Search
Search results
Bong Mines Entertainment (15 KP) rated Magic - Single by ABC Dialect in Music
Jun 17, 2019
Abc Dialect is an electronic duo based in Barcelona, Spain. Not too long ago, they released a lovely music video for their “Magic” single.
The audiovisual tells an interesting tale of a young man who purchases a bird from a pet store.
Later, the video follows him as he adapts a loving companionship between him and his new pet.
‘Magic’ contains a relatable storyline, pleasing vocals, and groovy instrumentation flavored with funky synthesizers, glistening keys, clean guitar chords, and enchanting flute.
Also, the likable tune showcases the group’s harmonically bright production which evokes a sense of smooth laidback euphoria.
“For this track, we’ve decided to go with a more organic approach. Recording live drums together with keyboards and bass and then adding some guitars, synths, flute, and vocals. We tried to keep the instrumental as simple and groovy as possible in order to give more space to the vocals and the flute which are the key elements on this track. The lyrics are simple but effective and relatable. The song had started being much more electronic and fast until we understood that it was meant to be much more real and pure.” – Abc Dialect
Abc Dialect formed in 2017 by London-based Argentinians, Tomás Susevich and Luca Oliva Knight.
The origin of their name was inspired by a trip to Japan, where they realized the dialect of their music was different than that of other cultures on the eastern side of the world.
This was a defining moment for the songwriters as they knew that they wanted their music to extend past the western hemisphere.
Therefore, they selected their name as a play on words addressing the dialect in which their music is created. Their goal is to have their music universally accepted by all.
Abc Dialect cites influences from both the past and present and draws inspiration from legacy acts such as Kool & The Gang, The Whispers, The Whitest Boy Alive, and Jamiroquai.
‘Magic’ is the first single from their upcoming EP, entitled, “Real Life”, available on June 13, 2019, via Casablanca Sunset.
https://www.bongminesentertainment.com/abc-dialect-magic/
The audiovisual tells an interesting tale of a young man who purchases a bird from a pet store.
Later, the video follows him as he adapts a loving companionship between him and his new pet.
‘Magic’ contains a relatable storyline, pleasing vocals, and groovy instrumentation flavored with funky synthesizers, glistening keys, clean guitar chords, and enchanting flute.
Also, the likable tune showcases the group’s harmonically bright production which evokes a sense of smooth laidback euphoria.
“For this track, we’ve decided to go with a more organic approach. Recording live drums together with keyboards and bass and then adding some guitars, synths, flute, and vocals. We tried to keep the instrumental as simple and groovy as possible in order to give more space to the vocals and the flute which are the key elements on this track. The lyrics are simple but effective and relatable. The song had started being much more electronic and fast until we understood that it was meant to be much more real and pure.” – Abc Dialect
Abc Dialect formed in 2017 by London-based Argentinians, Tomás Susevich and Luca Oliva Knight.
The origin of their name was inspired by a trip to Japan, where they realized the dialect of their music was different than that of other cultures on the eastern side of the world.
This was a defining moment for the songwriters as they knew that they wanted their music to extend past the western hemisphere.
Therefore, they selected their name as a play on words addressing the dialect in which their music is created. Their goal is to have their music universally accepted by all.
Abc Dialect cites influences from both the past and present and draws inspiration from legacy acts such as Kool & The Gang, The Whispers, The Whitest Boy Alive, and Jamiroquai.
‘Magic’ is the first single from their upcoming EP, entitled, “Real Life”, available on June 13, 2019, via Casablanca Sunset.
https://www.bongminesentertainment.com/abc-dialect-magic/
Jubitron the Girl Robot: The Lovely Little Picnic
Book and Education
App
"...every aspect of Jubitron the Girl Robot: The Lovely Little Picnic oozes quality." ...
STS9 Podcasts
5.0
Rate It
Podcast
Since forming in Atlanta, GA over 15 years ago, instrumental electronic rock band STS9 has...
Cate Le Bon recommended Se Taire Pour Une Femme Trop Belle by Fille Qui Mousse in Music (curated)
Colin Newman recommended Wizard, A True Star by Todd Rundgren in Music (curated)
Audiobus 2
Music and Utilities
App
AUDIOBUS 3 IS NOW AVAILABLE! Find out more at https://audiob.us With Audiobus, the revolutionary...
Gratitude by Dayna Stephens
Album
Gratitude, saxophonist/composer/bandleader Dayna Stephens’ eighth album as a leader, is a gift...
jazz
This is an incredible debut novel. Yamaye is a young black woman who is immersed in the Dub music scene of the 1970s and 1980s. She spends her free time clubbing at The Crypt (it really is a crypt) where Dub music is the music that young black people all want to listen and dance to. Yamaye works so that she can go clubbing and buy the clothes that she wants to wear there (which all sound very cool, by the way).
But there’s a cloud that hangs over Yamaye’s life. Her mother left when she was young, and she has been raised by a father who seems thoroughly heartbroken by his wife’s departure. There’s also the spectre of racism and police brutality looming over her. Yamaye becomes involved in police brutality protests, and then becomes embroiled in a gang in Bristol, leaving London and her troubles there behind. Or so it seems, because it looked to me like she was just swapping one set of problems for another.
I loved this book, and I wish that it had come with a playlist on Spotify (the actual book may well have a playlist, but I read the NetGalley download) - but never fear! I went looking myself, and was ably assisted by my 16 year old drumming mad son. Now he LOVED the music, and regularly drums along to these new bands and songs that he has discovered for himself.
