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Nicole Hadley (380 KP) rated Defending Taylor in Books
Jun 14, 2018
<a href="https://awindowintobooks.wordpress.com">Full Review</a>
I received an Advance Reader Copy from the publisher via NetGalley.
About a year ago I discovered Miranda Kenneally. The first book I read was Breathe, Annie, Breath and I immediately fell in love with her writing style and the characters. I am a person who loves sports. I played soccer starting from the age of 7, so when I heard about this book I was very excited. While I enjoyed the book very much I did not enjoy it as much as Kenneally's other books.
Defending Taylor is about Taylor. Taylor is the daughter of a state senator. Previously she attended St. Andrews, an elite private school; however, she was kicked out when she lied about drugs that were found in her possession saying that they belonged to her when in fact they belonged to her boyfriend. Her decision to lie not only caused a lot of problems. It caused her to be kicked out of St. Andrews. It caused problems with her dad's re-election campaign. Now that Taylor no longer can attend St. Andrews she must enroll in Hundred Oaks High School for her senior year.
Taylor feels terrible about everything, and things seems to be getting worse but she is not sure how to solve it; other than telling the truth, but telling the truth now will do not good; in fact, it may make it worse. Part of Taylor's consequence is to visit a counselor several times a week. Taylor at first does not like it but as time goes on it gets better and the counselor helps Taylor sort out some of her feelings and big decisions about her future.
When Taylor was at St. Andrews she played on the soccer team and was due to become the captain her senior year; however, with being expelled she lost that position. Taylor joined Hundred Oaks team to get to mind off of all the stress. Unfortunately, the team is one of the worse in the state and Taylor learns why fast. Taylor thought soccer would help with making friends but the team is not a team and only makes her frustrated. When Ezra, Taylor's brothers friend, comes into the picture, that when things begin to turn around for Taylor. Taylor has had a crush on Ezra for many years. Ezra helps Taylor find her old self again.
This books shows that a teenagers life is not always perfect. Life has its ups and downs even if your family is in the spotlight. It does not matter if you put the pressure on yourself or you take the blame for something you did not do; life is not always perfect.
I received an Advance Reader Copy from the publisher via NetGalley.
About a year ago I discovered Miranda Kenneally. The first book I read was Breathe, Annie, Breath and I immediately fell in love with her writing style and the characters. I am a person who loves sports. I played soccer starting from the age of 7, so when I heard about this book I was very excited. While I enjoyed the book very much I did not enjoy it as much as Kenneally's other books.
Defending Taylor is about Taylor. Taylor is the daughter of a state senator. Previously she attended St. Andrews, an elite private school; however, she was kicked out when she lied about drugs that were found in her possession saying that they belonged to her when in fact they belonged to her boyfriend. Her decision to lie not only caused a lot of problems. It caused her to be kicked out of St. Andrews. It caused problems with her dad's re-election campaign. Now that Taylor no longer can attend St. Andrews she must enroll in Hundred Oaks High School for her senior year.
Taylor feels terrible about everything, and things seems to be getting worse but she is not sure how to solve it; other than telling the truth, but telling the truth now will do not good; in fact, it may make it worse. Part of Taylor's consequence is to visit a counselor several times a week. Taylor at first does not like it but as time goes on it gets better and the counselor helps Taylor sort out some of her feelings and big decisions about her future.
When Taylor was at St. Andrews she played on the soccer team and was due to become the captain her senior year; however, with being expelled she lost that position. Taylor joined Hundred Oaks team to get to mind off of all the stress. Unfortunately, the team is one of the worse in the state and Taylor learns why fast. Taylor thought soccer would help with making friends but the team is not a team and only makes her frustrated. When Ezra, Taylor's brothers friend, comes into the picture, that when things begin to turn around for Taylor. Taylor has had a crush on Ezra for many years. Ezra helps Taylor find her old self again.
This books shows that a teenagers life is not always perfect. Life has its ups and downs even if your family is in the spotlight. It does not matter if you put the pressure on yourself or you take the blame for something you did not do; life is not always perfect.
Debbiereadsbook (1110 KP) rated Surreal Estate in Books
Nov 5, 2018
love love LOVED this one!
Sasha can't live at home, so he's on the streets. He finds an empty home that calls to his 6th sense and moves in. Then Nick buys the house. The house reacts badly to Nick wanting to sell it, and makes Nick's already tight budget and time frame almost impossible. Sasha doesn't want Nick to end up in the hospital, or worse, so he has to come up with something quick, while clearly out and healing his grandfather's house.
