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Gareth von Kallenbach (980 KP) rated the PlayStation 4 version of Gravel in Video Games
Jun 19, 2019
Last year at the start of PAX West; Genevieve, Joseph, and myself were invited to get a look at the pending racing game GRAVEL in a private meeting at a suite near the convention. What made this even more exciting was that the meeting took place a day before the convention opened so since we were in the area to run errands and pick up our press passes; this was a very appealing way to see a game and get the jump on our convention coverage.
I do want to say at the start that I am horrible at driving games. My preferred method of braking often is using the wall, other cars, and obstacles to redirect my vehicle or slow down, but it does not stop my appreciation for them.
GRAVEL is a very fast paced and enjoyable game that mixes online and offline racing and allows players to use and customize trucks and cars as they race on tracks and outdoor courses. Everything from the Pacific to Alaska and Africa come into play and there are even some amazingly difficult night races where you have to make your way with only your headlights to keep you on the ever changing off-road course.
I had hoped for a few more locales, but there are variations on each locale and you can expect more maps and possibly modes will come down the road.
The graphics are fantastic and playing the game on a PS4 Pro with a 4K television brought the visuals of the game into amazing focus as it was easy to become immersed in the game from the very start.
The menus do take a bit of getting used to as it was at times unclear what form of racing I was about to embark on but I was up to speed in no time.
Matchmaking was fairly easy but it did seem to match me with drivers of a far superior ability time and again which makes it hard to see anything other than a last place finish should I make one mistake on the course.
While the game may not have the depth of other racing games, I found it to be instantly engaging and very fun which is saying quite a bit considering I usually do not play many racing games. Joseph is a fan of racing games and he was able to successfully complete many of the races in our PAX West meeting with no issues and often in the top position.
In the end GRAVEL is a fun entry for those looking to dip their toes into some off road racing or for diehards, but some hardcore racers may want more depth and variety.
http://sknr.net/2018/03/10/gravel/
I do want to say at the start that I am horrible at driving games. My preferred method of braking often is using the wall, other cars, and obstacles to redirect my vehicle or slow down, but it does not stop my appreciation for them.
GRAVEL is a very fast paced and enjoyable game that mixes online and offline racing and allows players to use and customize trucks and cars as they race on tracks and outdoor courses. Everything from the Pacific to Alaska and Africa come into play and there are even some amazingly difficult night races where you have to make your way with only your headlights to keep you on the ever changing off-road course.
I had hoped for a few more locales, but there are variations on each locale and you can expect more maps and possibly modes will come down the road.
The graphics are fantastic and playing the game on a PS4 Pro with a 4K television brought the visuals of the game into amazing focus as it was easy to become immersed in the game from the very start.
The menus do take a bit of getting used to as it was at times unclear what form of racing I was about to embark on but I was up to speed in no time.
Matchmaking was fairly easy but it did seem to match me with drivers of a far superior ability time and again which makes it hard to see anything other than a last place finish should I make one mistake on the course.
While the game may not have the depth of other racing games, I found it to be instantly engaging and very fun which is saying quite a bit considering I usually do not play many racing games. Joseph is a fan of racing games and he was able to successfully complete many of the races in our PAX West meeting with no issues and often in the top position.
In the end GRAVEL is a fun entry for those looking to dip their toes into some off road racing or for diehards, but some hardcore racers may want more depth and variety.
http://sknr.net/2018/03/10/gravel/
Gareth von Kallenbach (980 KP) rated Crimson Peak (2015) in Movies
Jun 19, 2019
For Writer/Director Guillermo del Toro horror and the supernatural go hand in hand with much of his work. From Pan’s Labyrinth” to The Strain, and “Hellboy” his unique mix of visuals and compelling characters have made him a darling of the genre.
In his new film “Crimson Peak”, the setting is the cold locales of Buffalo New York and Rural England during the late 1800s, and one where the weather both cold and wet play important parts in the look and plot of the film.
