Search
Search results
Gareth von Kallenbach (980 KP) rated Selah and the Spades (2019) in Movies
May 28, 2020
Selah (Lovie Simone) is leader of The Spades. One of the five cliques that run the student body in their upper-crust private school. The campus is filled with bored students who nothing better to do than spend the time roiling in teen angst, drugs and group hierarchies.
The school is run by five factions, each one function in a different capacity. Like Student Government for juvenile delinquents. They are organized enough to call group meetings, but not focused enough to get the through without arguments.
This is Selah’s senior year. She is caught between trying to figure out what to do with her life after graduation, waiting for the acceptance letters to come in while she is completely fixated on The Spade’s control over the drug trade on campus. She is also trying to find her successor to run the Spades once she leaves her alma mater. Her best friend, Maxxie (Jharrel Jerome) is her right hand in the Spades. Together, they have kept the five groups running the underground smoothly. It’s their senior year and they have plans.
Paloma (Celeste O’Connor)is the new sophomore at the school. She is immediately befriended by Selah, who quickly decides that Paloma would be the perfect person to inherit the Spades crown for the following year. While Selah tutors Paloma in the business of running the show, Max becomes distracted by a new face on the cheerleading squad, leaving Selah to go into a slow, emotional and mental tailspin.
Overall, the film felt unfocused, as if the purpose was to create a lowkey Lord of the Flies. It’s difficult to find empathy for teenage struggles in a private school setting. The film seems to be about Selah’s concern with losing her identity and the fear of leaving all that is familiar to her as she moves on to her next phase in life.
We see the kids trying to run this warped StuGo, undermining the leaders hold on each group. There isn’t much empathy for the students. They don’t have to worry about their next meal. These kids don’t have to worry about doing well in school in order to earn a scholarship for college.
The story lacks depth. It does not illicit empathy for any of the characters. There is one scene in the film that I had hoped would set the tone for the film. I was disappointed because that scene perfectly encapsulated how women are expected to be and how to they can take control of the narrative. I was hoping for more in this movie and it did not deliver enough.
The school is run by five factions, each one function in a different capacity. Like Student Government for juvenile delinquents. They are organized enough to call group meetings, but not focused enough to get the through without arguments.
This is Selah’s senior year. She is caught between trying to figure out what to do with her life after graduation, waiting for the acceptance letters to come in while she is completely fixated on The Spade’s control over the drug trade on campus. She is also trying to find her successor to run the Spades once she leaves her alma mater. Her best friend, Maxxie (Jharrel Jerome) is her right hand in the Spades. Together, they have kept the five groups running the underground smoothly. It’s their senior year and they have plans.
Paloma (Celeste O’Connor)is the new sophomore at the school. She is immediately befriended by Selah, who quickly decides that Paloma would be the perfect person to inherit the Spades crown for the following year. While Selah tutors Paloma in the business of running the show, Max becomes distracted by a new face on the cheerleading squad, leaving Selah to go into a slow, emotional and mental tailspin.
Overall, the film felt unfocused, as if the purpose was to create a lowkey Lord of the Flies. It’s difficult to find empathy for teenage struggles in a private school setting. The film seems to be about Selah’s concern with losing her identity and the fear of leaving all that is familiar to her as she moves on to her next phase in life.
We see the kids trying to run this warped StuGo, undermining the leaders hold on each group. There isn’t much empathy for the students. They don’t have to worry about their next meal. These kids don’t have to worry about doing well in school in order to earn a scholarship for college.
The story lacks depth. It does not illicit empathy for any of the characters. There is one scene in the film that I had hoped would set the tone for the film. I was disappointed because that scene perfectly encapsulated how women are expected to be and how to they can take control of the narrative. I was hoping for more in this movie and it did not deliver enough.
Cori June (3033 KP) rated Gun, With Occasional Music in Books
Nov 23, 2021
Banter (1 more)
Good premise
Easily distracted while reading (2 more)
Poor execution of idea
Not good with explanations
I went into this book with low expectations. I mean there's a kangaroo with a gun. How serious can you take it? But suprisingly, I wouldn't say it qualified as absurdist noir/sci-fi.
The noir part is ok, pretty straightforward; however the point is to try and solve it along with the detective, or in this case private inquisitor, but the character made leaps and bounds with his puzzling and I was ".... how did you figure that?" Or I was more intrigued by the babyheads (which got a passing explanation that was blah and not enough) or the fact that the government encouraged the use of addictive drugs like forgetol or avoidtol (yeah super creative names but it got the point across) or why it was considered rude to ask questions or what is up with the Karma card? Most of which you get 0 answers.