I won a copy of this book, and I am so bloody glad I did! Ms Ryan usually writes Young Adult and had this book came with that tag, I would not have entered, cos I'm not a YA fan. This is Ms Ryan's first foray into a much more adult setting, and into the male/male genre, and BOY does she smash it out the park!
Sasha can read houses, they call to him. His skill isn't made immediately clear, and we have to wait for the full picture. I think it really hit me, just what this meant for Sasha, when he was healing his grandfather's house.
I loved we got all of Nick's internal wrangling with himself over his growing feelings and attraction to Sasha. Loved that he was like, "okay then, must be bi" Loved the interaction between Nick and his brothers! His older brother needs a story now, needs to find his happy ever after, especially after what happened here. Well both brothers should have a story, I think!
It's not overly explicit, I thought, but it wans't lacking in any thing regards to the heat and steam level between these two! Not at all! It does carry a violence and drug use warning. These ARE needed and are an integral part of the story, but they are all off screen. We know Sasha's mum does drugs, but we don't see it. We know WHAT happened to Nick, cos we deal with the fall out, but not HOW. It also comes with a non-con warning. It's mostly touching, and doesn't develop into a full blown attack, but could very well have. It needs mentioning though.
It's told from both Sasha and Nick's point of view, in the first person. Each change occurs as a a chapter changes and is clearly headed. I didn't quite manage to read it in one sitting, but very nearly!
I can't wait to see what Ms Ryan comes up with next. I love finding new to me authors, especially ones who step outside their comfort zone! She impressed me here, greatly, and, apparently, I'm a tough critic! I'm not sure that's true, but I LOVED this book.
so,
5 full and shiny stars!
**same worded review will appear elsewhere**
I won a copy of this book, and I am so bloody glad I did! Ms Ryan usually writes Young Adult and had this book came with that tag, I would not have entered, cos I'm not a YA fan. This is Ms Ryan's first foray into a much more adult setting, and into the male/male genre, and BOY does she smash it out the park!
Sasha can read houses, they call to him. His skill isn't made immediately clear, and we have to wait for the full picture. I think it really hit me, just what this meant for Sasha, when he was healing his grandfather's house.
I loved we got all of Nick's internal wrangling with himself over his growing feelings and attraction to Sasha. Loved that he was like, "okay then, must be bi" Loved the interaction between Nick and his brothers! His older brother needs a story now, needs to find his happy ever after, especially after what happened here. Well both brothers should have a story, I think!
It's not overly explicit, I thought, but it wans't lacking in any thing regards to the heat and steam level between these two! Not at all! It does carry a violence and drug use warning. These ARE needed and are an integral part of the story, but they are all off screen. We know Sasha's mum does drugs, but we don't see it. We know WHAT happened to Nick, cos we deal with the fall out, but not HOW. It also comes with a non-con warning. It's mostly touching, and doesn't develop into a full blown attack, but could very well have. It needs mentioning though.
It's told from both Sasha and Nick's point of view, in the first person. Each change occurs as a a chapter changes and is clearly headed. I didn't quite manage to read it in one sitting, but very nearly!
I can't wait to see what Ms Ryan comes up with next. I love finding new to me authors, especially ones who step outside their comfort zone! She impressed me here, greatly, and, apparently, I'm a tough critic! I'm not sure that's true, but I LOVED this book.
so,
5 full and shiny stars!
**same worded review will appear elsewhere**
Gareth von Kallenbach (971 KP) rated Rocketman (2019) in Movies
Jun 19, 2019
Elton John has had a career that has spanned decades, millions of albums sold, packed venues, awards, and more than a few headlines. In the new film “Rocketman” audiences get a look behind the man thanks to the amazing and Oscar worthy portrayal by Taron Egerton.
The film opens with a flamboyantly dressed John entering rehab in one of his stage costumes. As he opens up with his group, he shares the story of his childhood as a shy child who is desperate to have his father show him any signs of approval or affection.
When it is discovered that he has talent with the piano; his grandmother encourages him and even takes him to apply for a position at the Royal Academy of Music.
His mother (Bryce Dallas Howard) is moderately supportive but is more focused on her social life brought on by her failing marriage.
As the film unfolds; we see Elton working in a backup band and in time answering an ad that puts him with an agent. Paired with the man who would eventually change his life; Bernie Taupin (Jamie Bell), Elton and Bernie combine to write a series of songs which in turn leads him to a series of gigs in Los Angeles. The film shifts into high gear at this point as we see how their music becomes a smash and leads to a series of parties, drugs, and money.
