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Bob Mann (459 KP) rated A United Kingdom (2017) in Movies
Sep 29, 2021
“In to Africa”.
I managed to miss this film when it was first shown at the end of 2016. And what a shame as it would have UNDOUBTEDLY made my “Films of the Year” list.
Directed by Amma Asante (“Belle”) this is the true tale of a real-life fairy story, featuring a handsome prince and his love, who can never be his princess thanks to the Machievellian schemings of court-do-gooders and bureaucrats.
The prince in this case is Seretse Kham (David Oyelowo, “Selma“) , heir to the throne of Bechuanaland (now Botswana), who meets and falls in love with a lowly white Lloyd’s of London clerk Ruth Williams (Rosamund Pike, “Gone Girl“, “The World’s End“). The plot has many parallels with that of another film from earlier this year: “Loving” with Ruth Negga and Joel Edgerton. As an inter-racial couple in 1947 this is taboo enough, but the fact that Kham is soon to be king in a country bordering the apartheid tinderkeg that is South Africa blows the affair up to be a diplomatic crisis.
Concern in the corridors of power for Prime Minister Atlee (Anton Lesser) being faced up to by the couple’s supporter – a young Anthony Wedgewood Benn (Jack Lowden).
Defying the officials he marries his true love, driving a wedge between both his own uncle (Vusi Kunene ) and sister (Terry Pheto) and making Ruth an outcast in both countries. As things turn from bad to worse, can true love conquer all their adversities?
Just everything about this film delights. Oyelowo and Pike – always a safe pair of hands – add real emotional depth to their roles. Their relationship feels natural and loving without either of them trying too hard. The estrangement of Ruth from her parents (particularly her father played by Nicholas Lyndhurst) is truly touching.
Another star turn is Harry Potter alumni Tom Felton, playing Rufus Lancaster – a weaselly and very unpleasant local official. I have a prediction…. that in 30 year’s time, the young Potter actor that will be the ‘Ian McKellen of his day’ (that is, a world recognized great actor… not necessarily gay!) will be Felton.
Sam McCurdy (“The Descent”) delivers cinematography of Africa that is vibrant (to be fair, for anyone lucky enough to visit Africa will know, cameras just love the place) and the John Barry-esque music by Patrick Doyle (“Murder on the Orient Express“) is pitch perfect for the mood.
When it says “Based on a true story” it means it: the real family.
A beautifully crafted film that older viewers will just love.
Directed by Amma Asante (“Belle”) this is the true tale of a real-life fairy story, featuring a handsome prince and his love, who can never be his princess thanks to the Machievellian schemings of court-do-gooders and bureaucrats.
The prince in this case is Seretse Kham (David Oyelowo, “Selma“) , heir to the throne of Bechuanaland (now Botswana), who meets and falls in love with a lowly white Lloyd’s of London clerk Ruth Williams (Rosamund Pike, “Gone Girl“, “The World’s End“). The plot has many parallels with that of another film from earlier this year: “Loving” with Ruth Negga and Joel Edgerton. As an inter-racial couple in 1947 this is taboo enough, but the fact that Kham is soon to be king in a country bordering the apartheid tinderkeg that is South Africa blows the affair up to be a diplomatic crisis.
Concern in the corridors of power for Prime Minister Atlee (Anton Lesser) being faced up to by the couple’s supporter – a young Anthony Wedgewood Benn (Jack Lowden).
Defying the officials he marries his true love, driving a wedge between both his own uncle (Vusi Kunene ) and sister (Terry Pheto) and making Ruth an outcast in both countries. As things turn from bad to worse, can true love conquer all their adversities?
Just everything about this film delights. Oyelowo and Pike – always a safe pair of hands – add real emotional depth to their roles. Their relationship feels natural and loving without either of them trying too hard. The estrangement of Ruth from her parents (particularly her father played by Nicholas Lyndhurst) is truly touching.
Another star turn is Harry Potter alumni Tom Felton, playing Rufus Lancaster – a weaselly and very unpleasant local official. I have a prediction…. that in 30 year’s time, the young Potter actor that will be the ‘Ian McKellen of his day’ (that is, a world recognized great actor… not necessarily gay!) will be Felton.
Sam McCurdy (“The Descent”) delivers cinematography of Africa that is vibrant (to be fair, for anyone lucky enough to visit Africa will know, cameras just love the place) and the John Barry-esque music by Patrick Doyle (“Murder on the Orient Express“) is pitch perfect for the mood.
When it says “Based on a true story” it means it: the real family.
A beautifully crafted film that older viewers will just love.
Debbiereadsbook (1539 KP) rated Christmas Mountain in Books
Nov 18, 2021
I blooody loved this book!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
Ok So!
I'm not usually one for Christmas books, I'm really not, but something about the blurb pulled at me, and O>M>G I'm so freaking glad it did!
Rami and Fen work together in HMP Manchester. There is much flirting and then Fen makes a move. But life gets in the way and 18months later, Rami is driving up the mountain to see his sister with his 2-year-old nephew in the car. In a snow storm. Ill-prepared. And his car wrecks. And the Good Lord above sees fits to send an angel by the name of Fen to rescue him and Charlie who goes by the name of Fen.
What this is, right, is a beautifully written second chance at love story, it really is. I read it in one sitting and its 200 odd pages long.
Both Fen and Rami are smitten with each other, and they dance around each other for some time before life gets in the way and things happen and then Fen is gone. Rami never did know why. But finding him on his sister's mountain, is a gift sent at just the right time of year. The problem is, both Fen and Rami are carrying a huge amount of emotional and physical baggage.
