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ashezbookz (32 KP) rated Christmas from Hell (Neighbor from Hell, #7) in Books
Jul 5, 2018
Oh man I missed you bradfords <33333333333 A reread for me again I've reread this series repeatedly I think Book 1 will always be my favourite but this one was hilarious still, they're all just so good!!!!!!!!
I like the accident prone Necie and cute little Duncan and the infamous kidnapping .. which I mean <spoiler> did he technically kidnap her for the wedding, or was it kidnapping her to decide he wanted to marry her, because I don't think he actually kidnapped her for the wedding, are they DOOMED!!!!!!!!!! </spoiler>
I may just continue rereading all the rest now.............
I like the accident prone Necie and cute little Duncan and the infamous kidnapping .. which I mean <spoiler> did he technically kidnap her for the wedding, or was it kidnapping her to decide he wanted to marry her, because I don't think he actually kidnapped her for the wedding, are they DOOMED!!!!!!!!!! </spoiler>
I may just continue rereading all the rest now.............
Gareth von Kallenbach (974 KP) rated The Way Way Back (2013) in Movies
Aug 6, 2019
Prior to the press screening for The Way, Way Back I had little knowledge of the film. Despite the heavy hitters in this film, including Steve Carell, Toni Collette and Sam Rockwell, I did not expect to be amazed by the movie. Even as I entered the theater and the studio reps were handing out sunglasses, t-shirts and beach balls I had little hope for the movie. Typically, great films are not promoted through cheap novelties.
Fortunately for us all, The Way, Way Back turned out to be a surprisingly delightful movie with a lot of heart. IT is way, way better than its marketing campaign, that’s for sure.
The movie centers on 14-year-old Duncan (Liam James), a kind of dorky and awkward teenager whose mother, Pam (Toni Collette), brings him along to an extended summer vacation on the Massachusetts coast. Duncan would rather be spending time with his father than his mother and her unlikeable boyfriend, Trent (Steve Carell), and his stuck up teenage drama-queen daughter, Steph (Zoe Levlin).
Duncan finds little of interest in the small beach town, and immediately feels alienated from the rest of his group. This is until he meets Susanna (AnnaSophia Robb), the brainy, older woman (16) who is staying next door with her hilariously blunt mother, Betty (Allison Janney), a friend of Trent’s. The two teens make an immediate, if not awkward connection, and share in the bond of thinking the town sucks, both being children of divorce, and their families are unbearable.
Aside from Susanna, Duncan finds an even better excuse to disappear and avoid the likes of his would-be family at the local water park, where he develops an unlikely friendship with Owen (Sam Rockwell), owner of Water Wizz. Sensing that Duncan is a lonely, outcast teen looking for place to belong, Owen hires him to work at the water park. Duncan is so alienated from his family that he doesn’t even bother mention to them that he is employed. Instead, he pretends to that he is just hanging out all day not really doing anything.
If this all sounds eerily familiar, it’s because The Way, Way Back follows a formula that most standard-issue summer vacation/coming of age movie does. But familiar isn’t always bad. The Way, Way Back has genuinely funny humor to it, and the characters are very relatable. It wouldn’t surprise me to find out that you were comparing them to others in your life, or that you may have met along the way. I know I was.
In fact, the film’s undeniable charm lies in its appealing, and not so appealing, characters, all portrayed excellently by a cast with a surprising amount of credibility for a film of this genre. James, a relatively new name, plays Duncan superbly, displaying the sort of low self-esteem that drives other kids to mock him. Anyone who does, or has, ever retreated into a lonely, nerdy, self-absorbed world will understand his angst and immediately attach themselves to Duncan. Especially in the early scenes that Duncan shares with Susanna, who obviously terrifies him with her confidence and beauty.
Rockwell steals every scene he is in as the ever-wisecracking Owen. He is your typical summer comedy character that you see in every film of this sort – the fast-talking adult male prankster whom all the kids flock to – but Rockwell plays the part with great depth. Beneath all of his bravado and clowning, there is clearly a man who has a lot of soul and cares about those around him. This side of Owen is brought out by Caitlin (Maya Rudolph), Owen’s park manager and sometimes girlfriend.