The sci-fi aspect is surface level with the evolution of animals and the accelerated intelligence of babies/child. Freezing prisoners instead if regular jail. It was meh with sparatic points of interesting.
The dystopian world was well thought out but he did spend way too much waxing poetic on sunsets and sunrises. Don't get me wrong I love sunsets and sunrises but when I tried to see if there would be important information dropped at these points I got nothing.
The banter between characters was pretty good. Not the best bit it was good fir a small chuckle or appreciation.
The main character is not an likeable one however I found myself rooting for him. And I was repulsed by him and not just because of how he treats women. He even admits it is wrong. He's a very angry main character.
There is a take on body dysphoria, although as this book came out in the 90s I don't know if that was intentional or not.
Not having body dysphoria, but understanding how you can be uncomfortable in your own skin. I wonder if it's a semi accurate description?????
I almost rated it a five but I am still confused and am going "WTF did I just read?" So I thought a lot and was also way too easily distracted by other things (like tiktok or tv or my own thoughts). I should have been able to read this book in a day slow pacing or not and kept getting bored with it. I'll probably unhaul it at a used bookstore where someone can appreciate it more than I.
The noir part is ok, pretty straightforward; however the point is to try and solve it along with the detective, or in this case private inquisitor, but the character made leaps and bounds with his puzzling and I was ".... how did you figure that?" Or I was more intrigued by the babyheads (which got a passing explanation that was blah and not enough) or the fact that the government encouraged the use of addictive drugs like forgetol or avoidtol (yeah super creative names but it got the point across) or why it was considered rude to ask questions or what is up with the Karma card? Most of which you get 0 answers.
The sci-fi aspect is surface level with the evolution of animals and the accelerated intelligence of babies/child. Freezing prisoners instead if regular jail. It was meh with sparatic points of interesting.
The dystopian world was well thought out but he did spend way too much waxing poetic on sunsets and sunrises. Don't get me wrong I love sunsets and sunrises but when I tried to see if there would be important information dropped at these points I got nothing.
The banter between characters was pretty good. Not the best bit it was good fir a small chuckle or appreciation.
The main character is not an likeable one however I found myself rooting for him. And I was repulsed by him and not just because of how he treats women. He even admits it is wrong. He's a very angry main character.
There is a take on body dysphoria, although as this book came out in the 90s I don't know if that was intentional or not.
Not having body dysphoria, but understanding how you can be uncomfortable in your own skin. I wonder if it's a semi accurate description?????
I almost rated it a five but I am still confused and am going "WTF did I just read?" So I thought a lot and was also way too easily distracted by other things (like tiktok or tv or my own thoughts). I should have been able to read this book in a day slow pacing or not and kept getting bored with it. I'll probably unhaul it at a used bookstore where someone can appreciate it more than I.
My Pregnancy Guide: Ensuring a Healthy Pregnancy & Labour
10.0
Rate It
Book
My Pregnancy Guide is based on my 20 years clinical experience in helping women during pregnancy and...
pregnancy health bookbuzz families women's health
Phillip McSween (751 KP) rated Risky Business (1983) in Movies
Apr 8, 2018
Solid 80's Romantic Comedy
Things get crazy for Joel Goodson (Tom Cruise) when his parents leave for the weekend and a call girl shows up at his door. A quiet weekend alone turns into one full of sex, drugs, and...pimps named Guido?
Acting: 10
Before Tom cruise commanded the screen with a number of memorable action and sci-fi films, he played the role of a young high school kid completely unsure of himself. His innocent charm is instantly likable. He's vulnerable, but not in an annoying kind of way. Amazing performance, not just from Cruise but from the supporting cast as well.
Beginning: 10
Characters: 10
I love when characters aren't the same people they started out as in the film. Character development can be hard to manage in film because you have such a short window of time to pull it off successfully. I respected and appreciated the development of Joel and Lana (Rebecca De Mornay). Joel goes from being a kid who can't tell if he's coming or going to a confident kid that acts older than his age. Hiding underneath his new exterior is a boy that's still scared to death as his life's stakes are now realer than ever. Lana enters the film cold and removed from her situation and leaves with a warmer heart and more of a vulnerable side. It's refreshing watching these characters mature right in front of you.
Cinematography/Visuals: 10
Tom Cruise sliding across the floor in just a button down and socks. That slow motion wind-filled moment where we meet Lana for the first time. The L train scene. These are just a handful of moments that define this film and make it a memorable experience. Director Paul Brickman captures these shots just right to create a lasting impression.