It takes time for both men to fully get their stories out, and I really did like being made to wait for the full pictures to become clear. I don't like for everything to be thrown at me in one go.
I also loved being made to wait for Fen and Rami to finally, FINALLY have their moment, you know? I mean its full of emotions and steamy bits, but that's all they are for a long time: bits. But once they commit to each other, their relationship and being together, the steam level doesn't rack up too much, it just takes a slide into something more. Something deeper for these two.
I loved the connection to Rami and his sister, that Fen had and they didn't know. I LOVED the sister and her family!
I loved this book, I really did. I could rant and rave and go on and on and on and on andonandonandonandon.....but I won't cos spoilers do not a good review make.
So! For a Christmas book, with the L word bandied about quite early (something else I'm not a fan of!) I'm a big fan of this book!
5 full and shiny stars
same worded review will appear elsewhere
Ok So!
I'm not usually one for Christmas books, I'm really not, but something about the blurb pulled at me, and O>M>G I'm so freaking glad it did!
Rami and Fen work together in HMP Manchester. There is much flirting and then Fen makes a move. But life gets in the way and 18months later, Rami is driving up the mountain to see his sister with his 2-year-old nephew in the car. In a snow storm. Ill-prepared. And his car wrecks. And the Good Lord above sees fits to send an angel by the name of Fen to rescue him and Charlie who goes by the name of Fen.
What this is, right, is a beautifully written second chance at love story, it really is. I read it in one sitting and its 200 odd pages long.
Both Fen and Rami are smitten with each other, and they dance around each other for some time before life gets in the way and things happen and then Fen is gone. Rami never did know why. But finding him on his sister's mountain, is a gift sent at just the right time of year. The problem is, both Fen and Rami are carrying a huge amount of emotional and physical baggage.
It takes time for both men to fully get their stories out, and I really did like being made to wait for the full pictures to become clear. I don't like for everything to be thrown at me in one go.
I also loved being made to wait for Fen and Rami to finally, FINALLY have their moment, you know? I mean its full of emotions and steamy bits, but that's all they are for a long time: bits. But once they commit to each other, their relationship and being together, the steam level doesn't rack up too much, it just takes a slide into something more. Something deeper for these two.
I loved the connection to Rami and his sister, that Fen had and they didn't know. I LOVED the sister and her family!
I loved this book, I really did. I could rant and rave and go on and on and on and on andonandonandonandon.....but I won't cos spoilers do not a good review make.
So! For a Christmas book, with the L word bandied about quite early (something else I'm not a fan of!) I'm a big fan of this book!
5 full and shiny stars
same worded review will appear elsewhere
Debbiereadsbook (1539 KP) rated A Matcha Made in Hell (Boyfriend Café #1) in Books
Sep 15, 2023
really rather good!
Independent reviewer for GRR, I was gifted my copy of this book.
For a long time, I've avoided bully romances. I've no idea why; I did the same wth the step brother romances a while back. But something about THIS book piqued my interest. And I jumped straight in.
Much like I'm gonna do with my review.
I liked this, a lot. I can't quite love though, simply because it's FIRST person, PRESENT tense AND multi point of view. Many kudos to the author for me not realising that til a way in, though, it's just not a preference of mine.
I loved the idea of the Boyfriend Cafe, not so much the reason for it, but I could see this taking off in some places. I loved Albert, in turn, the new hires to the cafe. Rhett is the driving force behind the cafe, which kinda makes his own love life a mockery: there simply isn't one.
Until Spencer Marsh turns up in teh cafe with his girlfriend. Then, things kinda take a kookie turn and one thing leads to another.
But what I especially liked about that meeting, was Rhett was strong against Spencer. Rhett knew he wasn't the same boy he was in high school, and Rhett stood up to Spencer. Not quite in the way I think he was expecting to, but still!
Spencer, in turn, knows he did Rhett wrong at school, and coming to this college was supposed to be his fresh start. His feelings for Rhett whoop him upside the head a little bit out of nowhere, and when Rhett does that thing where he tells Spencer what to do?? Spencer cannot deny Rhett anything.
The feelings kinda creep up and both Rhett AND Spencer, but I loved that. Yes there is early chemistry, that spark burns right through the book, but the FEELINGS creep up on them. Why Spencer was the way he was in school was hardly surprising but that Spencer still tries to impress his dad was. Dad kinda comes good, but not until the epilogue and only on Spencer's terms.
I like this group of people, they all have tales to tell, I hope!
This is, as far as I can see, the first that I have read by this author. I like the way they tell their tales. I love this about reviewing: you come across authors all the time with backlists, that then grace you to read shelf!
4 very good stars
*same worded review will appear elsewhere
For a long time, I've avoided bully romances. I've no idea why; I did the same wth the step brother romances a while back. But something about THIS book piqued my interest. And I jumped straight in.
Much like I'm gonna do with my review.
I liked this, a lot. I can't quite love though, simply because it's FIRST person, PRESENT tense AND multi point of view. Many kudos to the author for me not realising that til a way in, though, it's just not a preference of mine.
I loved the idea of the Boyfriend Cafe, not so much the reason for it, but I could see this taking off in some places. I loved Albert, in turn, the new hires to the cafe. Rhett is the driving force behind the cafe, which kinda makes his own love life a mockery: there simply isn't one.