For Edith Cushing (Mia Wasikowska), life is exciting as despite the loss of her mother, her wealthy and supportive father has arranged for her to see her potentially see her stories published. As an avid writer, Edith holds that she has seen the ghost of her mother a secret and uses this as central themes of her writing.
Naturally this does not go well with the times, and she is urged to focus on romantic stories instead. Undaunted, Edith soldiers on unaware that her sheltered and privileged world is going to be upended by the arrival of the dashing Thomas (Tom Hiddleston), and his sister Lucille (Jessica Chastain), who have come to America to secure funding for their business ventures.
Tom came from a wealthy background and has fallen on hard times which have forced him to look for backers abroad. Edith’s father takes a disliking to him and even more so when he begins to court his daughter.
When her father pays off Thomas to leave when parts of his past are uncovered, things become complicated when Edith’s father is brutally killed and it is passed off as an accident. Grief stricken Edith marries Thomas and relocates to his home in England with Lucille to await her inheritance.
Of course things are not as they seem, and the home in which she lives is filled with dark secrets and Edith must find a way to survive the nightmare to which she has become a part of.
The film has some great visuals and a strong cast, but does tend to plod along. It is less of a horror story and more of a drama as the Supernatural element is there mainly to support aspects of the story rather than be the driving point.
My biggest issue with the film aside from pacing was that I was able to figure out where the story was going, twists and all within the first 30 minutes so there were no real surprises for me as it unfolded.
That being said, it was a pleasant enough diversion, I just do not think it will deliver the thrills and chills that audiences are expecting as it is more of a turn of the century drama than a horror film.
http://sknr.net/2015/10/14/crimson-peak/
In his new film “Crimson Peak”, the setting is the cold locales of Buffalo New York and Rural England during the late 1800s, and one where the weather both cold and wet play important parts in the look and plot of the film.
For Edith Cushing (Mia Wasikowska), life is exciting as despite the loss of her mother, her wealthy and supportive father has arranged for her to see her potentially see her stories published. As an avid writer, Edith holds that she has seen the ghost of her mother a secret and uses this as central themes of her writing.
Naturally this does not go well with the times, and she is urged to focus on romantic stories instead. Undaunted, Edith soldiers on unaware that her sheltered and privileged world is going to be upended by the arrival of the dashing Thomas (Tom Hiddleston), and his sister Lucille (Jessica Chastain), who have come to America to secure funding for their business ventures.
Tom came from a wealthy background and has fallen on hard times which have forced him to look for backers abroad. Edith’s father takes a disliking to him and even more so when he begins to court his daughter.
When her father pays off Thomas to leave when parts of his past are uncovered, things become complicated when Edith’s father is brutally killed and it is passed off as an accident. Grief stricken Edith marries Thomas and relocates to his home in England with Lucille to await her inheritance.
Of course things are not as they seem, and the home in which she lives is filled with dark secrets and Edith must find a way to survive the nightmare to which she has become a part of.
The film has some great visuals and a strong cast, but does tend to plod along. It is less of a horror story and more of a drama as the Supernatural element is there mainly to support aspects of the story rather than be the driving point.
My biggest issue with the film aside from pacing was that I was able to figure out where the story was going, twists and all within the first 30 minutes so there were no real surprises for me as it unfolded.
That being said, it was a pleasant enough diversion, I just do not think it will deliver the thrills and chills that audiences are expecting as it is more of a turn of the century drama than a horror film.
http://sknr.net/2015/10/14/crimson-peak/
Lee (2222 KP) rated Bird Box (2018) in Movies
Dec 26, 2018
It's easy to draw comparisons between Bird Box and one of this years biggest hits, A Quiet Place. As Malorie (Sandra Bullock), guides two young children towards a boat, all three of them blindfolded and terrified of the consequences should they remove them, the similarities with the post apocalyptic themes of A Quiet Place are clear. In that movie, you couldn't make a sound for fear of drawing the attentions of the ominous killers, while in this one you're unable to use your eyes to look at the world around you.
