Search
Cyn Armistead (14 KP) rated Blackout (All Clear, #1) in Books
Mar 1, 2018
Oh, Ms. Willis! I cannot believe you did this to me! A cliffhanger? After 512 many pages? And I hung in there SO long in the beginning, when the book was so slow to get going!
Seriously--during all that nattering about over changed schedules and finding drop sites I nearly screamed to just <b>get on with it already</b>! So it is absolutely ridiculous to find that after more than 500 pages, I am not a nice resolution to any of the various plot lines, but rather am referred to the next boook, [b:All Clear|7519231|All Clear (All Clear, #2)|Connie Willis|http://photo.goodreads.com/books/1267552735s/7519231.jpg|9735628]!
It's a bloody good thing that I 1) really, really like Ms. Willis' work; and 2) already have <i>All Clear</i> on hand and ready to go, or I would have been sorely tempted, <b>sorely</b>, I say, to throw the book across the room. That isn't nearly so satisfying with ebooks, and tends to do absolutely nothing but damage one's hardware, so I imagine I would have refrained.
But I absolutely would not suggest this work to a first-time Willis reader. [b:To Say Nothing of the Dog|77773|To Say Nothing of the Dog|Connie Willis|http://photo.goodreads.com/books/1298434745s/77773.jpg|696], certainly. [b:Bellwether|24985|Bellwether|Connie Willis|http://photo.goodreads.com/books/1167544946s/24985.jpg|1194887], even more so. But not this one, and not [b:Doomsday Book|24983|Doomsday Book|Connie Willis|http://photo.goodreads.com/books/1287032661s/24983.jpg|2439628] or [b:Lincoln's Dreams|24980|Lincoln's Dreams|Connie Willis|http://photo.goodreads.com/books/1167544943s/24980.jpg|25743] or, honestly, even [b:Fire Watch|10301442|Fire Watch|Connie Willis|http://ecx.images-amazon.com/images/I/51JNKi8g3aL._SL75_.jpg|2324159] (the story on which the <i>All Clear</i> duology is based).
Willis doesn't write simplistic stories, or I probably wouldn't enjoy her work so much, but she has a way of making the complex clear that's beautiful. It's just that these require a bit more desire to get there on the part of the reader, to my way of thinking, than the other two. And once one is seduced by those, it is clear that the effort is wholly worthwhile.
In any case, there's no doubt but that I'm going right on ahead to read [b:All Clear|7519231|All Clear (All Clear, #2)|Connie Willis|http://photo.goodreads.com/books/1267552735s/7519231.jpg|9735628]. I'm just a bit put out with the author at the moment--and very, very glad, considering the heft of these tomes, that I've switched to ebooks!
I still think that readers deserve some small reward for the sheer aggravation meted out thus far. Surely resolving some small plot issues would not have caused trouble? For instance, authors who are accustomed to working with multi-book series regularly wrap up some issues in each book, while leaving other, larger plot threads to carry over into future volumes to provide continuity.
Seriously--during all that nattering about over changed schedules and finding drop sites I nearly screamed to just <b>get on with it already</b>! So it is absolutely ridiculous to find that after more than 500 pages, I am not a nice resolution to any of the various plot lines, but rather am referred to the next boook, [b:All Clear|7519231|All Clear (All Clear, #2)|Connie Willis|http://photo.goodreads.com/books/1267552735s/7519231.jpg|9735628]!
It's a bloody good thing that I 1) really, really like Ms. Willis' work; and 2) already have <i>All Clear</i> on hand and ready to go, or I would have been sorely tempted, <b>sorely</b>, I say, to throw the book across the room. That isn't nearly so satisfying with ebooks, and tends to do absolutely nothing but damage one's hardware, so I imagine I would have refrained.
But I absolutely would not suggest this work to a first-time Willis reader. [b:To Say Nothing of the Dog|77773|To Say Nothing of the Dog|Connie Willis|http://photo.goodreads.com/books/1298434745s/77773.jpg|696], certainly. [b:Bellwether|24985|Bellwether|Connie Willis|http://photo.goodreads.com/books/1167544946s/24985.jpg|1194887], even more so. But not this one, and not [b:Doomsday Book|24983|Doomsday Book|Connie Willis|http://photo.goodreads.com/books/1287032661s/24983.jpg|2439628] or [b:Lincoln's Dreams|24980|Lincoln's Dreams|Connie Willis|http://photo.goodreads.com/books/1167544943s/24980.jpg|25743] or, honestly, even [b:Fire Watch|10301442|Fire Watch|Connie Willis|http://ecx.images-amazon.com/images/I/51JNKi8g3aL._SL75_.jpg|2324159] (the story on which the <i>All Clear</i> duology is based).
Willis doesn't write simplistic stories, or I probably wouldn't enjoy her work so much, but she has a way of making the complex clear that's beautiful. It's just that these require a bit more desire to get there on the part of the reader, to my way of thinking, than the other two. And once one is seduced by those, it is clear that the effort is wholly worthwhile.
In any case, there's no doubt but that I'm going right on ahead to read [b:All Clear|7519231|All Clear (All Clear, #2)|Connie Willis|http://photo.goodreads.com/books/1267552735s/7519231.jpg|9735628]. I'm just a bit put out with the author at the moment--and very, very glad, considering the heft of these tomes, that I've switched to ebooks!
I still think that readers deserve some small reward for the sheer aggravation meted out thus far. Surely resolving some small plot issues would not have caused trouble? For instance, authors who are accustomed to working with multi-book series regularly wrap up some issues in each book, while leaving other, larger plot threads to carry over into future volumes to provide continuity.
