Phil Leader (619 KP) rated Grey Areas - The Saga (Books 1-4) in Books
Nov 14, 2019
It tells the story of a mysterious stranger called Henry Field who arrives in the small town of Gable, Iowa clearly wanting to forget whatever has happened in his recent past. Attempting to lie low proves difficult as he first becomes feted as a hero on the local news, falls in love and manages to become a witness to a drugs deal gone sour.
There is so much in each of the books it is hard to express just how good they are. There is drama, romance, humour, crime, action and police procedural. It is as if Carl wanted to cover as much ground as possible and he doesn't put a foot wrong at any point. Each page leads inevitably to the next as the fallout from Fields' brief stay in Gable causes ripples that put many people in difficult positions, grey areas, where there is no clear black or white, right or wrong.
For such a long story there are of course a large number of characters but every one has been drawn with care and are all distinct, all have depth and all seem very real and very human. Throughout the whole saga there is a thread of realism; this might be fiction but there is no suspension of belief required, no particular heroes, no particular villains. Just people trying to do what they think is best, and sometimes regretting their decisions.
Want a summer read that will genuinely last all summer and leave you thinking about it for months afterwards? This series will definitely fit the bill
LeftSideCut (3776 KP) rated Midsommar (2019) in Movies
Dec 16, 2019 (Updated Mar 31, 2020)
It's so far removed from conventional horror, it's hard to pin to a genre.
It's every bit of a break up drama as a horror, and even quite amusing in places, but one things for sure, there nothing quite like it.
Midsommar starts in bleak fashion, grounded in concrete realism, as Dani (played by a fantastic Florence Pugh) deals with the sudden deaths of her parents and sister. Affected by this understandable trauma, she joins her boyfriend Christian (Jack Reynor) and his friends as they head to Sweden to attend a rural 9-day festival.
As soon as the story shifts to the Swedish setting, the tone changes from bleak and grey, to vibrant and colourful. The rest of the film is set in broad daylight, and it carries an extremely unsettling undertone, and as the characters dabble in drugs, a sense of reality quickly becomes disorientating for both them and us as an audience.
As the narrative draws on, director Ari Aster serves up plot hints and hidden messages in almost every frame. The violence is seldom, but when it happens it's visceral and shocking. All of this combined makes for an almost dream like experience, as we watch the two leads toxic relationship collide with the unnervingly joyful people of Hårga.
Ari Aster uses jarring and emotionally charged sound cues to stir up tension (the last few minutes!) and these are complimented by the beautiful score by The Haxan Cloak.
Aster also spoils us with continuously striking shots, providing a really unique approach to horror.
Midsommar is not for everyone, but as far as I'm concerned, it's disturbing, heart breaking, and absolutely captivating - the whole package.
Definitely one of the best films this year.
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