Until Spencer Marsh turns up in teh cafe with his girlfriend. Then, things kinda take a kookie turn and one thing leads to another.
But what I especially liked about that meeting, was Rhett was strong against Spencer. Rhett knew he wasn't the same boy he was in high school, and Rhett stood up to Spencer. Not quite in the way I think he was expecting to, but still!
Spencer, in turn, knows he did Rhett wrong at school, and coming to this college was supposed to be his fresh start. His feelings for Rhett whoop him upside the head a little bit out of nowhere, and when Rhett does that thing where he tells Spencer what to do?? Spencer cannot deny Rhett anything.
The feelings kinda creep up and both Rhett AND Spencer, but I loved that. Yes there is early chemistry, that spark burns right through the book, but the FEELINGS creep up on them. Why Spencer was the way he was in school was hardly surprising but that Spencer still tries to impress his dad was. Dad kinda comes good, but not until the epilogue and only on Spencer's terms.
I like this group of people, they all have tales to tell, I hope!
This is, as far as I can see, the first that I have read by this author. I like the way they tell their tales. I love this about reviewing: you come across authors all the time with backlists, that then grace you to read shelf!
4 very good stars
*same worded review will appear elsewhere
Bob Mann (459 KP) rated Ford v Ferrari (aka Le Mans '66) (2019) in Movies
Nov 20, 2019
Damon, Bale and fast cars (1 more)
Epic technical film making - cinematography, editing and sound - Oscar bait
A linear story on a circular track - but beautifully done.
Despite the love affair cinema has had with cars over the years, the sport of motor racing on film has been patchy. Too often the drama on the track has been deluged with melodrama off the track, as in John Frankenheimer's "Grand Prix" from 1966. While recent efforts such as Ron Howard's "Rush" have brought modern filming techniques to better convey the speed and excitement, it is Steve McQueen's "Le Mans" from 1971 that had previously set the bar for realism in the sport. But even there, there were a few off-track love stories to interweave into the action.
I wouldn't hesitate to suggest that "Le Mans '66" is a strong contender for the motor racing high-water mark.
The film was marketed as "Ford v Ferrari" in the US. (What... do the American distributors think their film-goers are so stupid that if "Le" is in the title they will think it sub-titled foreign language??). But it's a valid title, since the movie tells the true story of when Henry Ford... the second... (Tracy Letts) throws his toys out of the pram at Ford's faltering progress. ("James Bond does not drive a Ford". "That's because he's a degenerate!" snaps back Ford, which kind of typifies the problem"). Marketing man Lee Iacocca (Jon Bernthal) persuades retired hot-shot racer Carroll Shelby (Matt Damon) to take Ford's blank-cheque to build a car to win the Le Mans 24 hour race.
Shelby enlists maverick Brit racer Ken Miles (Christian Bale) to help design and drive the next-generation machine. But neither had banked on the interference of the hoards of Ford suits, led by VP Leo Beebe (Josh Lucas). An explosion is imminent! And its not just from the over-heated brake pads!
What's really odd about this film is how linear the story is. While we get to see the family life of Miles (to add necessary context to what follows) these are merely minor diversions. There are no sub-plots or flashback scenes. It just relates the history from beginning to end, enlivened by some of the best and most exciting motor-racing footage put to celluloid.
At a bladder-testing 152 minutes, this really shouldn't have worked. I should have got bored and restless. But I really didn't.
In many ways - bladders aside - I think this will appeal in particular to an older breed of movie-goer. It's a 100% 'sit back in your seat and enjoy' cinema treat.
This is the first film Matt Damon and Christian Bale have made together, and I understand that Damon specifically signed on since he wanted to work with Bale. And there is palpable chemistry there. The movie includes one of the best 'bad-fights' since Colin Firth and Hugh Grant locked horns in the Bridget Jones films. And Damon - never one of the most expressive actors in the world - here really shines.
Bale also appears to be having a whale of a time. Not having to adopt a US accent suits him, as he blasts and swears his way through various UK-specific expletives that probably passed the US-censors by! He often tends to play characters in movies that are difficult to warm to, but here - although suitably spiky and irascible - the family man really shines through and you feel a real warmth for the guy.
There's a strong supporting cast behind the leads, with Tracy Letts' fast-driving breakdown being a standout moment. I wonder how many takes they needed on that for Damon to keep a semi-straight face?! Also impressive as the son Peter Miles is Noah Jupe. If you're wondering where the hell you've seen him before, he was young (Marcus in "A Quiet Place").
Where the film comes alive is on the track, and a particular shout out should to to the technical teams. Cinematography is by Phedon Papamichael ("Walk the Line"), film editing is led by Andrew Buckland and Michael McCusker. And sound mixing - which to my ear was piston-valve perfect - is by Steven Morrow. Also worthy of note is a kick-ass driving soundtrack by Marco Beltrami that genuinely excited. These categories are fearsomly hard to predict in awards season, but you might like to listen out for those names.
If I was going to pick at any faults in the film, it would be that Ford exec Leo Beebe is painted a little too much as a "boo-hiss" pantomime villain in the piece. It could have been perhaps toned down 20% or so.
James Mangold ("Logan"; "Walk the Line") directs in style. From the rather po-faced trailer, you might think this is a "car movie that's not for me". But it really is a tremendously fun movie, with some genuinely laugh-out-loud moments mixed in with edge-of-your-seat action and some heart-rending moments.
Above all, this is a film that really benefits from the wide-screen and sound-system that only a big cinema can provide. As such this goes on my "get out and see it" list without any hesitation! It's going to make my movies of the year: and I'm off to see it again on Saturday!