Elton meets Manager John Reid (Richard Madden), who becomes his
As the record sales and hits mount, so does the destructive behaviors which leads Elton down a destructive path that threatens everything he has worked for.
The movie is a masterpiece of music and story and it cleverly uses musical montages and segments around the performances to outline various segments of his life and his rise to stardom.
The performances are amazing and Egerton was simply amazing as he not only captured the complexity of his character but performed all the vocals of the hit songs himself and they were spot on.
During our Press Screening I noticed many people singing along, tapping their feet, or bobbing their heads along with the music which helps to underscore just how timeless and popular his catalog of music has been as the songs have endured the test of time.
The film also evokes some unexpected emotion as there were more than a few people wiping their eyes during the film which at its core is a store of a young, shy boy desperate to be accepted and loved.
I truly hope the film is recognized come Awards season as it is a wonderful and memorable cinematic experience.
http://sknr.net/2019/05/31/rocketman/
The film opens with a flamboyantly dressed John entering rehab in one of his stage costumes. As he opens up with his group, he shares the story of his childhood as a shy child who is desperate to have his father show him any signs of approval or affection.
When it is discovered that he has talent with the piano; his grandmother encourages him and even takes him to apply for a position at the Royal Academy of Music.
His mother (Bryce Dallas Howard) is moderately supportive but is more focused on her social life brought on by her failing marriage.
As the film unfolds; we see Elton working in a backup band and in time answering an ad that puts him with an agent. Paired with the man who would eventually change his life; Bernie Taupin (Jamie Bell), Elton and Bernie combine to write a series of songs which in turn leads him to a series of gigs in Los Angeles. The film shifts into high gear at this point as we see how their music becomes a smash and leads to a series of parties, drugs, and money.
Elton meets Manager John Reid (Richard Madden), who becomes his
As the record sales and hits mount, so does the destructive behaviors which leads Elton down a destructive path that threatens everything he has worked for.
The movie is a masterpiece of music and story and it cleverly uses musical montages and segments around the performances to outline various segments of his life and his rise to stardom.
The performances are amazing and Egerton was simply amazing as he not only captured the complexity of his character but performed all the vocals of the hit songs himself and they were spot on.
During our Press Screening I noticed many people singing along, tapping their feet, or bobbing their heads along with the music which helps to underscore just how timeless and popular his catalog of music has been as the songs have endured the test of time.
The film also evokes some unexpected emotion as there were more than a few people wiping their eyes during the film which at its core is a store of a young, shy boy desperate to be accepted and loved.
I truly hope the film is recognized come Awards season as it is a wonderful and memorable cinematic experience.
http://sknr.net/2019/05/31/rocketman/
Goddess in the Stacks (553 KP) rated Autonomous: A Novel in Books
Dec 22, 2018
Autonomous is an interesting story that poses a lot of moral questions. It doesn't really take sides; both the pharmaceutical pirate and the agents tracking her down are painted in sympathetic ways, as if we're meant to like them all. We see why Jack is a pharmaceutical pirate; medicine is only available to those rich enough to pay for it, so the poor stay poor and sick and short-lived. She wants to change that. She reverse-engineers drugs, manufactures them, and distributes them to the needy through her associates.
Meanwhile, Eliasz is a conflicted military agent who is sexually attracted to robots. Or at least to his partner, Paladin, though a flashback shows what might have been the start of his attraction to robots. Paladin is probably the single most interesting character in the entire book, as she muses on the nature of being indentured, and searches through her memories and the internet for information about her situation.
The book does have LGBT content - Jack is bisexual, and Eliasz is - robosexual? Is that a thing? Paladin could be called nonbinary or trans; she repeatedly mentions that gender isn't a thing to robots, but because she's a military robot, most people call her a he at the beginning of the book. She learns the brain inside her is female, and to make Eliasz more comfortable with his attraction, she decides to use female pronouns. Eliasz does use the F word to refer to himself being attracted to the robot at the beginning, when they were using male pronouns. This puzzles Paladin for a while, causing her to search the term and figure out what Eliasz meant by its use.
There's a lot of complex world-building in this book that is barely brushed past. From the corporations who own patents covering everything, to the system of indenture that covers humans as well as robots, to the bio-domes that cover cities (but it's livable outside the biodomes, so why are they needed?), to the new federations that cover continents that used to be divided into several countries - there's a LOT going on. And there's not just robots, but also some pretty advanced cybernetics implanted in humans as well as an everpresent network of data that can be tapped into with implants that everyone has.
Ultimately, for as complex as the world is, and cohesive as the plot is, I'm left wondering who, if anyone, was in the right in this story. I'm not sure if we're supposed to be happy with the ending or not. I've seen other reviews saying Neuromancer was a way better book in a similar vein, and I actually have copy of that waiting to be read. So we'll see.