Conflict: 6
The full conflict of the film doesn't really present itself until you're over halfway done with the film. Up to that point Risky Business feels like more of an aimless adventure. A good time without any stakes involved.
Genre: 7
Very original romantic comedy that is unique in its premise. It has a solid realistic feel in the way the characters think and react. Joel knows he needs to stay away from Lana, yet he can't help himself in being drawn to her. If Forgetting Sarah Marshall is one of my pinnacles for rom-coms, Risky Business is certainly in the wheelhouse.
Memorability: 8
Pace: 7
Plot: 7
Resolution: 4
Overall: 79
It's a film I will watch anytime I see it's on. While it didn't rewrite the history of cinema, Risky Business manages to hold its own as a good watch, even if the ending was a little underwhelming.
Acting: 10
Before Tom cruise commanded the screen with a number of memorable action and sci-fi films, he played the role of a young high school kid completely unsure of himself. His innocent charm is instantly likable. He's vulnerable, but not in an annoying kind of way. Amazing performance, not just from Cruise but from the supporting cast as well.
Beginning: 10
Characters: 10
I love when characters aren't the same people they started out as in the film. Character development can be hard to manage in film because you have such a short window of time to pull it off successfully. I respected and appreciated the development of Joel and Lana (Rebecca De Mornay). Joel goes from being a kid who can't tell if he's coming or going to a confident kid that acts older than his age. Hiding underneath his new exterior is a boy that's still scared to death as his life's stakes are now realer than ever. Lana enters the film cold and removed from her situation and leaves with a warmer heart and more of a vulnerable side. It's refreshing watching these characters mature right in front of you.
Cinematography/Visuals: 10
Tom Cruise sliding across the floor in just a button down and socks. That slow motion wind-filled moment where we meet Lana for the first time. The L train scene. These are just a handful of moments that define this film and make it a memorable experience. Director Paul Brickman captures these shots just right to create a lasting impression.
Conflict: 6
The full conflict of the film doesn't really present itself until you're over halfway done with the film. Up to that point Risky Business feels like more of an aimless adventure. A good time without any stakes involved.
Genre: 7
Very original romantic comedy that is unique in its premise. It has a solid realistic feel in the way the characters think and react. Joel knows he needs to stay away from Lana, yet he can't help himself in being drawn to her. If Forgetting Sarah Marshall is one of my pinnacles for rom-coms, Risky Business is certainly in the wheelhouse.
Memorability: 8
Pace: 7
Plot: 7
Resolution: 4
Overall: 79
It's a film I will watch anytime I see it's on. While it didn't rewrite the history of cinema, Risky Business manages to hold its own as a good watch, even if the ending was a little underwhelming.
Movie Metropolis (309 KP) rated Ted 2 (2015) in Movies
Jun 11, 2019
The bear is back
The success of Ted was completely unexpected. I doubt even director Seth McFarlane knew just how popular it would go on to become.
From special DVD’s to limited edition cuddly (or not so cuddly) toys, Ted has become something of a phenomenon. A sequel was always going to be on the cards and after three years perfecting it, McFarlane returns with Ted 2. But is it as funny as its predecessor?
Ted 2 follows the titular bear as he embarks on a relationship with Tami-Lynn and continues his friendship with John, the ever-watchable Mark Wahlberg in another great performance.
Unfortunately for Ted, his rights have been challenged by the US government and he must fight to be recognised as a ‘person’, rather than just someone’s ‘property’.
What ensues is a film which whilst being as funny as its predecessor, manages to be somewhat disappointing with a serious shortage of plot. This becomes evident as McFarlane uses Family Guy-esque cut-scenes and incredibly long dance numbers.
The cast, on the whole, is fantastic. Amanda Seyfried takes over from Mila Kunis as John’s love interest and Ted’s lawyer, Samantha. As usual she is a joy to watch but her inexperience in the offensive comedy genre is evident – scenes of her taking drugs just don’t sit right.
Morgan Freeman is sorely underused as a civil rights attorney, though a quick reference to his silky-smooth voice is more than welcome. Giovanni Ribisi also makes a surprising return as Ted’s nemesis Donny.
An absolutely brilliant cameo from Liam Neeson is one of the highlights in a film packed with gags which generally hit the spot – but they’re certainly not for the feint-hearted.
Ted 2 is louder, more obnoxious and much more offensive than its predecessor with numerous scenes involving sperm banks and an endless supply of drug-related comedy.
Unfortunately, all these highs are brought crashing back down to Earth as the story continuously runs out of steam and picks up again. It’s such a shame that a film less than two hours long has such a plot problem.