Read the full review here - https://bob-the-movie-man.com/2019/11/20/one-manns-movies-film-review-le-mans-66-2019/
I wouldn't hesitate to suggest that "Le Mans '66" is a strong contender for the motor racing high-water mark.
The film was marketed as "Ford v Ferrari" in the US. (What... do the American distributors think their film-goers are so stupid that if "Le" is in the title they will think it sub-titled foreign language??). But it's a valid title, since the movie tells the true story of when Henry Ford... the second... (Tracy Letts) throws his toys out of the pram at Ford's faltering progress. ("James Bond does not drive a Ford". "That's because he's a degenerate!" snaps back Ford, which kind of typifies the problem"). Marketing man Lee Iacocca (Jon Bernthal) persuades retired hot-shot racer Carroll Shelby (Matt Damon) to take Ford's blank-cheque to build a car to win the Le Mans 24 hour race.
Shelby enlists maverick Brit racer Ken Miles (Christian Bale) to help design and drive the next-generation machine. But neither had banked on the interference of the hoards of Ford suits, led by VP Leo Beebe (Josh Lucas). An explosion is imminent! And its not just from the over-heated brake pads!
What's really odd about this film is how linear the story is. While we get to see the family life of Miles (to add necessary context to what follows) these are merely minor diversions. There are no sub-plots or flashback scenes. It just relates the history from beginning to end, enlivened by some of the best and most exciting motor-racing footage put to celluloid.
At a bladder-testing 152 minutes, this really shouldn't have worked. I should have got bored and restless. But I really didn't.
In many ways - bladders aside - I think this will appeal in particular to an older breed of movie-goer. It's a 100% 'sit back in your seat and enjoy' cinema treat.
This is the first film Matt Damon and Christian Bale have made together, and I understand that Damon specifically signed on since he wanted to work with Bale. And there is palpable chemistry there. The movie includes one of the best 'bad-fights' since Colin Firth and Hugh Grant locked horns in the Bridget Jones films. And Damon - never one of the most expressive actors in the world - here really shines.
Bale also appears to be having a whale of a time. Not having to adopt a US accent suits him, as he blasts and swears his way through various UK-specific expletives that probably passed the US-censors by! He often tends to play characters in movies that are difficult to warm to, but here - although suitably spiky and irascible - the family man really shines through and you feel a real warmth for the guy.
There's a strong supporting cast behind the leads, with Tracy Letts' fast-driving breakdown being a standout moment. I wonder how many takes they needed on that for Damon to keep a semi-straight face?! Also impressive as the son Peter Miles is Noah Jupe. If you're wondering where the hell you've seen him before, he was young (Marcus in "A Quiet Place").
Where the film comes alive is on the track, and a particular shout out should to to the technical teams. Cinematography is by Phedon Papamichael ("Walk the Line"), film editing is led by Andrew Buckland and Michael McCusker. And sound mixing - which to my ear was piston-valve perfect - is by Steven Morrow. Also worthy of note is a kick-ass driving soundtrack by Marco Beltrami that genuinely excited. These categories are fearsomly hard to predict in awards season, but you might like to listen out for those names.
If I was going to pick at any faults in the film, it would be that Ford exec Leo Beebe is painted a little too much as a "boo-hiss" pantomime villain in the piece. It could have been perhaps toned down 20% or so.
James Mangold ("Logan"; "Walk the Line") directs in style. From the rather po-faced trailer, you might think this is a "car movie that's not for me". But it really is a tremendously fun movie, with some genuinely laugh-out-loud moments mixed in with edge-of-your-seat action and some heart-rending moments.
Above all, this is a film that really benefits from the wide-screen and sound-system that only a big cinema can provide. As such this goes on my "get out and see it" list without any hesitation! It's going to make my movies of the year: and I'm off to see it again on Saturday!
Read the full review here - https://bob-the-movie-man.com/2019/11/20/one-manns-movies-film-review-le-mans-66-2019/
Hazel (1853 KP) rated Mirror, Shoulder, Signal in Books
Aug 7, 2017
Danish Literature
I received this book for free through Goodreads First Reads.
Shortlisted for The Man Booker International Prize 2017, Mirror, Shoulder, Signal is a piece of Danish literature by Dorthe Nors, translated into English by Misha Hoekstra. It has a tragicomic nature, introducing the 40-year-old Sonja, a woman who is trying but failing to move in the right direction.
Sonja is the type of character full of flaws that readers will recognise in themselves. Although she has successfully become self-employed, translating crime novels from Swedish into Danish, Sonja feels she has not accomplished anything in life. Despite one unlucky attempt at love, Sonja has remained single, moving to Copenhagen in an attempt to find herself. Determined to earn her driving licence Sonja braves the lessons in the busy city, however, she cannot handle gear changes. In other areas of her life, she tries weekly massage therapy and attempts a meditation exercise. Unfortunately, Sonja remains apathetic to the whole scenario and would rather be somewhere warm eating cake.
Mirror, Shoulder, Signal is a cleverly crafted title that makes repeat appearances throughout the narrative. The three words are instructions that Sonja repeats as a mantra each time she pulls away from the curb in her instructor’s car. The majority of the book takes place during these lessons, or, if not there, face down on Ellen’s massage table.
Sonja’s narration constantly varies between the present and memories from her childhood. A particular focus is the recollection of events involving her sister Kate. They may not have been close when they were young, but now it is almost impossible for Sonja to contact her sister. It is as though Sonja has been alienated from her own family.