Carell takes on an unusual to most role as Trent, the films antagonist, if there really is one in this genre. He is one of the guys who is kind of a jerk, but not enough for you to really hate. Collette plays her part well, but doesn’t really get a significant amount of focus in the film. The funniest character of the fill is the over-the-top inappropriate Betty, a mom with a mean steak who does her best to embarrass her children and make everyone cringe with her nosy questions and open sexual frankness. Janney plays her with perfect comic timing.
I spoke with a friend, who also screened this movie, and he felt the movie played it too safe. He wanted it to explore the film’s darker themes more (family dysfunction, career frustration, teenage alienation) with much more insight. The one point I did agree with him was that Collette’s character was too underwritten to fully explain Pam’s tense relationships with, well… everyone. This is accentuated by the ending of the film where based on the buildup, I expected a much different action from her.
Still, The Way, Way Back is a delightful and smartly funny film that is sure to entertain you, and has a bit more gravitas than most summer comedies. I can tell you that I will be sporting my white “Ray-Ban”-esque sunglasses.
Fortunately for us all, The Way, Way Back turned out to be a surprisingly delightful movie with a lot of heart. IT is way, way better than its marketing campaign, that’s for sure.
The movie centers on 14-year-old Duncan (Liam James), a kind of dorky and awkward teenager whose mother, Pam (Toni Collette), brings him along to an extended summer vacation on the Massachusetts coast. Duncan would rather be spending time with his father than his mother and her unlikeable boyfriend, Trent (Steve Carell), and his stuck up teenage drama-queen daughter, Steph (Zoe Levlin).
Duncan finds little of interest in the small beach town, and immediately feels alienated from the rest of his group. This is until he meets Susanna (AnnaSophia Robb), the brainy, older woman (16) who is staying next door with her hilariously blunt mother, Betty (Allison Janney), a friend of Trent’s. The two teens make an immediate, if not awkward connection, and share in the bond of thinking the town sucks, both being children of divorce, and their families are unbearable.
Aside from Susanna, Duncan finds an even better excuse to disappear and avoid the likes of his would-be family at the local water park, where he develops an unlikely friendship with Owen (Sam Rockwell), owner of Water Wizz. Sensing that Duncan is a lonely, outcast teen looking for place to belong, Owen hires him to work at the water park. Duncan is so alienated from his family that he doesn’t even bother mention to them that he is employed. Instead, he pretends to that he is just hanging out all day not really doing anything.
If this all sounds eerily familiar, it’s because The Way, Way Back follows a formula that most standard-issue summer vacation/coming of age movie does. But familiar isn’t always bad. The Way, Way Back has genuinely funny humor to it, and the characters are very relatable. It wouldn’t surprise me to find out that you were comparing them to others in your life, or that you may have met along the way. I know I was.
In fact, the film’s undeniable charm lies in its appealing, and not so appealing, characters, all portrayed excellently by a cast with a surprising amount of credibility for a film of this genre. James, a relatively new name, plays Duncan superbly, displaying the sort of low self-esteem that drives other kids to mock him. Anyone who does, or has, ever retreated into a lonely, nerdy, self-absorbed world will understand his angst and immediately attach themselves to Duncan. Especially in the early scenes that Duncan shares with Susanna, who obviously terrifies him with her confidence and beauty.
Rockwell steals every scene he is in as the ever-wisecracking Owen. He is your typical summer comedy character that you see in every film of this sort – the fast-talking adult male prankster whom all the kids flock to – but Rockwell plays the part with great depth. Beneath all of his bravado and clowning, there is clearly a man who has a lot of soul and cares about those around him. This side of Owen is brought out by Caitlin (Maya Rudolph), Owen’s park manager and sometimes girlfriend.
