
Dictate - Talk text messages
Social Networking and Productivity
App
'Dictate' allows to dictate text messages into your device instead of typing. It uses speech to text...

Top Speed Highway Racer
Games and Entertainment
App
Top Speed Highway Racer is very interesting, challenging and simple game. Top Speed Highway Racer is...

the Urbane Forager: Fruit & Nuts for Free
Book
"The perfect book for anyone wanting to launch themselves into foraging...without swapping their...

The Business of Being Social: A Practical Guide to Harnessing the Power of Facebook, Twitter, LinkedIn, YouTube and Other Social Media Networks for All Businesses
David Taylor and Michelle Carvill
Book
What is social media? Have you got a facebook page but are unsure how it can benefit your company?...

The New Frontier Investors: How Pension Funds, Sovereign Funds, and Endowments are Changing the Business of Investment Management and Long-Term Investing: 2016
Jagdeep Singh Bachher, Adam D. Dixon and Ashby H. B. Monk
Book
Who holds the power in financial markets? For many, the answer would probably be the large...

Makers at Work: Folks Reinventing the World One Object or Idea at a Time
Book
What do you get when you combine an electronics hobbyist, hacker, garage mechanic, kitchen table...

Butch Vig recommended track Even Though Our Love Is Doomed by Garbage in Strange Little Birds by Garbage in Music (curated)

China's Quest: The History of the Foreign Relations of the People's Republic of China
Book
From its founding 65 years ago, the People's Republic of China has evolved from an important yet...

Matthew Krueger (10051 KP) rated Lights Out (2016) in Movies
Oct 31, 2020
The plot: When Rebecca (Teresa Palmer) left home, she thought that her childhood fears were behind her. As a young girl growing up, she was never really sure of what was real when the lights went out at night. Now, her little brother Martin (Gabriel Bateman) is experiencing the same unexplained and terrifying events that jeopardized her safety and sanity. Holding a mysterious attachment to their mother (Maria Bello), a supernatural entity has returned with a vengeance to torment the entire family.
is based on Sandberg's 2013 short film of the same name and features Lotta Losten, who starred in the short.
Special effects of having the ghost appear and disappear were mostly done by using a split-screen technique as also used in the short. Sandberg said "Whenever she's in frame with another character, it's basically just a split screen. So you shoot it with her and without her. You turn the camera on with her, you turn it off and she walks off, and then you turn it on again. It's super simple, actually." Sandberg also made a list of what he called the "light gags", or different ways to create light sources from flashlights to cell phones and gunfire. In the scene when Diana appears in Rebecca's room, James Wan suggested replacing passing car headlights in an early treatment with the flashing neon sign that appears in the final film.
Sandberg originally based the character of Rebecca on a real girl that he knew who was suffering from depression, and who was engaging in self-harm, which is why Rebecca has scars on her arms, but the development of the film made it less about depression and more of a ghost story in which Diana would have been the real person who died and became a ghost. Wan came up with the idea of making Diana the ghost. Rebecca's boyfriend was also given a twist of being a rocker, but is actually committed and responsible, even driving a safe car like a Volvo. Another twist Sandberg liked was making the imaginary friend for the mother rather than the trope of having the friend be for the child
Its a excellent supernatural movie.
Shorefall picks up around three years after the events of Foundryside, when a small crew stand up against the mighty, powerful families of the city, stop their evil plotting and strike out on their own. They have set up their own, independent scriving house, making magical machinery, and helping others to do the same. A bit like BrewDog, but without the financially dubious shareholder arrangements.
In this world, magic comes in the form of scriving - bending reality to make objects behave in a certain way (persuading a door it cannot open without a specific person being present, convincing an arrow it is falling, so must accelerate accordingly, albeit in a straight line, etc). Most of the book's plot and action centre around this, and it becomes quite draining, and a stretch at times. I forgave the first book quite a lot in this regard, because it was world-building, but this much world-building in a second book seems wrong. And the mechanics of it are so much like coding that that is all you can think of. At times it is like watching an episode of 24, but instead of following Jack Bauer's thrilling escapades, you are watching Chloe coding a macro to speed up her timesheets while being vaguely aware that something exciting is happening.
The book starts very strongly, we are in the company of Sancia and Orso as they appear to be down on their luck and having to sell their work to make ends meet. Cue: exciting espionage scenes as Sancia sneaks off to steal.
Sadly, this opening chapter in which we had no idea what was happening was the best one. So many times throughout the book the crew were on some mission or other for some reason, but I couldn't for the life of me remember what or why, and nor did I particularly care. The plot just seemed to be in a backseat with the world-building driving with no sat-nav. And so was character development, as all the main characters just completely plateaud and didn't change in the slightest.
In short, I found the book very dull and drawn out and the second half was a real chore.