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LeftSideCut (3778 KP) rated Meet the Fockers (2004) in Movies
Mar 9, 2022
Meet the Fockers is a less subtle, and far more slapstick affair than the first film, and it's just not as tight. It's comedy relies a little too much on callbacks to Meet the Parents and a lot of the characters are extremely cartoon-y, however, and perhaps most importantly, it's still a good time.
Barbara Streisand and Dustin Hoffman are welcome additions as the Focker parents, and their liberal lifestyle works at odds with Jack Byrne's uptight nature. It provides the bulk of the funny moments this time around.
The plot is essentially the same as the first film, just set in Miami, and as such follows a predictable beat, but it's a safe one that provides an easy watch, backed by some reliably pleasant Randy Newman music.
An inferior sequel then, but one that serves its purpose. An easy re-watch option for when you've been scrolling through Netflix for far too long.
Barbara Streisand and Dustin Hoffman are welcome additions as the Focker parents, and their liberal lifestyle works at odds with Jack Byrne's uptight nature. It provides the bulk of the funny moments this time around.
The plot is essentially the same as the first film, just set in Miami, and as such follows a predictable beat, but it's a safe one that provides an easy watch, backed by some reliably pleasant Randy Newman music.
An inferior sequel then, but one that serves its purpose. An easy re-watch option for when you've been scrolling through Netflix for far too long.
RəX Regent (349 KP) rated Meet the Fockers (2004) in Movies
Mar 7, 2019
Better than the first...
Contains spoilers, click to show
Well, simply put, this was slightly better than the first. Following the exploits of the previous film, "Meet The Parents", Gaylord Focker, Ben Stiller, introduces his fiancée's parents, excellently portrayed by Robert De Niro and Blythe Danner to his family, with the obvious humorous consequences.
Dustin Hoffman is on form and Barbra Streisand, who I honestly cannot recall seeing in anything but this franchise in the last twenty years, is not bad either as the laid-back titular Fockers. Stiller's and his lies are sidelined here, as the focus is on the conflict between the parents themselves, but all is resolved by the end, obviously and even though Owen Wilson's cameo is pretty contrived and we could have done without it, it had its moments.
"Meet The Fockers" is marginally better than "Meet The Parents", I think because the characters boundaries were more clearly defined, the jokes were funnier and tended to be less reliant on the awkwardness. This lighter offering was more than worth the watch and made me laugh which all you can ask from a comedy.
Dustin Hoffman is on form and Barbra Streisand, who I honestly cannot recall seeing in anything but this franchise in the last twenty years, is not bad either as the laid-back titular Fockers. Stiller's and his lies are sidelined here, as the focus is on the conflict between the parents themselves, but all is resolved by the end, obviously and even though Owen Wilson's cameo is pretty contrived and we could have done without it, it had its moments.
"Meet The Fockers" is marginally better than "Meet The Parents", I think because the characters boundaries were more clearly defined, the jokes were funnier and tended to be less reliant on the awkwardness. This lighter offering was more than worth the watch and made me laugh which all you can ask from a comedy.
Shooting Straight: Guns, Gays, God, and George Clooney
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Despite many wanting him to fail, Piers Morgan took over from US TV legend Larry King at CNN in 2010...
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Filmmaker Steven Spielberg and his colleagues discuss the classic movies that made him famous,...
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BankofMarquis (1832 KP) rated Rain Man (1988) in Movies
Jun 11, 2020
Hoffman and Cruise pair well together
Some films grow over time, some diminish and others are unfairly maligned. I feel that such is the case with 1988's RAINMAN, the film that won 4 Oscars including Best Director, Actor and Picture. I, too, thought that this film might be "cringe-worthy" in the harsh light of 2020, so it was with some trepidation that we fired it up as my wife's choice for "Secret Cinema" in our house.
I need not have worried for this film, it's themes and performances hold up very, very well more than 30 years later.
Starring Dustin Hoffman and Tom Cruise, RAINMAN tells the story of selfish, self-absorbed, high flying Charlie Babbitt who is shocked to discover that he did not inherit the estate of his estranged father - it went to his brother, Raymond (who Charlie knew nothing about). Finding out that Raymond is autistic, Charlie kidnaps Raymond, figuring he could con his way to his Father's fortune.
The first, most surprising, part of this film is the wonderful chemistry between Cruise and Hoffman. They play off each other very well and seem to have a natural rapport. Hoffman, of course, won the Oscar for Best Actor that year - and it is well deserved, even though some claim that his characterization of Raymond is a "gimmick". I think that is not giving the character - and the performance - it's due, for I found (on this rewatch) that Hoffman's portrayal of Raymond is layered, sensitive and sincere. He builds a character that you want to root for.