Thankfully, the original Ted wasn’t a masterpiece and MacFarlane manages to shoot the film well with a real eye for the finer details. His love of movies is apparent with Star Wars references being used well.
Overall, Ted 2 is very close to the standard of its predecessor, despite the excess story-padding that occurs throughout the film. The comedic elements are cracking with Liam Neeson’s cameo being a laugh-out-loud moment – it’s worth a watch, but only if you’re a fan of the first.
https://moviemetropolis.net/2015/07/12/the-bear-is-back-ted-2-review/
From special DVD’s to limited edition cuddly (or not so cuddly) toys, Ted has become something of a phenomenon. A sequel was always going to be on the cards and after three years perfecting it, McFarlane returns with Ted 2. But is it as funny as its predecessor?
Ted 2 follows the titular bear as he embarks on a relationship with Tami-Lynn and continues his friendship with John, the ever-watchable Mark Wahlberg in another great performance.
Unfortunately for Ted, his rights have been challenged by the US government and he must fight to be recognised as a ‘person’, rather than just someone’s ‘property’.
What ensues is a film which whilst being as funny as its predecessor, manages to be somewhat disappointing with a serious shortage of plot. This becomes evident as McFarlane uses Family Guy-esque cut-scenes and incredibly long dance numbers.
The cast, on the whole, is fantastic. Amanda Seyfried takes over from Mila Kunis as John’s love interest and Ted’s lawyer, Samantha. As usual she is a joy to watch but her inexperience in the offensive comedy genre is evident – scenes of her taking drugs just don’t sit right.
Morgan Freeman is sorely underused as a civil rights attorney, though a quick reference to his silky-smooth voice is more than welcome. Giovanni Ribisi also makes a surprising return as Ted’s nemesis Donny.
An absolutely brilliant cameo from Liam Neeson is one of the highlights in a film packed with gags which generally hit the spot – but they’re certainly not for the feint-hearted.
Ted 2 is louder, more obnoxious and much more offensive than its predecessor with numerous scenes involving sperm banks and an endless supply of drug-related comedy.
Unfortunately, all these highs are brought crashing back down to Earth as the story continuously runs out of steam and picks up again. It’s such a shame that a film less than two hours long has such a plot problem.
Thankfully, the original Ted wasn’t a masterpiece and MacFarlane manages to shoot the film well with a real eye for the finer details. His love of movies is apparent with Star Wars references being used well.
Overall, Ted 2 is very close to the standard of its predecessor, despite the excess story-padding that occurs throughout the film. The comedic elements are cracking with Liam Neeson’s cameo being a laugh-out-loud moment – it’s worth a watch, but only if you’re a fan of the first.
https://moviemetropolis.net/2015/07/12/the-bear-is-back-ted-2-review/
Nicole Hadley (380 KP) rated Defending Taylor in Books
Jun 14, 2018
<a href="https://awindowintobooks.wordpress.com">Full Review</a>
I received an Advance Reader Copy from the publisher via NetGalley.
About a year ago I discovered Miranda Kenneally. The first book I read was Breathe, Annie, Breath and I immediately fell in love with her writing style and the characters. I am a person who loves sports. I played soccer starting from the age of 7, so when I heard about this book I was very excited. While I enjoyed the book very much I did not enjoy it as much as Kenneally's other books.
Defending Taylor is about Taylor. Taylor is the daughter of a state senator. Previously she attended St. Andrews, an elite private school; however, she was kicked out when she lied about drugs that were found in her possession saying that they belonged to her when in fact they belonged to her boyfriend. Her decision to lie not only caused a lot of problems. It caused her to be kicked out of St. Andrews. It caused problems with her dad's re-election campaign. Now that Taylor no longer can attend St. Andrews she must enroll in Hundred Oaks High School for her senior year.
Taylor feels terrible about everything, and things seems to be getting worse but she is not sure how to solve it; other than telling the truth, but telling the truth now will do not good; in fact, it may make it worse. Part of Taylor's consequence is to visit a counselor several times a week. Taylor at first does not like it but as time goes on it gets better and the counselor helps Taylor sort out some of her feelings and big decisions about her future.
When Taylor was at St. Andrews she played on the soccer team and was due to become the captain her senior year; however, with being expelled she lost that position. Taylor joined Hundred Oaks team to get to mind off of all the stress. Unfortunately, the team is one of the worse in the state and Taylor learns why fast. Taylor thought soccer would help with making friends but the team is not a team and only makes her frustrated. When Ezra, Taylor's brothers friend, comes into the picture, that when things begin to turn around for Taylor. Taylor has had a crush on Ezra for many years. Ezra helps Taylor find her old self again.