Carell takes on an unusual to most role as Trent, the films antagonist, if there really is one in this genre. He is one of the guys who is kind of a jerk, but not enough for you to really hate. Collette plays her part well, but doesn’t really get a significant amount of focus in the film. The funniest character of the fill is the over-the-top inappropriate Betty, a mom with a mean steak who does her best to embarrass her children and make everyone cringe with her nosy questions and open sexual frankness. Janney plays her with perfect comic timing.
I spoke with a friend, who also screened this movie, and he felt the movie played it too safe. He wanted it to explore the film’s darker themes more (family dysfunction, career frustration, teenage alienation) with much more insight. The one point I did agree with him was that Collette’s character was too underwritten to fully explain Pam’s tense relationships with, well… everyone. This is accentuated by the ending of the film where based on the buildup, I expected a much different action from her.
Still, The Way, Way Back is a delightful and smartly funny film that is sure to entertain you, and has a bit more gravitas than most summer comedies. I can tell you that I will be sporting my white “Ray-Ban”-esque sunglasses.
Lyndsey Gollogly (2893 KP) rated Barefoot on the Beach in Books
Jun 22, 2024
122 of 220
Book
Barefoot on the Beach
By Katlyn Duncan
⭐️⭐️⭐️
Renee may be thrilled to be planning her sister’s wedding, but after witnessing her mother’s two failed marriages, she has always vowed that she is better off on her own.
But when Renee discovers that Luc Hardy has moved next door, her world is knocked off kilter. Luc was her whirlwind summer romance as a teen and, more importantly, her first love. Now he’s back in West Cove, looking more handsome than ever.
There is no escaping the romance in the air this summer. With the wedding planning in full swing, Renee begins to believe that she might be able to put her childhood reservations about marriage aside.
Yet when her mother arrives, she stirs a torrent of emotions in Renee’s heart. She’s up to her old tricks again – boasting about her latest conquests – reaffirming Renee’s lack of faith in love.
As Renee’s happily-ever-after hangs in the balance, will Luc be able to convince her that true love can last forever?
This was a nice quick read and really sweet story. I’m not a romance fan normally but this was well written and enjoyable.
Book
Barefoot on the Beach
By Katlyn Duncan
⭐️⭐️⭐️
Renee may be thrilled to be planning her sister’s wedding, but after witnessing her mother’s two failed marriages, she has always vowed that she is better off on her own.
But when Renee discovers that Luc Hardy has moved next door, her world is knocked off kilter. Luc was her whirlwind summer romance as a teen and, more importantly, her first love. Now he’s back in West Cove, looking more handsome than ever.
There is no escaping the romance in the air this summer. With the wedding planning in full swing, Renee begins to believe that she might be able to put her childhood reservations about marriage aside.
Yet when her mother arrives, she stirs a torrent of emotions in Renee’s heart. She’s up to her old tricks again – boasting about her latest conquests – reaffirming Renee’s lack of faith in love.
As Renee’s happily-ever-after hangs in the balance, will Luc be able to convince her that true love can last forever?
This was a nice quick read and really sweet story. I’m not a romance fan normally but this was well written and enjoyable.
MaryAnn (14 KP) rated Miles from Where We Started in Books
Mar 5, 2019
These no-longer-newlyweds want out of this road trip—and their marriage. Too bad they can’t find the off ramp.
Weeks away from their one-year wedding anniversary, Mallory and Connor Duncan can’t even agree on how to end their marriage. But when a last-minute crisis lands them on a three-thousand-mile road trip together, Mallory wonders if their story may not be over after all.
The trip begins to unravel before the key is even in the ignition, and an at-risk, trouble-seeking missile of an eleven-year-old is unexpectedly launched into their travel plans. Close quarters get even tighter, and the couple believes this whole experience will spell disaster.
Their first year of marriage hasn’t been the arm-in-arm togetherness they expected. How can they find a new beginning when the road ends?