Embellished with sexual innuendos, poor attempts at humour fail to bring any excitement to the story. There is no clear plot. At the beginning, readers may wonder if she will earn her driver’s licence – she does not – find love – she does not – find herself – she does not. What, then, was the point of this novel? Apart from a suggestion of future happiness in the final chapter of the book, there is no sense of resolution.
The issue with some translated stories is the loss of original intent and meanings. This does not seem to have been much of a problem in this instance; however, the translator has not been entirely successful in converting the Danish into a naturally flowing English.
Overall, Mirror, Shoulder, Signal is a bit of a disappointment, especially because it has been shortlisted for such a prestigious prize. Since the prize is meant to be awarding the author for continued creativity and contribution to fiction, it makes you wonder what critics saw in this novel to believe it stood a chance at earning the honour.
Shortlisted for The Man Booker International Prize 2017, Mirror, Shoulder, Signal is a piece of Danish literature by Dorthe Nors, translated into English by Misha Hoekstra. It has a tragicomic nature, introducing the 40-year-old Sonja, a woman who is trying but failing to move in the right direction.
Sonja is the type of character full of flaws that readers will recognise in themselves. Although she has successfully become self-employed, translating crime novels from Swedish into Danish, Sonja feels she has not accomplished anything in life. Despite one unlucky attempt at love, Sonja has remained single, moving to Copenhagen in an attempt to find herself. Determined to earn her driving licence Sonja braves the lessons in the busy city, however, she cannot handle gear changes. In other areas of her life, she tries weekly massage therapy and attempts a meditation exercise. Unfortunately, Sonja remains apathetic to the whole scenario and would rather be somewhere warm eating cake.
Mirror, Shoulder, Signal is a cleverly crafted title that makes repeat appearances throughout the narrative. The three words are instructions that Sonja repeats as a mantra each time she pulls away from the curb in her instructor’s car. The majority of the book takes place during these lessons, or, if not there, face down on Ellen’s massage table.
Sonja’s narration constantly varies between the present and memories from her childhood. A particular focus is the recollection of events involving her sister Kate. They may not have been close when they were young, but now it is almost impossible for Sonja to contact her sister. It is as though Sonja has been alienated from her own family.
Embellished with sexual innuendos, poor attempts at humour fail to bring any excitement to the story. There is no clear plot. At the beginning, readers may wonder if she will earn her driver’s licence – she does not – find love – she does not – find herself – she does not. What, then, was the point of this novel? Apart from a suggestion of future happiness in the final chapter of the book, there is no sense of resolution.
The issue with some translated stories is the loss of original intent and meanings. This does not seem to have been much of a problem in this instance; however, the translator has not been entirely successful in converting the Danish into a naturally flowing English.
Overall, Mirror, Shoulder, Signal is a bit of a disappointment, especially because it has been shortlisted for such a prestigious prize. Since the prize is meant to be awarding the author for continued creativity and contribution to fiction, it makes you wonder what critics saw in this novel to believe it stood a chance at earning the honour.
Debbiereadsbook (1539 KP) rated When The Devil Wants In in Books
Jan 30, 2018
I LOVED this!
Independent reviewer for Divine Magazine, I was gifted my copy of this book.
When faced with a murder charge, John has to choose between his freedom, and his heart.
You know how sometimes, you read a blurb for a book, and your mind writes the plot out and its all wrapped up in a nice pink bow?? And then you read the BOOK, and your version is so very wrong but you have no idea why??
This book totally surprised me, and I cannot put my finger on WHY it did! I loved it!!
John is hiding in plain sight, driving 90 minutes to get his hook ups. Matt moves to Magnolia Ridge from San Fransisco, out and proud. But Matt knows he needs to reign it in. A hook up between the guys has both of them shocked and wanting more, so much more. A shocking discovery causes John to question what he really wants.
I loved both these guys. John, so far in the closet he's in the next room, and Matt who just knows when to say what about his sexuality. They both have their say, so we get every little bit that these guys feel, together and apart. I loved that Matt took to John's closed off-ness quickly, and without question.
The murder has you crying for John, it really does. And I was WAY off base with whodunnit, let me tell ya!! Did NOT see that one coming! I really love being proven wrong.
And I need to say something about that gorgeous cover. When I saw the cover FIRST, I thought its pretty, it nice, but somehow it doesn't fit. I had the blurb before I saw the cover. And I couldn't put my finger on WHY it didn't fit, still can't, truth be told, but that's what I felt, and ya'll know I gotta tell you what I'm feeling. And I'm reading the book, my brain is registering that they are in Magnolia Ridge, that there are magnolia blossom on the cover, I swear I knew that, but still it did not make any sense WHY they were on the cover!
Then! One word, one single word was all it took, and my brain exploded! Light bulb moment does not quite cover what went through my brain at that point! It was like a nuclear bomb going off, and that cover makes TOTAL sense now! Totally the right cover for THIS book.
Is there another book after this?? I feel with what John did for Matt's birthday, and the subsequent scenes kinda left me wanting more of a certain fellow!
Anyways, loved the book, loved the cover and read it in one single sitting, so...
5 full stars
**same worded review will appear elsewhere**
When faced with a murder charge, John has to choose between his freedom, and his heart.
You know how sometimes, you read a blurb for a book, and your mind writes the plot out and its all wrapped up in a nice pink bow?? And then you read the BOOK, and your version is so very wrong but you have no idea why??