Cyn Armistead (14 KP) rated All Clear (All Clear, #2) in Books
Mar 1, 2018
Well, this volume moved much more quickly than [b:Blackout|6506307|Blackout|Connie Willis|https://d.gr-assets.com/books/1402428101s/6506307.jpg|6697901] did! Having read a brief piece written by Ms. Willis thanking those who stood by her as one book spread into two, I think I have a slightly better understanding now of what happened that led to my unhappiness with the way the first book ended. They really shouldn't be two books, but they couldn't physically fit into one volume. Or, for many e-readers, one ebook.
It is still a large book! And, as in [b:Blackout|6506307|Blackout|Connie Willis|https://d.gr-assets.com/books/1402428101s/6506307.jpg|6697901], it isn't always clear just who a character is. I'm reading along happily and all of a sudden, there's a new main character! Wait, who is this? Has Colin gotten through somehow? Or is it another historian? Or another trip by one of the people we already know? Or--but--…Ms. Willis does a marvelous job of keeping us guessing. And the historians' habit of using different names on different assignments meant that I didn't always know which person I was reading about even when I thought I did know who he or she was! The reader has to catch the tiniest details to know that something isn't quite right, or be left completely surprised at the reveal! The many references to [a:Agatha Christie|123715|Agatha Christie|https://d.gr-assets.com/authors/1321738793p2/123715.jpg] are definitely meaningful, and I've come to believe that I haven't read nearly enough of her work!
I've always considered Ms. Willis a cerebral author, but my emotions were heavily engaged here. The analogy of Polly, Sir Godfrey, and <i>The Admirable Crichton</i> was so apt, and that dreadful business in the Phoenix had me bawling. By the time a hero we'd grown to know and love dearly fell, and fell so, so close to home, I was a basket case.
After finishing this massive duology (which really should count as one enormous book spread across two volumes), you would think that I would be sick and tired of all things Willis and not want to read another word by her for the next year or so. Instead, I want to know, right now, what comes next. I want to read about Eileen and the Vicar, and watch Alf and Binnie grow up. I want to see Polly and Colin's relationship grow.
I imagine Ms. Willis is rather tired of all of them, though, and happy to rest for a while and remember what it is to live back in this century again. The Oxford Time Travel universe offers so many rich and fascinating possibilities for fiction, and I hope she chooses to write many more novels set in it. I'll definitely be willing to read them!
It is still a large book! And, as in [b:Blackout|6506307|Blackout|Connie Willis|https://d.gr-assets.com/books/1402428101s/6506307.jpg|6697901], it isn't always clear just who a character is. I'm reading along happily and all of a sudden, there's a new main character! Wait, who is this? Has Colin gotten through somehow? Or is it another historian? Or another trip by one of the people we already know? Or--but--…Ms. Willis does a marvelous job of keeping us guessing. And the historians' habit of using different names on different assignments meant that I didn't always know which person I was reading about even when I thought I did know who he or she was! The reader has to catch the tiniest details to know that something isn't quite right, or be left completely surprised at the reveal! The many references to [a:Agatha Christie|123715|Agatha Christie|https://d.gr-assets.com/authors/1321738793p2/123715.jpg] are definitely meaningful, and I've come to believe that I haven't read nearly enough of her work!
I've always considered Ms. Willis a cerebral author, but my emotions were heavily engaged here. The analogy of Polly, Sir Godfrey, and <i>The Admirable Crichton</i> was so apt, and that dreadful business in the Phoenix had me bawling. By the time a hero we'd grown to know and love dearly fell, and fell so, so close to home, I was a basket case.
After finishing this massive duology (which really should count as one enormous book spread across two volumes), you would think that I would be sick and tired of all things Willis and not want to read another word by her for the next year or so. Instead, I want to know, right now, what comes next. I want to read about Eileen and the Vicar, and watch Alf and Binnie grow up. I want to see Polly and Colin's relationship grow.
I imagine Ms. Willis is rather tired of all of them, though, and happy to rest for a while and remember what it is to live back in this century again. The Oxford Time Travel universe offers so many rich and fascinating possibilities for fiction, and I hope she chooses to write many more novels set in it. I'll definitely be willing to read them!
postapocalypticplayground (27 KP) rated Six of Crows in Books
Jan 9, 2018
Every so often a book will come along which will make you re-evaluate all the 5 star reviews you have given in the past. Six of Crows for me is that book. Set in Leigh Bardugo's "Grishaverse" it is the tale of an impossible heist where the rewards far outweigh the risk. Our main protagonist Kaz Brekker is fast becoming a legend in the bowels of the Barrel, the criminal underworld of Ketterdam. He is young, but a driven and ruthless trickster, with a team to match. They are tasked with breaching the heavily fortified Ice Court to rescue a scientist held hostage. It's a feat which has never been achieved, but with the promise of a reward that will take Kaz and his team out of the bottom of the Barrel it's risk he's willing to take, after all, just how many things could go wrong?
Six of Crows is told in multiple points of view, which can sometimes be confusing for me but there were only a couple of occasions that I found myself flipping back to the start of the chapter to remind myself who in the limelight. I felt that this was a style that worked really well with this story as the main six often found themselves in different places with different tasks and this way of storytelling allowed it all to come seamlessly together. Whilst it does majorly involve the Grisha, I found it was a world that I easily fell into pace with, without having read the Grisha Trilogy first. I'm told there are a number of nods which are present but I never felt lost or like I was missing out.