This books shows that a teenagers life is not always perfect. Life has its ups and downs even if your family is in the spotlight. It does not matter if you put the pressure on yourself or you take the blame for something you did not do; life is not always perfect.
I received an Advance Reader Copy from the publisher via NetGalley.
About a year ago I discovered Miranda Kenneally. The first book I read was Breathe, Annie, Breath and I immediately fell in love with her writing style and the characters. I am a person who loves sports. I played soccer starting from the age of 7, so when I heard about this book I was very excited. While I enjoyed the book very much I did not enjoy it as much as Kenneally's other books.
Defending Taylor is about Taylor. Taylor is the daughter of a state senator. Previously she attended St. Andrews, an elite private school; however, she was kicked out when she lied about drugs that were found in her possession saying that they belonged to her when in fact they belonged to her boyfriend. Her decision to lie not only caused a lot of problems. It caused her to be kicked out of St. Andrews. It caused problems with her dad's re-election campaign. Now that Taylor no longer can attend St. Andrews she must enroll in Hundred Oaks High School for her senior year.
Taylor feels terrible about everything, and things seems to be getting worse but she is not sure how to solve it; other than telling the truth, but telling the truth now will do not good; in fact, it may make it worse. Part of Taylor's consequence is to visit a counselor several times a week. Taylor at first does not like it but as time goes on it gets better and the counselor helps Taylor sort out some of her feelings and big decisions about her future.
When Taylor was at St. Andrews she played on the soccer team and was due to become the captain her senior year; however, with being expelled she lost that position. Taylor joined Hundred Oaks team to get to mind off of all the stress. Unfortunately, the team is one of the worse in the state and Taylor learns why fast. Taylor thought soccer would help with making friends but the team is not a team and only makes her frustrated. When Ezra, Taylor's brothers friend, comes into the picture, that when things begin to turn around for Taylor. Taylor has had a crush on Ezra for many years. Ezra helps Taylor find her old self again.
This books shows that a teenagers life is not always perfect. Life has its ups and downs even if your family is in the spotlight. It does not matter if you put the pressure on yourself or you take the blame for something you did not do; life is not always perfect.
Debbiereadsbook (1200 KP) rated Surreal Estate in Books
Nov 5, 2018
love love LOVED this one!
Sasha can't live at home, so he's on the streets. He finds an empty home that calls to his 6th sense and moves in. Then Nick buys the house. The house reacts badly to Nick wanting to sell it, and makes Nick's already tight budget and time frame almost impossible. Sasha doesn't want Nick to end up in the hospital, or worse, so he has to come up with something quick, while clearly out and healing his grandfather's house.
I won a copy of this book, and I am so bloody glad I did! Ms Ryan usually writes Young Adult and had this book came with that tag, I would not have entered, cos I'm not a YA fan. This is Ms Ryan's first foray into a much more adult setting, and into the male/male genre, and BOY does she smash it out the park!
Sasha can read houses, they call to him. His skill isn't made immediately clear, and we have to wait for the full picture. I think it really hit me, just what this meant for Sasha, when he was healing his grandfather's house.
I loved we got all of Nick's internal wrangling with himself over his growing feelings and attraction to Sasha. Loved that he was like, "okay then, must be bi" Loved the interaction between Nick and his brothers! His older brother needs a story now, needs to find his happy ever after, especially after what happened here. Well both brothers should have a story, I think!
It's not overly explicit, I thought, but it wans't lacking in any thing regards to the heat and steam level between these two! Not at all! It does carry a violence and drug use warning. These ARE needed and are an integral part of the story, but they are all off screen. We know Sasha's mum does drugs, but we don't see it. We know WHAT happened to Nick, cos we deal with the fall out, but not HOW. It also comes with a non-con warning. It's mostly touching, and doesn't develop into a full blown attack, but could very well have. It needs mentioning though.
It's told from both Sasha and Nick's point of view, in the first person. Each change occurs as a a chapter changes and is clearly headed. I didn't quite manage to read it in one sitting, but very nearly!
I can't wait to see what Ms Ryan comes up with next. I love finding new to me authors, especially ones who step outside their comfort zone! She impressed me here, greatly, and, apparently, I'm a tough critic! I'm not sure that's true, but I LOVED this book.
so,
5 full and shiny stars!
**same worded review will appear elsewhere**
I won a copy of this book, and I am so bloody glad I did! Ms Ryan usually writes Young Adult and had this book came with that tag, I would not have entered, cos I'm not a YA fan. This is Ms Ryan's first foray into a much more adult setting, and into the male/male genre, and BOY does she smash it out the park!
