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Elizabeth (1521 KP) rated Izombie: Volume 1: Dead to the World in Books
Apr 24, 2019
I read this because I enjoy the show, but other than the crime solving and brain eating induced images, the two have next to nothing in common. That's not to say that the comic isn't any good, just not quite what I expected.
The comic is set in a small town where Gwendolyn "Gwen" Dylan, the main character (not Olivia "Liv" Moore), has an antiquated job, that makes no sense in this day and age. As if that wasn't different enough, I was certainly surprised by the presence of so many other supernatural creatures (ghosts, were-terriers {not to be confused with werewolves}, and vampires). Although, the explanation of the different types of supernaturals was well thought out and plausible, as plausible as the existence of supernaturals can be.
For all of it's differences, I must say that the resemblance between Gwen and the actress playing Olivia on the show, is spot on. This is really the only thing that kept grounding me to the fact that the two were related as I read.
I think that the biggest hurdle will be the lack of some of my favorite characters from the show, like Ravi and Major. I 'm thinking that Major might have been loosely, and I mean VERY loosely, based on Horatio, but I really hope not and that he (or someone a lot closer to his character) shows up later in the series.
With all of that being said, I will continue to read and hope I can further dissociate the two in order to enjoy the comic more, as it has potential as a very different type of zombie story.
The comic is set in a small town where Gwendolyn "Gwen" Dylan, the main character (not Olivia "Liv" Moore), has an antiquated job, that makes no sense in this day and age. As if that wasn't different enough, I was certainly surprised by the presence of so many other supernatural creatures (ghosts, were-terriers {not to be confused with werewolves}, and vampires). Although, the explanation of the different types of supernaturals was well thought out and plausible, as plausible as the existence of supernaturals can be.
For all of it's differences, I must say that the resemblance between Gwen and the actress playing Olivia on the show, is spot on. This is really the only thing that kept grounding me to the fact that the two were related as I read.
I think that the biggest hurdle will be the lack of some of my favorite characters from the show, like Ravi and Major. I 'm thinking that Major might have been loosely, and I mean VERY loosely, based on Horatio, but I really hope not and that he (or someone a lot closer to his character) shows up later in the series.
With all of that being said, I will continue to read and hope I can further dissociate the two in order to enjoy the comic more, as it has potential as a very different type of zombie story.
BankofMarquis (1832 KP) rated The Outfit (2022) in Movies
Jul 1, 2022
Smart, Intelligent and Understated
So much of the success or failure of a film at the Cineplex Box Office depends on the marketing of the film and the timing of it’s release. In the case of the wonderful crime drama THE OUTFIT (who’s release was buried in late January/early February 2022), the marketing did it no favors.
And that’s too bad, for this Mark Rylance film - which could easily be a stage play - is an intriguing SMART cat and mouse drama between some mob types and their tailor.
Yes, their tailor.
Rylance stars as Leonard, a tailor (he prefers to be called a “cutter”), who has a shop in Chicago in the 1950’s, THE OUTFIT tells the tale of said cutter who’s business is booming thanks to patronage of local gangsters (the titular OUTFIT) who not only frequent his shop for suits, but also to use it as a place to make “drops”. The intrigue of this film comes when “things get real” for THE OUTFIT and they use Leonard’s shop as a hideout. Leonard must outsmart the outfit - and their foes - if he hopes to survive the night.
It’s a smart premise made all the more interesting by the understated performance by Rylance who, once again, shows that his genial demeanor is disguising a very intelligent and fast-working brain. It is another in a long string of strong performances by Rylance (who won a Best Supporting Actor Oscar for his work in 2015’s BRIDGE OF SPIES).
Rylance is joined on screen by some very good performances by Zoey Deutch (ZOMBIELAND DOUBLETAP), Johnny Flynn (EMMA), Stage Actor Simon Russell Beale (THE DEATH OF STALIN) and, most surprisingly, Dylan O’Brien (THE MAZE RUNNER). They bring a Broadway stage performance sense of style to this work - and it is absolutely the right approach to this material, for the entire film takes place inside Leonard’s tailor shop.
Credit for this must go to Director Graham Moore (THE IMITATION GAME) who wrote this film with Johnathan McClain. He has a firm grip on what he is attempting to do - and he does it well. He sets up the premise and the players well and then pays off the circumstances - sometimes surprisingly - in satisfying ways. It is a strong showing by Moore and I’ll be looking to see what he does next.
Intelligent, understated, stage-like, smart…no wonder the suits at Universal had no idea how to market it.
So, I’ll market/champion this film that perfectly casts Rylance. He is in almost every scene and it is his intense and interesting performance that will pull you into his shop - and into the world of the OUTFIT.
Check it out - you’ll be glad you did.
THE OUTFIT is streaming for free for those of you subscribed to PEACOCK and can be rented (or bought) on most of the major outlets for those types of things.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
And that’s too bad, for this Mark Rylance film - which could easily be a stage play - is an intriguing SMART cat and mouse drama between some mob types and their tailor.
Yes, their tailor.
Rylance stars as Leonard, a tailor (he prefers to be called a “cutter”), who has a shop in Chicago in the 1950’s, THE OUTFIT tells the tale of said cutter who’s business is booming thanks to patronage of local gangsters (the titular OUTFIT) who not only frequent his shop for suits, but also to use it as a place to make “drops”. The intrigue of this film comes when “things get real” for THE OUTFIT and they use Leonard’s shop as a hideout. Leonard must outsmart the outfit - and their foes - if he hopes to survive the night.
It’s a smart premise made all the more interesting by the understated performance by Rylance who, once again, shows that his genial demeanor is disguising a very intelligent and fast-working brain. It is another in a long string of strong performances by Rylance (who won a Best Supporting Actor Oscar for his work in 2015’s BRIDGE OF SPIES).
Rylance is joined on screen by some very good performances by Zoey Deutch (ZOMBIELAND DOUBLETAP), Johnny Flynn (EMMA), Stage Actor Simon Russell Beale (THE DEATH OF STALIN) and, most surprisingly, Dylan O’Brien (THE MAZE RUNNER). They bring a Broadway stage performance sense of style to this work - and it is absolutely the right approach to this material, for the entire film takes place inside Leonard’s tailor shop.
Credit for this must go to Director Graham Moore (THE IMITATION GAME) who wrote this film with Johnathan McClain. He has a firm grip on what he is attempting to do - and he does it well. He sets up the premise and the players well and then pays off the circumstances - sometimes surprisingly - in satisfying ways. It is a strong showing by Moore and I’ll be looking to see what he does next.
Intelligent, understated, stage-like, smart…no wonder the suits at Universal had no idea how to market it.
So, I’ll market/champion this film that perfectly casts Rylance. He is in almost every scene and it is his intense and interesting performance that will pull you into his shop - and into the world of the OUTFIT.
Check it out - you’ll be glad you did.
THE OUTFIT is streaming for free for those of you subscribed to PEACOCK and can be rented (or bought) on most of the major outlets for those types of things.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)