But Bird Box does what AQP didn't, by going back in time 5 years to see how the apocalypse all came about. A pregnant Malorie is visiting the hospital for a scan, along with sister Jessica (Sarah Paulson), while news reports detail events unfolding throughout the world. Something is causing thousands of people to suddenly commit suicide, and it has found its way to American shores. As Malorie and Jessica leave the hospital, everything around them descends into panic, chaos and destruction. Cars crash, people throw themselves in front of oncoming cars and thousands of others are running to escape from who knows what. As her sister meets an untimely death, the heavily pregnant Malorie is helped into a nearby house where a large number of people have already found refuge.
We manage to catch our breath for a short while, while the survivors piece together what has happened, offering their theories. As one of them explains - "Humanity has been judged and we've been found wanting. They go by different names. You got world religion and mythology that's full of mentions of demons or spirit creatures. People who’ve seen these creatures almost always describe their encounter as with an entity who takes on the form of your worst fears, your deepest sadness or your greatest loss. It’s not bullshit. It’s real talk, it’s facts."
Life continues in the house for a while, with all the windows covered to prevent anyone from seeing something that might lead to their death. There's a tense trip to the supermarket for supplies, driving a car with blacked out windows and only a satnav to guide them, along with various dramas between the group. Every so often, we rejoin the future timeline, as Malorie and the children (referred to only as boy and girl) make their way along the river.
Bird Box is more of a slow burn than A Quiet Place, and we never actually see what is responsible for causing the suicides either, but I still found much to enjoy with it. And as we become fully immersed in the present timeline, following the blindfolded journey, things build to a tense and satisfying climax.
But Bird Box does what AQP didn't, by going back in time 5 years to see how the apocalypse all came about. A pregnant Malorie is visiting the hospital for a scan, along with sister Jessica (Sarah Paulson), while news reports detail events unfolding throughout the world. Something is causing thousands of people to suddenly commit suicide, and it has found its way to American shores. As Malorie and Jessica leave the hospital, everything around them descends into panic, chaos and destruction. Cars crash, people throw themselves in front of oncoming cars and thousands of others are running to escape from who knows what. As her sister meets an untimely death, the heavily pregnant Malorie is helped into a nearby house where a large number of people have already found refuge.
We manage to catch our breath for a short while, while the survivors piece together what has happened, offering their theories. As one of them explains - "Humanity has been judged and we've been found wanting. They go by different names. You got world religion and mythology that's full of mentions of demons or spirit creatures. People who’ve seen these creatures almost always describe their encounter as with an entity who takes on the form of your worst fears, your deepest sadness or your greatest loss. It’s not bullshit. It’s real talk, it’s facts."
Life continues in the house for a while, with all the windows covered to prevent anyone from seeing something that might lead to their death. There's a tense trip to the supermarket for supplies, driving a car with blacked out windows and only a satnav to guide them, along with various dramas between the group. Every so often, we rejoin the future timeline, as Malorie and the children (referred to only as boy and girl) make their way along the river.
Bird Box is more of a slow burn than A Quiet Place, and we never actually see what is responsible for causing the suicides either, but I still found much to enjoy with it. And as we become fully immersed in the present timeline, following the blindfolded journey, things build to a tense and satisfying climax.
TacoDave (3913 KP) rated Amazon Echo Auto in Tech
Jul 19, 2019
A digital assistant on the go (4 more)
Hands-free calling
Unlimited music
Podcasts
Audiobooks
A cool Alexa device - for your car!
I was chosen to purchase a pre-release version of the Amazon Echo Auto through Amazon's website. It works just like a normal Echo, except it is designed for use in the car.
The mount for the Echo Auto is a strip of thick rubber that sticks to the dashboard and includes a magnet that keeps the Echo firmly in place.