My Thoughts: What happens when you put a couple on the brink of divorce, a foster teen and a micro camper on a road trip? A very interesting novel! This is a story of hope, faith, and commitment. As you read this story you learn how important it is to keep your commitments. When we make our promises they are not meant to be broken, broken promises hurt and in this story emphasizes this. Broken promises can break people, by breaking their spirit as we read with the youth at the teen center and with the foster teen. This is a story of standing with and holding on no matter what the circumstances may be... in sickness and in health.
The characters are wonderful, I truly loved Judah, he was the comic relief in the storyline. Well written and fun to read I think this is a great book for everyone.
Weeks away from their one-year wedding anniversary, Mallory and Connor Duncan can’t even agree on how to end their marriage. But when a last-minute crisis lands them on a three-thousand-mile road trip together, Mallory wonders if their story may not be over after all.
The trip begins to unravel before the key is even in the ignition, and an at-risk, trouble-seeking missile of an eleven-year-old is unexpectedly launched into their travel plans. Close quarters get even tighter, and the couple believes this whole experience will spell disaster.
Their first year of marriage hasn’t been the arm-in-arm togetherness they expected. How can they find a new beginning when the road ends?
My Thoughts: What happens when you put a couple on the brink of divorce, a foster teen and a micro camper on a road trip? A very interesting novel! This is a story of hope, faith, and commitment. As you read this story you learn how important it is to keep your commitments. When we make our promises they are not meant to be broken, broken promises hurt and in this story emphasizes this. Broken promises can break people, by breaking their spirit as we read with the youth at the teen center and with the foster teen. This is a story of standing with and holding on no matter what the circumstances may be... in sickness and in health.
The characters are wonderful, I truly loved Judah, he was the comic relief in the storyline. Well written and fun to read I think this is a great book for everyone.
Haley Mathiot (9 KP) rated The Ice Twins in Books
Apr 27, 2018
This was literally the most depressing book I’ve ever read. Like, literally. The writing was lyrical and descriptive (almost too much so), and it was hard to listen to because of the emotional devastation of the characters. It was a rollercoaster because out of the three main characters (daughter, husband, wife) you loved all of them, you hated all of them, but you weren’t sure which one was the bad guy (and there was definitely a bad guy). And then once you figured out which one you hated the most, it would switch on you. Suffice to say, this made it an emotional trip.
As I said, the writing was almost so descriptive that it was annoying. And it wasn’t all of it, there were just some parts where I thought “Okay, I get it, move on with the story please.” Another thing was some of the dialogue was redundant. I realize you’re dealing with a traumatized child here, and they tend to repeat themselves and not elaborate, but there are artful ways of writing that without driving your reader crazy. (Example, thought not a direct quote: “tell me what happened?” “Nothing.” “Tell me?” “no. nothing.” “Please?” “Nothing.” “Please sweetheart.” “No! Nothing.” and on and on we go.)
But the story itself wrapped up with an intensely confusing and fulfilling climax, and even a week later it is still haunting me… the ghost may never go away.
The narration was combined: there were three people reading. Rawlins for the voice of Sarah, the mother; Duncan for the voice of Angus before the climax; King for the voice of Angus after the climax (which I thought was really weird, honestly). I liked Rawlins and King, but not Duncan at all. I also would have liked Rawlins to do the voice of the daughter for the whole thing, not just her chapters, since her voice was really good for it. It would have been so much editing though.
The Ice Twins was an overall good reading experience and despite it’s minor flaws I would recommend it to anyone who likes drama, romance, or general fiction.
As I said, the writing was almost so descriptive that it was annoying. And it wasn’t all of it, there were just some parts where I thought “Okay, I get it, move on with the story please.” Another thing was some of the dialogue was redundant. I realize you’re dealing with a traumatized child here, and they tend to repeat themselves and not elaborate, but there are artful ways of writing that without driving your reader crazy. (Example, thought not a direct quote: “tell me what happened?” “Nothing.” “Tell me?” “no. nothing.” “Please?” “Nothing.” “Please sweetheart.” “No! Nothing.” and on and on we go.)
But the story itself wrapped up with an intensely confusing and fulfilling climax, and even a week later it is still haunting me… the ghost may never go away.