Sasha can read houses, they call to him. His skill isn't made immediately clear, and we have to wait for the full picture. I think it really hit me, just what this meant for Sasha, when he was healing his grandfather's house.
I loved we got all of Nick's internal wrangling with himself over his growing feelings and attraction to Sasha. Loved that he was like, "okay then, must be bi" Loved the interaction between Nick and his brothers! His older brother needs a story now, needs to find his happy ever after, especially after what happened here. Well both brothers should have a story, I think!
It's not overly explicit, I thought, but it wans't lacking in any thing regards to the heat and steam level between these two! Not at all! It does carry a violence and drug use warning. These ARE needed and are an integral part of the story, but they are all off screen. We know Sasha's mum does drugs, but we don't see it. We know WHAT happened to Nick, cos we deal with the fall out, but not HOW. It also comes with a non-con warning. It's mostly touching, and doesn't develop into a full blown attack, but could very well have. It needs mentioning though.
It's told from both Sasha and Nick's point of view, in the first person. Each change occurs as a a chapter changes and is clearly headed. I didn't quite manage to read it in one sitting, but very nearly!
I can't wait to see what Ms Ryan comes up with next. I love finding new to me authors, especially ones who step outside their comfort zone! She impressed me here, greatly, and, apparently, I'm a tough critic! I'm not sure that's true, but I LOVED this book.
so,
5 full and shiny stars!
**same worded review will appear elsewhere**
Gareth von Kallenbach (980 KP) rated Rocketman (2019) in Movies
Jun 19, 2019
Elton John has had a career that has spanned decades, millions of albums sold, packed venues, awards, and more than a few headlines. In the new film “Rocketman” audiences get a look behind the man thanks to the amazing and Oscar worthy portrayal by Taron Egerton.
The film opens with a flamboyantly dressed John entering rehab in one of his stage costumes. As he opens up with his group, he shares the story of his childhood as a shy child who is desperate to have his father show him any signs of approval or affection.
When it is discovered that he has talent with the piano; his grandmother encourages him and even takes him to apply for a position at the Royal Academy of Music.
His mother (Bryce Dallas Howard) is moderately supportive but is more focused on her social life brought on by her failing marriage.
As the film unfolds; we see Elton working in a backup band and in time answering an ad that puts him with an agent. Paired with the man who would eventually change his life; Bernie Taupin (Jamie Bell), Elton and Bernie combine to write a series of songs which in turn leads him to a series of gigs in Los Angeles. The film shifts into high gear at this point as we see how their music becomes a smash and leads to a series of parties, drugs, and money.
Elton meets Manager John Reid (Richard Madden), who becomes his
As the record sales and hits mount, so does the destructive behaviors which leads Elton down a destructive path that threatens everything he has worked for.
The movie is a masterpiece of music and story and it cleverly uses musical montages and segments around the performances to outline various segments of his life and his rise to stardom.
The performances are amazing and Egerton was simply amazing as he not only captured the complexity of his character but performed all the vocals of the hit songs himself and they were spot on.
During our Press Screening I noticed many people singing along, tapping their feet, or bobbing their heads along with the music which helps to underscore just how timeless and popular his catalog of music has been as the songs have endured the test of time.
The film also evokes some unexpected emotion as there were more than a few people wiping their eyes during the film which at its core is a store of a young, shy boy desperate to be accepted and loved.
I truly hope the film is recognized come Awards season as it is a wonderful and memorable cinematic experience.
http://sknr.net/2019/05/31/rocketman/
The film opens with a flamboyantly dressed John entering rehab in one of his stage costumes. As he opens up with his group, he shares the story of his childhood as a shy child who is desperate to have his father show him any signs of approval or affection.
When it is discovered that he has talent with the piano; his grandmother encourages him and even takes him to apply for a position at the Royal Academy of Music.
His mother (Bryce Dallas Howard) is moderately supportive but is more focused on her social life brought on by her failing marriage.
As the film unfolds; we see Elton working in a backup band and in time answering an ad that puts him with an agent. Paired with the man who would eventually change his life; Bernie Taupin (Jamie Bell), Elton and Bernie combine to write a series of songs which in turn leads him to a series of gigs in Los Angeles. The film shifts into high gear at this point as we see how their music becomes a smash and leads to a series of parties, drugs, and money.
Elton meets Manager John Reid (Richard Madden), who becomes his
As the record sales and hits mount, so does the destructive behaviors which leads Elton down a destructive path that threatens everything he has worked for.