You can find all my reviews at http://goddessinthestacks.com
Meanwhile, Eliasz is a conflicted military agent who is sexually attracted to robots. Or at least to his partner, Paladin, though a flashback shows what might have been the start of his attraction to robots. Paladin is probably the single most interesting character in the entire book, as she muses on the nature of being indentured, and searches through her memories and the internet for information about her situation.
The book does have LGBT content - Jack is bisexual, and Eliasz is - robosexual? Is that a thing? Paladin could be called nonbinary or trans; she repeatedly mentions that gender isn't a thing to robots, but because she's a military robot, most people call her a he at the beginning of the book. She learns the brain inside her is female, and to make Eliasz more comfortable with his attraction, she decides to use female pronouns. Eliasz does use the F word to refer to himself being attracted to the robot at the beginning, when they were using male pronouns. This puzzles Paladin for a while, causing her to search the term and figure out what Eliasz meant by its use.
There's a lot of complex world-building in this book that is barely brushed past. From the corporations who own patents covering everything, to the system of indenture that covers humans as well as robots, to the bio-domes that cover cities (but it's livable outside the biodomes, so why are they needed?), to the new federations that cover continents that used to be divided into several countries - there's a LOT going on. And there's not just robots, but also some pretty advanced cybernetics implanted in humans as well as an everpresent network of data that can be tapped into with implants that everyone has.
Ultimately, for as complex as the world is, and cohesive as the plot is, I'm left wondering who, if anyone, was in the right in this story. I'm not sure if we're supposed to be happy with the ending or not. I've seen other reviews saying Neuromancer was a way better book in a similar vein, and I actually have copy of that waiting to be read. So we'll see.
You can find all my reviews at http://goddessinthestacks.com
Sophia (Bookwyrming Thoughts) (530 KP) rated Shadow and Bone (The Grisha #1) in Books
Jan 23, 2020
<i>Shadow and Bone</i> could have been better – a lot better.
What annoyed me: Alina Starkov.
There is this thing about characters: there are lots of different types – the desperate ones, the annoying ones, the mopey ones, the overly happy ones, the sassy ones, etc.
Alina is the mopey one for – wait for it – a whopping half of the book. It takes her literally <i>half</i> of the book to realize that maybe she should stop being so mopey over Mal, or stop being so insecure about herself and comparing herself to a Grisha of what? Ten plus years? Really, it almost stalls the book as the character tries to get her bearings and a love triangle developing (I've pretty much decided if one couple happens, I'll have a field day.).
<blockquote>I didn't belong in this beautiful world, and if I didn't find a way to use my power, I never would.</blockquote>
She's also the desperate one – a very dangerous combination to put with mopey. Certainly not as desperate as <i>Eon(a)</i>, as Alina doesn't resort to doing anything stupid or harmful to herself. She's more of the, "I can't do this, I can't fit in with the others, why am I doing this, etc." type of person rather than, "Hey! Here's how I can fit in and be more manly: pump myself up with sun drugs!" (Admit it – that was totally Eona in <i>Eon</i>. Alina doesn't dress up as a guy to be a Grisha in <i>Shadow and Bone</i> if anyone's wondering. That would certainly be a fun plot twist to see though!)
What actually kept me reading, aka what kept me from throwing my arms up in exasperation: the idea and the setting.
Based off Imperial Russia, Bardugo's depiction of Ravka seems magical – the Grisha and the Shadow Fold seem to fit in nicely into the story without many hiccups if there's even any.
The Grisha idea is pure genius – no guide needed, even though it took me awhile (okay, 30 pages) to actually figure out how to tell which Grisha from Grisha (in common, sensible terms that I understand). As much as it may sound really complicated, it's actually pretty simple.
The first in the <i>Grisha</i> trilogy has a fantastic idea set in a mystical version of Russia, but it really could have done better (I'm probably sounding like a broken record now). With the fear of the sequel being worse than the first one (or any terrifying possibility), I'm almost afraid to pick up the second book.
<a href="https://bookwyrmingthoughts.com/review-shadow-and-bone-by-leigh-bardugo/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
What annoyed me: Alina Starkov.
There is this thing about characters: there are lots of different types – the desperate ones, the annoying ones, the mopey ones, the overly happy ones, the sassy ones, etc.
