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![The New Frontier Investors: How Pension Funds, Sovereign Funds, and Endowments are Changing the Business of Investment Management and Long-Term Investing: 2016](/uploads/profile_image/057/fd19c469-caae-47e6-a38b-58387a003057.jpg?m=1522323173)
The New Frontier Investors: How Pension Funds, Sovereign Funds, and Endowments are Changing the Business of Investment Management and Long-Term Investing: 2016
Jagdeep Singh Bachher, Adam D. Dixon and Ashby H. B. Monk
Book
Who holds the power in financial markets? For many, the answer would probably be the large...
![Makers at Work: Folks Reinventing the World One Object or Idea at a Time](/uploads/profile_image/50e/8995b911-1b24-4f4d-b8bb-343bdf80c50e.jpg?m=1522323923)
Makers at Work: Folks Reinventing the World One Object or Idea at a Time
Book
What do you get when you combine an electronics hobbyist, hacker, garage mechanic, kitchen table...
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Butch Vig recommended track Even Though Our Love Is Doomed by Garbage in Strange Little Birds by Garbage in Music (curated)
![China's Quest: The History of the Foreign Relations of the People's Republic of China](/uploads/profile_image/a3c/d2c05efc-2d5f-493a-945d-e80391524a3c.jpg?m=1522358060)
China's Quest: The History of the Foreign Relations of the People's Republic of China
Book
From its founding 65 years ago, the People's Republic of China has evolved from an important yet...
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Matthew Krueger (10051 KP) rated Lights Out (2016) in Movies
Oct 31, 2020
When The Lights Are Off
Lights Out- is a scary movie. Its terrorfying, horrorfying, suspenseful and twisted.
The plot: When Rebecca (Teresa Palmer) left home, she thought that her childhood fears were behind her. As a young girl growing up, she was never really sure of what was real when the lights went out at night. Now, her little brother Martin (Gabriel Bateman) is experiencing the same unexplained and terrifying events that jeopardized her safety and sanity. Holding a mysterious attachment to their mother (Maria Bello), a supernatural entity has returned with a vengeance to torment the entire family.
is based on Sandberg's 2013 short film of the same name and features Lotta Losten, who starred in the short.
Special effects of having the ghost appear and disappear were mostly done by using a split-screen technique as also used in the short. Sandberg said "Whenever she's in frame with another character, it's basically just a split screen. So you shoot it with her and without her. You turn the camera on with her, you turn it off and she walks off, and then you turn it on again. It's super simple, actually." Sandberg also made a list of what he called the "light gags", or different ways to create light sources from flashlights to cell phones and gunfire. In the scene when Diana appears in Rebecca's room, James Wan suggested replacing passing car headlights in an early treatment with the flashing neon sign that appears in the final film.
Sandberg originally based the character of Rebecca on a real girl that he knew who was suffering from depression, and who was engaging in self-harm, which is why Rebecca has scars on her arms, but the development of the film made it less about depression and more of a ghost story in which Diana would have been the real person who died and became a ghost. Wan came up with the idea of making Diana the ghost. Rebecca's boyfriend was also given a twist of being a rocker, but is actually committed and responsible, even driving a safe car like a Volvo. Another twist Sandberg liked was making the imaginary friend for the mother rather than the trope of having the friend be for the child
Its a excellent supernatural movie.
The plot: When Rebecca (Teresa Palmer) left home, she thought that her childhood fears were behind her. As a young girl growing up, she was never really sure of what was real when the lights went out at night. Now, her little brother Martin (Gabriel Bateman) is experiencing the same unexplained and terrifying events that jeopardized her safety and sanity. Holding a mysterious attachment to their mother (Maria Bello), a supernatural entity has returned with a vengeance to torment the entire family.
is based on Sandberg's 2013 short film of the same name and features Lotta Losten, who starred in the short.
Special effects of having the ghost appear and disappear were mostly done by using a split-screen technique as also used in the short. Sandberg said "Whenever she's in frame with another character, it's basically just a split screen. So you shoot it with her and without her. You turn the camera on with her, you turn it off and she walks off, and then you turn it on again. It's super simple, actually." Sandberg also made a list of what he called the "light gags", or different ways to create light sources from flashlights to cell phones and gunfire. In the scene when Diana appears in Rebecca's room, James Wan suggested replacing passing car headlights in an early treatment with the flashing neon sign that appears in the final film.