The characters are fantastic, my favourite by far was Inej, the wraith. Rescued from the oldest profession by Kaz, she is a force to be reckoned with, a silent assassin. There are no walls she can't climb or secrets she can't glean. I felt most for her, what she had been through before joining with Kaz and how it had driven her to become who she now was. I loved the sense of purpose that grew within her throughout the story. The others too though all have their stories to tell, a proper band of misfits all with their secrets and terrible histories that have shaped them. It's hard to remember that they are all teenagers, but then that makes them easier to underestimate.
The audacity behind Kaz's plan is immeasurable and it is through this that I am just in awe of the writing. At just shy of 500 pages there was not a single moment of rest for the reader, I felt on edge every step of the way. I felt fear for these characters, trepidation but also the good humour that only a rag tag bunch of forgotten teenagers could have in the circumstances they faced. I simply did not want to put this down, at all. The last of the six sections I tried to slow down as I knew it was coming to an end but it pulled me in and wouldn't let go. It's rare for a book to leave me breathless, but this one really did. It's the first of a duology and I can't wait for pay day to roll round so I can pick up Crooked Kingdom. If I could give this six stars I would, It's a truly amazing read and If you're a YA fantasy fan you will not be disappointed!
Six of Crows is told in multiple points of view, which can sometimes be confusing for me but there were only a couple of occasions that I found myself flipping back to the start of the chapter to remind myself who in the limelight. I felt that this was a style that worked really well with this story as the main six often found themselves in different places with different tasks and this way of storytelling allowed it all to come seamlessly together. Whilst it does majorly involve the Grisha, I found it was a world that I easily fell into pace with, without having read the Grisha Trilogy first. I'm told there are a number of nods which are present but I never felt lost or like I was missing out.
The characters are fantastic, my favourite by far was Inej, the wraith. Rescued from the oldest profession by Kaz, she is a force to be reckoned with, a silent assassin. There are no walls she can't climb or secrets she can't glean. I felt most for her, what she had been through before joining with Kaz and how it had driven her to become who she now was. I loved the sense of purpose that grew within her throughout the story. The others too though all have their stories to tell, a proper band of misfits all with their secrets and terrible histories that have shaped them. It's hard to remember that they are all teenagers, but then that makes them easier to underestimate.
The audacity behind Kaz's plan is immeasurable and it is through this that I am just in awe of the writing. At just shy of 500 pages there was not a single moment of rest for the reader, I felt on edge every step of the way. I felt fear for these characters, trepidation but also the good humour that only a rag tag bunch of forgotten teenagers could have in the circumstances they faced. I simply did not want to put this down, at all. The last of the six sections I tried to slow down as I knew it was coming to an end but it pulled me in and wouldn't let go. It's rare for a book to leave me breathless, but this one really did. It's the first of a duology and I can't wait for pay day to roll round so I can pick up Crooked Kingdom. If I could give this six stars I would, It's a truly amazing read and If you're a YA fantasy fan you will not be disappointed!
Sophia (Bookwyrming Thoughts) (530 KP) rated Hullmetal Girls in Books
Jan 23, 2020
<b><i>I received this book for free from Publisher in exchange for an honest review. This does not affect my opinion of the book or the content of my review.</i></b>
<em>Hullmetal Girls</em> was both painful and fun to read, with machinery and body modification in space. Skrutskie's latest novel is quite different for those who have read her <em><a href="https://bookwyrmingthoughts.com/mini-reviews-part-1-emily-skrutskie-marie-lu-and-others/">The Abyss Surrounds Us</a></em> duology, but just as good.
No cute sea monsters though. 😞
<h2><strong>What can you expect from <em>Hullmetal Girls</em> then?</strong></h2>
Because that's what you're really here for. (That, and well, prime book shoving from one of your favorite book dragons.)
<h3>Space and machinery</h3>
<em>Hullmetal Girls</em> is kind of cyborgs in space but not exactly cyborgs as Scela are people who are enhanced with machinery to be stronger and better. There's a huge price to pay, but also rewarding for those who make it to the top. I found it interesting to see how the Scela worked both during the process of becoming one and training.
<h3>Very painful beginning</h3>
Skrutskie introduces us to Aisha, a girl who decides to undergo surgery to become Scela, an enhanced soldier who is stripped of humanity to protect the Fleet ruled by the General Body. We're in the process of the surgery with her, and it'll be a painful read as she is being taken apart and put back together.
<h3>Strong sense of family</h3>
Family is a huge theme from the beginning of the book until the end. Aisha risks her life to become Scela to provide a better life for her remaining family and to give her younger brother the best care for his sickness. Throughout the book, we see this as her motivation to get through basic training and to be a part of the best Scela, even though she probably doesn't care or want to be there. She's not the only one though, as one of her teammates undergoes the procedure to help her sister become the best researcher she can possibly be. If anything happens to the people they love, they're in a void of nothing, trying to figure out what their meaning of life is.
<h3>Friendship and teamwork</h3>
After Scela survive their procedure, they are placed into squads who they will be with from training and into their careers as the Fleet's protective body. From early on, Aisha and her squadmates: Key, Wooj and Praava are all thrown together and have to figure how they can work together as a team. They learn that if they all want to accomplish their goals, they'll have to meet somewhere in the middle. It's not something they get ahold of easily and without some challenges, though, but they get there eventually.
<h3>Open-ended ending</h3>
<em>Hullmetal Girls</em> has an open ending but brings everything together to a satisfying closure that leaves some imagination to the readers of what could happen to the characters after the book ends.
<h2><strong><em>Hullmetal Girls</em> is different from Skrutskie's debut novels, but just as amazing with the technology in space, the friendship that develops and the sibling relationship that drives some of the characters.</strong></h2>
<a href="https://bookwyrmingthoughts.com/hullmetal-girls-by-emily-skrutskie/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
<em>Hullmetal Girls</em> was both painful and fun to read, with machinery and body modification in space. Skrutskie's latest novel is quite different for those who have read her <em><a href="https://bookwyrmingthoughts.com/mini-reviews-part-1-emily-skrutskie-marie-lu-and-others/">The Abyss Surrounds Us</a></em> duology, but just as good.