Alina is the mopey one for – wait for it – a whopping half of the book. It takes her literally <i>half</i> of the book to realize that maybe she should stop being so mopey over Mal, or stop being so insecure about herself and comparing herself to a Grisha of what? Ten plus years? Really, it almost stalls the book as the character tries to get her bearings and a love triangle developing (I've pretty much decided if one couple happens, I'll have a field day.).
<blockquote>I didn't belong in this beautiful world, and if I didn't find a way to use my power, I never would.</blockquote>
She's also the desperate one – a very dangerous combination to put with mopey. Certainly not as desperate as <i>Eon(a)</i>, as Alina doesn't resort to doing anything stupid or harmful to herself. She's more of the, "I can't do this, I can't fit in with the others, why am I doing this, etc." type of person rather than, "Hey! Here's how I can fit in and be more manly: pump myself up with sun drugs!" (Admit it – that was totally Eona in <i>Eon</i>. Alina doesn't dress up as a guy to be a Grisha in <i>Shadow and Bone</i> if anyone's wondering. That would certainly be a fun plot twist to see though!)
What actually kept me reading, aka what kept me from throwing my arms up in exasperation: the idea and the setting.
Based off Imperial Russia, Bardugo's depiction of Ravka seems magical – the Grisha and the Shadow Fold seem to fit in nicely into the story without many hiccups if there's even any.
The Grisha idea is pure genius – no guide needed, even though it took me awhile (okay, 30 pages) to actually figure out how to tell which Grisha from Grisha (in common, sensible terms that I understand). As much as it may sound really complicated, it's actually pretty simple.
The first in the <i>Grisha</i> trilogy has a fantastic idea set in a mystical version of Russia, but it really could have done better (I'm probably sounding like a broken record now). With the fear of the sequel being worse than the first one (or any terrifying possibility), I'm almost afraid to pick up the second book.
<a href="https://bookwyrmingthoughts.com/review-shadow-and-bone-by-leigh-bardugo/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
JT (287 KP) rated Contraband (2012) in Movies
Mar 10, 2020
This is an action film of epic underrated proportion, director Baltasar Kormákur, who was a producer on the original film Reykjavik-Rotterdam, gives us a good old fashioned heist where you root for the bad guys, or in this case the good guys.
When Chris Faraday (Whalberg) has to help out his brother-in-law Andy, after his attempts at smuggling in drugs for Giovanni Ribisi’s excellent villain go pear shaped, Faraday must go back to his criminal roots in order to save him and his family.
Do you feel lucky?
It certainly isn’t as slick as Ocean’s Eleven but it has a similar impact, in that you are desperate for these guys to succeed and pull off the job, and what a job it is! The heist or smuggle as you want to call it is as elaborate as anything that Danny Ocean himself could have put together, its all just a little rushed and certainly not all that conventional.
Whalberg’s crew, a band of misfits, all work on board a container ship heading to Panama where they will pick up a van and fill it with counterfeit bank notes, a plan which would seem simple enough. They’ve even gone to great lengths to make sure the ship stays in port long enough for them to get the job done.
Of course it doesn’t all go to plan, and in the mean time Briggs (Ribisi) is terrorizing Faraday’s wife Kate (Beckinsale) and his family. Andy still manages to try and pull off (and f*** up) his own job mid way through, and Faraday’s best friend Sebastian (Foster) has a little more about him that meets the eye.
The plot has a distinct Gone in 60 Seconds feel to it, with a relative coming to the aid of another family member which results in them racing against time to pay off the bad guys. The action is OK, an elaborate car chase and shootout is probably the most notable sequence, while the rest of the time we watch and wait as Faraday plans the heist.
I enjoyed this quite a lot, its a format that I find if done right works well which in this case it was. Ribisi was a standout for me, not just in his mannerisms as a psycho drug lord but his voice and look about him made me think he put some real effort into this role. Wahlberg is an action hero at the end of the day and here, he is out doing what he does best, Beckinsale is left out in the cold a bit but as a supporting role she does alright.
When Chris Faraday (Whalberg) has to help out his brother-in-law Andy, after his attempts at smuggling in drugs for Giovanni Ribisi’s excellent villain go pear shaped, Faraday must go back to his criminal roots in order to save him and his family.
Do you feel lucky?
It certainly isn’t as slick as Ocean’s Eleven but it has a similar impact, in that you are desperate for these guys to succeed and pull off the job, and what a job it is! The heist or smuggle as you want to call it is as elaborate as anything that Danny Ocean himself could have put together, its all just a little rushed and certainly not all that conventional.
Whalberg’s crew, a band of misfits, all work on board a container ship heading to Panama where they will pick up a van and fill it with counterfeit bank notes, a plan which would seem simple enough. They’ve even gone to great lengths to make sure the ship stays in port long enough for them to get the job done.