This is an engaging, exciting story with a vibrancy through its descriptions of inner London as much as those of rural Jamaica. The Jamaican patois was for me the icing on the cake. It made such a distinctive voice (quite literally!), and I soon fell into it’s rhythms.
It’s a book that reminded me of how I felt about music as a young woman (ok, it was different music, but still!) and how it crept into everything in my life.
Themes include: race, misogyny, police violence, oppression of people of colour, gangs, the legacy of slavery, music and belonging. At least these are the themes that I could pick out!
It’s an amazing book - just read it!
But there’s a cloud that hangs over Yamaye’s life. Her mother left when she was young, and she has been raised by a father who seems thoroughly heartbroken by his wife’s departure. There’s also the spectre of racism and police brutality looming over her. Yamaye becomes involved in police brutality protests, and then becomes embroiled in a gang in Bristol, leaving London and her troubles there behind. Or so it seems, because it looked to me like she was just swapping one set of problems for another.
I loved this book, and I wish that it had come with a playlist on Spotify (the actual book may well have a playlist, but I read the NetGalley download) - but never fear! I went looking myself, and was ably assisted by my 16 year old drumming mad son. Now he LOVED the music, and regularly drums along to these new bands and songs that he has discovered for himself.
This is an engaging, exciting story with a vibrancy through its descriptions of inner London as much as those of rural Jamaica. The Jamaican patois was for me the icing on the cake. It made such a distinctive voice (quite literally!), and I soon fell into it’s rhythms.
It’s a book that reminded me of how I felt about music as a young woman (ok, it was different music, but still!) and how it crept into everything in my life.
Themes include: race, misogyny, police violence, oppression of people of colour, gangs, the legacy of slavery, music and belonging. At least these are the themes that I could pick out!
It’s an amazing book - just read it!
Paul Chesworth (3 KP) created a post
Feb 20, 2018
Haley Mathiot (9 KP) rated Symbiont (Parasitology, #2) in Books
Apr 27, 2018
Here’s the rundown: I am in love with this series. I am all over this series. I love Sal, I love the characters (I even kind of love Sherman, a little), the plot is brilliant, it’s exciting, brilliant, fast-paced, and original.
But. Why does there have to be a but! I wish there wasn’t, but there is.
There is literally only one issue with this series that makes it a 4-star instead of a five-star: I call it “Jenny McGrady Syndrome.” See years ago I read this book series about a young detective that always got herself into trouble trying to be Nancy Drew. And in every single book, at least once, this phrase was present: “Jenny felt as though she’d been slugged in the stomach.” Every. Single. Book.
Now if I found a phrase in Parasite and Symbiont that repeated only once, that wouldn’t be a big deal. Even two or three times between the two books, that wouldn’t be a big deal. But the problem I have is that there is a lot of repetition of phrases. I understand what Grant is trying to do here, making the drums an important thing, seeing red, the cold gut wrenching feeling of fear and anticipation at the same time… but I don’t want to read it forty times in five chapters. It’s not necessary. It only slows down the story and frustrates the reader.
Other than that one minor flaw, it is one of the best YA novels I’ve ever listened to. The characters are full of personality and quirks, the plot is unexpected, the bad guy makes me want to punch him in the throat, and I’m dying to find out what happens in the third book. I will absolutely read (listen) to it. I am super excited. I’m dying over here. I just wish that the unnecessary and repeated words and phrases were cut out.
I love the reader for this audiobook, Christine Lakin. She adds a lot of character and emotion, and reads clearly and at a good pace. I like her voice. She’s one of those people who you’re sure that the main character’s voice actually sounds like the narrator. I loved her performance in this as well as The Coldest Girl in Coldtown, and look forward to hearing her again, and am adding her to my list of favorite narrators.
But. Why does there have to be a but! I wish there wasn’t, but there is.
There is literally only one issue with this series that makes it a 4-star instead of a five-star: I call it “Jenny McGrady Syndrome.” See years ago I read this book series about a young detective that always got herself into trouble trying to be Nancy Drew. And in every single book, at least once, this phrase was present: “Jenny felt as though she’d been slugged in the stomach.” Every. Single. Book.
Now if I found a phrase in Parasite and Symbiont that repeated only once, that wouldn’t be a big deal. Even two or three times between the two books, that wouldn’t be a big deal. But the problem I have is that there is a lot of repetition of phrases. I understand what Grant is trying to do here, making the drums an important thing, seeing red, the cold gut wrenching feeling of fear and anticipation at the same time… but I don’t want to read it forty times in five chapters. It’s not necessary. It only slows down the story and frustrates the reader.
Other than that one minor flaw, it is one of the best YA novels I’ve ever listened to. The characters are full of personality and quirks, the plot is unexpected, the bad guy makes me want to punch him in the throat, and I’m dying to find out what happens in the third book. I will absolutely read (listen) to it. I am super excited. I’m dying over here. I just wish that the unnecessary and repeated words and phrases were cut out.
I love the reader for this audiobook, Christine Lakin. She adds a lot of character and emotion, and reads clearly and at a good pace. I like her voice. She’s one of those people who you’re sure that the main character’s voice actually sounds like the narrator. I loved her performance in this as well as The Coldest Girl in Coldtown, and look forward to hearing her again, and am adding her to my list of favorite narrators.