No cute sea monsters though. 😞
<h2><strong>What can you expect from <em>Hullmetal Girls</em> then?</strong></h2>
Because that's what you're really here for. (That, and well, prime book shoving from one of your favorite book dragons.)
<h3>Space and machinery</h3>
<em>Hullmetal Girls</em> is kind of cyborgs in space but not exactly cyborgs as Scela are people who are enhanced with machinery to be stronger and better. There's a huge price to pay, but also rewarding for those who make it to the top. I found it interesting to see how the Scela worked both during the process of becoming one and training.
<h3>Very painful beginning</h3>
Skrutskie introduces us to Aisha, a girl who decides to undergo surgery to become Scela, an enhanced soldier who is stripped of humanity to protect the Fleet ruled by the General Body. We're in the process of the surgery with her, and it'll be a painful read as she is being taken apart and put back together.
<h3>Strong sense of family</h3>
Family is a huge theme from the beginning of the book until the end. Aisha risks her life to become Scela to provide a better life for her remaining family and to give her younger brother the best care for his sickness. Throughout the book, we see this as her motivation to get through basic training and to be a part of the best Scela, even though she probably doesn't care or want to be there. She's not the only one though, as one of her teammates undergoes the procedure to help her sister become the best researcher she can possibly be. If anything happens to the people they love, they're in a void of nothing, trying to figure out what their meaning of life is.
<h3>Friendship and teamwork</h3>
After Scela survive their procedure, they are placed into squads who they will be with from training and into their careers as the Fleet's protective body. From early on, Aisha and her squadmates: Key, Wooj and Praava are all thrown together and have to figure how they can work together as a team. They learn that if they all want to accomplish their goals, they'll have to meet somewhere in the middle. It's not something they get ahold of easily and without some challenges, though, but they get there eventually.
<h3>Open-ended ending</h3>
<em>Hullmetal Girls</em> has an open ending but brings everything together to a satisfying closure that leaves some imagination to the readers of what could happen to the characters after the book ends.
<h2><strong><em>Hullmetal Girls</em> is different from Skrutskie's debut novels, but just as amazing with the technology in space, the friendship that develops and the sibling relationship that drives some of the characters.</strong></h2>
<a href="https://bookwyrmingthoughts.com/hullmetal-girls-by-emily-skrutskie/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Sophia (Bookwyrming Thoughts) (530 KP) rated Eon: Dragoneye Reborn (Eon, #1) in Books
Jan 23, 2020
Both books are extremely long, but Eon and Eona are one of the best dragon books I've read - out of the few I've read so far.
Eon does start out pretty slow. It takes awhile for something to happen, and there's a political struggle for a good chunk in the middle - a complete (and perhaps unnecessary at times) possibility as to why the book was extremely long in the first place.
Eona, as Eon at the time, was an extremely annoying character. It takes her AGES to connect all the dots and she's extremely desperate to fit in. It's almost as though she hates being a female, even though she gets points for being a sword-wielding, kick-butt, no-nonsense character.
Eona, on the other hand, is longer than Eon. After the events of Eon, the Empire of Celestial Dragons are in chaos, and Eona and her allies are on the run.
Eon has now stopped with her disguise, but I don't like her any better than I liked Eona puttering around like a boy. In Eon, Eona was just desperate to fit in and make herself seem worthy. In the sequel, Eona just argues FAR too much with Kygo.
Eona, however long, definitely makes up for the many dull moments in the first book. It's much more engrossing and action-packed, bringing a fantastic end to two very long books.
<b>Eon</b> - Full Review
Blog: <a href="http://bookwyrming-thoughts.blogspot.com/2014/12/review-eon-by-alison-goodman.html">http://bookwyrming-thoughts.blogspot.com/2014/12/review-eon-by-alison-goodman.html</a>;
Goodreads: <a href="https://www.goodreads.com/review/show/1038182170?book_show_action=false">https://www.goodreads.com/review/show/1038182170?book_show_action=false</a>;
<b>Eona</b> - Full Review
Blog: <a href="http://bookwyrming-thoughts.blogspot.com/2015/01/review-eona-by-alison-goodman.html">http://bookwyrming-thoughts.blogspot.com/2015/01/review-eona-by-alison-goodman.html</a>;
Goodreads: <a href="https://www.goodreads.com/review/show/1134057091?book_show_action=false">https://www.goodreads.com/review/show/1134057091?book_show_action=false</a>;
Merged review:
The entire idea behind Eon, according to the Alison Goodman's note at the very last page of the book, was inspired by the cultures and histories of China and Japan. Of course I would be completely excited because I'm Chinese myself and dragons are wonderfully majestic and mystic creatures. I had to read it!
I also had to read it because I would then have the opportunity to not only debate with the only guy in book club (who actually recommended the book to me in the first place... are you happy?), but I would also get to throw a book at said guy. Actually, it would be throwing the book first, run away, and then maybe debate about it. But one can't debate when one runs away.
In reality, I did get the chance to smack him with Eon. He then "abused" me with his scarf throughout Lit class. One day, I plan to steal that scarf and hide it.
I don't intend to ever give it back either.