The narration was combined: there were three people reading. Rawlins for the voice of Sarah, the mother; Duncan for the voice of Angus before the climax; King for the voice of Angus after the climax (which I thought was really weird, honestly). I liked Rawlins and King, but not Duncan at all. I also would have liked Rawlins to do the voice of the daughter for the whole thing, not just her chapters, since her voice was really good for it. It would have been so much editing though.
The Ice Twins was an overall good reading experience and despite it’s minor flaws I would recommend it to anyone who likes drama, romance, or general fiction.
Joe Goodhart (27 KP) rated New X-Men: Childhood's End, Volume 3: Nimrod in Books
Nov 30, 2020
If you have not read Volumes 1 and 2, please don't skip them, as they are important to the overall story.
More of the same, not necessarily a bad thing. Fulfills the Daily Minimum Requirement for angst.
Laura Kinney -- oh, my bad, they are still referring to her as "Laura X" -- is written well, with Yost and Kyle succeeding in developing the character as she tries to leave her previous life behind.
Unfortunately, she was not treated so well art-wise. Paco Medina was still the artist, except for the issues where a guest artist stepped up to fill-in: #29 (Duncan Rouleau) and #32 (BATTLE PUG's Mike Norton). The issues that didn't have Medina on the art were okay enough, but the issues he DID draw were an insulting disappointment. Laura was drawn with breasts too big for her, and the outfit she wore made he look she was a regular shopper at Whores R Us!
Overall, it was a good read, just not a great read like the previous two. I found the Nimrod story to be MEH, as I have never been a fan of character. Yeah, he's neat, but trying to include often creates ideas-never-dealt-with of paradoxes and such. But, outside of his appearance as this volume's "Big Bad", it was good, just not great. You may read it and feel differently perhaps.
More of the same, not necessarily a bad thing. Fulfills the Daily Minimum Requirement for angst.
Laura Kinney -- oh, my bad, they are still referring to her as "Laura X" -- is written well, with Yost and Kyle succeeding in developing the character as she tries to leave her previous life behind.
Unfortunately, she was not treated so well art-wise. Paco Medina was still the artist, except for the issues where a guest artist stepped up to fill-in: #29 (Duncan Rouleau) and #32 (BATTLE PUG's Mike Norton). The issues that didn't have Medina on the art were okay enough, but the issues he DID draw were an insulting disappointment. Laura was drawn with breasts too big for her, and the outfit she wore made he look she was a regular shopper at Whores R Us!
Overall, it was a good read, just not a great read like the previous two. I found the Nimrod story to be MEH, as I have never been a fan of character. Yeah, he's neat, but trying to include often creates ideas-never-dealt-with of paradoxes and such. But, outside of his appearance as this volume's "Big Bad", it was good, just not great. You may read it and feel differently perhaps.
Mark @ Carstairs Considers (2163 KP) rated Movieland in Books
Jul 26, 2022 (Updated Jul 26, 2022)
A Sniper in the State Park
Eve Ronin’s latest case starts in Malibu Creek State Park. A former movie studio backlot, it’s been known for hiking and camping for years. But someone shot at two female campers, killing one and wounding the other. Eve’s partner, Duncan Pavone, immediately connects the shooting to some cases he was investigating before Eve joined the department, but the higher ups are refusing to acknowledge that this is anything but an isolated incident. Can Eve find the truth no matter where it lays?
This strong book may be the best in the series to date. I couldn’t figure out where the plot was going to go for quite a while, and I mean that in the best way possible. Once I reached the end, everything was resolved in a logical manner. Eve got some great growth here, and all the characters, old and new, were strong and at their best. There are a couple of sub-plots that grow out of the events in previous books in the series. While you could read this as a standalone, I recommend you read the series in order. Since this is a police procedural, there is a tad more content that I try to avoid, but it was kept to a minimum. I also really enjoyed the humor in the book. If you are looking for a strong mystery, you’ll be glad you picked this one up.
