Search

Search only in certain items:

The Weight of Shadows (Shadow Series #1)
The Weight of Shadows (Shadow Series #1)
Karl Holton | 2020 | Crime
8
8.0 (1 Ratings)
Book Rating
The description above, does not do the justice to this book, there is so much more to it than it is given away in the blurb.

One thing for sure about this book, it is not boring. The book begins by introducing characters, and you should pay attention, because there is a vast amount of them. In the beginning, I was confused of who belonged were, but as I continued reading this book, it all made sense. These 300 pages are filled with action, robberies, murders, kidnapping, police investigations and of course, Ukrainian Mafia. And believe it or not, everything is entangled so masterfully that it makes one huge, great crime mystery.

The characters chosen for this book are very diverse, intriguing and complex. The book covers period of six days and it is unbelievable what can happen in that period of time. I, personally, could not choose my favourite character in this book, because there were too many great personalities. This novel was told from multiple perspectives, and it allowed to get to know the characters better, and made the book more interesting for the reader. I do like books, which are set in London, and I really enjoyed the detailed knowledge of this city, which Holton shared in the book. It just somehow warms my heart and makes it more realistic.

I really enjoyed how fast paced this book’s narrative was. Every chapter gives a different character’s story, so it was a real page turner for me, as I wanted to find out, what happened to other characters. There were a lot of twists and turns in this novel, however, some of the parts were quite obvious, and it annoyed me that those great detectives couldn’t figure out some of the things quicker. This novel is a debut for Holton, but in the prologue chapter, there is an incredibly interesting character mentioned, where it feels like this is a second book in the series, and I honestly hope that one day there will be a book about the “skin artist” and that investigation.

The writing style was pleasurable to read with easy and understandable language . I loved the short chapters of this book, and it was fast paced and indulging read. I should mention, that there are murders, blood and violence in this book, so it is not suitable for people with weak nerves. The ending of this book has very unexpected twist and a cliff hanger, which is driving me mad, but otherwise it gives a satisfactory ending for this part of the series. So, to conclude, I would strongly recommend this book, because it has riveting, complex variety of characters, and the plot is masterfully twisted making it an indulging, fast paced book, which deserves to be read. Can’t wait for the next book in the series.

Was given this book by author for honest review.
  
Spider-Man: Homecoming (2017)
Spider-Man: Homecoming (2017)
2017 | Action, Adventure
New Vibes, New Dopeness
When I first saw that Sony was playing nice with Disney/Marvel, I almost lost it when I saw that Spider-Man would make an appearance in Captain America: Civil War. Nerd Moment: I’ve always thought that all of the Marvel properties belonged together and this was a step in the right direction. It’s been amazing what’s happened since. In this third reboot since the new century, Spider-Man: Homecoming is the story of a young Peter Parker handling his role as a teenager and a webslinging superhero.

Acting: 10

Beginning: 7

Characters: 7
Peter (Tom Holland) is a lovable kid surrounded by a fun cast of friends and foes. They took a different and, in my opinion, smarter route by making Aunt May (Marisa Tomei) younger and more relatable. Not only did it pay off but it helped contribute to side jokes in the story involving Happy (Jon Favreau) and Tony Stark (Robert Downey Jr.). Yes, there are so many characters to love here, both familiar and new…that is until we get to the villain played by one of my favorite actors Michael Keaton. Don’t get me wrong, he wasn’t horrible, I just couldn’t buy his motivation which made it hard at times to connect to the overall story and conflict.

Cinematography/Visuals: 10
Watching some of these scenes play out seriously made me wish I was Spider-Man. The aerial combat and clever use of webs is such a treat to watch and experience, both at home. and in the theater. Marvel hit another home run here with cinematic perfection that stretches all over the great city of New York.

Conflict: 10
The conflict isn’t just about Spider-Man fighting bad guys. Rather it’s about having to do all of this and be a kid at the same time…and impress Tony Stark…and get used to his new suit…and keep all of this a secret from his caretaker. So many things wrapped into one makes this such a fun ride. Yes, there is plenty of spider fights to enjoy, but there is so much more to love about the movie as a whole.

Entertainment Value: 9

Memorability: 8

Pace: 10

Plot: 9
Really enjoyed the story and how it plays into the Marvel universe as a whole. A few twists here and there keep things interesting. Again there is so much driving conflict here and character growth that it’s easy to miss the complexities of everything involved in the story. Again, not in love with Vulture’s motivation, but it doesn’t diminish things too badly.

Resolution: 10

Overall: 90
The difficulty of Peter trying to get used to his new suit alone was enough to keep me beaming watching this movie. Marvel movies are known for packing a mega punch and Spider-Man: Homecoming definitely stands up there as one of the stronger ones. Great movie.
  
The Lighthouse (2019)
The Lighthouse (2019)
2019 | Drama, Horror
Weird - and I couldn't look away
I have viewed some really strange films in my day. When asked, I often mention MIRRORMASK (based on a Neil Gaiman story) and mother! (the Darren Aronofsky oddity) as the strangest films I have ever seen.