This book totally surprised me, and I cannot put my finger on WHY it did! I loved it!!
John is hiding in plain sight, driving 90 minutes to get his hook ups. Matt moves to Magnolia Ridge from San Fransisco, out and proud. But Matt knows he needs to reign it in. A hook up between the guys has both of them shocked and wanting more, so much more. A shocking discovery causes John to question what he really wants.
I loved both these guys. John, so far in the closet he's in the next room, and Matt who just knows when to say what about his sexuality. They both have their say, so we get every little bit that these guys feel, together and apart. I loved that Matt took to John's closed off-ness quickly, and without question.
The murder has you crying for John, it really does. And I was WAY off base with whodunnit, let me tell ya!! Did NOT see that one coming! I really love being proven wrong.
And I need to say something about that gorgeous cover. When I saw the cover FIRST, I thought its pretty, it nice, but somehow it doesn't fit. I had the blurb before I saw the cover. And I couldn't put my finger on WHY it didn't fit, still can't, truth be told, but that's what I felt, and ya'll know I gotta tell you what I'm feeling. And I'm reading the book, my brain is registering that they are in Magnolia Ridge, that there are magnolia blossom on the cover, I swear I knew that, but still it did not make any sense WHY they were on the cover!
Then! One word, one single word was all it took, and my brain exploded! Light bulb moment does not quite cover what went through my brain at that point! It was like a nuclear bomb going off, and that cover makes TOTAL sense now! Totally the right cover for THIS book.
Is there another book after this?? I feel with what John did for Matt's birthday, and the subsequent scenes kinda left me wanting more of a certain fellow!
Anyways, loved the book, loved the cover and read it in one single sitting, so...
5 full stars
**same worded review will appear elsewhere**
Kristy H (1252 KP) rated The Breakdown in Books
Jan 21, 2018
Predictable (1 more)
Silly plot
Cass is driving home one rainy night--taking the back road to her house--when she sees a woman stopped by the side of the road. Cass pauses to help her, but eventually drives home without making any contact. She feels bad about not assisting, but the crazy storm prevents her from even seeing who is in the car. It's only later that her husband tells her that someone was murdered that night, and Cass realizes that it was the same woman she saw. Eventually Cass realizes it was a woman she knew, Jane, and she feels even worse. After, Cass is consumed by Jane's murder. She feels watched and is convinced the murderer is calling her house repeatedly. She's forgetting things, unable to work her household appliances, and receiving items she swears she never ordered. Is Cass truly going crazy--and is the murderer coming for her next?
This book was a weird one for me. I'm one of the few who didn't read Paris' first novel, but I'd heard all the hype and was curious to try this one. The novel relies on the unreliable narrator trope big time; I was certainly befuddled early on whether Cass was indeed an unreliable narrator going mad, or whether someone was messing with her. The problem, for me, was that I was expecting an amazing thriller, but I found the novel rather predictable from the get-go. I figured things out early on. Still, I have to give it to Paris: I felt compelled to keep reading despite it all. The book is a page-turner, for sure.
However, the plot is based on silly secrets and a lack of communication (both huge pet peeves of mine). Cass won't go to the police about seeing Jane's car simply because she doesn't want to tell her husband she took a shortcut she promised she wouldn't take? Seriously? Her friend's life is worth less than that? Further, she won't tell anyone about her dementia fears and forgetfulness. It was very frustrating and often times, I found myself more baffled than intrigued by the mystery.
In the end, this was an interesting one. I found it very predictable and honestly felt like I'd read this novel already (I swear I've read a book with a very similar plot: something that will drive me crazy forever). Still, it was compulsively readable and easy-to-read. Overall, probably about 2.5 stars for me. However, it seems like most people loved this, so take my review with a grain of salt!
I received a copy of this novel from the publisher and Netgalley (thank you!) in return for an unbiased review.
This book was a weird one for me. I'm one of the few who didn't read Paris' first novel, but I'd heard all the hype and was curious to try this one. The novel relies on the unreliable narrator trope big time; I was certainly befuddled early on whether Cass was indeed an unreliable narrator going mad, or whether someone was messing with her. The problem, for me, was that I was expecting an amazing thriller, but I found the novel rather predictable from the get-go. I figured things out early on. Still, I have to give it to Paris: I felt compelled to keep reading despite it all. The book is a page-turner, for sure.
However, the plot is based on silly secrets and a lack of communication (both huge pet peeves of mine). Cass won't go to the police about seeing Jane's car simply because she doesn't want to tell her husband she took a shortcut she promised she wouldn't take? Seriously? Her friend's life is worth less than that? Further, she won't tell anyone about her dementia fears and forgetfulness. It was very frustrating and often times, I found myself more baffled than intrigued by the mystery.
In the end, this was an interesting one. I found it very predictable and honestly felt like I'd read this novel already (I swear I've read a book with a very similar plot: something that will drive me crazy forever). Still, it was compulsively readable and easy-to-read. Overall, probably about 2.5 stars for me. However, it seems like most people loved this, so take my review with a grain of salt!
I received a copy of this novel from the publisher and Netgalley (thank you!) in return for an unbiased review.