The Echo uses bluetooth to connect to your cell phone, and can connect to your car's speakers via bluetooth or an included aux cable. It is powered by a cigarette lighter plug or USB port.
If you already have Siri or a newer car, you might have some of the Echo's features already. I drive a 2008 minivan, so the Echo actually added tons of abilities that I didn't have access to already.
For example, I can now use the Echo as a hands-free phone device. I've tried it multiple times and the sound quality is great and the person on the other end hears me fine. I can also ask Alexa to navigate to an address and, using Google Maps, hear step-by-step instructions to get where I'm going. And if I'm listening to music or a podcast, it will pause them so I can hear the voice say "In 600 feet, turn left" or whatever. And since I pay $8 a month for Amazon Music Unlimited, I can ask Alexa to play almost any song and it will instantly play in my car.
Not only that, but the "regular" features of Alexa are included. I asked "How many feet are in a mile?" and it answered (correctly). My kids have asked it what certain words mean and have asked it to tell jokes. They can play 20 Questions or Jeopardy while I'm driving. The possibilities are almost endless.
I only have one problem with the Echo Auto: it relies on a cell signal. So when I drove my daughter to camp on Sunday - way out in the middle of nowhere in the woods - I lost cell service and my music cut off suddenly. (I had asked Alexa to shuffle music from Weird Al Yankovic to keep my kids entertained, and we were enjoying it! Plus, I could ask Alexa to play the original version of a song after we heard the parody version so my kids would have context.) I understand that this is a known limitation, and since I live in a major city it won't often be a problem. But I thought I'd mention it for people who might live in places with less cell coverage.
The mount for the Echo Auto is a strip of thick rubber that sticks to the dashboard and includes a magnet that keeps the Echo firmly in place.
The Echo uses bluetooth to connect to your cell phone, and can connect to your car's speakers via bluetooth or an included aux cable. It is powered by a cigarette lighter plug or USB port.
If you already have Siri or a newer car, you might have some of the Echo's features already. I drive a 2008 minivan, so the Echo actually added tons of abilities that I didn't have access to already.
For example, I can now use the Echo as a hands-free phone device. I've tried it multiple times and the sound quality is great and the person on the other end hears me fine. I can also ask Alexa to navigate to an address and, using Google Maps, hear step-by-step instructions to get where I'm going. And if I'm listening to music or a podcast, it will pause them so I can hear the voice say "In 600 feet, turn left" or whatever. And since I pay $8 a month for Amazon Music Unlimited, I can ask Alexa to play almost any song and it will instantly play in my car.
Not only that, but the "regular" features of Alexa are included. I asked "How many feet are in a mile?" and it answered (correctly). My kids have asked it what certain words mean and have asked it to tell jokes. They can play 20 Questions or Jeopardy while I'm driving. The possibilities are almost endless.
I only have one problem with the Echo Auto: it relies on a cell signal. So when I drove my daughter to camp on Sunday - way out in the middle of nowhere in the woods - I lost cell service and my music cut off suddenly. (I had asked Alexa to shuffle music from Weird Al Yankovic to keep my kids entertained, and we were enjoying it! Plus, I could ask Alexa to play the original version of a song after we heard the parody version so my kids would have context.) I understand that this is a known limitation, and since I live in a major city it won't often be a problem. But I thought I'd mention it for people who might live in places with less cell coverage.
Phillip McSween (751 KP) rated Zombieland (2009) in Movies
Nov 12, 2019
Great Cast Makes For the Perfect Movie
Four strangers have to learn to survive together during a zombie apocalypse. Talk about a movie that checks all the boxes, Zombieland does just that! It’s got a little something for everyone.
Acting: 10
Beginning: 10
The first ten minutes is a perfect setup for what you can expect throughout the movie. This isn’t your typical zombie-survival romp and I thought writer Rhett Reese did an amazing job of establishing that early. You meet and fall in love with the main character as he tries to survive a simple trip to the bathroom. You also learn how his “rules” have kept him alive so long.