This strong book may be the best in the series to date. I couldn’t figure out where the plot was going to go for quite a while, and I mean that in the best way possible. Once I reached the end, everything was resolved in a logical manner. Eve got some great growth here, and all the characters, old and new, were strong and at their best. There are a couple of sub-plots that grow out of the events in previous books in the series. While you could read this as a standalone, I recommend you read the series in order. Since this is a police procedural, there is a tad more content that I try to avoid, but it was kept to a minimum. I also really enjoyed the humor in the book. If you are looking for a strong mystery, you’ll be glad you picked this one up.
Hazel (1853 KP) rated As I Descended in Books
Dec 17, 2018
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review</i>
With this retelling of the famous bard’s tragedy <i>Macbeth</i>, Robin Talley takes steps to add another genre under her belt. Talley is fairly new to the young adult literature scene with <i>As I Descended</i> being her third publication. Many avid readers may already be aware that the author likes to tackle homosexuality and the surrounding stigma, whilst also encompassing other issues, i.e. black civil rights and long distance relationships. This novel is no different, however the other “issue” is on a paranormal level and follows the key themes in the Scottish play.
The story is set in a Virginian private school full of rich adolescents full of high expectations and the desire to be the best. Maria is always coming second best despite all her hard work, and Lily, her girlfriend, thinks this is entirely unfair. The student in first position, and set to win the Kingsley Prize, is Delilah, a popular girl who bullies and manipulates people to get what she wants. Determined to get Maria to see she should be the winner, Lily arranges a séance where she plans to pretend a spirit has contacted her telling Maria to beat Delilah. However the plan falls through when a real spirit begins communicating with them.
Lily is almost as manipulative as Delilah and convinces Maria to cheat her way to the top. Keeping in mind this is a retelling of <i>Macbeth</i>, a play that contains several deaths; you can guess the direction events are going to take. With Delilah out of the picture, Maria’s best friend Brandon and his boyfriend Matteo begin to suspect Maria of foul play.
Due to their initials it is easy to work out which of the original cast each character is representing. Maria, Lily, Delilah, Brandon, Matteo… Macbeth, Lady Macbeth, Duncan, Banquo, McDuff… As a result, the fate of the characters has already been predetermined, causing readers to jump to conclusions about each individual. However the introduction of a supernatural theme gives the storyline an entirely new outlook.
Initially I felt sorry for Maria and Lily, two lovely girls hiding their romantic relationship from the rest of the world. Maria never put a foot wrong, and Lily gets sympathy on account of being disabled. I related a lot to Lily at the beginning as I have also experienced severe leg pain and suffering around on a pair of crutches. However once the actual retelling of <i>Macbeth</i> began I took an instant dislike to the pair. I have never liked people who sabotage other’s lives and successes in order to be the best. This put a damper on the entire novel, making it a lot less interesting as there were no longer any characters I fully respected.
What I did enjoy was they way Talley managed to produce a modern retelling of the play. <i>Macbeth</i> is not the easiest story to bring into a contemporary setting, especially as it is about a King and set in a castle. Talley successfully created a narrative that no one else would have thought of – a particularly clever feat.
Those familiar with the play, especially those who had the opportunity to study it at school, will recognize a lot of the chapter headings as direct quotes from Shakespeare’s writing. It is exciting to find all the references to <i>Macbeth</i> and use your own knowledge to understand where the story is going.
Do not worry if you are unfamiliar with Shakespeare’s works, <i>As I Descended</i> is not reliant on prior knowledge in order to work. Ignoring <i>Macbeth</i>, the book is about greed and perfectionism as well as homosexual relationships and the worries about how others will perceive them, especially homophobic parents.
Overall, <i>As I Descended</i> was not as great as I hoped it would be due to the nature of the characters’ personalities. The risk Talley took in undertaking a retelling of <i>Macbeth</i> however has been an extremely successful accomplishment. It may even be beneficial for students struggling to understand <i>Macbeth</i>. If schools can get over their fear of homosexual content, it would be lovely to see this book being read as part of the curriculum.