Sandberg originally based the character of Rebecca on a real girl that he knew who was suffering from depression, and who was engaging in self-harm, which is why Rebecca has scars on her arms, but the development of the film made it less about depression and more of a ghost story in which Diana would have been the real person who died and became a ghost. Wan came up with the idea of making Diana the ghost. Rebecca's boyfriend was also given a twist of being a rocker, but is actually committed and responsible, even driving a safe car like a Volvo. Another twist Sandberg liked was making the imaginary friend for the mother rather than the trope of having the friend be for the child
Its a excellent supernatural movie.
Mediocre sequel
I received a free copy from Netgalley in exchange for an honest review.
Shorefall picks up around three years after the events of Foundryside, when a small crew stand up against the mighty, powerful families of the city, stop their evil plotting and strike out on their own. They have set up their own, independent scriving house, making magical machinery, and helping others to do the same. A bit like BrewDog, but without the financially dubious shareholder arrangements.
In this world, magic comes in the form of scriving - bending reality to make objects behave in a certain way (persuading a door it cannot open without a specific person being present, convincing an arrow it is falling, so must accelerate accordingly, albeit in a straight line, etc). Most of the book's plot and action centre around this, and it becomes quite draining, and a stretch at times. I forgave the first book quite a lot in this regard, because it was world-building, but this much world-building in a second book seems wrong. And the mechanics of it are so much like coding that that is all you can think of. At times it is like watching an episode of 24, but instead of following Jack Bauer's thrilling escapades, you are watching Chloe coding a macro to speed up her timesheets while being vaguely aware that something exciting is happening.
The book starts very strongly, we are in the company of Sancia and Orso as they appear to be down on their luck and having to sell their work to make ends meet. Cue: exciting espionage scenes as Sancia sneaks off to steal.
Sadly, this opening chapter in which we had no idea what was happening was the best one. So many times throughout the book the crew were on some mission or other for some reason, but I couldn't for the life of me remember what or why, and nor did I particularly care. The plot just seemed to be in a backseat with the world-building driving with no sat-nav. And so was character development, as all the main characters just completely plateaud and didn't change in the slightest.
In short, I found the book very dull and drawn out and the second half was a real chore.
Shorefall picks up around three years after the events of Foundryside, when a small crew stand up against the mighty, powerful families of the city, stop their evil plotting and strike out on their own. They have set up their own, independent scriving house, making magical machinery, and helping others to do the same. A bit like BrewDog, but without the financially dubious shareholder arrangements.
In this world, magic comes in the form of scriving - bending reality to make objects behave in a certain way (persuading a door it cannot open without a specific person being present, convincing an arrow it is falling, so must accelerate accordingly, albeit in a straight line, etc). Most of the book's plot and action centre around this, and it becomes quite draining, and a stretch at times. I forgave the first book quite a lot in this regard, because it was world-building, but this much world-building in a second book seems wrong. And the mechanics of it are so much like coding that that is all you can think of. At times it is like watching an episode of 24, but instead of following Jack Bauer's thrilling escapades, you are watching Chloe coding a macro to speed up her timesheets while being vaguely aware that something exciting is happening.
The book starts very strongly, we are in the company of Sancia and Orso as they appear to be down on their luck and having to sell their work to make ends meet. Cue: exciting espionage scenes as Sancia sneaks off to steal.
Sadly, this opening chapter in which we had no idea what was happening was the best one. So many times throughout the book the crew were on some mission or other for some reason, but I couldn't for the life of me remember what or why, and nor did I particularly care. The plot just seemed to be in a backseat with the world-building driving with no sat-nav. And so was character development, as all the main characters just completely plateaud and didn't change in the slightest.
In short, I found the book very dull and drawn out and the second half was a real chore.
![40x40](/uploads/profile_image/85f/38c79958-e98e-4e91-8d04-b9b67783785f.jpg?m=1522360014)
BankofMarquis (1832 KP) rated One Night in Miami (2020) in Movies
Apr 15, 2021
Keeps the audience at arms length
The issue when adapting a stage play to the screen is that, often times, the subject matter and style of the script does not lend itself to being “opened up”, what is powerful when sitting in a theater with the actors performing the piece in front of you can often times be seen as “flat” when it jumps to the screen.
