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Kurt Vile recommended The Sun Years by Jerry Lee Lewis in Music (curated)

 
The Sun Years by Jerry Lee Lewis
The Sun Years by Jerry Lee Lewis
(0 Ratings)
Album Favorite

"I liked Jerry Lee Lewis, because my dad turned me on to him, so I had this collection of all the Sun sessions that I would listen to a lot. I mainly just listened to 'Whole Lotta Shakin' Goin' On'. I used to love that line, ""got the bull by the horns"", I used that line in 'He's Alright', my song from a long time ago. It's so bluesy and goofy and from a wild man. But then at a later period, I read that book The Dark Stuff by Nick Kent. Adam [Granduciel], my buddy, one of my best friends, from The War On Drugs, he sent it to me for my birthday, which was nice. He wasn't even around, but he sent it to me. Anyway, I couldn't put that down. He knew I would like that book. The best article [in there], is on Jerry Lee Lewis, who's just a notorious maniac and is obviously an incredible piano player. In that article, he talked about a book, a biography about him by Nick Tosches called Hellfire and this book is off the hook, it's unreal. So just around that time I found the vinyl of this one, the Sun Sessions, maybe it's volume one, again I burned it and cranked it in the 'phones and played it a lot when I was driving around LA. There's a song, 'Little Queenie', which is a cover, but he says: ""She's too cute to be a minute over 17"" and I morphed that line in 'Pretty Pimpin': ""a little too cute to be admitted under marbles lost"". Whatever that part of the song is, the first time I say: ""All I want is to just have fun, live my life like a son of a gun"", but it's like a morphed version of that Seeds song, 'Pushin' Too Hard', like [sings]: ""All I want is to just have fun, live my life like it just begun"", so it's sort of referencing those old guys, two different eras. Obviously, if I had to pick one, Jerry Lee Lewis slays The Seeds. But it's just like that down-home, real rock & roll. How do you explore his back catalogue? I think you just start with the early stuff. He had a crazy career, because he had all these hits young and then he married his super young cousin, but he was totally in love with her and she was, and then they went to Europe and during that time they found out it was his cousin and then he was banned everywhere, basically. Then he had a resurgence, he started doing country music and was bigger than ever, so he would always go up and down, but he was a maniac. He would just always be battling demons. He would go back to Jesus. He would go to church where they would speak in tongues, he would just live extreme lives. He would go back and forth, lose his mind, take a million pills, play shows and his hair was flying around, playing with his foot. I mean, he was a bad motherhumper, as you would say!"

Source
  
Local Woman Missing
Local Woman Missing
Mary Kubica | 2021 | Contemporary, Thriller
10
9.0 (2 Ratings)
Book Rating
I had been after a good thriller for awhile, when I read about Local Woman Missing by Mary Kubica, my interest was piqued very much. I will say that this book certainly filled that thriller sized hole for sure!

As soon as I started reading Local Woman Missing, I was instantly transported inside the book. I kept trying to piece together what happened to Shelby, Delilah, and Meredith just to find out I was totally wrong each time. That's one of the beautiful things about this book, there are so many twists and turns! I loved all the plot twists which there were plenty. Just when it looked like one mystery was solved, the author would through in a twist. I loved how Mary Kubica had us going back and forth between present time to eleven years earlier when Meredith, Shelby, and Delilah all went missing. The world building is done fantastically, and the pacing is spot on. I found myself frantically reading each page to try to guess what would happen. I did like the way all the loose endings were tied up by the ending. There's nothing left to speculate which was a big plus in my book as I hate guessing what happened to each character. I like being told exactly what happens, and Kubica did just so.

I absolutely adored how each character was written. I could imagine each and every character in my mind. It was like I was right in the midst of the action with them. It was easy to imagine Meredith's husband Josh's panic when his wife and 6 year old daughter went missing. As a mother of a 6 year old myself, I think I would just go crazy! I could also feel Meredith's pain when things started to really go wrong for her. I really just wanted to be a friend to her because she seemed really sweet and down to Earth. Bea and Kate were two of my favorite characters. I thought they had such a great relationship, and I thought they were really great people for being so helping and warm towards everyone when things when Meredith and Delilah went missing. I enjoyed reading things from Kate's point of view to piece together everything that was going on after Meredith and Delilah went missing. Reading Leo's point of view was the most interesting for me. It was eye opening to see how having his sister and mom missing affected him. I really wanted to adopt little Leo as my own because reading what he endured really broke my heart at times.