The surprise of this film is Cruise's performance as Charlie Babbitt. At the beginning he is playing the "yuppie" jerk quite well - focused only on himself - and his possessions and the money he can make, Charlie is not very likable and is, if I must confess, a bit one-dimensional to start. But something happens along the cross-country road trip that Charlie takes Raymond on - his character (and Cruise's performance) grows and shapes into a fully three-dimensional person that has good traits and bad traits. It is one of Cruise's finest performances - and it is a shame that it was not rewarded with an Oscar nomination.
Director Barry Levinson (Director of the under-rated gem DINER) does a nice job keeping the pace - and the mood - of the film moving forward. This could easily have devolved into an over-sentimental and "schmaltzy" feel good flick, Levinson finds the right balance to make this a "feel good" film.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
I need not have worried for this film, it's themes and performances hold up very, very well more than 30 years later.
Starring Dustin Hoffman and Tom Cruise, RAINMAN tells the story of selfish, self-absorbed, high flying Charlie Babbitt who is shocked to discover that he did not inherit the estate of his estranged father - it went to his brother, Raymond (who Charlie knew nothing about). Finding out that Raymond is autistic, Charlie kidnaps Raymond, figuring he could con his way to his Father's fortune.
The first, most surprising, part of this film is the wonderful chemistry between Cruise and Hoffman. They play off each other very well and seem to have a natural rapport. Hoffman, of course, won the Oscar for Best Actor that year - and it is well deserved, even though some claim that his characterization of Raymond is a "gimmick". I think that is not giving the character - and the performance - it's due, for I found (on this rewatch) that Hoffman's portrayal of Raymond is layered, sensitive and sincere. He builds a character that you want to root for.
The surprise of this film is Cruise's performance as Charlie Babbitt. At the beginning he is playing the "yuppie" jerk quite well - focused only on himself - and his possessions and the money he can make, Charlie is not very likable and is, if I must confess, a bit one-dimensional to start. But something happens along the cross-country road trip that Charlie takes Raymond on - his character (and Cruise's performance) grows and shapes into a fully three-dimensional person that has good traits and bad traits. It is one of Cruise's finest performances - and it is a shame that it was not rewarded with an Oscar nomination.
Director Barry Levinson (Director of the under-rated gem DINER) does a nice job keeping the pace - and the mood - of the film moving forward. This could easily have devolved into an over-sentimental and "schmaltzy" feel good flick, Levinson finds the right balance to make this a "feel good" film.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Awix (3310 KP) rated The Messenger: The Story of Joan of Arc (1999) in Movies
May 3, 2019
Sprawling, episodic historical drama which brought the Hollywood career of Luc Besson to a firm stop. 15th century France is invaded by the English, but leading the resistance is a teenage girl who believes she can hear the voice of God. She may be able to defeat the invaders, but can she survive the snake pit of court and church politics?
So: Joan of Arc, an iconic, legendary, complex figure, is brought to the screen by Milla Jovovich, whose performance mostly consists of her rolling her eyes a lot and squeaking. No matter how distinguished the rest of the cast, or how well staged the various massed battle scenes, this is a problem which any film would struggle to overcome. Some other odd creative choices don't help much (Dustin Hoffman turns up as the embodiment of Joan's self-doubt). Still, there is a genuine sense of the medieval grotesque, and Besson is very much in his comfort zone during the battles. Certainly a brave and imaginative take on history, but the end result is too close to Monty Python and the Holy Grail for comfort.
So: Joan of Arc, an iconic, legendary, complex figure, is brought to the screen by Milla Jovovich, whose performance mostly consists of her rolling her eyes a lot and squeaking. No matter how distinguished the rest of the cast, or how well staged the various massed battle scenes, this is a problem which any film would struggle to overcome. Some other odd creative choices don't help much (Dustin Hoffman turns up as the embodiment of Joan's self-doubt). Still, there is a genuine sense of the medieval grotesque, and Besson is very much in his comfort zone during the battles. Certainly a brave and imaginative take on history, but the end result is too close to Monty Python and the Holy Grail for comfort.
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Lainie Kazan recommended The Graduate (1967) in Movies (curated)
Kung Fu Panda Holiday Storybook
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★ Featured in "What's Hot" in the Apple App Store iStoryTime brings you Kung Fu Panda Holiday...