Characters: 10
His name is Columbus, played by Jesse Eisenberg. He’s such an unlikely hero that you can’t help but root for the poor guy as he moves from one scene to the next. Many of the scenes would have played out much differently if it weren’t for his quirky personality.
The other three mains, Tallahassee (Woody Harrelson), Wichita (Emma Stone), and Little Rock (Abigail Breslin) add their own flare to the film as well. Tallahassee is a badass to the point where it gets extremely comical. His character motivation of searching for a Twinkie (literally!) is priceless. The ladies share a fun backstory that make them an intriguing pair. You throw all four together and you have a perfect combination.
Cinematography/Visuals: 10
Conflict: 10
Entertainment Value: 10
This apocalyptic adventure is a blast across the board from beginning to end. Even the backstories are exciting to watch. The characters help drive the story as you can somehow manage to get on board with each of their motivations for survival. The action is a blast and the slower moments are underrated gems.
Memorability: 10
Pace: 10
Plot: 10
Zombie movies have been done over…and over…and over…It’s a rare treat when they get it right and try to think outside of the box. I love that the film manages to take a familiar theme and make it fresh. Not only is the movie original, but it harbors some of the most memorable scenes in film.
Resolution: 10
Always nice when a movie doesn’t overstay it’s welcome. Zombieland ties up its story in tidy fashion, ending with a heartfelt bang. It immediately makes you want to watch it again.
Overall: 100
I have the utmost respect for the sheer creativity in Zombieland. Sometimes movies try too hard while others don’t try hard enough. This movie never feels forced and always feels in control of its own destiny. Even the small scenes are impactful, like the night scene where they are taking turns driving and getting to know each other in the car. Zombieland is a cinematic treat.
Acting: 10
Beginning: 10
The first ten minutes is a perfect setup for what you can expect throughout the movie. This isn’t your typical zombie-survival romp and I thought writer Rhett Reese did an amazing job of establishing that early. You meet and fall in love with the main character as he tries to survive a simple trip to the bathroom. You also learn how his “rules” have kept him alive so long.
Characters: 10
His name is Columbus, played by Jesse Eisenberg. He’s such an unlikely hero that you can’t help but root for the poor guy as he moves from one scene to the next. Many of the scenes would have played out much differently if it weren’t for his quirky personality.
The other three mains, Tallahassee (Woody Harrelson), Wichita (Emma Stone), and Little Rock (Abigail Breslin) add their own flare to the film as well. Tallahassee is a badass to the point where it gets extremely comical. His character motivation of searching for a Twinkie (literally!) is priceless. The ladies share a fun backstory that make them an intriguing pair. You throw all four together and you have a perfect combination.
Cinematography/Visuals: 10
Conflict: 10
Entertainment Value: 10
This apocalyptic adventure is a blast across the board from beginning to end. Even the backstories are exciting to watch. The characters help drive the story as you can somehow manage to get on board with each of their motivations for survival. The action is a blast and the slower moments are underrated gems.
Memorability: 10
Pace: 10
Plot: 10
Zombie movies have been done over…and over…and over…It’s a rare treat when they get it right and try to think outside of the box. I love that the film manages to take a familiar theme and make it fresh. Not only is the movie original, but it harbors some of the most memorable scenes in film.
Resolution: 10
Always nice when a movie doesn’t overstay it’s welcome. Zombieland ties up its story in tidy fashion, ending with a heartfelt bang. It immediately makes you want to watch it again.
Overall: 100
I have the utmost respect for the sheer creativity in Zombieland. Sometimes movies try too hard while others don’t try hard enough. This movie never feels forced and always feels in control of its own destiny. Even the small scenes are impactful, like the night scene where they are taking turns driving and getting to know each other in the car. Zombieland is a cinematic treat.