Such is the case with ONE NIGHT IN MIAMI the Major Motion Picture Directorial debut of Oscar Winning Actress Regina King and based on the stage play by Kemp Powers. This film/play fictionalizes the true story of 4 powerful African American legends that meet up in a hotel room, one night in Miami.
And…this film feels like 4 people sitting in a hotel room talking - and that’s the problem with it. What should be powerful dialogue (and, I’m sure, IS powerful when seen live on stage) just doesn’t translate well enough on the screen, so the film just sits there demanding we pay attention, while not inviting us in to do so.
Since this is a story about 4 people sitting around talking, the acting needs to take center stage and hold our attention and, quite frankly, it just does not. Eli Goree as Cassius Clay, Aldis Hodge as Jim Brown and Leslie Odom, Jr. as Sam Cook are all “fine” in their roles, but they don’t rise above the script and direction. Odom gets an Oscar nod for his turn in this film, but I have to think that, maybe, it is as much for his turn in HAMILTON as it is in this film.
Only Kingsley Ben-Adir as Malcolm X shows a spark and draws an emotional response in this film and that might not be fair to the other actors for he has the flashier role with the most speeches.
The Direction by King and the Script by Kemp Powers (based on his stage play) has some moments, but never draws the audience in. It keeps everyone at arms length and doesn’t touch the soul.
The subject matter in this film is an important one, and depicts a pivotal time in American History, but other films do a better job of driving that point home by inviting the audience into the conversation.
Letter Grade: B-
6 stars (out of 10) and you can take that to the Bank(ofMarquis)
Such is the case with ONE NIGHT IN MIAMI the Major Motion Picture Directorial debut of Oscar Winning Actress Regina King and based on the stage play by Kemp Powers. This film/play fictionalizes the true story of 4 powerful African American legends that meet up in a hotel room, one night in Miami.
And…this film feels like 4 people sitting in a hotel room talking - and that’s the problem with it. What should be powerful dialogue (and, I’m sure, IS powerful when seen live on stage) just doesn’t translate well enough on the screen, so the film just sits there demanding we pay attention, while not inviting us in to do so.
Since this is a story about 4 people sitting around talking, the acting needs to take center stage and hold our attention and, quite frankly, it just does not. Eli Goree as Cassius Clay, Aldis Hodge as Jim Brown and Leslie Odom, Jr. as Sam Cook are all “fine” in their roles, but they don’t rise above the script and direction. Odom gets an Oscar nod for his turn in this film, but I have to think that, maybe, it is as much for his turn in HAMILTON as it is in this film.
Only Kingsley Ben-Adir as Malcolm X shows a spark and draws an emotional response in this film and that might not be fair to the other actors for he has the flashier role with the most speeches.
The Direction by King and the Script by Kemp Powers (based on his stage play) has some moments, but never draws the audience in. It keeps everyone at arms length and doesn’t touch the soul.
The subject matter in this film is an important one, and depicts a pivotal time in American History, but other films do a better job of driving that point home by inviting the audience into the conversation.
Letter Grade: B-
6 stars (out of 10) and you can take that to the Bank(ofMarquis)
![40x40](/uploads/profile_image/6ed/62fdc927-bb07-4c5f-b081-880691be96ed.jpg?m=1600877165)
BookInspector (124 KP) rated The Pact in Books
Jul 1, 2021
This novel tells the story of six friends: Talitha, Xav, Felix, Amber, Daniel, Megan. How one night changed their lives forever. This book was quite a slow burner for me, at least in the beginning. All of the characters have a say in this book, and I found all of them very compelling. It is a character-driven novel and I really liked to see how the characters interacted and what they were ready to do to save themselves. 🙂 I felt extremely sorry for Megan throughout this book and I don’t really agree with her decisions. She is really amazing and I think she could have achieved so much without these “friends” of hers.
The narrative of this novel was a little slow for my liking, but I was extremely keen to find out what is going to happen with Megan. I enjoyed the way the author kept me guessing and the suspense growing, and all the twists and turns were a welcome distraction to break the monotony that built up sometimes. The topics discussed were dangerous driving, alcoholism, survival, rich privilege, friendships, belonging, mental health issues, guilt, relationships between friends and families, and many more.
