Phillip McSween (751 KP) rated Never Grow Old (2019) in Movies
Apr 1, 2019
Acting: 10
I applaud Emile Hirsch for constantly taking on unique roles and stepping outside of comfort zones. In Never Grow Old, he is Pat the Irish undertaker. The role is original in and of itself, but he manages to take it and really make it his own. As Pat, he gives you that “Every Man” feel giving the sense that you would do the same types of things if put in his situation. You can feel his fear in knowing he may have to do some things he doesn’t want to do to protect his family.
Shout-out to John Cusack playing bounty hunter Dutch. He does an outstanding job of really making you hate his guts. By the end of it, you’re ready to seem him get taken out. I respected his performance because it never felt overdone or unbelievable like some actors struggle with when taking on an antagonist role. Think Thanos with a six-shooter.
Beginning: 9
Characters: 10
Cinematography/Visuals: 10
Conflict: 7
Genre: 9
This film ranks up there in terms of Westerns if nothing else but for its originality. The genre is oversaturated with revenge tales, robberies, and the peacekeeping law. This takes you in an entirely different direction. It’s filled with action, grit, but, more importantly, thought.
Memorability: 8
Pace: 6
Plot: 10
Resolution: 7
Not the ending I was hoping for, but I understand why this directional path was chosen. it was almost unavoidable. I didn’t love it, but I definitely respect it.
Overall: 86
Never Grow Old is one of those hidden gem movies you will be wanting to tell your friends to go see. If you like Westerns, hell even if you don’t, this one is extremely enjoyable and memorable. One of my favorite under-the-radar movies.
Phil Leader (619 KP) rated The Rembrandt Secret in Books
Nov 25, 2019
As a thriller this book works really well; the secret itself (unsurprisingly involving the Dutch Old Master Rembrandt) is revealed fairly early on which means the book can concentrate on what it does best - instilling a sense of paranoia in both the hero (Owen's son Marshall) and the reader trying to work out who the murderer is.
The world of art is also a good choice for this kind of taut thriller; since everyone is trying to find that one previously unacknowledged masterpiece worth millions before their neighbour does nobody trusts anyone else. Marshill did not follow his father into the world of art and so is viewed with even more distrust.
A whole cast of eccentric characters appear, some of which could have a motive, most of them hiding some sort of underhand connection to the victim. As Marshal tries to make sense not only of his father's death but of the strange circles he moved in the secrets come to light one by one - and the body count rises. Someone is eliminating everyone who knows the Rembrandt Secret, including Marshall.
Although I know next to nothing about how the art world works (and I am assuming the portrayal is broadly accurate) it didn't lessen my enjoyment of the book. The plot is not filled with action by any means but instead is driven by the characters, every conversation feeling like the participants are carefully navigating their way thought it trying to gain advantage from the other. I did guess the 'who' in the whodunnit around half way through but it was more of an educated guess than anything concrete so was still fairly suprised when I was proved correct.
There is a lot of conversation about art which didn't interest me much but did add flavour and texture to the book, but it did get a little frustrating sometimes when it didn't have any bearing on moving the plot forward.
Overall I enjoyed this a lot and if I see another of Connor's books I will pick it up and no doubt enjoy reading that too.
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