JT (287 KP) rated Vehicle 19 (2013) in Movies
Mar 10, 2020
Paul Walker can’t seem to stay away from cars at the moment, in between Fast Five and the recently released Fast and Furious 6 Walker took the lead in Vehicle 19.
Walker plays Michael Woods whose recently jumped parole and heads out to South Africa to see his girlfriend, in the hope of rekindling their relationship. Picking up a rental car, a minivan, which is hardly fast or furious, it turns out to be the wrong choice as during his journey he’s chased down by the local police for the murder of a young woman.
The film for the majority of its entirety is shot from the inside of the car, with Walker rarely stepping out of the driver’s seat as he tries to navigate his way through a city he is totally unfamiliar with. Films that capture one location need to rely on a number of things, firstly the acting has got to be top draw and secondly you’ve got to pull out the tension and hook the audience.
Phone Booth and Buried which placed its protagonists in a confined space paid off pretty well, but here Vehicle 19 struggles and almost splutters as if gasping for more fuel. The problem is the despite Walker putting in a decent performance as a man with a goal who is pushed to the edge it lacks any real bite or conviction.
For the opening twenty minutes we see him converse with his girlfriend via phone, complain he’s got the wrong rental car and try to remember which side of the road he has to drive on. It’s dull, and when you compare it with Ryan Reynolds’s opening twenty minutes in Buried where he’s confined to a 6 foot box, Vehicle 19 is way off the mark.
Relative unknown director Mukunda Michael Dewil leaves it too late, and when Woods discovers a phone and gun in the glove box as well as a bound and gagged girl in the trunk many of us have already turned the ignition off. Woods is hunted by Detective Smith, a man with a terrifying accent that leaves genuine chills down your spine, for someone who only gets a minimal amount of screen time at the end he does leave a lasting impression.
It does have its rare moments and of course Walker gets to use his driving skills to full capacity as he’s perused through the townships and city streets by police cars that you’d expect would be able to catch up with a minivan.
It’s short but not so sharp, the surrounding locations begged for so much more than what was delivered. I’d much rather have seen Walker behind the wheel of a high performance vehicle…oh wait I can!
Walker plays Michael Woods whose recently jumped parole and heads out to South Africa to see his girlfriend, in the hope of rekindling their relationship. Picking up a rental car, a minivan, which is hardly fast or furious, it turns out to be the wrong choice as during his journey he’s chased down by the local police for the murder of a young woman.
The film for the majority of its entirety is shot from the inside of the car, with Walker rarely stepping out of the driver’s seat as he tries to navigate his way through a city he is totally unfamiliar with. Films that capture one location need to rely on a number of things, firstly the acting has got to be top draw and secondly you’ve got to pull out the tension and hook the audience.
Phone Booth and Buried which placed its protagonists in a confined space paid off pretty well, but here Vehicle 19 struggles and almost splutters as if gasping for more fuel. The problem is the despite Walker putting in a decent performance as a man with a goal who is pushed to the edge it lacks any real bite or conviction.
For the opening twenty minutes we see him converse with his girlfriend via phone, complain he’s got the wrong rental car and try to remember which side of the road he has to drive on. It’s dull, and when you compare it with Ryan Reynolds’s opening twenty minutes in Buried where he’s confined to a 6 foot box, Vehicle 19 is way off the mark.
Relative unknown director Mukunda Michael Dewil leaves it too late, and when Woods discovers a phone and gun in the glove box as well as a bound and gagged girl in the trunk many of us have already turned the ignition off. Woods is hunted by Detective Smith, a man with a terrifying accent that leaves genuine chills down your spine, for someone who only gets a minimal amount of screen time at the end he does leave a lasting impression.
It does have its rare moments and of course Walker gets to use his driving skills to full capacity as he’s perused through the townships and city streets by police cars that you’d expect would be able to catch up with a minivan.
It’s short but not so sharp, the surrounding locations begged for so much more than what was delivered. I’d much rather have seen Walker behind the wheel of a high performance vehicle…oh wait I can!
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