The movie is a masterpiece of music and story and it cleverly uses musical montages and segments around the performances to outline various segments of his life and his rise to stardom.
The performances are amazing and Egerton was simply amazing as he not only captured the complexity of his character but performed all the vocals of the hit songs himself and they were spot on.
During our Press Screening I noticed many people singing along, tapping their feet, or bobbing their heads along with the music which helps to underscore just how timeless and popular his catalog of music has been as the songs have endured the test of time.
The film also evokes some unexpected emotion as there were more than a few people wiping their eyes during the film which at its core is a store of a young, shy boy desperate to be accepted and loved.
I truly hope the film is recognized come Awards season as it is a wonderful and memorable cinematic experience.
http://sknr.net/2019/05/31/rocketman/
Goddess in the Stacks (553 KP) rated Autonomous: A Novel in Books
Dec 22, 2018
Autonomous is an interesting story that poses a lot of moral questions. It doesn't really take sides; both the pharmaceutical pirate and the agents tracking her down are painted in sympathetic ways, as if we're meant to like them all. We see why Jack is a pharmaceutical pirate; medicine is only available to those rich enough to pay for it, so the poor stay poor and sick and short-lived. She wants to change that. She reverse-engineers drugs, manufactures them, and distributes them to the needy through her associates.
Meanwhile, Eliasz is a conflicted military agent who is sexually attracted to robots. Or at least to his partner, Paladin, though a flashback shows what might have been the start of his attraction to robots. Paladin is probably the single most interesting character in the entire book, as she muses on the nature of being indentured, and searches through her memories and the internet for information about her situation.
The book does have LGBT content - Jack is bisexual, and Eliasz is - robosexual? Is that a thing? Paladin could be called nonbinary or trans; she repeatedly mentions that gender isn't a thing to robots, but because she's a military robot, most people call her a he at the beginning of the book. She learns the brain inside her is female, and to make Eliasz more comfortable with his attraction, she decides to use female pronouns. Eliasz does use the F word to refer to himself being attracted to the robot at the beginning, when they were using male pronouns. This puzzles Paladin for a while, causing her to search the term and figure out what Eliasz meant by its use.
There's a lot of complex world-building in this book that is barely brushed past. From the corporations who own patents covering everything, to the system of indenture that covers humans as well as robots, to the bio-domes that cover cities (but it's livable outside the biodomes, so why are they needed?), to the new federations that cover continents that used to be divided into several countries - there's a LOT going on. And there's not just robots, but also some pretty advanced cybernetics implanted in humans as well as an everpresent network of data that can be tapped into with implants that everyone has.
Ultimately, for as complex as the world is, and cohesive as the plot is, I'm left wondering who, if anyone, was in the right in this story. I'm not sure if we're supposed to be happy with the ending or not. I've seen other reviews saying Neuromancer was a way better book in a similar vein, and I actually have copy of that waiting to be read. So we'll see.
You can find all my reviews at http://goddessinthestacks.com
Meanwhile, Eliasz is a conflicted military agent who is sexually attracted to robots. Or at least to his partner, Paladin, though a flashback shows what might have been the start of his attraction to robots. Paladin is probably the single most interesting character in the entire book, as she muses on the nature of being indentured, and searches through her memories and the internet for information about her situation.
The book does have LGBT content - Jack is bisexual, and Eliasz is - robosexual? Is that a thing? Paladin could be called nonbinary or trans; she repeatedly mentions that gender isn't a thing to robots, but because she's a military robot, most people call her a he at the beginning of the book. She learns the brain inside her is female, and to make Eliasz more comfortable with his attraction, she decides to use female pronouns. Eliasz does use the F word to refer to himself being attracted to the robot at the beginning, when they were using male pronouns. This puzzles Paladin for a while, causing her to search the term and figure out what Eliasz meant by its use.
There's a lot of complex world-building in this book that is barely brushed past. From the corporations who own patents covering everything, to the system of indenture that covers humans as well as robots, to the bio-domes that cover cities (but it's livable outside the biodomes, so why are they needed?), to the new federations that cover continents that used to be divided into several countries - there's a LOT going on. And there's not just robots, but also some pretty advanced cybernetics implanted in humans as well as an everpresent network of data that can be tapped into with implants that everyone has.
Ultimately, for as complex as the world is, and cohesive as the plot is, I'm left wondering who, if anyone, was in the right in this story. I'm not sure if we're supposed to be happy with the ending or not. I've seen other reviews saying Neuromancer was a way better book in a similar vein, and I actually have copy of that waiting to be read. So we'll see.