With this retelling of the famous bard’s tragedy <i>Macbeth</i>, Robin Talley takes steps to add another genre under her belt. Talley is fairly new to the young adult literature scene with <i>As I Descended</i> being her third publication. Many avid readers may already be aware that the author likes to tackle homosexuality and the surrounding stigma, whilst also encompassing other issues, i.e. black civil rights and long distance relationships. This novel is no different, however the other “issue” is on a paranormal level and follows the key themes in the Scottish play.
The story is set in a Virginian private school full of rich adolescents full of high expectations and the desire to be the best. Maria is always coming second best despite all her hard work, and Lily, her girlfriend, thinks this is entirely unfair. The student in first position, and set to win the Kingsley Prize, is Delilah, a popular girl who bullies and manipulates people to get what she wants. Determined to get Maria to see she should be the winner, Lily arranges a séance where she plans to pretend a spirit has contacted her telling Maria to beat Delilah. However the plan falls through when a real spirit begins communicating with them.
Lily is almost as manipulative as Delilah and convinces Maria to cheat her way to the top. Keeping in mind this is a retelling of <i>Macbeth</i>, a play that contains several deaths; you can guess the direction events are going to take. With Delilah out of the picture, Maria’s best friend Brandon and his boyfriend Matteo begin to suspect Maria of foul play.
Due to their initials it is easy to work out which of the original cast each character is representing. Maria, Lily, Delilah, Brandon, Matteo… Macbeth, Lady Macbeth, Duncan, Banquo, McDuff… As a result, the fate of the characters has already been predetermined, causing readers to jump to conclusions about each individual. However the introduction of a supernatural theme gives the storyline an entirely new outlook.
Initially I felt sorry for Maria and Lily, two lovely girls hiding their romantic relationship from the rest of the world. Maria never put a foot wrong, and Lily gets sympathy on account of being disabled. I related a lot to Lily at the beginning as I have also experienced severe leg pain and suffering around on a pair of crutches. However once the actual retelling of <i>Macbeth</i> began I took an instant dislike to the pair. I have never liked people who sabotage other’s lives and successes in order to be the best. This put a damper on the entire novel, making it a lot less interesting as there were no longer any characters I fully respected.
What I did enjoy was they way Talley managed to produce a modern retelling of the play. <i>Macbeth</i> is not the easiest story to bring into a contemporary setting, especially as it is about a King and set in a castle. Talley successfully created a narrative that no one else would have thought of – a particularly clever feat.
Those familiar with the play, especially those who had the opportunity to study it at school, will recognize a lot of the chapter headings as direct quotes from Shakespeare’s writing. It is exciting to find all the references to <i>Macbeth</i> and use your own knowledge to understand where the story is going.
Do not worry if you are unfamiliar with Shakespeare’s works, <i>As I Descended</i> is not reliant on prior knowledge in order to work. Ignoring <i>Macbeth</i>, the book is about greed and perfectionism as well as homosexual relationships and the worries about how others will perceive them, especially homophobic parents.
Overall, <i>As I Descended</i> was not as great as I hoped it would be due to the nature of the characters’ personalities. The risk Talley took in undertaking a retelling of <i>Macbeth</i> however has been an extremely successful accomplishment. It may even be beneficial for students struggling to understand <i>Macbeth</i>. If schools can get over their fear of homosexual content, it would be lovely to see this book being read as part of the curriculum.
Gareth von Kallenbach (974 KP) rated Warcraft (2016) in Movies
Jun 19, 2019
Back in 1994, I fondly remember playing Warcraft on my PC as well as the fun of connecting with a friend over a dial up modem for hours of fun. Blizzard’s online matchmaking portal also served as a source of countless chatrooms in the pre-internet days and through the two sequels and add on packs that followed as well as the huge success of World of Warcraft, the name Warcraft came to symbolize quality and fun to millions of fans the world over.
The feature film is directed by Duncan Jones who replaced Sam Raimi in pre-production years ago, and follows the arrival or the Orcs into Azeroth and the battle that erupts as the humans try to stop this invading force. An evil energy source is compelling the actions of a power obsessed Orc and he is obsessed with destroying the humans to find a new home for his people which is no longer inhabitable thanks to said dark magic.