Trigger warnings for Local Woman Missing include profanity, cheating on spouses, child abuse, kidnapping, violence, death, mentions of suicide, and drunk driving.

All in all, Local Woman Missing checks all the boxes to be a successful thriller such as a fascinating plot with a plethora of twists at turns throughout. I would definitely recommend Local Woman Missing by Mary Kubica to those aged 18+ who love to expect the unexpected. This book will not leave you disappointed one bit.
  
The Hitman's Wife's Bodyguard (2021)
The Hitman's Wife's Bodyguard (2021)
2021 | Action, Comedy, Crime
5
6.8 (13 Ratings)
Movie Rating
Some great laugh out loud moments (0 more)
No tension in the thriller elements (1 more)
Some shoddy special effects.
A movie that’s a pain in the A-double-dollar sign.
Struck-off bodyguard Michael Bryce (Ryan Reynolds) is plagued with nightmares about his failures, brought about by his nemesis Darius Kincaid (Samuel L Jackson) and his potty-mouthed wife Sonia (Salma Hayek). On doctor’s orders, he ‘retires’ from the business. But when Europe’s infrastructure is threatened by Greek megalomaniac Aristotle Papdopolous (Antonio Banderas) he is rudely dragged away from his briefly peaceful life and pitched back into utter mayhem.

Positives:
- As a comedy thriller, it does pass the '6 laughs test' in terms of the 'comedy' element. Some of these are minor chuckles. A few are really good belly laughs.

- Among these are some of the outrageous tirades of Salma Hayek: her accent makes some of the dialogue unintelligible, but given its X-rated nature, that's not necessarily a bad thing! As a mid-50's actress (Oh God - - don't tell her I mentioned her age!), Ms Hayek indeed has an arrestingly attractive form.

- Seeing Antonio Banderas and Morgan Freeman on the screen is never anything other than a positive. (Although Banderas is like Sean Connery in failing to tailor his natural accent to any role he's ever in!)

Negatives:
- A general problem I have with 'comedy thrillers' is that the comedy nearly always negates any of the thrills. Ryan Reynolds is not playing Deadpool in this one, although he might as well be doing so based on the number of times he is hit by cars and other solid objects. The result is that although it has the trappings of a Bond or a Bourne - exotic locations (here, mostly Italian ones) ; exotic woman; car chases; heavily-armed henchmen; huge explosions - it delivers none of the tension or excitement. When matched with some rather dodgy post-shoot special effects, the effect is generally underwhelming.

- If there was an award for the clumsiest movie title of 2021, we may already have a winner.

Summary Thoughts on "The Hitman's Wife's Bodyguard": Sequels are very occasionally better. Often they are much worse. This one, I have to say, delivers very much "more of the same". Given that the writer/director team of Tom O'Connor and Patrick Hughes are in the driving seat, that's not much of a surprise. The shtick is mildly diverting, occasionally downright funny, but quickly outstays its welcome. The 100 minute run time felt, for me, much longer.

Looking back at my 2017 review of the first film, I think I was being over-kind giving it 6/10. I think this is neither better nor worse. So if you want to average the two and give each 5/10, I wouldn't object! But, again, it's one I will struggle to remember much about in a few month's time.

(For the full graphical review, please check out the One Mann's Movies review here - https://bob-the-movie-man.com/2021/06/22/the-hitmans-wifes-bodyguard-a-movie-thats-a-pain-in-the-a-double-dollar-sign/. Thanks).
  