The writing style of this book is easy to read, enjoyable and creative, but something is missing. It is one of the “softer” books by this author, I could say. I am more used to her dark secrets, never-ending suspense and gripping from the first-page kind books, and this book was a little behind with it. I did like the ending of this novel, which was filled with action and rounded this story extremely well. 🙂 The chapters are pretty short, so the pages just fly by. I have pretty bad car anxiety, especially when it comes to accidents and reckless drivers, so parts of this book did not sit well with me because of these nuances. (I was able to enjoy this book never the less, I just screamed at the characters in my head. 😀 ) So if you suffer from it like me, proceed with caution. 😉
So, to conclude, I enjoyed this novel. The characters are very well developed and truly enchanting. They all have to offer so much to this book and I loved reading about them and their lives. The plot has plenty of intrigue, well placed twists and unexpected surprises and kept me guessing.
The narrative of this novel was a little slow for my liking, but I was extremely keen to find out what is going to happen with Megan. I enjoyed the way the author kept me guessing and the suspense growing, and all the twists and turns were a welcome distraction to break the monotony that built up sometimes. The topics discussed were dangerous driving, alcoholism, survival, rich privilege, friendships, belonging, mental health issues, guilt, relationships between friends and families, and many more.
The writing style of this book is easy to read, enjoyable and creative, but something is missing. It is one of the “softer” books by this author, I could say. I am more used to her dark secrets, never-ending suspense and gripping from the first-page kind books, and this book was a little behind with it. I did like the ending of this novel, which was filled with action and rounded this story extremely well. 🙂 The chapters are pretty short, so the pages just fly by. I have pretty bad car anxiety, especially when it comes to accidents and reckless drivers, so parts of this book did not sit well with me because of these nuances. (I was able to enjoy this book never the less, I just screamed at the characters in my head. 😀 ) So if you suffer from it like me, proceed with caution. 😉
So, to conclude, I enjoyed this novel. The characters are very well developed and truly enchanting. They all have to offer so much to this book and I loved reading about them and their lives. The plot has plenty of intrigue, well placed twists and unexpected surprises and kept me guessing.
![40x40](/uploads/profile_image/6ed/62fdc927-bb07-4c5f-b081-880691be96ed.jpg?m=1600877165)
BookInspector (124 KP) rated The Year After You in Books
Sep 24, 2020
The protagonist in this story is Cara, a seventeen-year-old girl from California, who was sent to a boarding school in the Swiss mountains. She has lost her friend in a car accident, and she was the one who was driving. Cara is a very interesting character, her life is full of guilt and grief. This book taught me a very valuable lesson, that different people deal with grief very differently. Some people find it easier and some harder to deal with someone’s death. Cara is very emotionally intriguing, she feels so much self-loath, and it is very interesting to see how she communicates with people around her. I loved this great variety of characters chosen for this book, I loved all Cara’s friends in Switzerland, they are truly amazing. My favourite character in this book was Hector, he is absolutely charming! He reminds me of Edward from The Twilight Saga, whom I truly adored. 😀
The narrative is not very exciting at the beginning, but slowly the author brings in little adventures, quite a bit of romance and plenty of Cara’s thoughts. I really loved the boarding school itself, it sounded a little like Hogwarts, surrounded by mountains, and it feels like a happy place, where people actually want to return to. I really liked that the plot was set in different locations, it felt livelier and more indulging.
I really enjoyed the writing style of this book, I can not understand how the author portrayed the grief, its effects through a confused teenager, so masterfully. The language used in this novel is easy to understand and it was a very enjoyable read. The chapters have a very decent length and it didn’t get boring, because every chapter brought in something new. I loved the ending of this book, it rounded up the story very nicely.
To conclude, I really enjoyed this novel, even though it is filled with grief and emotions, the other characters make it quite an entertaining and pleasant read. I loved the diversity and wide variety of true personalities. I do strongly recommend this book if you know someone who has difficulty of dealing with loss, it will help you to understand them in some way. (I know it helped me) 🙂 And of course, don’t forget to enjoy this amazing Cara’s story.
The narrative is not very exciting at the beginning, but slowly the author brings in little adventures, quite a bit of romance and plenty of Cara’s thoughts. I really loved the boarding school itself, it sounded a little like Hogwarts, surrounded by mountains, and it feels like a happy place, where people actually want to return to. I really liked that the plot was set in different locations, it felt livelier and more indulging.