Of course it doesn’t all go to plan, and in the mean time Briggs (Ribisi) is terrorizing Faraday’s wife Kate (Beckinsale) and his family. Andy still manages to try and pull off (and f*** up) his own job mid way through, and Faraday’s best friend Sebastian (Foster) has a little more about him that meets the eye.
The plot has a distinct Gone in 60 Seconds feel to it, with a relative coming to the aid of another family member which results in them racing against time to pay off the bad guys. The action is OK, an elaborate car chase and shootout is probably the most notable sequence, while the rest of the time we watch and wait as Faraday plans the heist.
I enjoyed this quite a lot, its a format that I find if done right works well which in this case it was. Ribisi was a standout for me, not just in his mannerisms as a psycho drug lord but his voice and look about him made me think he put some real effort into this role. Wahlberg is an action hero at the end of the day and here, he is out doing what he does best, Beckinsale is left out in the cold a bit but as a supporting role she does alright.
Gareth von Kallenbach (971 KP) rated Inherent Vice (2015) in Movies
Aug 6, 2019
“Inherent Vice” Follows Doc (Joaquin Phoenix), a private investigator, as he falls down a dark rabbit hole into a world of crime and systemic corruption.
Phoenix is a transformative actor, delving deep into his role. We’ve seen him do it before in movies like “Walk the Line.” He becomes his character to the point that it is conceivable this just might be the real him.
It is set in bohemian 1970s California. Everything from the way the camera captures the scene, to the outfits that adorn the characters, exudes a hippy-grunge vibe.
The film encompasses multiple genres including crime, comedy, and drama.
Similar to movies like “The Big Lebowski,” it is filled with humorous moments as Doc, a well-meaning and laid back stoner, is constantly found in the middle of the proverbial shit.
When his ex-girlfriend Shasta Fay (Katherine Waterston) reappears one random day, telling him of a plot to kidnap her billionaire boyfriend and then disappears shortly after, Doc becomes consumed by his investigation into her whereabouts. He is led into a conspiracy-like web of drugs, crime, and corruption.
It is not a typical movie with a coherent storyline, rather it is an experience of what Doc goes through as a mind bending mystery unfolds before him.
Strange, subtle details leave a trail of breadcrumbs for the audience to follow along with Doc, as he tries to make some sense out of the connections he stumbles across.
The plot transpires in a blur, floating into the perceptions of the audience like the winding smoke of an opium den. With a few dull moments, it drags on at times, much like the reality of human experience tends to do.
The musical selection only adds to the film’s tantalizing stylistic ambiance – at times it’s a dull and prolonged high, other times it’s a seedy bluesy underground, or absolute instrumental lunacy. Interestingly, much of the music was composed by Radiohead lead guitarist Jonny Greenwood.
Adding to the intricacy and authenticity of the film, is a brief cameo by what is perhaps the most psychedelic band of our time, The Growlers. This moment will only be recognized by fans who are paying close attention, but is an absolutely fitting detail.
Director Paul Thomas Anderson adapted the film from the original novel written by Thomas Pynchon. Like reading a novel, the film is consuming. But because it goes by much quicker than reading a book, it may need to be watched several times for the viewer to grasp exactly what happened.
Audiences will leave theaters with a resonating feeling of pure delirium from the cerebral experience that is “Inherent Vice.”
A surreal masterpiece, I give “Inherent Vice” 5 out of 5 stars.
Phoenix is a transformative actor, delving deep into his role. We’ve seen him do it before in movies like “Walk the Line.” He becomes his character to the point that it is conceivable this just might be the real him.
It is set in bohemian 1970s California. Everything from the way the camera captures the scene, to the outfits that adorn the characters, exudes a hippy-grunge vibe.
The film encompasses multiple genres including crime, comedy, and drama.
Similar to movies like “The Big Lebowski,” it is filled with humorous moments as Doc, a well-meaning and laid back stoner, is constantly found in the middle of the proverbial shit.
When his ex-girlfriend Shasta Fay (Katherine Waterston) reappears one random day, telling him of a plot to kidnap her billionaire boyfriend and then disappears shortly after, Doc becomes consumed by his investigation into her whereabouts. He is led into a conspiracy-like web of drugs, crime, and corruption.
It is not a typical movie with a coherent storyline, rather it is an experience of what Doc goes through as a mind bending mystery unfolds before him.
Strange, subtle details leave a trail of breadcrumbs for the audience to follow along with Doc, as he tries to make some sense out of the connections he stumbles across.