Eon is a fabulous idea. And I mean, phenomenal. The best dragon book I've ever read despite the flaws and not so phenomenal things, even though the amount of dragon books I've read in the past is relatively small. Goodman has certainly done a fantastic job with the world building of the Empire of Celestial Dragons and the dragons itself – a brief history of the Dragoneyes and the Dragons are compressed at the very beginning of the book (it was a bit confusing to me) and the rest is filled in throughout the process of the book.
I have to say I'm impressed. Quite impressed compared to my latest reads (Okay, they're not shabby, but I wasn't overly excited about them either).
The beginning of the book lacked a bit of what would have made the book so much better. All Eon and the other Dragoneye candidates do is train, train, train. Eon is made fun of by everyone – including his Swordmaster! – because he's not like the others, etc. Basically, life is all about that misery for Eon and the book follows the same pattern over and over again: train, disdain, train, disdain, train, disdain.
Oh, and it doesn't help he's really a girl, though approximately 99.9% of the people don't know (they do know he's crippled). I'm pretty confused as to what gender to use in this particular review. That, however, does not mean I'm a sexist. All I can say to this entire ordeal is the mere fact that it seems Eon is trying too hard to hide her true self. Not a problem with me because of the time period Goodman sets Eon in. But with the amount of Sun drugs she takes later in the book – I think those so called Sun drugs are simply crack – in an attempt to connect with the Mirror Dragon, it's really obvious Eon is desperate enough to fit in and prove herself worthy of being a part of the Dragoneye council.
It's not until the anticipation of finding out who the new Rat Dragoneye apprentice will be does the book become interesting. The majority of the rest becomes more of a political struggle among the Dragoneye council and the Empire of Celestial Dragons as Eon continues her training as the one and only Mirror Dragoneye since the last 500 years, with the pressure of the Emperor's supporters resting on her shoulders.
Quite a burden to bear. Plus, the middle seemed to drag a bit (read: political struggle). It even got to the point where I actually thought Eon would be better off if the story had been split into two books and the series into a trilogy instead of duology.
It didn't help with Eon as a character either. She is, by far, one of the most annoying characters I've ever met. Here's a bit of a sidenote: There aren't many Asians as main characters. They're usually the peeps on the sidelines, and even that rarely happens. When they ARE main characters, they're usually a sword-wielding, kick-butt, no-nonsense type of character (or they seem to be annoyingly stereotyped and I hate it, so I don't even bother reading it in the first place). And while Goodman does incorporate all of that in Eon's character (the kick-butt, not the stereotype), it was still very annoying to see Eon puttering about and taking forever to connect the dots (read: desperate to fit in).
The ending gets better – much better – than the beginning and the middle (read: beginning = training + disdain, middle = political struggle + desperation). The fantastic ending probably made up for the hiccups earlier throughout and possibly changed my mind about wanting to split the book in half. Eon is a semi-phenomenal ending to a phenomenal idea in a not so phenomenal first book in a duology, and I've yet to decide whether I should give the sequel a whirl to see if it improves compared to Eon.
<blockquote>Friendship is not something that can be forced.</blockquote>
(Except for one of my friends. According to him, he forced his way into us being friends. *sigh*)
--------------------
Original Review posted at <a href="http://bookwyrming-thoughts.blogspot.com/2014/12/review-eon-by-alison-goodman.html">Bookwyrming Thoughts</a>
<a href="http://bookwyrming-thoughts.blogspot.com/"><img src="http://3.bp.blogspot.com/-cG5gfBqJVzk/VA5BIojjZ9I/AAAAAAAAD1g/7srLUfpAGEU/s1600/banner.png"; /></a>
Eon does start out pretty slow. It takes awhile for something to happen, and there's a political struggle for a good chunk in the middle - a complete (and perhaps unnecessary at times) possibility as to why the book was extremely long in the first place.
Eona, as Eon at the time, was an extremely annoying character. It takes her AGES to connect all the dots and she's extremely desperate to fit in. It's almost as though she hates being a female, even though she gets points for being a sword-wielding, kick-butt, no-nonsense character.
Eona, on the other hand, is longer than Eon. After the events of Eon, the Empire of Celestial Dragons are in chaos, and Eona and her allies are on the run.
Eon has now stopped with her disguise, but I don't like her any better than I liked Eona puttering around like a boy. In Eon, Eona was just desperate to fit in and make herself seem worthy. In the sequel, Eona just argues FAR too much with Kygo.
Eona, however long, definitely makes up for the many dull moments in the first book. It's much more engrossing and action-packed, bringing a fantastic end to two very long books.
<b>Eon</b> - Full Review
Blog: <a href="http://bookwyrming-thoughts.blogspot.com/2014/12/review-eon-by-alison-goodman.html">http://bookwyrming-thoughts.blogspot.com/2014/12/review-eon-by-alison-goodman.html</a>;
Goodreads: <a href="https://www.goodreads.com/review/show/1038182170?book_show_action=false">https://www.goodreads.com/review/show/1038182170?book_show_action=false</a>;
<b>Eona</b> - Full Review
Blog: <a href="http://bookwyrming-thoughts.blogspot.com/2015/01/review-eona-by-alison-goodman.html">http://bookwyrming-thoughts.blogspot.com/2015/01/review-eona-by-alison-goodman.html</a>;
Goodreads: <a href="https://www.goodreads.com/review/show/1134057091?book_show_action=false">https://www.goodreads.com/review/show/1134057091?book_show_action=false</a>;
Merged review:
The entire idea behind Eon, according to the Alison Goodman's note at the very last page of the book, was inspired by the cultures and histories of China and Japan. Of course I would be completely excited because I'm Chinese myself and dragons are wonderfully majestic and mystic creatures. I had to read it!