Add Robert Eggers’ THE LIGHTHOUSE to this list.

Based on a real life tragedy from 1801, THE LIGHTHOUSE follows 2 isolated Lighthouse keepers as they interact with each other, slowly going mad in the process…or did they? Is one of them mad and the other sane? Are they both mad? Or…is it the viewer who is going mad? Eggers let’s you, the viewer, decide.

And…good for him. I have now encountered 2 films directed by former Production Designer Eggers - THE WITCH and now this film. In both cases, the movies are interestingly shot and intriguing to view but almost incomprehensible. The more so with THE LIGHTHOUSE, it is almost as if Eggers heard the criticism of THE WITCH of being incomprehensible and said “hold my beer”.

Besides the production values - which really are quite good (especially Eggers use of Black and White) - what holds this movie in high regards is the acting of the 2 people in film. These 2 characters are the only speaking parts in this movie.

Willem Dafoe portrays the older, veteran Lighthouseman who tells the tales of Mermaids and Curses and has a generally air of foreboding from the start. It is a masterwork by Dafoe - his best work of his career (and that’s saying something). He is unnerving to view from the start. The only thing the viewer needs to figure out is whether he is insane or very, very, very sane.

The surprise for me in this movie is the work of Robert Pattinson, the younger Lighthouseman who is in his first assignment. He is the audience’s eyes into this weird world and he is very much sane at the beginning. At the end…well…you decide. He was able to go toe-to-toe with DaFoe and held his own very well. This young actor has made a conscious choice following the Twilight films and with this movie and with Christopher Nolan's TENANT he is establishing himself as a darn good performer.

As for the film itself, my one recommendation for you is to not be too concerned of making sense of what is going on in the scene you are watching…you’ll drive yourself mad doing this (at least it was driving me mad). After awhile I just sat back and drank in the weirdness - and the quality acting and production values - that was enfolding in front of me and the ending was satisfying (enough).

All in all one of the stranger times I’ve had at the movies.

Letter Grade: B

7 stars (out of 10) and you can take that to the Bank (ofMarquis)
  
    Castro 2

    Castro 2

    News and Entertainment

    (0 Ratings) Rate It

    App

    Castro lets you track lots of podcasts at once without getting overwhelmed. Here’s how it works: ...

    Folder Lock Advanced Pro

    Folder Lock Advanced Pro

    Utilities and Productivity

    (0 Ratings) Rate It

    App

    Folder Lock Advanced is a more sophisticated version of Folder Lock for iPhone, boasting better...

    m.Parking

    m.Parking

    Utilities

    (0 Ratings) Rate It

    App

    Naudojantis Programa, galima sumokėti vietinę rinkliavą už automobilio stovėjimą Vilniaus...

Embodiment of Evil (2008)
Embodiment of Evil (2008)
2008 | Horror, International
9
7.5 (2 Ratings)
Movie Rating
Embodiment of Evil
Embodiment of Evil is the third film of the Brazilian ‘Coffin Joe’ trilogy, following after ‘At Midnight I’ll take your soul’ and ‘This night I’ll Posses your corpse’. Set and filmed 40 years after ‘This night I’ll possess your corpse’ Embodiment of Evil follows the same basic plot as the previous two films, Josefel Zanatas aka Coffin Joe returns after seeming to die at the end of the previous film to continue his search for the perfect woman to help him continue his blood line.
Embodiment of Evil is probably best described as a ‘Slasher’, Coffin Joe is a man on a mission and he’s not afraid to make enemy’s and then kill them if they get in his way. There are also elements of torture in the film as Joe tests his followers, and the women he chooses to make sure they are strong enough for him.
Like the first two films, Embodiment of evil starts off slow, using the time to explain how Coffin Joe survived his death, this is done with a flashback which uses footage from the end of the 'This night I'll possess your corpse' and adding footage that looks like it was shot at the same time but never use at the time.
Once Joe's survival has been explained the film falls back into the narrative of the trilogy, aided by his hunchbacked sidekick, Bruno, Joe returns to his old job as a gravedigger and is soon making waves in the community with his (anti) religious views. Joe is also being hunted by victims and relatives of victims from the previous films but, this time Coffin Joe also has help, not only from Bruno but from four cult like followers.
As in the previous films it doesn't take long before Joe is cursed by witches and seeing ghosts blurring the line between what Coffin Joe sees as reality and fantasy.
Coffin Joe himself is an interesting character, he is arrogant, self-assured and superior. He is constantly fighting against authority and most of the normal people, all of whom he sees as weak, mainly due to their religious belief. He is driven by his own belief that 'blood' is the only purpose in life and his need to find the perfect, strongest woman to have his child is the only driving force in his life.
Embodiment of Evil is UK rated 18 and there is a good reason for this, there is blood, nudity, cannibalism, torture, (off screen) child murder and implied rape so it will be safe to say that this film is not for everybody. It is also worth noting that, even though some of of these subjects are also in the first two films, Embodiment of evil was made 40 years later so the effects and content is a lot more graphic.