Kristy H (1252 KP) rated Faultlines in Books
Feb 13, 2018
At 20, Jordy Cline's life should be just beginning. Instead, it seems as if he's looking at a long period in jail and a lifetime of guilt. It all begins when his mother, Sandy, receives the call every mother dreads: there's been a car accident. Jordy and his cousin, Travis, were thrown from the vehicle, and their passenger, Michelle, is in a coma. Both boys are seriously injured and even worse, it looks like they were drinking. Local law enforcement seems to think Jordy was drinking and driving--a natural assumption given his history of underage drinking and Travis' usual role as the designated driver--but Jordy is insistent that he wasn't. Suddenly, Sandy finds herself fighting for her son's survival and dealing with her sister Jenna's anger over Jordy's role in the crash. The crash also reveals more family and town secrets. Will things ever be the same? And was Jordy really responsible for the crash?
This is an intricate and crazily plotted book, filled with emotional characters and various plot twists. Some of the twists are exciting and completely unexpected, making the story more than just a family drama and almost making it a thriller at some points. A few twists toward the end struck me as rather transparent and easily guessed. A lot of the plot points are a little outlandish and far-fetched, but it does make the book a fairly quick and exciting read. It's not exactly fun, as the subject matter is pretty heavy and horrible, dealing with the sort of topics that are hard to read as a parent.
While none of the characters are fully fleshed out, I liked Sandy well-enough and found myself gravitating toward Jordy, even if I couldn't fully trust him. Jordy's nemesis, local police sergeant Huckabee, is easy to dislike, even as you're constantly guessing as to why exactly he harbors this hatred toward a near teen. The chapters alternate between Sandy and another character, Libby, and she's a sympathetic and enjoyable character as well.
Overall, the story is an intriguing one, which will keep you guessing and reading. It speaks well to the legacy parents leave, both from a biological and environmental standpoint. It represents the power of the good ol' boy system of the South as well and is a strong tale depicting the bonds of loyalty, small town politics, and the power and pain of family. It's both emotional and enjoyable. There were a few nagging plot points that bugged me, but it was still a good, quick read.
I received a copy of this novel from the publisher and Netgalley (thank you!); it is available for publication everywhere as of 09/06/2016.
This is an intricate and crazily plotted book, filled with emotional characters and various plot twists. Some of the twists are exciting and completely unexpected, making the story more than just a family drama and almost making it a thriller at some points. A few twists toward the end struck me as rather transparent and easily guessed. A lot of the plot points are a little outlandish and far-fetched, but it does make the book a fairly quick and exciting read. It's not exactly fun, as the subject matter is pretty heavy and horrible, dealing with the sort of topics that are hard to read as a parent.
While none of the characters are fully fleshed out, I liked Sandy well-enough and found myself gravitating toward Jordy, even if I couldn't fully trust him. Jordy's nemesis, local police sergeant Huckabee, is easy to dislike, even as you're constantly guessing as to why exactly he harbors this hatred toward a near teen. The chapters alternate between Sandy and another character, Libby, and she's a sympathetic and enjoyable character as well.
Overall, the story is an intriguing one, which will keep you guessing and reading. It speaks well to the legacy parents leave, both from a biological and environmental standpoint. It represents the power of the good ol' boy system of the South as well and is a strong tale depicting the bonds of loyalty, small town politics, and the power and pain of family. It's both emotional and enjoyable. There were a few nagging plot points that bugged me, but it was still a good, quick read.
I received a copy of this novel from the publisher and Netgalley (thank you!); it is available for publication everywhere as of 09/06/2016.
Erika Kehlet (21 KP) rated A Matter of Grave Concern in Books
Feb 21, 2018
I listened to this as an audiobook during my commute back and forth to work. I have to admit that Historical romance is not one of my preferred genres, and someone who enjoys romance novels might have a different opinion of this book. I was in the library one Saturday afternoon with my two girls and wanted to grab something to listen to in a hurry. The title caught my eye, and I skimmed the beginning of the blurb on the back. I read just enough to make me think it was an historical mystery, and not even paying attention to the author I took it and checked out. Driving in to work that first Monday morning after picking it up, it didn't take long to realize what I had. I might have stopped listening if I'd had another book to listen to in the car, but since it was all that i had with me, I kept going.
The story is about a young woman named Abby who's father is a surgeon at Aldersgate School of Medicine. She decides to help the college keep their students by providing a corpse for the required anatomy classes. This requires Abby to deal with a group of resurectionists, or body snatchers. Little does she know that one of the gang is not what he is pretending to be. Max Wilder has actually joined the gang of grave robbers in search of his half sister, Madeline, who has gone missing and was last seen in the company of the gang's leader, Jack Hurtsill.
This story had it's ups and downs. At times the characters thoughts and concerns seemed repetitive and almost silly. Should she or shouldn't she give in to Max. Will he or won't he tell Abby the truth. I know some of that is necessary to help build tension, but it seemed a bit much. I'm not sure how I would have felt in Abby's position as Max revealed one secret after another, instead of coming clean up front. It also seemed that after spending the first 2/3 of the book searching for Madeline, her part of the story was wrapped up in a rush. It was interesting to hear about what colleges were willing to condone to get the corpses they needed for their students to study medicine, however, and there was enough danger, suspense, and intrigue to keep my attention.
All in all, this was not a bad story, but there was too much graphic sex for my taste. If you don't mind that, or are willing to do a little skimming, then it might be worth a read.
The story is about a young woman named Abby who's father is a surgeon at Aldersgate School of Medicine. She decides to help the college keep their students by providing a corpse for the required anatomy classes. This requires Abby to deal with a group of resurectionists, or body snatchers. Little does she know that one of the gang is not what he is pretending to be. Max Wilder has actually joined the gang of grave robbers in search of his half sister, Madeline, who has gone missing and was last seen in the company of the gang's leader, Jack Hurtsill.