I also had to read it because I would then have the opportunity to not only debate with the only guy in book club (who actually recommended the book to me in the first place... are you happy?), but I would also get to throw a book at said guy. Actually, it would be throwing the book first, run away, and then maybe debate about it. But one can't debate when one runs away.
In reality, I did get the chance to smack him with Eon. He then "abused" me with his scarf throughout Lit class. One day, I plan to steal that scarf and hide it.
I don't intend to ever give it back either.
Eon is a fabulous idea. And I mean, phenomenal. The best dragon book I've ever read despite the flaws and not so phenomenal things, even though the amount of dragon books I've read in the past is relatively small. Goodman has certainly done a fantastic job with the world building of the Empire of Celestial Dragons and the dragons itself – a brief history of the Dragoneyes and the Dragons are compressed at the very beginning of the book (it was a bit confusing to me) and the rest is filled in throughout the process of the book.
I have to say I'm impressed. Quite impressed compared to my latest reads (Okay, they're not shabby, but I wasn't overly excited about them either).
The beginning of the book lacked a bit of what would have made the book so much better. All Eon and the other Dragoneye candidates do is train, train, train. Eon is made fun of by everyone – including his Swordmaster! – because he's not like the others, etc. Basically, life is all about that misery for Eon and the book follows the same pattern over and over again: train, disdain, train, disdain, train, disdain.
Oh, and it doesn't help he's really a girl, though approximately 99.9% of the people don't know (they do know he's crippled). I'm pretty confused as to what gender to use in this particular review. That, however, does not mean I'm a sexist. All I can say to this entire ordeal is the mere fact that it seems Eon is trying too hard to hide her true self. Not a problem with me because of the time period Goodman sets Eon in. But with the amount of Sun drugs she takes later in the book – I think those so called Sun drugs are simply crack – in an attempt to connect with the Mirror Dragon, it's really obvious Eon is desperate enough to fit in and prove herself worthy of being a part of the Dragoneye council.
It's not until the anticipation of finding out who the new Rat Dragoneye apprentice will be does the book become interesting. The majority of the rest becomes more of a political struggle among the Dragoneye council and the Empire of Celestial Dragons as Eon continues her training as the one and only Mirror Dragoneye since the last 500 years, with the pressure of the Emperor's supporters resting on her shoulders.
Quite a burden to bear. Plus, the middle seemed to drag a bit (read: political struggle). It even got to the point where I actually thought Eon would be better off if the story had been split into two books and the series into a trilogy instead of duology.
It didn't help with Eon as a character either. She is, by far, one of the most annoying characters I've ever met. Here's a bit of a sidenote: There aren't many Asians as main characters. They're usually the peeps on the sidelines, and even that rarely happens. When they ARE main characters, they're usually a sword-wielding, kick-butt, no-nonsense type of character (or they seem to be annoyingly stereotyped and I hate it, so I don't even bother reading it in the first place). And while Goodman does incorporate all of that in Eon's character (the kick-butt, not the stereotype), it was still very annoying to see Eon puttering about and taking forever to connect the dots (read: desperate to fit in).
The ending gets better – much better – than the beginning and the middle (read: beginning = training + disdain, middle = political struggle + desperation). The fantastic ending probably made up for the hiccups earlier throughout and possibly changed my mind about wanting to split the book in half. Eon is a semi-phenomenal ending to a phenomenal idea in a not so phenomenal first book in a duology, and I've yet to decide whether I should give the sequel a whirl to see if it improves compared to Eon.
<blockquote>Friendship is not something that can be forced.</blockquote>
(Except for one of my friends. According to him, he forced his way into us being friends. *sigh*)
--------------------
Original Review posted at <a href="http://bookwyrming-thoughts.blogspot.com/2014/12/review-eon-by-alison-goodman.html">Bookwyrming Thoughts</a>
<a href="http://bookwyrming-thoughts.blogspot.com/"><img src="http://3.bp.blogspot.com/-cG5gfBqJVzk/VA5BIojjZ9I/AAAAAAAAD1g/7srLUfpAGEU/s1600/banner.png"; /></a>
Considering the fact all of the nominees for the 2015-2016 Gateway Award aren't exactly very appealing and I've had quite the bad luck with them... I pretty much decided to take a stab with Ashley Elston's <i>The Rules for Disappearing</i> as my next victim.
In elaboration of that bad luck, <a title="In the Shadow of Blackbirds" href="https://bookwyrmingthoughts.com/review-in-the-shadow-of-blackbirds-by-cat-winters/"; target="_blank" rel="noopener">my first one was insanity</a>. I'm scared of reading another book by Cat Winters. <a href="http://bookwyrmingthoughts.com/dnf-review-the-5th-wave-by-rick-yancey"; target="_blank" rel="noopener">My second one had a highly annoying character named after a constellation</a>.
<div class="separator" style="clear: both; text-align: center;"><img src="http://bookwyrmingthoughts.bookblog.io/wp-content/uploads/sites/317/2015/05/dean-what-have-i-done.gif"; border="0" /></div>
And now, my third book has a very materialistic character (completely opposite spectrum from me) whose family is in Witness Protection for the last year and has quite literally changed their names far more times than Zach/Jack in <i>Zach's Lie</i> and <i>Jack's Run</i>. With their eighth move, "Meg," is extremely tired of constantly having to move places, leaving her life behind, and changing her identities – the moves were beginning to tear apart their family. Meg vows to find what landed her and her family in Witness Protection in the first place throughout the book.
I personally liked how the book was formatted. The beginning of each chapter has a "rule for disappearing," possibly concocted by Meg over the year her family has been in Witness Protection, and what happens in the chapter is sort of a reason "why" Meg established the rule in the first place.