I really enjoyed the writing style of this book, I can not understand how the author portrayed the grief, its effects through a confused teenager, so masterfully. The language used in this novel is easy to understand and it was a very enjoyable read. The chapters have a very decent length and it didn’t get boring, because every chapter brought in something new. I loved the ending of this book, it rounded up the story very nicely.
To conclude, I really enjoyed this novel, even though it is filled with grief and emotions, the other characters make it quite an entertaining and pleasant read. I loved the diversity and wide variety of true personalities. I do strongly recommend this book if you know someone who has difficulty of dealing with loss, it will help you to understand them in some way. (I know it helped me) 🙂 And of course, don’t forget to enjoy this amazing Cara’s story.
![40x40](/uploads/profile_image/493/bfda8ad0-8292-4369-89cb-3e9fc02ca493.jpg?m=1561489153)
Phillip McSween (751 KP) rated Captive (Cautiva) (2003) in Movies
Oct 25, 2020
Great Cast
Wow. Just wow. Every now and then, a movie comes along that exceeds your expectations. Something you’re. truly not ready for. There is so much depth in Captive (Cautiva). I highly recommend it. It follows the story of a girl who finds out her family is actually not her own and that she was given to another family at birth. She now has to go and live with her biological family.
Acting: 10
While I am not familiar with many of the actors/actresses in Captive, I must say I loved Barbara Lombardo’s performance. She plays the daughter torn between two worlds. I love the passion that she captures in the role along with her ambiguity. She was stellar.
Beginning: 2
Very slow start and one of the only things keeping this movie from begin a classic. If I hadn’t committed to watching this to review it, I may have turned from it after the first ten minutes. Glad I gave it a fair shake as things definitely pick up.
Characters: 10
Cinematography/Visuals: 10
Director Gaston Biraben gives you a great look into the 90’s world of Argentina. Each scene was captivating and enlightening at the same time. You are really are thrown into two different worlds with the court system being the tie that binds.
Conflict: 10
What a daunting story! You can’t help but ask yourself how you would handle a situation like this. As I mentioned above, there is so much to unpack as the story unfolds and it creates great conflict overall.
Entertainment Value: 6
Memorability: 10
I’ve seen a number of movies since, but this movie came rushing back to me as soon as I turned it on. Great cast. Great story with depth that leaves a number of questions. Definitely leaves an impression.
Pace: 10
The story moves very consistently from beginning to end. As things start to unfold, you are left wondering what the end result will be. The conflict keeps the pace in check driving the story forward at a solid clip.
Plot: 10
Resolution: 6
Overall: 84
The main character’s persistence in finding out the truth of everything happening drives Captive for me. It’s a drama turned mystery and I appreciate how it evolves. I am so glad I didn’t judge the movie by its first ten minutes because it’s great.
Acting: 10
While I am not familiar with many of the actors/actresses in Captive, I must say I loved Barbara Lombardo’s performance. She plays the daughter torn between two worlds. I love the passion that she captures in the role along with her ambiguity. She was stellar.
Beginning: 2
Very slow start and one of the only things keeping this movie from begin a classic. If I hadn’t committed to watching this to review it, I may have turned from it after the first ten minutes. Glad I gave it a fair shake as things definitely pick up.
Characters: 10
Cinematography/Visuals: 10
Director Gaston Biraben gives you a great look into the 90’s world of Argentina. Each scene was captivating and enlightening at the same time. You are really are thrown into two different worlds with the court system being the tie that binds.
Conflict: 10
What a daunting story! You can’t help but ask yourself how you would handle a situation like this. As I mentioned above, there is so much to unpack as the story unfolds and it creates great conflict overall.
Entertainment Value: 6
Memorability: 10
I’ve seen a number of movies since, but this movie came rushing back to me as soon as I turned it on. Great cast. Great story with depth that leaves a number of questions. Definitely leaves an impression.
Pace: 10
The story moves very consistently from beginning to end. As things start to unfold, you are left wondering what the end result will be. The conflict keeps the pace in check driving the story forward at a solid clip.
Plot: 10
Resolution: 6
Overall: 84
The main character’s persistence in finding out the truth of everything happening drives Captive for me. It’s a drama turned mystery and I appreciate how it evolves. I am so glad I didn’t judge the movie by its first ten minutes because it’s great.