This story had it's ups and downs. At times the characters thoughts and concerns seemed repetitive and almost silly. Should she or shouldn't she give in to Max. Will he or won't he tell Abby the truth. I know some of that is necessary to help build tension, but it seemed a bit much. I'm not sure how I would have felt in Abby's position as Max revealed one secret after another, instead of coming clean up front. It also seemed that after spending the first 2/3 of the book searching for Madeline, her part of the story was wrapped up in a rush. It was interesting to hear about what colleges were willing to condone to get the corpses they needed for their students to study medicine, however, and there was enough danger, suspense, and intrigue to keep my attention.
All in all, this was not a bad story, but there was too much graphic sex for my taste. If you don't mind that, or are willing to do a little skimming, then it might be worth a read.
Hazel (1853 KP) rated Mirror, Shoulder, Signal in Books
Dec 7, 2018
<i>I received this book for free through Goodreads First Reads.</i>
Shortlisted for The Man Booker International Prize 2017, <i>Mirror, Shoulder, Signal</i> is a piece of Danish literature by Dorthe Nors, translated into English by Misha Hoekstra. It has a tragicomic nature, introducing the 40-year-old Sonja, a woman who is trying but failing to move in the right direction.
Sonja is the type of character full of flaws that readers will recognise in themselves. Although she has successfully become self-employed, translating crime novels from Swedish into Danish, Sonja feels she has not accomplished anything in life. Despite one unlucky attempt at love, Sonja has remained single, moving to Copenhagen in an attempt to find herself. Determined to earn her driving licence Sonja braves the lessons in the busy city, however, she cannot handle gear changes. In other areas of her life, she tries weekly massage therapy and attempts a meditation exercise. Unfortunately, Sonja remains apathetic to the whole scenario and would rather be somewhere warm eating cake.
<i>Mirror, Shoulder, Signal</i> is a cleverly crafted title that makes repeat appearances throughout the narrative. The three words are instructions that Sonja repeats as a mantra each time she pulls away from the curb in her instructor’s car. The majority of the book takes place during these lessons, or, if not there, face down on Ellen’s massage table.
Sonja’s narration constantly varies between the present and memories from her childhood. A particular focus is the recollection of events involving her sister Kate. They may not have been close when they were young, but now it is almost impossible for Sonja to contact her sister. It is as though Sonja has been alienated from her own family.
Embellished with sexual innuendos, poor attempts at humour fail to bring any excitement to the story. There is no clear plot. At the beginning, readers may wonder if she will earn her driver’s licence – she does not – find love – she does not – find herself – she does not. What, then, was the point of this novel? Apart from a suggestion of future happiness in the final chapter of the book, there is no sense of resolution.
The issue with some translated stories is the loss of original intent and meanings. This does not seem to have been much of a problem in this instance; however, the translator has not been entirely successful in converting the Danish into a naturally flowing English.
Overall, <i>Mirror, Shoulder, Signal</i> is a bit of a disappointment, especially because it has been shortlisted for such a prestigious prize. Since the prize is meant to be awarding the author for continued creativity and contribution to fiction, it makes you wonder what critics saw in this novel to believe it stood a chance at earning the honour.
Shortlisted for The Man Booker International Prize 2017, <i>Mirror, Shoulder, Signal</i> is a piece of Danish literature by Dorthe Nors, translated into English by Misha Hoekstra. It has a tragicomic nature, introducing the 40-year-old Sonja, a woman who is trying but failing to move in the right direction.
Sonja is the type of character full of flaws that readers will recognise in themselves. Although she has successfully become self-employed, translating crime novels from Swedish into Danish, Sonja feels she has not accomplished anything in life. Despite one unlucky attempt at love, Sonja has remained single, moving to Copenhagen in an attempt to find herself. Determined to earn her driving licence Sonja braves the lessons in the busy city, however, she cannot handle gear changes. In other areas of her life, she tries weekly massage therapy and attempts a meditation exercise. Unfortunately, Sonja remains apathetic to the whole scenario and would rather be somewhere warm eating cake.
<i>Mirror, Shoulder, Signal</i> is a cleverly crafted title that makes repeat appearances throughout the narrative. The three words are instructions that Sonja repeats as a mantra each time she pulls away from the curb in her instructor’s car. The majority of the book takes place during these lessons, or, if not there, face down on Ellen’s massage table.
Sonja’s narration constantly varies between the present and memories from her childhood. A particular focus is the recollection of events involving her sister Kate. They may not have been close when they were young, but now it is almost impossible for Sonja to contact her sister. It is as though Sonja has been alienated from her own family.
Embellished with sexual innuendos, poor attempts at humour fail to bring any excitement to the story. There is no clear plot. At the beginning, readers may wonder if she will earn her driver’s licence – she does not – find love – she does not – find herself – she does not. What, then, was the point of this novel? Apart from a suggestion of future happiness in the final chapter of the book, there is no sense of resolution.
The issue with some translated stories is the loss of original intent and meanings. This does not seem to have been much of a problem in this instance; however, the translator has not been entirely successful in converting the Danish into a naturally flowing English.
Overall, <i>Mirror, Shoulder, Signal</i> is a bit of a disappointment, especially because it has been shortlisted for such a prestigious prize. Since the prize is meant to be awarding the author for continued creativity and contribution to fiction, it makes you wonder what critics saw in this novel to believe it stood a chance at earning the honour.