For almost half the book there isn't really too much that happens – Meg makes a plan to not settle down with her new life like she did in her past placements, her "diary" gets stolen, and she tries to avoid a boy named Ethan Landry who's a lot smarter than he seems. After accidentally hearing a few conversations her dad has over the phone in the middle of the night, things start to pick up – Meg starts to remember more of what happened in her original life and becomes more determined to get her family out of Witness protection.
Meg is like a clamshell at the very beginning – she's very closed off and she wants to isolate herself from her peers because who cares about making friends when you might be plucked from your current life any moment? It's not until she meets Ethan that she "gives up" on trying to isolate herself and becomes more open with other people. In all honesty, if Ethan didn't make a constant attempt to open up her shell, Meg probably wouldn't have told her story – how her old life was like, why she's really in Witness Protection, and what each of her moves were like compared to her original life.
Elston does drop a hint or two of a sequel near the end of the book, which I'm not exactly too excited for. <i>The Rules for Disappearing</i> felt like a stand-alone rather than a duology, but maybe the sequel will be equally or more interesting.
<blockquote>We force you to sit through the chick flicks so maybe you'll get some idea of how you're supposed to act.</blockquote>
<a href="https://bookwyrmingthoughts.com/review-the-rules-for-disappearing-by-ashley-elston/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
In elaboration of that bad luck, <a title="In the Shadow of Blackbirds" href="https://bookwyrmingthoughts.com/review-in-the-shadow-of-blackbirds-by-cat-winters/"; target="_blank" rel="noopener">my first one was insanity</a>. I'm scared of reading another book by Cat Winters. <a href="http://bookwyrmingthoughts.com/dnf-review-the-5th-wave-by-rick-yancey"; target="_blank" rel="noopener">My second one had a highly annoying character named after a constellation</a>.
<div class="separator" style="clear: both; text-align: center;"><img src="http://bookwyrmingthoughts.bookblog.io/wp-content/uploads/sites/317/2015/05/dean-what-have-i-done.gif"; border="0" /></div>
And now, my third book has a very materialistic character (completely opposite spectrum from me) whose family is in Witness Protection for the last year and has quite literally changed their names far more times than Zach/Jack in <i>Zach's Lie</i> and <i>Jack's Run</i>. With their eighth move, "Meg," is extremely tired of constantly having to move places, leaving her life behind, and changing her identities – the moves were beginning to tear apart their family. Meg vows to find what landed her and her family in Witness Protection in the first place throughout the book.
I personally liked how the book was formatted. The beginning of each chapter has a "rule for disappearing," possibly concocted by Meg over the year her family has been in Witness Protection, and what happens in the chapter is sort of a reason "why" Meg established the rule in the first place.
For almost half the book there isn't really too much that happens – Meg makes a plan to not settle down with her new life like she did in her past placements, her "diary" gets stolen, and she tries to avoid a boy named Ethan Landry who's a lot smarter than he seems. After accidentally hearing a few conversations her dad has over the phone in the middle of the night, things start to pick up – Meg starts to remember more of what happened in her original life and becomes more determined to get her family out of Witness protection.
Meg is like a clamshell at the very beginning – she's very closed off and she wants to isolate herself from her peers because who cares about making friends when you might be plucked from your current life any moment? It's not until she meets Ethan that she "gives up" on trying to isolate herself and becomes more open with other people. In all honesty, if Ethan didn't make a constant attempt to open up her shell, Meg probably wouldn't have told her story – how her old life was like, why she's really in Witness Protection, and what each of her moves were like compared to her original life.
Elston does drop a hint or two of a sequel near the end of the book, which I'm not exactly too excited for. <i>The Rules for Disappearing</i> felt like a stand-alone rather than a duology, but maybe the sequel will be equally or more interesting.
<blockquote>We force you to sit through the chick flicks so maybe you'll get some idea of how you're supposed to act.</blockquote>
<a href="https://bookwyrmingthoughts.com/review-the-rules-for-disappearing-by-ashley-elston/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Goddess in the Stacks (553 KP) rated The Priory of the Orange Tree in Books
May 3, 2019
AMAZING epic fantasy.
Holy COW, you guys. I keep saying “I haven’t read much epic fantasy lately” and “I don’t have time to read such long books/series” but I made an exception for Priory, and I’m SO glad I did. Just WOW.
So the basic premise of this world is that The Nameless One (some gigantic evil dragon) was locked away a thousand years ago, and all his minions with him. The exact details of how and who did it have been mostly lost to history. It’s said that as long as the House of Berethnet rules Inys, he’ll never rise again, and Berethnet queens always have one child, a daughter. The current queen, however, is unwed, and minions of The Nameless One have begun rising, and in fact have conquered a few neighboring nations. We have three main factions of countries; The East, who have dragon riders, but make a distinction between their dragons, who are aquatic and identify with the stars, and the evil minions of The Nameless One, who are full of fire. Then we have Virtudom, which is headed by Inys, and is a coalition of countries who have made a religion of the Knightly Virtues. This is the West, and they make no distinction between the draconic servants of The Nameless One and the water dragons of the East. This has forced a split between the West and the East, because Virtudom won’t have anything to do with countries that have anything to do with dragons, because most of what they see is the third faction – the Draconic countries. These are countries conquered by minions of the Nameless One, and they are full of chaos, fire, evil, and plague.
