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Martin Carr recommended track Oliver's Army (with Elvis Costello & The Attractions) by Elvis Costello / Elvis Costello & The Attractions in Armed Forces by Elvis Costello / Elvis Costello & The Attractions in Music (curated)

 
Armed Forces by Elvis Costello / Elvis Costello & The Attractions
Armed Forces by Elvis Costello / Elvis Costello & The Attractions
1979 | Rock
7.0 (2 Ratings)
Album Favorite
Details

Oliver's Army (with Elvis Costello & The Attractions) by Elvis Costello / Elvis Costello & The Attractions

(0 Ratings)

Track

"I think the period from 1979 to 1982 was the best period for British pop music. And out of all that stuff it's 'Oliver's Army' that I've chosen. It gets more incredible the older I get and the more I understand about it. Visually, when it first came out, Elvis Costello was like a Halloween version of Buddy Holly. It's all distorted - his clothes were too big for him and his glasses were too big for him. He didn't look like a very nice guy - quite frightening - but singing this amazing song. Some songs will move your feet, emotions, and some will move your head - and this has got all of this, all together. I knew all the words. I'd write the words down in my exercise book at school, but I didn't understand any of it. But they're such good words you don't really have to. I love that first line: "Don't start me talking/ I could talk all night". It just brings up that image of youthful idealism - we can sit up all night talking. Before you get into drink, drugs and all that, you just sit up talking because you can. I love that. It could Paris in the late 60s, or London at the end of the century, or Greenwich Village. Musically, I just read about the piano part... Elvis didn't like the song at all and they were going to scrap it, so the piano player suggested, "Why don't we play something like ABBA?" I think it's 'Dancing Queen'. And then they put that on and that was it. But no one wanted to say yes at first as it wasn't a very cool thing to do."

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40x40

Alan Tudyk recommended All That Jazz (1979) in Movies (curated)

 
All That Jazz (1979)
All That Jazz (1979)
1979 | Drama, Musical, Sci-Fi
8.5 (4 Ratings)
Movie Favorite

"I’m going to go with All That Jazz for number one. It’s Bob Fosse directing a movie about himself; he changed the name to Joe Gideon from Bob Fosse. So he’s directing a movie about a musical choreographer/director who takes too many pills, sleeps with too many women, drinks too much; he’s a moviemaker who’s editing a movie while he’s doing a play and having hallucinations with musicals. It’s so unbelievable how he balances it all, and it’s Roy Scheider’s best performance, I think, ever. He’s amazing in it. It is so amazing. He’s a pretty despicable guy in the movie — I mean, he sleeps around on his girlfriend — but you love him. The doctors tell him not to take his drugs, but he does it anyway, and you still love him. You don’t blame him. And it’s sort of how Bob Fosse ended up dying, so he really forecasted his own death. I mean, he even put his girlfriend in the movie as his girlfriend — Joe Gideon’s girlfriend — and then cheated on her! Like, he had his character cheat on her. It’s so f***ing unbelievable. Just brilliant. That’s number one. That would be my, I have to say, overall all-time favorite. I’m just very impressed by that movie. It’s just really, really good. It’s got like four musical numbers in there, but they’re not like Glee. Some of them are in drug-induced hallucinations, and some of them are, he’s actually directing a musical. I’ve done plays; I’ve done one musical. But the first table read, when they’re going to put up this play, it is so like the table read on plays. I recognize so many things that they get right. Yeah, that’s my all-time favorite."

Source
  
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ClareR (6139 KP) rated The Snakes in Books

Jun 19, 2021  
The Snakes
The Snakes
Sadie Jones | 2019 | Contemporary, Fiction & Poetry, Philosophy, Psychology & Social Sciences, Thriller
10
9.0 (2 Ratings)
Book Rating
Firstly, I’d like to make it clear that I really enjoyed The Snakes. A lot.
Secondly, I’m sorry for being so predictable, but I pretty much hated every single character in this novel, apart from Alex and Dan. Bea had moments where I felt that I could like her, but then she just didn’t seem to help herself or anyone else.

So, short summary of the plot: Bea and Dan live in a tiny flat in London and decide to drive through Europe on a shoestring budget, financed by renting their flat out. Their first stop is at Bea’s brothers hotel in Burgundy. Alex runs the hotel, which was bought for him by their ridiculously rich parents. I think they’re hoping that the responsibility will keep him busy and off drugs.

Shortly after Bea and Daniel’s arrival, Bea’s parents turn up, and they realise that the hotel is basically a dump. This is the point at which Dan learns that his in-laws are rich enough to own a private jet, and his and Bea’s financial struggles could easily be solved if they would just take their offered money. But Bea has her reasons and principles. And they’re good ones.

Some pretty awful things happen in this book. It’s a stark example of the “haves” and “have nots”, and how those with money (and I’m talking about Griff here) have no comprehension what living in poverty or with little money is like. I could understand Dan’s wish to take Griff’s money, but at the same time, I could understand Bea’s motivation for NOT taking it.
And the ending is a real kick in the guts, let me tell you!!

This is a firm five star read from me - it’s well worth the read (or the listen, in my case!)
  
    Cruise

    Cruise

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    1988. Soho. His last night on earth. The intoxicating, vibrant CRUISE is the true story of what...