ash's murder. For us: not really. I felt as if the suspect was fairly easily identifiable the whole time. Lescroart did a fairly good job as casting suspicions on someone else; at one point, I finally thought, oh, ok, maybe I really am wrong (but I wasn't). There's a whole host of characters in the novel and they are interesting, but not really as complex or intricate as Beth. Overall, I enjoyed this novel-- I haven't read anything by Lescroart since some of his early Dismas Hardy books ages ago-- but I didn't find it to have an amazing "wow" factor or anything. It was an interesting, if somewhat predictable thriller, with some strange plot points thrown in.
I received a copy of this novel from Netgalley and the publisher (thank you!) in return for an unbiased review; it is available everywhere as of 01/24/2017.
Gareth von Kallenbach (980 KP) rated the PlayStation 4 version of Crash Team Racing: Nitro Fueled in Video Games
Jul 9, 2019
Rev Your Engines
Rev up your engines as your favorite gaming Marsupial is back with Crash Team Racing Nitro-Fueled. The game is a remastered version of a prior release and like the amazing N Sane Trilogy; gives a new life to the game by taking advantage of the better graphics and framerates offered by the new systems.
Playing in a campaign or online mode, players can pick which character they wish to use and unlike the previous release; are not locked into completing a series with that character as they can change up as they wish.
Players must win a track in order to move on to the next track which is accessed by driving a portal located on an island which also serves as a practice area and a way to access Boss Races and other areas when key objectives have been reached.
The tracks are very detailed and great fun. From an intense sewer track to some exotic locales and temples; there are plenty of locales for everyone to enjoy.
If you have played a racing game before you will soon get the hang of the controls and mechanics of the game. Of course there are plenty of traps and obstacles for players to deal with and there are power ups with weapons and other enhancements to give player an edge which will be needed as the competition is intense; even on the lower difficulty settings.
There are also crates of fruit which can be collected and will allow players to customize their vehicles beyond cosmetic changes which will be needed as player’s progress.
The multiplayer aspects of the game were great as it was very easy to connect and play and aside from some loading screen waits, the game moves fast and looks and sounds amazing.
If you are a fan of Crash Bandicoot and love a good racing game then this is simply a must own as it is not only fun to play; but is one of the most entertaining and enjoyable games in
the genre.
http://sknr.net/2019/07/09/crash-team-racing-nitro-fueled-2/
Playing in a campaign or online mode, players can pick which character they wish to use and unlike the previous release; are not locked into completing a series with that character as they can change up as they wish.
Players must win a track in order to move on to the next track which is accessed by driving a portal located on an island which also serves as a practice area and a way to access Boss Races and other areas when key objectives have been reached.
The tracks are very detailed and great fun. From an intense sewer track to some exotic locales and temples; there are plenty of locales for everyone to enjoy.
If you have played a racing game before you will soon get the hang of the controls and mechanics of the game. Of course there are plenty of traps and obstacles for players to deal with and there are power ups with weapons and other enhancements to give player an edge which will be needed as the competition is intense; even on the lower difficulty settings.
There are also crates of fruit which can be collected and will allow players to customize their vehicles beyond cosmetic changes which will be needed as player’s progress.
The multiplayer aspects of the game were great as it was very easy to connect and play and aside from some loading screen waits, the game moves fast and looks and sounds amazing.
If you are a fan of Crash Bandicoot and love a good racing game then this is simply a must own as it is not only fun to play; but is one of the most entertaining and enjoyable games in
the genre.
http://sknr.net/2019/07/09/crash-team-racing-nitro-fueled-2/
Phil Leader (619 KP) rated Kings or Pawns (Steps of Power #1) in Books
Nov 18, 2019
This book contains the usual staple fantasy races: elves, humans, dwarves, centaurs. There are epic battles and bold heroes, princesses in peril and magic. There is even a map at the front.
But that is where any similarity between this book and most other epic fantasy novels ends. Sherwood tells the tale of an elven country that has become corrupt with a ruling council who make decisions for reasons of profit, driving the rightful kings away and installing a puppet regime. Meanwhile the country is facing a war led by a brilliant defector.
When his father, the king, dies young Prince Hairem is determined to stand up to the council and stop the rot. But the council has ruled for hundreds of years, how can he possibly change things? Meanwhile Jikun, the general of the army must obey the council's wishes, even if the orders will only lead to destruction.
Sherwood starts with a few scenes and set pieces and gradually introduces the key players; Jikun is bold and brilliant but has a lot of inner demons which threaten to destroy him. Hairem is idealistic but naive.
The machinations of the council are real House of Cards type stuff, every way that Hairem tries to exert his authority blunted and diverted by the wily council members, who simultaneously try to make out they are on his side. As a political thriller this works amazingly well despite being set in a fantasy world; the descriptions and characters are perfectly pitched. It seems that pretty much everybody has dark secrets which everybody else is either trying to discover or use to their advantage.
There are scenes of action too, with Jikun and the army and also Sellemar mounting a daring raid into enemy territory plus duels and assasination attempts. This book really does have everything packed into it and the ending is both shocking and perfectly balanced to allow for further books in the series while satisfyingly closing a number of plot threads.
I was expecting a fairly standard fantasy book when I started this; what I got was an absolute gem that just begged to be read. A total masterpiece.
But that is where any similarity between this book and most other epic fantasy novels ends. Sherwood tells the tale of an elven country that has become corrupt with a ruling council who make decisions for reasons of profit, driving the rightful kings away and installing a puppet regime. Meanwhile the country is facing a war led by a brilliant defector.
When his father, the king, dies young Prince Hairem is determined to stand up to the council and stop the rot. But the council has ruled for hundreds of years, how can he possibly change things? Meanwhile Jikun, the general of the army must obey the council's wishes, even if the orders will only lead to destruction.
Sherwood starts with a few scenes and set pieces and gradually introduces the key players; Jikun is bold and brilliant but has a lot of inner demons which threaten to destroy him. Hairem is idealistic but naive.
The machinations of the council are real House of Cards type stuff, every way that Hairem tries to exert his authority blunted and diverted by the wily council members, who simultaneously try to make out they are on his side. As a political thriller this works amazingly well despite being set in a fantasy world; the descriptions and characters are perfectly pitched. It seems that pretty much everybody has dark secrets which everybody else is either trying to discover or use to their advantage.
There are scenes of action too, with Jikun and the army and also Sellemar mounting a daring raid into enemy territory plus duels and assasination attempts. This book really does have everything packed into it and the ending is both shocking and perfectly balanced to allow for further books in the series while satisfyingly closing a number of plot threads.
I was expecting a fairly standard fantasy book when I started this; what I got was an absolute gem that just begged to be read. A total masterpiece.