There are the usual collection of wizards, warriors, love interest, heroes, and villains that one would expect in a fantasy adventure but there are many elements that simply do not work. From poor casting choices to a story that is weak even by video game standards the movie just does not live up to what one expects form a summer blockbuster especially one with a name associated with quality. It is shocking to me that the studio thought the casting choices were appropriate for the film as there is no star power at all and no chemistry at all between any of the performers. It is almost as if some executives figured since their kids play Warcraft and they know people who play Warcraft, then this will be a huge hit as everyone will flock to it. Yes, but the salad days of the franchise are behind it as World of Warcraft does not have the subscriber bases it once had. Three to Five years ago would have been a great time for the film but for now it is too late and far to lacking. I am sure fans will see it for curiosity sake and it may open well, but I do not see it having much staying power and as what is supposed to be the first film in a planned series, I am not sure that I want to see much more of it which is sad as I am a fan of the games and I liked that the visuals of the film matched much of the quality artwork of the games.
The action scenes for the film are entertaining enough and they do have a good degree of visual appeal but they just do not have any intensity or compulsion to them and with the disjointed plot and sub par acting, it really makes it hard to get caught up in the outcome. One segment was indicating an epic battle was to come and it was resolved in seconds which really invalidated much of the events leading up to it.
Sadly the first cinematic offering for the franchise is not going to be the landmark event that the arrival of the previous games have been as it plays out like a big budget fan film with solid special effects but a plodding and stale story, bad acting, and a no-name cast who cannot even decide what accent they are using from scene to scene. I half expected Crow and Tom Servo to pop up in the corner and add their commentary especially during the ridiculous “Moses Scene” which was so indicative of the slapdash nature of the film.
http://sknr.net/2016/06/08/warcraft/
The feature film is directed by Duncan Jones who replaced Sam Raimi in pre-production years ago, and follows the arrival or the Orcs into Azeroth and the battle that erupts as the humans try to stop this invading force. An evil energy source is compelling the actions of a power obsessed Orc and he is obsessed with destroying the humans to find a new home for his people which is no longer inhabitable thanks to said dark magic.
There are the usual collection of wizards, warriors, love interest, heroes, and villains that one would expect in a fantasy adventure but there are many elements that simply do not work. From poor casting choices to a story that is weak even by video game standards the movie just does not live up to what one expects form a summer blockbuster especially one with a name associated with quality. It is shocking to me that the studio thought the casting choices were appropriate for the film as there is no star power at all and no chemistry at all between any of the performers. It is almost as if some executives figured since their kids play Warcraft and they know people who play Warcraft, then this will be a huge hit as everyone will flock to it. Yes, but the salad days of the franchise are behind it as World of Warcraft does not have the subscriber bases it once had. Three to Five years ago would have been a great time for the film but for now it is too late and far to lacking. I am sure fans will see it for curiosity sake and it may open well, but I do not see it having much staying power and as what is supposed to be the first film in a planned series, I am not sure that I want to see much more of it which is sad as I am a fan of the games and I liked that the visuals of the film matched much of the quality artwork of the games.
The action scenes for the film are entertaining enough and they do have a good degree of visual appeal but they just do not have any intensity or compulsion to them and with the disjointed plot and sub par acting, it really makes it hard to get caught up in the outcome. One segment was indicating an epic battle was to come and it was resolved in seconds which really invalidated much of the events leading up to it.
Sadly the first cinematic offering for the franchise is not going to be the landmark event that the arrival of the previous games have been as it plays out like a big budget fan film with solid special effects but a plodding and stale story, bad acting, and a no-name cast who cannot even decide what accent they are using from scene to scene. I half expected Crow and Tom Servo to pop up in the corner and add their commentary especially during the ridiculous “Moses Scene” which was so indicative of the slapdash nature of the film.
http://sknr.net/2016/06/08/warcraft/