The plot transpires in a blur, floating into the perceptions of the audience like the winding smoke of an opium den. With a few dull moments, it drags on at times, much like the reality of human experience tends to do.
The musical selection only adds to the film’s tantalizing stylistic ambiance – at times it’s a dull and prolonged high, other times it’s a seedy bluesy underground, or absolute instrumental lunacy. Interestingly, much of the music was composed by Radiohead lead guitarist Jonny Greenwood.
Adding to the intricacy and authenticity of the film, is a brief cameo by what is perhaps the most psychedelic band of our time, The Growlers. This moment will only be recognized by fans who are paying close attention, but is an absolutely fitting detail.
Director Paul Thomas Anderson adapted the film from the original novel written by Thomas Pynchon. Like reading a novel, the film is consuming. But because it goes by much quicker than reading a book, it may need to be watched several times for the viewer to grasp exactly what happened.
Audiences will leave theaters with a resonating feeling of pure delirium from the cerebral experience that is “Inherent Vice.”
A surreal masterpiece, I give “Inherent Vice” 5 out of 5 stars.
Kristy H (1252 KP) rated Valley of the Dolls in Books
May 13, 2021
A classic that doesn't stand the test of time
This is the twenty-second book in my #atozchallenge! I'm challenging myself to read a book from my shelves that starts with each letter of the alphabet. Let's clear those shelves and delve into that backlist!
This classic novel had been sitting on my shelves for a while, so I decided to tackle it as a part of my challenge. I still have mixed feelings about it, even writing this review a month or so later. Honestly, this book is really depressing. The beginning was interesting, and I thought I would find it very engaging, but eventually the women became reduced to annoying drug addicts whose lives revolved around their looks and men. I wasn't sure what the message was, but it wasn't one I cared for.
VALLEY OF THE DOLLS centers on three women: Anne, a young woman from a tiny town who escapes and comes to New York City; Jennifer, a beautiful woman who parlays that beauty into an acting career; and Neely, a young woman with a lovely voice who dreams of an acting and singing career. Anne finds work at a talent agency, working for Henry Bellamy, which is how she meets Jennifer. Neely is her young neighbor. At first, all three women are poor and dreaming of a better life. Over the course of the book, their fortunes change, but they do not necessarily become happier.
I was sort of horrified if this was what life was like for the rich and famous in the 40s to the 60s. So much drinking, drugs, and partying. There was such intense focus on looks--if this book was supposed to be advanced for the era, it's certainly not now! The men came across terribly, but the women were not much better. Even if they were using their bodies for power, everything just felt icky. Anne is supposed to be the model of an independent woman, as she has her own money, but she's not... I wanted to like her, but it was hard.
Overall, while I certainly found parts of this book fascinating, I cannot say I always enjoyed it. It definitely provides great historical insight into a particular era, though. I'm glad I read it--it's always interesting to see what was a classic and why at certain times. But did I like the characters and plot? Not really. 2 stars for plot, rounded to 3 stars for historical significance. (Oh and major trigger warning for the use of the "f" word in relation to queer people. Part of the times, I realize, but it became very disconcerting after a while for me.)
This classic novel had been sitting on my shelves for a while, so I decided to tackle it as a part of my challenge. I still have mixed feelings about it, even writing this review a month or so later. Honestly, this book is really depressing. The beginning was interesting, and I thought I would find it very engaging, but eventually the women became reduced to annoying drug addicts whose lives revolved around their looks and men. I wasn't sure what the message was, but it wasn't one I cared for.
VALLEY OF THE DOLLS centers on three women: Anne, a young woman from a tiny town who escapes and comes to New York City; Jennifer, a beautiful woman who parlays that beauty into an acting career; and Neely, a young woman with a lovely voice who dreams of an acting and singing career. Anne finds work at a talent agency, working for Henry Bellamy, which is how she meets Jennifer. Neely is her young neighbor. At first, all three women are poor and dreaming of a better life. Over the course of the book, their fortunes change, but they do not necessarily become happier.
I was sort of horrified if this was what life was like for the rich and famous in the 40s to the 60s. So much drinking, drugs, and partying. There was such intense focus on looks--if this book was supposed to be advanced for the era, it's certainly not now! The men came across terribly, but the women were not much better. Even if they were using their bodies for power, everything just felt icky. Anne is supposed to be the model of an independent woman, as she has her own money, but she's not... I wanted to like her, but it was hard.