Logan Lucky (2017)
Logan Lucky (2017)
2017 | Comedy, Crime, Drama
Jimmy Logan (Channing Tatum) just got fired from his job and found out that his ex-wife is moving his daughter to another state. He lives for his daughter and needs to get money fast to pay for a lawyer to fight the move. He decides that the best way to get this fast cash is to rob his previous employer, the Charlotte Motor Speedway. He enlist the help of his brother Clyde Logan (Adam Driver), his fast driving sister Millie Logan (Riley Keough), and explosives expert Joe Bang (Daniel Craig). Together they hatch a plan to rob the cash vault under the NASCAR track during the biggest race of the year. It won’t be easy for the crew as they must overcome many obstacles along the way. For one they only one of them who can blow the massive safe, Bang, is currently in prison. Bang also insists that his two inept brothers be included in the heist. There is also the matter of a large private police force patrolling the track. But the biggest hurdle may be the Logan family curse. Something bad is seemingly always happening to the family. Jimmy was destine to go to the NFL before a freak accident ruined his knee and ended his football career. Clyde was on his way back home from deployment in the Army and was hit by a roadside bomb and lost his arm. If they can overcome all of this they can walk away with a fortune.

This Steven Soderbergh (Ocean’s 11, Ocean’s 12, Ocean’s 13) directed film is a fun and fast paced heist film. It definitely fits into the Ocean’s film model, with a large cast, twists that keep the audience guessing and well thought out ending. This films stands apart from those by being more hillbilly than the sleek well put together Ocean’s crew. The film dialog is well done and written expertly by Rebecca Blunt, this is the first screen writing credit for Rebecca. There are plenty of cameos by West Virginia Natives, NASCAR drivers and commentators, and others. I had heard beforehand that there were several cameos and made for a fun exercise in spotting the NASCAR drivers in various roles. The ensemble cast is stellar led by Tatum, Driver and Craig. The cast includes fun performances by a barely recognizable Seth MacFarlane along with Dwight Yoakam, Katie Holmes, and Hilary Swank. There were times thought that the various accents that the cast were attempting to use felt forced and/or missing from particular scenes. The pace of the film is good but does get a little slow during the heist set up and the two hour run time was a tad too long for me.

Overall this is a fun film that fits the heist movie genre perfectly. One news report in the film characterized the robbery as Ocean’s 7/11 and that pretty well sums up the film. The characters are original and if you are a fan of these types of movies you will not be disappointed.
  
Dial M for Murder (1954)
Dial M for Murder (1954)
1954 | Crime, Mystery
An unsavory proposition
When ranking Hitchcock's elite films, Dial M For Murder doesn't usually get mentioned in the top 5 including Psycho, Rear Window, Vertigo North By Northwest and maybe The Birds, but it should be. I went through a Hitchcock phase myself a few years back (I would think most serious film fans would at some point). Although, I still have several to go, most still hold up as suspense/thriller classics definitely including this film.

Ex tennis pro Tony Wendice, now married to beautiful and wealthy Margot, has discovered her secret, she's been seeing another man. Months earlier he discovered a love letter from her lover in her handbag and secretly blackmailed for with this information.

Tony decides to invite an old college acquaintance, currently an unsavory character over to their home to explain his plot for this man killing his wife. He would then stand to inherit her fortunes as he is the beneficiary of her will. The man agrees so the plot is set.

The next evening, Tony is out with friends (to ensure his alibi) and phones Margot late in the evening so she rises to answer with the perpetrator waiting for her. After he slips a stocking around her neck to strangle her, a struggle ensues. Instead of her murder, Margot manages to stab the assailant in the back with a pair of nearby scissors. The man falls to the ground in pain driving the scissors deeper within finishing the job for him instead.

The ensuing police investigation initially feels the facts just don't add up since there was no break in and the man did not have a key on him, but he did have the love letter Tony planted on him before the police initially arrived. Fingers eventually point toward Margot as the killer since the facts seem to lead that way.

The 3rd act is brilliant in the way the eventual plot is discovered and how the police ensure Tony incriminates himself as the true antagonist.



Hitchcock's use of camera framing and movement to reveal certain scene elements only when he wants you to see them is one of my favorite elements of his films. He obviously chose source materials which suited his natural abilities to tell sinister or suspenseful stories and this one works just as well as some of his more famous classics.

Ray Milland is charming and diabolical as Tony, never letting on to his beautiful wife (the gorgeous Princess Grace Kelly) the dastardly scheme he has cooked up for her demise or his initial deeds of blackmail. The reveal at the beginning of the murder plot takes the audience on maybe a typical Hitchcock suspense route, but you never know where or when the twists are going to come, but you are willing to go along for the ride.

Your emotions turn from shock having seen the murder to disgust when Margot is eventually blamed for it and then finally to delight when Tony performs just as the police want him to in the end.