This is the world the book opens on. Most of our main characters – Queen Sabran, her handmaiden Ead, the dragonrider Tané – are women, but we also have Doctor Niclays Roos, an alchemist, and Lord Arteloth Beck, a friend of the Queen. In this world, women are just as capable as men, and are treated as such. There are female knights, and same-sex relationships are just as ordinary as opposite-sex ones. There is a bit too much moral emphasis placed on monogamy/sex within the bounds of marriage, but I guess that’s “Knightly Virtue” for you. Skin color is only mentioned a couple of times, but I seem to remember Lord Arteloth being described as very dark-skinned, and Ead as golden-brown. Rather nice to see a fantasy NOT all caught up in racial and gender differences. Not to say there isn’t a fair amount of bigotry, but in this book it’s based pretty much solely on nationality and religion. And when the biggest sticking point is “do you like evil dragons or not” that kind of makes sense!
I think the only thing I didn’t like about this book was its size. It’s unwieldy to read, at over 800 pages! I’m not sure why they didn’t break it into a duology. Regardless, if you have the choice, I’d read it on Kindle. It would be far easier to handle. I’m not complaining about the amount of text, mind you. Just the sheer physical size. I can’t imagine the story being told in less time. There’s So. Much. Here.
This book goes from Queen Sabran’s court to the dragonrider academy in the East, to the draconic kingdom of Yscalin, to the Abyss where the Nameless One sleeps. We see glittering courts, hidden islands, sweltering tunnels through volcanic mountains, and deep valleys with secret magic trees. We battle wyrms and cockatrices, swim through endless seas with dragonriders, sail through storms with pirate crews, and navigate the trickiest of diplomatic matters with courtiers. The Priory of the Orange Tree paints an elaborate, incredibly complex world and I am absolutely here for it.
Okay, so one tiny quibble – while I liked the romance, I feel like it started kind of oddly. I didn’t see any reason for the initial spark. From there, it progressed perfectly, but I just didn’t get the beginning.
This book has multiple queer couples! There’s at least one same-sex couple mentioned as attending a party; Doctor Roos spends a lot of time mourning his dead lover, and there’s the lesbian romance between a couple of main characters. And one character has at least strong affection for a man before falling in love with a woman; I think she was in love with both. No trans or ace rep, but plenty of gay, lesbian, and bi!
This is hands-down the best book I’ve read so far this year. It took me three days – it’s a big book – but it is absolutely fantastic.
You can find all my reviews at http://goddessinthestacks.com
So the basic premise of this world is that The Nameless One (some gigantic evil dragon) was locked away a thousand years ago, and all his minions with him. The exact details of how and who did it have been mostly lost to history. It’s said that as long as the House of Berethnet rules Inys, he’ll never rise again, and Berethnet queens always have one child, a daughter. The current queen, however, is unwed, and minions of The Nameless One have begun rising, and in fact have conquered a few neighboring nations. We have three main factions of countries; The East, who have dragon riders, but make a distinction between their dragons, who are aquatic and identify with the stars, and the evil minions of The Nameless One, who are full of fire. Then we have Virtudom, which is headed by Inys, and is a coalition of countries who have made a religion of the Knightly Virtues. This is the West, and they make no distinction between the draconic servants of The Nameless One and the water dragons of the East. This has forced a split between the West and the East, because Virtudom won’t have anything to do with countries that have anything to do with dragons, because most of what they see is the third faction – the Draconic countries. These are countries conquered by minions of the Nameless One, and they are full of chaos, fire, evil, and plague.
This is the world the book opens on. Most of our main characters – Queen Sabran, her handmaiden Ead, the dragonrider Tané – are women, but we also have Doctor Niclays Roos, an alchemist, and Lord Arteloth Beck, a friend of the Queen. In this world, women are just as capable as men, and are treated as such. There are female knights, and same-sex relationships are just as ordinary as opposite-sex ones. There is a bit too much moral emphasis placed on monogamy/sex within the bounds of marriage, but I guess that’s “Knightly Virtue” for you. Skin color is only mentioned a couple of times, but I seem to remember Lord Arteloth being described as very dark-skinned, and Ead as golden-brown. Rather nice to see a fantasy NOT all caught up in racial and gender differences. Not to say there isn’t a fair amount of bigotry, but in this book it’s based pretty much solely on nationality and religion. And when the biggest sticking point is “do you like evil dragons or not” that kind of makes sense!
I think the only thing I didn’t like about this book was its size. It’s unwieldy to read, at over 800 pages! I’m not sure why they didn’t break it into a duology. Regardless, if you have the choice, I’d read it on Kindle. It would be far easier to handle. I’m not complaining about the amount of text, mind you. Just the sheer physical size. I can’t imagine the story being told in less time. There’s So. Much. Here.
This book goes from Queen Sabran’s court to the dragonrider academy in the East, to the draconic kingdom of Yscalin, to the Abyss where the Nameless One sleeps. We see glittering courts, hidden islands, sweltering tunnels through volcanic mountains, and deep valleys with secret magic trees. We battle wyrms and cockatrices, swim through endless seas with dragonriders, sail through storms with pirate crews, and navigate the trickiest of diplomatic matters with courtiers. The Priory of the Orange Tree paints an elaborate, incredibly complex world and I am absolutely here for it.
Okay, so one tiny quibble – while I liked the romance, I feel like it started kind of oddly. I didn’t see any reason for the initial spark. From there, it progressed perfectly, but I just didn’t get the beginning.
This book has multiple queer couples! There’s at least one same-sex couple mentioned as attending a party; Doctor Roos spends a lot of time mourning his dead lover, and there’s the lesbian romance between a couple of main characters. And one character has at least strong affection for a man before falling in love with a woman; I think she was in love with both. No trans or ace rep, but plenty of gay, lesbian, and bi!
This is hands-down the best book I’ve read so far this year. It took me three days – it’s a big book – but it is absolutely fantastic.
You can find all my reviews at http://goddessinthestacks.com