You can find all my reviews at http://goddessinthestacks.com
Sophia (Bookwyrming Thoughts) (530 KP) rated Shadow and Bone (The Grisha #1) in Books
Jan 23, 2020
<i>Shadow and Bone</i> could have been better – a lot better.
What annoyed me: Alina Starkov.
There is this thing about characters: there are lots of different types – the desperate ones, the annoying ones, the mopey ones, the overly happy ones, the sassy ones, etc.
Alina is the mopey one for – wait for it – a whopping half of the book. It takes her literally <i>half</i> of the book to realize that maybe she should stop being so mopey over Mal, or stop being so insecure about herself and comparing herself to a Grisha of what? Ten plus years? Really, it almost stalls the book as the character tries to get her bearings and a love triangle developing (I've pretty much decided if one couple happens, I'll have a field day.).
<blockquote>I didn't belong in this beautiful world, and if I didn't find a way to use my power, I never would.</blockquote>
She's also the desperate one – a very dangerous combination to put with mopey. Certainly not as desperate as <i>Eon(a)</i>, as Alina doesn't resort to doing anything stupid or harmful to herself. She's more of the, "I can't do this, I can't fit in with the others, why am I doing this, etc." type of person rather than, "Hey! Here's how I can fit in and be more manly: pump myself up with sun drugs!" (Admit it – that was totally Eona in <i>Eon</i>. Alina doesn't dress up as a guy to be a Grisha in <i>Shadow and Bone</i> if anyone's wondering. That would certainly be a fun plot twist to see though!)
What actually kept me reading, aka what kept me from throwing my arms up in exasperation: the idea and the setting.
Based off Imperial Russia, Bardugo's depiction of Ravka seems magical – the Grisha and the Shadow Fold seem to fit in nicely into the story without many hiccups if there's even any.
The Grisha idea is pure genius – no guide needed, even though it took me awhile (okay, 30 pages) to actually figure out how to tell which Grisha from Grisha (in common, sensible terms that I understand). As much as it may sound really complicated, it's actually pretty simple.
The first in the <i>Grisha</i> trilogy has a fantastic idea set in a mystical version of Russia, but it really could have done better (I'm probably sounding like a broken record now). With the fear of the sequel being worse than the first one (or any terrifying possibility), I'm almost afraid to pick up the second book.
<a href="https://bookwyrmingthoughts.com/review-shadow-and-bone-by-leigh-bardugo/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
What annoyed me: Alina Starkov.
There is this thing about characters: there are lots of different types – the desperate ones, the annoying ones, the mopey ones, the overly happy ones, the sassy ones, etc.
Alina is the mopey one for – wait for it – a whopping half of the book. It takes her literally <i>half</i> of the book to realize that maybe she should stop being so mopey over Mal, or stop being so insecure about herself and comparing herself to a Grisha of what? Ten plus years? Really, it almost stalls the book as the character tries to get her bearings and a love triangle developing (I've pretty much decided if one couple happens, I'll have a field day.).
<blockquote>I didn't belong in this beautiful world, and if I didn't find a way to use my power, I never would.</blockquote>
She's also the desperate one – a very dangerous combination to put with mopey. Certainly not as desperate as <i>Eon(a)</i>, as Alina doesn't resort to doing anything stupid or harmful to herself. She's more of the, "I can't do this, I can't fit in with the others, why am I doing this, etc." type of person rather than, "Hey! Here's how I can fit in and be more manly: pump myself up with sun drugs!" (Admit it – that was totally Eona in <i>Eon</i>. Alina doesn't dress up as a guy to be a Grisha in <i>Shadow and Bone</i> if anyone's wondering. That would certainly be a fun plot twist to see though!)
What actually kept me reading, aka what kept me from throwing my arms up in exasperation: the idea and the setting.
Based off Imperial Russia, Bardugo's depiction of Ravka seems magical – the Grisha and the Shadow Fold seem to fit in nicely into the story without many hiccups if there's even any.
The Grisha idea is pure genius – no guide needed, even though it took me awhile (okay, 30 pages) to actually figure out how to tell which Grisha from Grisha (in common, sensible terms that I understand). As much as it may sound really complicated, it's actually pretty simple.
The first in the <i>Grisha</i> trilogy has a fantastic idea set in a mystical version of Russia, but it really could have done better (I'm probably sounding like a broken record now). With the fear of the sequel being worse than the first one (or any terrifying possibility), I'm almost afraid to pick up the second book.
<a href="https://bookwyrmingthoughts.com/review-shadow-and-bone-by-leigh-bardugo/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>