Overall, while I certainly found parts of this book fascinating, I cannot say I always enjoyed it. It definitely provides great historical insight into a particular era, though. I'm glad I read it--it's always interesting to see what was a classic and why at certain times. But did I like the characters and plot? Not really. 2 stars for plot, rounded to 3 stars for historical significance. (Oh and major trigger warning for the use of the "f" word in relation to queer people. Part of the times, I realize, but it became very disconcerting after a while for me.)
Mark Arm recommended Tales Of Terror by Tales Of Terror in Music (curated)
Jesters_folly (230 KP) rated Mandy (2018) in Movies
Sep 25, 2019
Contains spoilers, click to show
Red Miller (Nicholas Cage) is sent on a rampaging quest for vengeance when an evil cult abducts and kill his partner, Mandy Bloom.
The story is simple, Mandy and Red live alone in a forest. By chance Mandy is spotted by a cult leader who decided that he wants her to join him. Things don’t go to plan and Mandy ends up dead and Red starts on a quest for revenge. Simple and familiar, it’s not an uncommon plot, however Mandy is part film, part drug filled dream with snippets of animation thrown in, overlaid with a psychedelic, prog rock soundtrack. It has drugs, cults, demonic, slipknot esc bikers, (male) nudity, chainsaws and crossbows, religious parables and Jesus parallels. There is a metaphorical decent to hell and there is Nicholas Cage. All this is shot with constantly changing, coloured filters and distorted voices.
You can probably tell that Mandy isn’t for everyone, at times the film feels like an Italian horror, something like Suspiria or Deep Red and other time it seems like someone has brought a 70’s or 80’s rock/metal album cover to life. Throw in some animation that would be at home in ‘Heavy Metal’ Magazine, turn the crazy dial up to 11 and let Nicolas Cage (slowly) off the sanity leash and you have Mandy.
There are plot point that are not explained, for example Red suddenly has a friend who has a cross bow stored away for him and Red suddenly has a forge and knows how to use it. Is Mandy some kind of witch and, of course, is Red dead at the end.
I would say that there are some crazy scenes but the whole film is crazy but it does lead to some great scene’s like a chainsaw duel.
As I said, Mandy isn’t for everyone, it has a simple plot that has been turned in to a surreal nightmare so if you don’t like weird don’t watch this.
Mandy is also slow to get started as it builds up the atmosphere. I think that, if the film kept the atmosphere it starts with it could have been a similar tone to something like Midsommar however by the halfway point it has past that and, by the end the film just takes a head dive down the rabbit hole (almost literally).
Given all that I found it hard to rate, it has the feel of a 70’s horror and an 80’s grindhouse, some of the filters make it hard to understand some of the lines and the colour filters were disturbing and distracting although most of this was on purpose but over all I did enjoy it.
The story is simple, Mandy and Red live alone in a forest. By chance Mandy is spotted by a cult leader who decided that he wants her to join him. Things don’t go to plan and Mandy ends up dead and Red starts on a quest for revenge. Simple and familiar, it’s not an uncommon plot, however Mandy is part film, part drug filled dream with snippets of animation thrown in, overlaid with a psychedelic, prog rock soundtrack. It has drugs, cults, demonic, slipknot esc bikers, (male) nudity, chainsaws and crossbows, religious parables and Jesus parallels. There is a metaphorical decent to hell and there is Nicholas Cage. All this is shot with constantly changing, coloured filters and distorted voices.
You can probably tell that Mandy isn’t for everyone, at times the film feels like an Italian horror, something like Suspiria or Deep Red and other time it seems like someone has brought a 70’s or 80’s rock/metal album cover to life. Throw in some animation that would be at home in ‘Heavy Metal’ Magazine, turn the crazy dial up to 11 and let Nicolas Cage (slowly) off the sanity leash and you have Mandy.
There are plot point that are not explained, for example Red suddenly has a friend who has a cross bow stored away for him and Red suddenly has a forge and knows how to use it. Is Mandy some kind of witch and, of course, is Red dead at the end.
I would say that there are some crazy scenes but the whole film is crazy but it does lead to some great scene’s like a chainsaw duel.
As I said, Mandy isn’t for everyone, it has a simple plot that has been turned in to a surreal nightmare so if you don’t like weird don’t watch this.
Mandy is also slow to get started as it builds up the atmosphere. I think that, if the film kept the atmosphere it starts with it could have been a similar tone to something like Midsommar however by the halfway point it has past that and, by the end the film just takes a head dive down the rabbit hole (almost literally).
Given all that I found it hard to rate, it has the feel of a 70’s horror and an 80’s grindhouse, some of the filters make it hard to understand some of the lines and the colour filters were disturbing and distracting although most of this was on purpose but over all I did enjoy it.